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Let Me In
Songs like
Let Me In
by
The Osmonds
Based on a tempo of (+/- 10%) and a similar genre
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Donny & Marie Osmond
The Umbrella Song
164 bpm • C Maj • 03:23 • -4.75db
20% Popularity • 33% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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The Osmonds
Let Me In
164 bpm • C Maj • 03:39 • -10.91db
37% Popularity • 18% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Gilbert O'Sullivan
Why Oh Why Oh Why
163 bpm • G# Maj • 03:48 • -6.68db
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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R & J Stone
We Do It
166 bpm • C min • 03:19 • -11db
28% Popularity • 36% Danceability • 49% Energy • 34% Liveness
9% Instrumentalness • 49% Positiveness
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Diana Ross
All Of My Life
167 bpm • G# Maj • 03:32 • -7.86db
40% Popularity • 34% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Peters & Lee
Don't Stay Away Too Long
168 bpm • C Maj • 03:51 • -16.01db
32% Popularity • 78% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Des O'Connor
I Pretend
169 bpm • F Maj • 02:48 • -11.74db
26% Popularity • 26% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Goldsboro
Summer (The First Time)
169 bpm • E Maj • 04:41 • -15.61db
38% Popularity • 27% Danceability • 34% Energy • 34% Liveness
3% Instrumentalness • 43% Positiveness
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Cliff Richard & The Shadows
In the Country - 2005 Remaster
158 bpm • D Maj • 02:41 • -7.11db
13% Popularity • 44% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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The Mixtures
The Pushbike Song
169 bpm • D Maj • 02:30 • -12.96db
33% Popularity • 62% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Ruffin
Farewell Is A Lonely Sound
158 bpm • A Maj • 03:03 • -7db
38% Popularity • 27% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Donny & Marie Osmond
Butterfly
170 bpm • F Maj • 03:02 • -3.66db
18% Popularity • 25% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 40% Positiveness
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David Cassidy
How Can I Be Sure
171 bpm • D min • 03:07 • -11.44db
35% Popularity • 31% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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The Osmonds
Where Would I Be Without You
172 bpm • F Maj • 03:57 • -5.25db
9% Popularity • 45% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Cliff Richard & The Shadows
In the Country
158 bpm • D Maj • 02:44 • -12db
19% Popularity • 44% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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James Thomas
A Boy From Nowhere
172 bpm • F# Maj • 05:33 • -11.78db
11% Popularity • 25% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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The 5th Dimension
The Worst That Could Happen
172 bpm • C Maj • 02:18 • -11db
27% Popularity • 26% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Blue Mink
Melting Pot
173 bpm • F Maj • 03:47 • -9.24db
40% Popularity • 38% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Long John Baldry
Mexico (Under the Sun In Mexico)
174 bpm • F# min • 02:34 • -6.79db
16% Popularity • 24% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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The Osmonds
I'm Still Gonna Need You
156 bpm • F Maj • 03:19 • -6.44db
17% Popularity • 39% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Bobby Sherman
The Drum
174 bpm • D Maj • 02:20 • -10.79db
8% Popularity • 41% Danceability • 65% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
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Cliff Richard & The Shadows
A Matter of Moments - 2005 Remaster
174 bpm • C# Maj • 02:55 • -9.61db
14% Popularity • 21% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Shaun Cassidy
It's Too Late
155 bpm • A Maj • 02:44 • -12.94db
13% Popularity • 58% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The 5th Dimension
If I Could Reach You
154 bpm • A# Maj • 03:10 • -15.74db
35% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Vicki Lawrence
Ships in the Night
153 bpm • A# Maj • 03:06 • -15.98db
32% Popularity • 50% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Osmonds
Take Love If You Ever Find Love
156 bpm • A# Maj • 02:31 • -8.26db
11% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Bobby Sherman
Cried Like a Baby
154 bpm • A Maj • 03:17 • -9.81db
13% Popularity • 54% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 77% Positiveness
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The Everly Brothers
Let It Be Me (Remastered)
176 bpm • G Maj • 02:37 • -9.9db
36% Popularity • 26% Danceability • 28% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
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Clodagh Rodgers
Goodnight Midnight
177 bpm • G Maj • 02:57 • -10.55db
14% Popularity • 44% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Hurricane Smith
Oh, Babe What Would You Say
152 bpm • C Maj • 03:29 • -7.11db
36% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mark Lindsay
Miss America
177 bpm • G# min • 03:32 • -13.17db
12% Popularity • 24% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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The Osmonds
Rainin'
155 bpm • C Maj • 04:32 • -7.84db
10% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Sherman
Cried Like a Baby
154 bpm • C# Maj • 03:16 • -9.84db
10% Popularity • 43% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
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Brotherhood of Man
Where Are You Going To My Love?
178 bpm • C Maj • 03:19 • -14.35db
8% Popularity • 21% Danceability • 45% Energy • 64% Liveness
0% Instrumentalness • 66% Positiveness
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Dr. Hook
Years From Now - Single Version
151 bpm • G# Maj • 02:58 • -12.39db
42% Popularity • 41% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Art Garfunkel
I Only Have Eyes for You
179 bpm • D Maj • 03:39 • -16.3db
40% Popularity • 16% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Herman's Hermits
My Sentimental Friend (Re-Record)
181 bpm • C Maj • 03:18 • -6.26db
13% Popularity • 27% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 52% Positiveness
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The Osmonds
I Need You
151 bpm • G Maj • 02:48 • -14.23db
7% Popularity • 31% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Shaun Cassidy
Walk Away
181 bpm • E Maj • 03:14 • -14.65db
12% Popularity • 33% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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The Chiffons
Sweet Talkin' Guy
148 bpm • B min • 02:26 • -5db
45% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Anka
(I Believe) There's Nothing Stronger Tha...
148 bpm • C Maj • 02:53 • -6.65db
30% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Engelbert Humperdinck
Too Beautiful To Last
148 bpm • C Maj • 03:08 • -10.76db
40% Popularity • 30% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Darts
The Boy from New York City
147 bpm • C Maj • 03:03 • -7.81db
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
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Kate Robbins
More Than in Love
146 bpm • C Maj • 03:31 • -12.24db
15% Popularity • 41% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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The Osmonds
At The Rainbows End
184 bpm • C Maj • 02:51 • -6.26db
12% Popularity • 28% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Blue Mink
The Banner Man
184 bpm • A# Maj • 03:26 • -8.61db
33% Popularity • 43% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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The Dooleys
Stone Walls
146 bpm • C Maj • 03:02 • -8.18db
15% Popularity • 53% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 66% Positiveness
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Carole King
It Might as Well Rain Until September
146 bpm • C Maj • 02:27 • -6.72db
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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O.C. Smith
The Son of Hickory Holler's Tramp
145 bpm • F Maj • 03:53 • -11db
22% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Leo Sayer
Raining in My Heart
185 bpm • C Maj • 03:13 • -7.77db
24% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Osmonds
One Way Ticket To Anywhere
145 bpm • G Maj • 03:05 • -10.23db
15% Popularity • 52% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 72% Positiveness
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Rita Coolidge
Words
145 bpm • C# Maj • 03:25 • -9db
39% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Roy Wood
Forever - 2005 Remaster
145 bpm • C Maj • 04:25 • -9.73db
18% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Boyce
Alice Long (You're Still My Favorite Gir...
144 bpm • C Maj • 02:51 • -6.44db
21% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
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Blue Mink
Stay With Me
144 bpm • F Maj • 03:16 • -12.01db
17% Popularity • 36% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Diana Ross
I Won't Last A Day Without You
144 bpm • C Maj • 03:49 • -8.53db
16% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Osmonds
Goin' Home
145 bpm • D Maj • 02:28 • -11db
23% Popularity • 52% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
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Shaun Cassidy
Do You Believe In Magic
144 bpm • C Maj • 02:18 • -10.15db
22% Popularity • 50% Danceability • 73% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
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Leif Garrett
Runaround Sue
144 bpm • E Maj • 02:22 • -12db
28% Popularity • 56% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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The Nolans
Old Feelings Again
143 bpm • D Maj • 02:34 • -8db
15% Popularity • 57% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Bobby Sherman
Easy Come, Easy Go
143 bpm • E Maj • 02:40 • -11db
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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Gladys Knight & The Pips
So Sad the Song
143 bpm • D# Maj • 03:53 • -11.23db
22% Popularity • 29% Danceability • 30% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
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The Osmonds
Kind Of A Woman That A Man Wants
144 bpm • A Maj • 02:40 • -5.91db
8% Popularity • 52% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Shaun Cassidy
Da Doo Ron Ron
144 bpm • C Maj • 02:50 • -11.55db
39% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Diana Ross
DoobeDood'nDoobe, DoobeDood'nDoobe, Doob...
188 bpm • G# Maj • 04:52 • -10.1db
14% Popularity • 42% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Springbok
Temma Harbour
141 bpm • B Maj • 02:54 • -15.68db
11% Popularity • 49% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
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Gary Benson
Don't Throw It All Away
140 bpm • A Maj • 03:19 • -10.75db
30% Popularity • 42% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Sherman
Easy Come, Easy Go
140 bpm • E Maj • 02:41 • -18db
11% Popularity • 57% Danceability • 23% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
The Osmonds
Can't Get There Without You
144 bpm • E Maj • 04:09 • -14.13db
9% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Susan Maughan
Bobby's Girl
140 bpm • A# Maj • 02:36 • -9.85db
28% Popularity • 60% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Diana Ross
Sorry Doesn't Always Make It Right - Sin...
140 bpm • C# Maj • 03:33 • -8.36db
14% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Wigan's Ovation
Skiing in the Snow
139 bpm • A# min • 02:54 • -10.97db
17% Popularity • 65% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Chi-Lites
Homely Girl
139 bpm • A Maj • 03:35 • -8.66db
31% Popularity • 56% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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David Soul
Don't give up on us
199 bpm • A Maj • 03:38 • -13.59db
64% Popularity • 26% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
► Preview
The Osmonds
Love Me For A Reason - Re-Recorded In St...
143 bpm • F Maj • 04:14 • -9.13db
8% Popularity • 56% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Monro
The Impossible Dream - Remastered 2021
200 bpm • C# Maj • 02:46 • -16.16db
41% Popularity • 27% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Liv Maessen
Knock Knock Who's There
199 bpm • F Maj • 02:29 • -10.58db
19% Popularity • 42% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Sherman
La La La (If I Had You)
200 bpm • A Maj • 02:42 • -10.51db
20% Popularity • 23% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 90% Positiveness
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Cliff Richard & The Shadows
Bachelor Boy
201 bpm • D Maj • 02:02 • -11db
33% Popularity • 41% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Fortunes
Storm In A Teacup
201 bpm • F# min • 03:15 • -7.96db
34% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Osmonds
Love Me For A Reason
143 bpm • A Maj • 04:03 • -5.45db
43% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Climax
Precious and Few
201 bpm • A Maj • 02:44 • -12.34db
46% Popularity • 20% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Paul Nicholas
Just Good Friends
203 bpm • C Maj • 03:42 • -17.06db
8% Popularity • 60% Danceability • 27% Energy • 6% Liveness
4% Instrumentalness • 62% Positiveness
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Debby Boone
Baby, I'm Yours
208 bpm • G Maj • 02:37 • -7db
36% Popularity • 27% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Donny & Marie Osmond
Hold Me, Thrill Me, Kiss Me
215 bpm • F# min • 02:47 • -4.71db
12% Popularity • 32% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
The Fortunes
Storm in a Teacup - Rerecorded
207 bpm • D Maj • 03:30 • -9.83db
11% Popularity • 48% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
► Preview
The Osmonds
Down By The Lazy River
142 bpm • C# min • 02:43 • -5db
37% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Let Me In