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Let Me Out
Songs like
Let Me Out
by
Jordy Maxwell
Based on a tempo of (+/- 10%) and a similar genre
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Jordy Maxwell
Let Me Out
162 bpm • F min • 04:28 • -11.64db
23% Popularity • 24% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Belle Mt.
Life Support
160 bpm • F# min • 03:19 • -6.43db
13% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Cunningham
Pictures
164 bpm • D Maj • 03:06 • -14.72db
30% Popularity • 53% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Kyle Lionhart
Everything We Wanted (Lucky Stars)
164 bpm • A Maj • 03:43 • -14.41db
21% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Austin Mackay
Dancing Through The Fire
164 bpm • A min • 03:53 • -6.69db
22% Popularity • 56% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Lawson Hull
Leaving
160 bpm • A# Maj • 04:08 • -9.91db
17% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jack Van Cleaf
Ingrid
159 bpm • C Maj • 04:13 • -13.44db
36% Popularity • 42% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Ed Prosek
Ever After (Wedding Song)
160 bpm • G# Maj • 03:23 • -10.54db
28% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jordy Maxwell
Sunday Morning
158 bpm • C Maj • 03:52 • -8.89db
31% Popularity • 50% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Dreggs
Simple Question
158 bpm • C min • 04:32 • -10.76db
37% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Freyr
I'm Here
157 bpm • D Maj • 02:12 • -13db
57% Popularity • 59% Danceability • 42% Energy • 5% Liveness
72% Instrumentalness • 81% Positiveness
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PJ Harding
A Dangerous Thing
157 bpm • F Maj • 03:03 • -10.76db
47% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Martin Luke Brown
see u later x
157 bpm • B Maj • 03:03 • -6.39db
33% Popularity • 51% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Nana's Pie
Deja vu
156 bpm • A Maj • 05:08 • -10.33db
14% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Kingswood
Why Should I Let You Go
168 bpm • C Maj • 03:13 • -4.69db
23% Popularity • 50% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Dom Louis
First Light
157 bpm • A# Maj • 02:55 • -10.8db
34% Popularity • 46% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Jolé
Let Go
156 bpm • C# min • 03:04 • -7.69db
36% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 48% Positiveness
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Betty Taylor
Stallin'
156 bpm • C Maj • 04:25 • -6db
32% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
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Nat Lefkoff
Great White Plains
156 bpm • A# Maj • 03:22 • -12db
37% Popularity • 53% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Woodlock
Quick Hands
156 bpm • G Maj • 03:23 • -9db
51% Popularity • 43% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Nana's Pie
Fool for you
156 bpm • A# Maj • 03:22 • -8.2db
18% Popularity • 62% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Cassandra Coleman
Moonbeam
156 bpm • F Maj • 03:40 • -4.67db
28% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hartke
Hey Babe
169 bpm • E Maj • 02:55 • -7.41db
34% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Cunningham
Alibi
155 bpm • C Maj • 04:16 • -9.52db
26% Popularity • 60% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 20% Positiveness
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Sons Of The East
Ain’t So Easy
169 bpm • D Maj • 03:05 • -12.81db
35% Popularity • 24% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Kindred Valley
Hangin' on the Wall
155 bpm • G# Maj • 03:46 • -10.43db
38% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Great Gable
Dancing Shoes (Acoustic)
155 bpm • E Maj • 04:03 • -7.35db
6% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Joel Leggett
Every Morning
170 bpm • D Maj • 01:48 • -11.59db
22% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Layup
Way out Beyond
154 bpm • G Maj • 03:13 • -10.12db
42% Popularity • 71% Danceability • 50% Energy • 13% Liveness
36% Instrumentalness • 44% Positiveness
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Nick Cunningham
Gotta Go
170 bpm • D Maj • 03:53 • -10.73db
30% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Sidney Bird
Snowbird
170 bpm • C Maj • 03:23 • -8.79db
25% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Hartke
Summer Of Love
171 bpm • A Maj • 02:22 • -11.9db
41% Popularity • 34% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Austin Mackay
Borderline
154 bpm • E Maj • 04:15 • -10.13db
24% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jordy Maxwell
Recording 58
152 bpm • F# Maj • 02:29 • -15.96db
43% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Sons Of The East
Millionaire
174 bpm • B Maj • 02:18 • -8db
59% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Tay Oskee
Oxytocin
174 bpm • E Maj • 03:56 • -10.94db
27% Popularity • 47% Danceability • 52% Energy • 36% Liveness
10% Instrumentalness • 17% Positiveness
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Woodlock
Collateral - Acoustic
150 bpm • F Maj • 03:13 • -12db
44% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bo Staloch
Birds Of San Francisco
150 bpm • F# Maj • 03:30 • -9.17db
37% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jordy Maxwell
Where'd You Go
174 bpm • B Maj • 03:39 • -9.37db
39% Popularity • 28% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Welcome Stranger
Half a Man
150 bpm • B Maj • 04:11 • -7.71db
33% Popularity • 49% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Felipe Baldomir
Waiting For You
150 bpm • G# min • 02:49 • -8.15db
37% Popularity • 59% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Braden Lam
second wind
150 bpm • C# min • 03:32 • -6.97db
19% Popularity • 62% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Nick Cunningham
Coming Down
150 bpm • C# Maj • 03:42 • -11.08db
30% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Handsome Ghost
Call Me When You're Pulling Up
150 bpm • G# Maj • 03:34 • -7.86db
9% Popularity • 61% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
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The Dunwells
Break my Fall
149 bpm • F# min • 03:36 • -14.9db
30% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Chumpy and the Sunsetaroonies
Falling
176 bpm • G# Maj • 03:53 • -14.94db
32% Popularity • 35% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Twin Tacoma
(Your Love Keeps Lifting Me) Higher and ...
149 bpm • G Maj • 03:02 • -17.34db
36% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Alivan Blu
Southern Sun
149 bpm • G# min • 04:36 • -10.14db
31% Popularity • 56% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
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Tay Oskee
The Wire
149 bpm • B min • 03:03 • -10.01db
32% Popularity • 72% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Waves Rush In
Under The Static
148 bpm • E Maj • 01:15 • -13.98db
46% Popularity • 50% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Ben Camden
Leather Bags
148 bpm • E Maj • 03:05 • -9.41db
22% Popularity • 78% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Riley Pearce
Slow This Down
148 bpm • F Maj • 03:24 • -9.07db
41% Popularity • 52% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Greta Stanley
Somebodies
148 bpm • A# Maj • 02:20 • -16.27db
44% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mikayla Pasterfield
Bindi in the Dirt
178 bpm • F# min • 03:51 • -5db
40% Popularity • 22% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Tay Oskee
Black Smoke
147 bpm • F Maj • 03:35 • -8db
35% Popularity • 59% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Hayden Calnin
We Lost Sight of the Shoreline
147 bpm • F Maj • 04:32 • -14.24db
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
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Jack Kane
Under Your Spell
180 bpm • G Maj • 01:52 • -9.9db
32% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Pearce
The Water
148 bpm • F Maj • 03:42 • -11.66db
24% Popularity • 61% Danceability • 55% Energy • 11% Liveness
68% Instrumentalness • 57% Positiveness
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Handsome Ghost
Heaven Isn't Long for You
146 bpm • G Maj • 03:50 • -8.67db
9% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Alexander William
Cuffley
146 bpm • C Maj • 03:56 • -10.71db
7% Popularity • 62% Danceability • 43% Energy • 11% Liveness
15% Instrumentalness • 26% Positiveness
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The Dreggs
Keepsake
146 bpm • A Maj • 03:46 • -6.77db
47% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sons Of The East
Hard Playing Hard To Get
146 bpm • E Maj • 03:35 • -10.37db
36% Popularity • 70% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Jordy Maxwell
Red Wine Hurts My Head
146 bpm • B Maj • 03:14 • -8.15db
22% Popularity • 56% Danceability • 65% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
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Israel Cannan
By the Coastline
146 bpm • F Maj • 03:36 • -8.5db
26% Popularity • 48% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Angus Kaftan
Grey and Old
180 bpm • F# Maj • 03:34 • -8.07db
30% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Waiting for Smith
White Light Of Love
180 bpm • A Maj • 04:06 • -9.5db
29% Popularity • 62% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Gaudion
Animal
180 bpm • F# Maj • 03:13 • -12.62db
30% Popularity • 51% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Christian Sparacio
Suburban Movie Song
145 bpm • B Maj • 03:25 • -11.33db
35% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Welcome Stranger
See You Still
145 bpm • G Maj • 03:27 • -9db
21% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Freight Train Foxes
Oh My Girl
145 bpm • A min • 02:48 • -7db
32% Popularity • 67% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Hayden Calnin
A Turning of the Tide
145 bpm • A# Maj • 03:39 • -13.09db
35% Popularity • 52% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Zeke Finn
Long Story Short
145 bpm • F# min • 03:18 • -4.59db
27% Popularity • 50% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Lee
Wildfire Love
182 bpm • E Maj • 01:43 • -19.46db
48% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Kai Weinkauf
She Moves in Waves
144 bpm • E Maj • 03:25 • -9.78db
32% Popularity • 40% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Braden Lam
Smoking Gun
144 bpm • G Maj • 03:07 • -9.3db
29% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jordy Maxwell
So Far
144 bpm • G Maj • 04:16 • -11.08db
16% Popularity • 54% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ed Prosek
Hallelujah
144 bpm • E Maj • 03:12 • -12.4db
23% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Gert Taberner
Hannah
144 bpm • D Maj • 03:55 • -9db
8% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fin Rah Zel
Closer
144 bpm • A# Maj • 03:09 • -10db
33% Popularity • 58% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Arts Fishing Club
hello heartbreak
143 bpm • E Maj • 04:03 • -5.82db
28% Popularity • 55% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
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Alivan Blu
Cabin In The Woods
143 bpm • C Maj • 03:11 • -8.45db
40% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Willis
Belong Together
143 bpm • D# Maj • 03:36 • -8.86db
20% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Israel Cannan
Bright Lights
142 bpm • D min • 03:22 • -14.11db
32% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jessie Reid
Give Me Love
142 bpm • D min • 03:14 • -11.86db
36% Popularity • 63% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Medium Build
Especially Me
142 bpm • G Maj • 04:15 • -12.23db
35% Popularity • 62% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Sons Of The East
Tail Lights
142 bpm • G Maj • 04:28 • -8.53db
30% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Hayden Calnin
If It's Time
141 bpm • E Maj • 04:17 • -8.2db
30% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Takes
River Stones
141 bpm • F Maj • 04:35 • -6.46db
34% Popularity • 33% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Martin Luke Brown
grateful
140 bpm • B min • 03:13 • -7.88db
30% Popularity • 72% Danceability • 67% Energy • 9% Liveness
32% Instrumentalness • 56% Positiveness
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Jordy Maxwell
Flowers
140 bpm • C Maj • 03:48 • -12.44db
14% Popularity • 54% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 27% Positiveness
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Tommy Ashby
A Beautiful Day
140 bpm • G Maj • 02:49 • -9.15db
23% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Will Hearn
Sea For Miles
140 bpm • C Maj • 03:35 • -11.34db
13% Popularity • 57% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Layup
Feels Like Family
140 bpm • G Maj • 02:11 • -5.68db
37% Popularity • 82% Danceability • 80% Energy • 6% Liveness
29% Instrumentalness • 77% Positiveness
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Robbie Miller
Catch Me
140 bpm • D Maj • 02:57 • -10.85db
27% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Woodlock
Settle Down
140 bpm • A Maj • 02:45 • -8db
32% Popularity • 52% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Georgia Fair
mystery trip
188 bpm • G Maj • 03:11 • -12.67db
25% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Alivan Blu
Solace
140 bpm • C Maj • 02:08 • -11.24db
43% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Winterbourne
Don't Forget Me
138 bpm • A min • 03:42 • -9.01db
21% Popularity • 50% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Highline
Chiswick Park
138 bpm • D Maj • 03:17 • -6.39db
15% Popularity • 57% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Let Me Out