Songs like Let The Sunshine In by Galt MacDermot
Based on a tempo of (+/- 10%) and a similar genre
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Raphael Gualazzi
Reality And Fantasy - Gilles Peterson Re...
107 bpm • D# min • 03:25 • -9.09db
35% Popularity • 68% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 68% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Carmen McRae
The Sound of Silence
107 bpm • G min • 03:01 • -11.41db
44% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Yves Simon
Au pays des merveilles de Juliet
107 bpm • G Maj • 02:24 • -16.13db
40% Popularity • 74% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
40% Popularity • 74% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
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Galt MacDermot
Let The Sunshine In
107 bpm • B min • 02:39 • -10.07db
49% Popularity • 51% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
49% Popularity • 51% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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El Michels Affair
Unathi
107 bpm • E min • 03:33 • -7db
41% Popularity • 52% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 83% Positiveness
41% Popularity • 52% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 83% Positiveness
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J.J. Cale
Tijuana
106 bpm • F Maj • 03:53 • -18.77db
37% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Raphael Gualazzi
Reality & Fantasy - Gilles Peterson Remi...
107 bpm • G# min • 04:26 • -11db
47% Popularity • 71% Danceability • 64% Energy • 9% Liveness
69% Instrumentalness • 96% Positiveness
47% Popularity • 71% Danceability • 64% Energy • 9% Liveness
69% Instrumentalness • 96% Positiveness
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Kylie Auldist
No Use
108 bpm • C min • 03:52 • -5.16db
42% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Jeremy Spencer Band
Cool Breeze
108 bpm • C min • 03:33 • -12.87db
41% Popularity • 84% Danceability • 44% Energy • 12% Liveness
18% Instrumentalness • 97% Positiveness
41% Popularity • 84% Danceability • 44% Energy • 12% Liveness
18% Instrumentalness • 97% Positiveness
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Amadou & Mariam
Je pense à toi
106 bpm • B min • 05:16 • -11.66db
48% Popularity • 67% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 67% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Bettye LaVette
Let Me Down Easy
106 bpm • B min • 02:47 • -2.36db
35% Popularity • 38% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 38% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Freddie Waters
Groovin' On My Baby's Love
108 bpm • A min • 02:45 • -12.57db
35% Popularity • 75% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
35% Popularity • 75% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Dusty Springfield
Spooky
106 bpm • E min • 02:44 • -12.73db
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Galt MacDermot
The Flesh Failures (Let the Sunshine In)
106 bpm • G Maj • 06:04 • -9.13db
43% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Papooz
Ulysses and the Sea
106 bpm • G# min • 02:00 • -9.39db
65% Popularity • 88% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 88% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Raphael Gualazzi
Reality And Fantasy - Radio Edit
108 bpm • G# min • 03:54 • -9.05db
39% Popularity • 81% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 81% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Framix
I Can't Refuse It
108 bpm • E Maj • 03:13 • -5.21db
37% Popularity • 76% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 76% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Ayọ
I'm in Love
106 bpm • E min • 03:43 • -11db
50% Popularity • 85% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
50% Popularity • 85% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
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Gyedu-Blay Ambolley
Afrika Yie
106 bpm • A# min • 06:53 • -5db
31% Popularity • 85% Danceability • 86% Energy • 5% Liveness
9% Instrumentalness • 75% Positiveness
31% Popularity • 85% Danceability • 86% Energy • 5% Liveness
9% Instrumentalness • 75% Positiveness
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Galt MacDermot
Wurly
106 bpm • D Maj • 02:22 • -10.86db
19% Popularity • 65% Danceability • 66% Energy • 7% Liveness
93% Instrumentalness • 80% Positiveness
19% Popularity • 65% Danceability • 66% Energy • 7% Liveness
93% Instrumentalness • 80% Positiveness
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Jessé Garon'
C'est lundi
108 bpm • E min • 02:42 • -7.91db
32% Popularity • 83% Danceability • 60% Energy • 9% Liveness
41% Instrumentalness • 42% Positiveness
32% Popularity • 83% Danceability • 60% Energy • 9% Liveness
41% Instrumentalness • 42% Positiveness
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Cesária Evora
Angola
106 bpm • G# Maj • 04:30 • -12db
48% Popularity • 77% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 77% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Tété
Eleanor Rigby
108 bpm • B min • 04:24 • -12db
37% Popularity • 70% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
37% Popularity • 70% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Joe Strummer
Mondo Bongo
106 bpm • B min • 06:12 • -11.06db
55% Popularity • 82% Danceability • 49% Energy • 27% Liveness
4% Instrumentalness • 87% Positiveness
55% Popularity • 82% Danceability • 49% Energy • 27% Liveness
4% Instrumentalness • 87% Positiveness
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Moriarty
Diamonds Never Die
105 bpm • E min • 04:25 • -9db
44% Popularity • 73% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 73% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Galt MacDermot
What Does A Lover Pack? - Two Gentlemen ...
108 bpm • F Maj • 02:06 • -7.46db
4% Popularity • 86% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 86% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Guts
Peaceful Life
109 bpm • G min • 04:06 • -7.78db
59% Popularity • 85% Danceability • 68% Energy • 28% Liveness
4% Instrumentalness • 96% Positiveness
59% Popularity • 85% Danceability • 68% Energy • 28% Liveness
4% Instrumentalness • 96% Positiveness
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Nino Ferrer
Moses
109 bpm • D Maj • 04:45 • -6.46db
29% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Amadou & Mariam
M' Bife
109 bpm • G Maj • 02:11 • -7.23db
50% Popularity • 73% Danceability • 59% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
50% Popularity • 73% Danceability • 59% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
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Boogie Belgique
Forever and Ever
109 bpm • G# min • 05:50 • -9.89db
43% Popularity • 87% Danceability • 48% Energy • 10% Liveness
31% Instrumentalness • 56% Positiveness
43% Popularity • 87% Danceability • 48% Energy • 10% Liveness
31% Instrumentalness • 56% Positiveness
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Gábor Szabó
Love Is Blue
109 bpm • A Maj • 04:18 • -10db
28% Popularity • 48% Danceability • 44% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
28% Popularity • 48% Danceability • 44% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
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Galt MacDermot
Is It Paranoia If It's True
106 bpm • F min • 04:34 • -10.17db
4% Popularity • 72% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 72% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Abraham Inc.
Abe Inc's House Party
105 bpm • F Maj • 05:55 • -7.41db
10% Popularity • 85% Danceability • 60% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 85% Danceability • 60% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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Manu Dibango
Besoka on Salsa
105 bpm • G min • 07:37 • -16.66db
32% Popularity • 66% Danceability • 35% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
32% Popularity • 66% Danceability • 35% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
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Ella Fitzgerald
Sunshine of Your Love
109 bpm • G# Maj • 03:17 • -8.06db
37% Popularity • 51% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 51% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Dionysos
I Follow Rivers
109 bpm • G Maj • 03:15 • -8.91db
40% Popularity • 70% Danceability • 52% Energy • 16% Liveness
13% Instrumentalness • 34% Positiveness
40% Popularity • 70% Danceability • 52% Energy • 16% Liveness
13% Instrumentalness • 34% Positiveness
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Galt MacDermot
That's A Very Interesting Question - Two...
109 bpm • D Maj • 01:10 • -9.89db
5% Popularity • 86% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 86% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ebo Taylor
Atwer Abroba
110 bpm • F min • 08:12 • -7db
37% Popularity • 72% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
37% Popularity • 72% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
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Lhasa De Sela
Love Came Here
110 bpm • G Maj • 03:51 • -12.87db
47% Popularity • 80% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 80% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Manu Dibango
Groovy Flute
105 bpm • D# Maj • 02:33 • -9db
50% Popularity • 68% Danceability • 84% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
50% Popularity • 68% Danceability • 84% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Louie Austen
Myamy
110 bpm • D# min • 03:08 • -7.91db
49% Popularity • 90% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 90% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ezéchiel Pailhès
Éternel été
110 bpm • D min • 03:24 • -13db
56% Popularity • 89% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 33% Positiveness
56% Popularity • 89% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 33% Positiveness
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Galt MacDermot
Memories
105 bpm • A# Maj • 04:10 • -12.18db
3% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
3% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Vera Hall
Trouble So Hard
104 bpm • A# Maj • 01:38 • -15db
39% Popularity • 59% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 59% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Calypso Rose
Abatina
104 bpm • C Maj • 03:44 • -4.44db
56% Popularity • 75% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 75% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Herman Düne
Your Name / My Game
104 bpm • F# min • 03:59 • -8.31db
31% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Baba Sissoko
Il Faut Pas Ecouter
110 bpm • D# Maj • 03:10 • -7.49db
29% Popularity • 73% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 78% Positiveness
29% Popularity • 73% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 78% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Galt MacDermot
Coffee Cold
104 bpm • D Maj • 01:33 • -8.14db
32% Popularity • 45% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 45% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Moderator
The Scene of the Crime
111 bpm • A# min • 03:29 • -7db
31% Popularity • 75% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 75% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Framix
The Mistake
111 bpm • A Maj • 03:42 • -6.96db
41% Popularity • 94% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
41% Popularity • 94% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Antonin
Ça fait du bien - Voilaaa Remix
111 bpm • E min • 03:28 • -8.48db
44% Popularity • 80% Danceability • 67% Energy • 26% Liveness
23% Instrumentalness • 60% Positiveness
44% Popularity • 80% Danceability • 67% Energy • 26% Liveness
23% Instrumentalness • 60% Positiveness
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Vis a Vis
Obi Agye Me Dofo
103 bpm • D min • 09:50 • -6.12db
31% Popularity • 63% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 70% Positiveness
31% Popularity • 63% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 70% Positiveness
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Me and My Friends
All That Is You
103 bpm • D min • 07:30 • -9.3db
35% Popularity • 80% Danceability • 50% Energy • 60% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 80% Danceability • 50% Energy • 60% Liveness
1% Instrumentalness • 29% Positiveness
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Jay-Jay Johanson
Heard Somebody Whistle
111 bpm • F# Maj • 03:03 • -10.8db
54% Popularity • 70% Danceability • 67% Energy • 8% Liveness
14% Instrumentalness • 78% Positiveness
54% Popularity • 70% Danceability • 67% Energy • 8% Liveness
14% Instrumentalness • 78% Positiveness
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Marion Black
Who Knows
111 bpm • D min • 02:18 • -8db
67% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
67% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Galt MacDermot
Lady, You Look Good to Me
111 bpm • A# Maj • 03:03 • -7.23db
32% Popularity • 70% Danceability • 74% Energy • 6% Liveness
81% Instrumentalness • 76% Positiveness
32% Popularity • 70% Danceability • 74% Energy • 6% Liveness
81% Instrumentalness • 76% Positiveness
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Willie Bobo
Fried Neck Bones And Some Home Fries
111 bpm • C min • 03:03 • -13.23db
48% Popularity • 78% Danceability • 45% Energy • 7% Liveness
58% Instrumentalness • 76% Positiveness
48% Popularity • 78% Danceability • 45% Energy • 7% Liveness
58% Instrumentalness • 76% Positiveness
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Mariama
Underground
112 bpm • A min • 04:11 • -10db
38% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Fred Williams
Tell Her
112 bpm • F min • 02:25 • -10db
48% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Hindi Zahra
Imik Si Mik - Remastered Version
112 bpm • F# min • 03:55 • -10.15db
54% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Una Mas Trio
Clear As Water - Hidden Jazz Quartett re...
112 bpm • C# Maj • 04:07 • -12.2db
49% Popularity • 84% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
49% Popularity • 84% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Gene Lawrence
Feel Like Making Love
102 bpm • D min • 03:30 • -10db
46% Popularity • 74% Danceability • 66% Energy • 11% Liveness
22% Instrumentalness • 56% Positiveness
46% Popularity • 74% Danceability • 66% Energy • 11% Liveness
22% Instrumentalness • 56% Positiveness
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Galt MacDermot
To Whom It May Concern Me - Two Gentleme...
102 bpm • C Maj • 02:41 • -7.48db
2% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Blick Bassy
Wap Do Wap
112 bpm • A Maj • 02:15 • -8db
38% Popularity • 68% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 89% Positiveness
38% Popularity • 68% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 89% Positiveness
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Dida Pelled
Jack Nice
102 bpm • A# min • 03:08 • -9.45db
35% Popularity • 64% Danceability • 53% Energy • 8% Liveness
4% Instrumentalness • 68% Positiveness
35% Popularity • 64% Danceability • 53% Energy • 8% Liveness
4% Instrumentalness • 68% Positiveness
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Melanie De Biasio
Afro Blue
102 bpm • A min • 04:33 • -16.52db
40% Popularity • 64% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 59% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 59% Positiveness
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Rosemary Standley
Ain't Got No, I Got Life
102 bpm • A Maj • 03:24 • -10.52db
28% Popularity • 62% Danceability • 38% Energy • 10% Liveness
51% Instrumentalness • 42% Positiveness
28% Popularity • 62% Danceability • 38% Energy • 10% Liveness
51% Instrumentalness • 42% Positiveness
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Naomi Shelton
What Have You Done
102 bpm • A# min • 03:45 • -5db
32% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Passion Coco
Playa Tropical
113 bpm • E min • 04:07 • -7.85db
45% Popularity • 61% Danceability • 45% Energy • 11% Liveness
29% Instrumentalness • 89% Positiveness
45% Popularity • 61% Danceability • 45% Energy • 11% Liveness
29% Instrumentalness • 89% Positiveness
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Moriarty
Reverse - Anger
113 bpm • D Maj • 02:54 • -10.54db
49% Popularity • 71% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
49% Popularity • 71% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Camille Yarbrough
Take Yo' Praise
101 bpm • C# Maj • 04:13 • -14.49db
59% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
59% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Coopers
Acapulco, dos de la tard
113 bpm • C Maj • 03:04 • -8db
36% Popularity • 79% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 79% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Asagaya
The Nature Creature
113 bpm • G min • 03:41 • -9.1db
44% Popularity • 81% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 81% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Marlena Shaw
Woman Of The Ghetto
101 bpm • A min • 06:02 • -12.69db
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Charles Bradley
No Time for Dreaming
101 bpm • C Maj • 02:52 • -7.77db
58% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Colette Magny
Saint James Infirmary
113 bpm • G min • 02:02 • -12db
18% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Papooz
Ann Wants to Dance
101 bpm • F Maj • 03:29 • -10.93db
47% Popularity • 74% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
47% Popularity • 74% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
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Liya Ag Ablil
Awa adounia
101 bpm • A# min • 04:44 • -8.94db
43% Popularity • 62% Danceability • 83% Energy • 8% Liveness
20% Instrumentalness • 85% Positiveness
43% Popularity • 62% Danceability • 83% Energy • 8% Liveness
20% Instrumentalness • 85% Positiveness
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Ruth Brown
I Don't Know
101 bpm • G# Maj • 02:53 • -8db
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Iggy Pop
Les Feuilles Mortes
101 bpm • B min • 03:55 • -13db
37% Popularity • 75% Danceability • 51% Energy • 11% Liveness
28% Instrumentalness • 43% Positiveness
37% Popularity • 75% Danceability • 51% Energy • 11% Liveness
28% Instrumentalness • 43% Positiveness
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Susheela Raman
Trust In Me
101 bpm • A min • 03:24 • -11db
34% Popularity • 68% Danceability • 42% Energy • 17% Liveness
2% Instrumentalness • 33% Positiveness
34% Popularity • 68% Danceability • 42% Energy • 17% Liveness
2% Instrumentalness • 33% Positiveness
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Menahan Street Band
The Traitor
101 bpm • D# min • 02:42 • -8.04db
65% Popularity • 63% Danceability • 58% Energy • 5% Liveness
93% Instrumentalness • 62% Positiveness
65% Popularity • 63% Danceability • 58% Energy • 5% Liveness
93% Instrumentalness • 62% Positiveness
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Biel Ballester Trio
When I Was A Boy
101 bpm • E min • 03:15 • -11.73db
36% Popularity • 62% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 82% Positiveness
36% Popularity • 62% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 82% Positiveness
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James Hunter
Carina
114 bpm • F Maj • 04:10 • -9.32db
43% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Manu Dibango
Coconut
114 bpm • G min • 02:11 • -7.2db
49% Popularity • 65% Danceability • 84% Energy • 5% Liveness
14% Instrumentalness • 96% Positiveness
49% Popularity • 65% Danceability • 84% Energy • 5% Liveness
14% Instrumentalness • 96% Positiveness
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Momo Wandel Soumah
Félenko Yéfé
114 bpm • F Maj • 08:19 • -24.53db
32% Popularity • 63% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 63% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Nina Simone
Mr. Bojangles
114 bpm • F# Maj • 04:59 • -14db
52% Popularity • 46% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 46% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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The Crooked Spoke
Black Tower Hotel
114 bpm • C# Maj • 04:50 • -7.31db
16% Popularity • 72% Danceability • 52% Energy • 20% Liveness
4% Instrumentalness • 49% Positiveness
16% Popularity • 72% Danceability • 52% Energy • 20% Liveness
4% Instrumentalness • 49% Positiveness
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Ray Lugo
Ma Fleur de Marseille
114 bpm • G min • 03:40 • -9.95db
33% Popularity • 81% Danceability • 70% Energy • 8% Liveness
65% Instrumentalness • 84% Positiveness
33% Popularity • 81% Danceability • 70% Energy • 8% Liveness
65% Instrumentalness • 84% Positiveness
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The Bahama Soul Club
Never Roam No More
114 bpm • G Maj • 03:58 • -9.1db
49% Popularity • 78% Danceability • 71% Energy • 32% Liveness
62% Instrumentalness • 60% Positiveness
49% Popularity • 78% Danceability • 71% Energy • 32% Liveness
62% Instrumentalness • 60% Positiveness
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Galt MacDermot
Woman Is Sweeter
100 bpm • G# Maj • 02:29 • -8.69db
15% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Jacques Renault
Piano’s On The Beach
100 bpm • E min • 04:43 • -8.2db
43% Popularity • 54% Danceability • 73% Energy • 93% Liveness
76% Instrumentalness • 92% Positiveness
43% Popularity • 54% Danceability • 73% Energy • 93% Liveness
76% Instrumentalness • 92% Positiveness
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General Elektriks
The Man Who Unraveled
100 bpm • E min • 04:15 • -4.88db
30% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Bumcello
Sararevé
100 bpm • C# Maj • 05:06 • -10db
24% Popularity • 74% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 35% Positiveness
24% Popularity • 74% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 35% Positiveness
