Songs like Let Them Try by Freddie McGregor
Based on a tempo of (+/- 10%) and a similar genre
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Freddie McGregor
Joy In The Morning
169 bpm • G# Maj • 03:20 • -9.68db
13% Popularity • 85% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 85% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Wayne Wonder
Saddest Day
169 bpm • C# Maj • 03:43 • -5db
48% Popularity • 77% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 77% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Kashief Lindo
Paradise Jamdown
169 bpm • F# Maj • 03:49 • -6.38db
25% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Thriller U
Stone Love Is
169 bpm • D Maj • 01:17 • -6db
36% Popularity • 56% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 56% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Nerious Joseph
I Need Your Loving
169 bpm • C Maj • 03:54 • -5.48db
31% Popularity • 82% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Admiral Tibet
Come into the Light
169 bpm • C Maj • 03:16 • -13.72db
29% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Pinchers
Agony - Remastered
168 bpm • G Maj • 03:25 • -5.71db
32% Popularity • 82% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 82% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Admiral Bailey
No Way No Better than Yard
168 bpm • C Maj • 03:16 • -8db
26% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Beres Hammond
I Feel Good
168 bpm • G Maj • 03:42 • -5.46db
52% Popularity • 63% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 63% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Wade
Love You Too Much
168 bpm • D Maj • 03:44 • -11db
45% Popularity • 78% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 78% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Terry Linen
Bet You Didn't Know
170 bpm • C# min • 03:47 • -6.44db
26% Popularity • 67% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 67% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Admiral Tibet
Serious Time
169 bpm • A# min • 03:15 • -13db
35% Popularity • 78% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
35% Popularity • 78% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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Pinchers
Send Another One Come
168 bpm • B Maj • 03:54 • -13db
21% Popularity • 82% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 82% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Queen Ifrica
The Will To Survive
170 bpm • A Maj • 04:10 • -6.26db
27% Popularity • 62% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 62% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Tippa Irie
Raggamuffin Girl
168 bpm • E Maj • 03:18 • -7.67db
19% Popularity • 78% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 78% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Jah Cure
Longing For
168 bpm • E min • 03:52 • -7.42db
56% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Christopher Ellis
Here We Are
168 bpm • A# min • 03:24 • -5.29db
28% Popularity • 72% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 72% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Jahmali
El Shaddai
168 bpm • C min • 04:02 • -6.99db
36% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Da'ville
Always On My Mind
168 bpm • G min • 03:22 • -6.98db
40% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Tony Rebel
Sweet Jamaica
168 bpm • B Maj • 04:00 • -5.69db
18% Popularity • 78% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 78% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Admiral Tibbet
Don't Try To Dis Me
168 bpm • B Maj • 03:24 • -9.59db
11% Popularity • 83% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 83% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Romain Virgo
Soul Provider
168 bpm • F Maj • 04:14 • -2.98db
49% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Thriller U
Back On My Feet Again
171 bpm • C Maj • 03:30 • -5.1db
21% Popularity • 82% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 82% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Admiral Bailey
Big Belly Man
167 bpm • G Maj • 03:21 • -11.38db
25% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Ras Shiloh
Praises To Jah
171 bpm • C# Maj • 03:44 • -7.78db
29% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Yami Bolo
Non-Stop Loving
167 bpm • F min • 03:35 • -6.72db
17% Popularity • 73% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 73% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Garnett Silk
Hello Africa
167 bpm • F min • 03:24 • -5db
39% Popularity • 73% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 73% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Sanchez
Missing You
167 bpm • C Maj • 03:22 • -13db
52% Popularity • 79% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 79% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Everton Blender
Bubbaru
167 bpm • G Maj • 04:10 • -4.31db
22% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Pinchers
Champion Bubbler - Remastered
171 bpm • B min • 03:32 • -5db
29% Popularity • 70% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 70% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Half Pint
Substitute Lover
167 bpm • B Maj • 03:38 • -15db
50% Popularity • 80% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 80% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Peter Hunnigale
Baby Please
167 bpm • G Maj • 03:46 • -18.44db
19% Popularity • 65% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 65% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Thriller U
Groove My Mind
166 bpm • B Maj • 03:44 • -10db
36% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Ras Shiloh
So Proud
172 bpm • G Maj • 03:37 • -6.83db
21% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jah Mason
My Princess Gone
166 bpm • C Maj • 04:05 • -7db
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Kashief Lindo
While We're Apart
172 bpm • C# Maj • 03:42 • -6.35db
24% Popularity • 72% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 72% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Leroy Smart
Talk Bout Friend
166 bpm • E min • 02:21 • -13db
24% Popularity • 78% Danceability • 49% Energy • 66% Liveness
18% Instrumentalness • 96% Positiveness
24% Popularity • 78% Danceability • 49% Energy • 66% Liveness
18% Instrumentalness • 96% Positiveness
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Tony Rebel
Just Friends
166 bpm • C Maj • 03:39 • -5.75db
22% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Tony Rebel & Swade
Just Friends
166 bpm • C Maj • 03:51 • -6db
28% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Peter Hunnigale
Be My Lady
172 bpm • A# min • 04:15 • -18.61db
20% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Junior Kelly
Sunshine
166 bpm • A# Maj • 04:03 • -6.61db
28% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Yami Bolo
Isn't She Lovely
172 bpm • D Maj • 03:37 • -14.86db
25% Popularity • 66% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 66% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Bitty McLean
Walk Away From Love
165 bpm • B Maj • 04:10 • -5.97db
50% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 70% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Tony Curtis
Heaven Only Knows
165 bpm • B Maj • 03:22 • -6db
32% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Janet Lee Davis
We Can Work It Out
173 bpm • F min • 03:47 • -7.45db
33% Popularity • 69% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 69% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Brown
It's a Love Thing
165 bpm • C# Maj • 05:18 • -16.96db
8% Popularity • 73% Danceability • 25% Energy • 28% Liveness
2% Instrumentalness • 78% Positiveness
8% Popularity • 73% Danceability • 25% Energy • 28% Liveness
2% Instrumentalness • 78% Positiveness
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Vivian Jones
If You Want Me
174 bpm • F min • 03:47 • -11.95db
13% Popularity • 68% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 68% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Admiral Tibet
Trouble To A Man
174 bpm • F# Maj • 01:45 • -5.46db
29% Popularity • 68% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 68% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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Tanya Stephens
Yuh Nuh Ready Fi Dis Yet
174 bpm • C Maj • 03:30 • -9db
38% Popularity • 64% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 64% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Frankie Paul
I Know the Score
164 bpm • C# min • 03:29 • -10.38db
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Janet Lee Davis
Walk On By
164 bpm • A min • 03:23 • -7.85db
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
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Freddie McGregor
Undying Love
164 bpm • G Maj • 03:43 • -13.7db
18% Popularity • 67% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 67% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Shaggy
The Voices Of Sweet Jamaica - All Star R...
174 bpm • A# Maj • 04:06 • -3.64db
56% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Admiral Tibet
Be Mine Tonight
163 bpm • C# Maj • 03:08 • -13.62db
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Pam Hall
Truly
162 bpm • C Maj • 03:31 • -15.19db
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Pinchers
I'm a Don - Remastered
162 bpm • D# min • 03:27 • -5.64db
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Half Pint
Level The Vibes
162 bpm • C Maj • 03:43 • -13db
28% Popularity • 74% Danceability • 50% Energy • 16% Liveness
4% Instrumentalness • 69% Positiveness
28% Popularity • 74% Danceability • 50% Energy • 16% Liveness
4% Instrumentalness • 69% Positiveness
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Freddie McGregor
Let Them Say
174 bpm • B min • 03:56 • -18.13db
8% Popularity • 77% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 77% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Louisa Mark
6 - Sixth Street
177 bpm • D# min • 03:12 • -13.88db
33% Popularity • 66% Danceability • 43% Energy • 16% Liveness
58% Instrumentalness • 61% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 16% Liveness
58% Instrumentalness • 61% Positiveness
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Admiral Tibet
Leave People Business
174 bpm • C# Maj • 04:11 • -10.43db
25% Popularity • 83% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
25% Popularity • 83% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
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Singing Melody
Someone To Hold
178 bpm • A Maj • 03:34 • -11.11db
25% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Courtney Melody
Modern Girl
160 bpm • C Maj • 03:33 • -4.23db
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Half Pint
One Big Family
160 bpm • A Maj • 03:32 • -14.76db
28% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Sanchez
Never Dis Di Man
160 bpm • F# min • 04:00 • -10.76db
44% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Frankie Paul
Sara
179 bpm • G# Maj • 03:12 • -7.72db
35% Popularity • 69% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 69% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Admiral Tibet
Leave People Business Alone
177 bpm • C# Maj • 01:20 • -6.8db
51% Popularity • 81% Danceability • 78% Energy • 30% Liveness
2% Instrumentalness • 73% Positiveness
51% Popularity • 81% Danceability • 78% Energy • 30% Liveness
2% Instrumentalness • 73% Positiveness
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Singing Melody
Want You Back
160 bpm • F Maj • 04:02 • -7db
40% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Deborahe Glasgow
The First
160 bpm • E Maj • 04:14 • -13.07db
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Freddie McGregor
Nice Time
179 bpm • A# Maj • 03:44 • -18.71db
21% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Roots Radics
Glory
159 bpm • D min • 03:59 • -8.72db
9% Popularity • 46% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 46% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Everton Blender
Ghetto People Song
159 bpm • A# min • 03:46 • -10db
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Brown
Sharing The Night
158 bpm • C# min • 03:25 • -7.65db
26% Popularity • 67% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 67% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Singing Melody
Let Me Love You
179 bpm • G min • 04:32 • -7.02db
25% Popularity • 59% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Tony Rebel
The Herb
158 bpm • E min • 03:38 • -6.57db
19% Popularity • 78% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 78% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Freddie McGregor
Seek & You Will Find
159 bpm • D Maj • 03:23 • -10.76db
20% Popularity • 80% Danceability • 48% Energy • 7% Liveness
15% Instrumentalness • 74% Positiveness
20% Popularity • 80% Danceability • 48% Energy • 7% Liveness
15% Instrumentalness • 74% Positiveness
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Pinchers
Loving That You Want
181 bpm • A# min • 03:22 • -7.23db
0% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Everton Blender
Ghetto People Song
158 bpm • A# min • 03:47 • -7.45db
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Bitty McLean
Baby Tonight
157 bpm • C min • 03:01 • -5.21db
31% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Bushman
Creatures Of The Night
156 bpm • B min • 03:53 • -6db
29% Popularity • 75% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 75% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Leroy Gibbons
Lovers Question
155 bpm • A# Maj • 02:53 • -10db
27% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Freddie McGregor
Rumours / If You're The One
157 bpm • G Maj • 03:45 • -7.52db
20% Popularity • 71% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 71% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Beres Hammond & Zap Pow
Last War
155 bpm • F# min • 04:02 • -8.1db
41% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
41% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
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Everton Blender
I Love Jah Jah
156 bpm • G Maj • 03:33 • -7.06db
35% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Tanya Stephens
Weather Change
155 bpm • C Maj • 01:29 • -1.84db
46% Popularity • 67% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 67% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Half Pint
Just Be Good
154 bpm • A Maj • 03:52 • -6db
47% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Sizzla
Guide Over Us
154 bpm • G# Maj • 03:38 • -5.23db
38% Popularity • 80% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 80% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Tony Curtis
Jah I Thank You
154 bpm • A Maj • 04:00 • -5.11db
28% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Vivian Jones
Strong Love
154 bpm • F Maj • 04:21 • -10db
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Hunnigale
Believe in Love
154 bpm • A Maj • 04:10 • -7.43db
20% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Don Campbell
I Wish I Could
154 bpm • A Maj • 04:06 • -5.2db
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Half Pint
Just Be Good
154 bpm • A Maj • 03:54 • -4db
24% Popularity • 76% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 76% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Turbulence
X-Girlfriend
153 bpm • F Maj • 04:05 • -2.23db
31% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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J.C. Lodge
Someone Loves You Honey - Remix
153 bpm • G# Maj • 03:30 • -5.88db
14% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Tyrone Taylor
Cottage In Negril
153 bpm • D Maj • 03:55 • -5db
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Bushman
ARMS OF A WOMAN
152 bpm • E min • 03:39 • -6.18db
25% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Janet Lee Davis
Good Good Loving
152 bpm • C# Maj • 03:25 • -9.3db
24% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Freddie McGregor
Come & Take It
152 bpm • G min • 03:17 • -6.21db
14% Popularity • 83% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 83% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy London
Cathy's Clown
152 bpm • B min • 02:40 • -6db
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
