Songs like Let's Do It Again (feat. Dee Dee Bridgewater) by BWB
Based on a tempo of (+/- 10%) and a similar genre
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The Brand New Heavies
After Forever
77 bpm • C Maj • 05:22 • -9.67db
16% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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George Howard
I Apologize
77 bpm • C# min • 04:43 • -8.33db
31% Popularity • 55% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
31% Popularity • 55% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
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Duke Ellington
Come Sunday
76 bpm • F min • 04:11 • -23.37db
6% Popularity • 14% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 14% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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BWB
Let's Do It Again
77 bpm • G# Maj • 07:22 • -10.35db
24% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rachelle Ferrell
I Forgive You
76 bpm • G min • 05:30 • -16db
25% Popularity • 33% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
25% Popularity • 33% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Jay Soto
Love Has Found a Way
76 bpm • C# Maj • 04:36 • -5.36db
8% Popularity • 63% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 63% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Pete Belasco
I Ain't Doin It
76 bpm • D# min • 04:02 • -18.04db
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 47% Positiveness
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 47% Positiveness
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Kevin Toney
Stay
78 bpm • A min • 05:16 • -11db
12% Popularity • 65% Danceability • 49% Energy • 18% Liveness
24% Instrumentalness • 54% Positiveness
12% Popularity • 65% Danceability • 49% Energy • 18% Liveness
24% Instrumentalness • 54% Positiveness
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Jeff Golub
Cruisin'
78 bpm • F# min • 04:30 • -7.71db
38% Popularity • 70% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
38% Popularity • 70% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
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Doc Powell
For Old Times Sake
78 bpm • F# min • 05:54 • -5.45db
19% Popularity • 64% Danceability • 69% Energy • 29% Liveness
29% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 69% Energy • 29% Liveness
29% Instrumentalness • 54% Positiveness
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George Howard
I Want You For Myself
79 bpm • C# Maj • 05:29 • -11.24db
35% Popularity • 54% Danceability • 50% Energy • 36% Liveness
64% Instrumentalness • 70% Positiveness
35% Popularity • 54% Danceability • 50% Energy • 36% Liveness
64% Instrumentalness • 70% Positiveness
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Lynne Fiddmont
All the Way
78 bpm • G Maj • 05:19 • -9db
25% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Lington
People Get Ready
79 bpm • D Maj • 03:50 • -6.33db
14% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Eric Essix
Ain't No Sunshine
75 bpm • A min • 03:58 • -9.72db
10% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Nicole
New York Eyes
79 bpm • D min • 04:43 • -7.29db
35% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Dee Dee Bridgewater
I Can't Stand the Rain
80 bpm • C# Maj • 03:06 • -6.11db
25% Popularity • 63% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 63% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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BWB
Brown Sugar
80 bpm • A Maj • 04:52 • -9.02db
31% Popularity • 62% Danceability • 55% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
31% Popularity • 62% Danceability • 55% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
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Boz Scaggs
I'll Be The One
80 bpm • G min • 05:29 • -13.31db
33% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Kim Scott
Sweet Obsession
80 bpm • A# min • 05:09 • -12.33db
28% Popularity • 56% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 56% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Eric Essix
Footsteps in the Dark
80 bpm • F# min • 05:33 • -11.3db
18% Popularity • 61% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 61% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Tarquin
Rainfall
80 bpm • C# min • 04:46 • -7.82db
15% Popularity • 65% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 65% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Dean James
Georgia On My Mind
80 bpm • B min • 03:27 • -7.15db
25% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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BWB
I'll Be There
80 bpm • F# Maj • 05:17 • -12.08db
8% Popularity • 64% Danceability • 41% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
8% Popularity • 64% Danceability • 41% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Dee Dee Bridgewater
When Love Comes - Knockin'
80 bpm • A Maj • 04:21 • -10.58db
6% Popularity • 39% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 39% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Ruben Studdard
The Nearness Of You
80 bpm • F Maj • 04:05 • -12db
23% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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La(underdog music):
Amen Ra
74 bpm • B min • 02:03 • -10.3db
0% Popularity • 63% Danceability • 46% Energy • 13% Liveness
45% Instrumentalness • 49% Positiveness
0% Popularity • 63% Danceability • 46% Energy • 13% Liveness
45% Instrumentalness • 49% Positiveness
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Quincy Jones
Something I Cannot Have
80 bpm • A# min • 03:46 • -9.19db
16% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Joe McBride
Baby Come Back
74 bpm • C# Maj • 04:09 • -9.58db
33% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Andrea Razzauti
Not Just Another Love
74 bpm • D Maj • 04:32 • -8.56db
26% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Rachelle Ferrell
I Gotta Go
80 bpm • D min • 05:06 • -14.8db
29% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Daylight
81 bpm • A# min • 05:03 • -10.37db
10% Popularity • 80% Danceability • 40% Energy • 19% Liveness
1% Instrumentalness • 37% Positiveness
10% Popularity • 80% Danceability • 40% Energy • 19% Liveness
1% Instrumentalness • 37% Positiveness
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Nicolas Bearde
Can We Pretend
81 bpm • C Maj • 05:29 • -10db
21% Popularity • 50% Danceability • 51% Energy • 37% Liveness
1% Instrumentalness • 44% Positiveness
21% Popularity • 50% Danceability • 51% Energy • 37% Liveness
1% Instrumentalness • 44% Positiveness
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Carol Welsman
Inclined
81 bpm • G Maj • 05:59 • -10.11db
16% Popularity • 72% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 72% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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BWB
Human Nature
81 bpm • C# min • 05:23 • -14.32db
17% Popularity • 36% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 36% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Andrea Razzauti
Not Just Another Love
74 bpm • A min • 04:32 • -10.04db
28% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Urban Knights
Wanna Be With You
82 bpm • G Maj • 04:42 • -7.75db
20% Popularity • 65% Danceability • 58% Energy • 2% Liveness
6% Instrumentalness • 64% Positiveness
20% Popularity • 65% Danceability • 58% Energy • 2% Liveness
6% Instrumentalness • 64% Positiveness
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Quincy Jones
Heaven's Girl
82 bpm • G min • 04:53 • -12db
27% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Manson
You Go to My Head
82 bpm • D min • 04:45 • -9.31db
15% Popularity • 62% Danceability • 51% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
15% Popularity • 62% Danceability • 51% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
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Take 6
You Know You're In Love
82 bpm • G# min • 04:14 • -7.78db
32% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Gabriela Anders
Wanting
82 bpm • C# min • 04:37 • -8db
30% Popularity • 65% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 65% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Andrea Razzauti
Lover's Kiss
82 bpm • C Maj • 04:09 • -9db
29% Popularity • 72% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 72% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Dee Dee Bridgewater
Give in to Love
83 bpm • A# min • 05:11 • -10.82db
3% Popularity • 40% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 40% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Quincy Jones
Do Nothin' Till You Hear From Me
82 bpm • A Maj • 03:57 • -8.04db
41% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Lington
Some Kinda Way
83 bpm • D# Maj • 05:08 • -7.07db
13% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jessy J
Listen 2 The Groove
83 bpm • A# min • 04:58 • -9.27db
32% Popularity • 68% Danceability • 46% Energy • 14% Liveness
70% Instrumentalness • 51% Positiveness
32% Popularity • 68% Danceability • 46% Energy • 14% Liveness
70% Instrumentalness • 51% Positiveness
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Basia Trzetrzelewska
Golden Days
83 bpm • G# Maj • 04:25 • -7.93db
18% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Pete Belasco
Down
83 bpm • G Maj • 04:24 • -13.96db
16% Popularity • 57% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
16% Popularity • 57% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Joe McBride
Never Let You Go
83 bpm • A# min • 04:13 • -9db
34% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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John Stoddart
Put Love, Love, Love In It
84 bpm • B Maj • 04:50 • -8.36db
11% Popularity • 54% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 54% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Gabriela Anders
I'll Be Loving You
84 bpm • C Maj • 04:10 • -14.57db
16% Popularity • 46% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 46% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jonathan Fritzén
Temple of Dreams
84 bpm • A min • 04:30 • -11.33db
40% Popularity • 72% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
40% Popularity • 72% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
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Pamela Williams
You Don't Know My Name
84 bpm • A Maj • 04:56 • -5.18db
19% Popularity • 64% Danceability • 64% Energy • 34% Liveness
36% Instrumentalness • 52% Positiveness
19% Popularity • 64% Danceability • 64% Energy • 34% Liveness
36% Instrumentalness • 52% Positiveness
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Pete Belasco
Love You Like
83 bpm • C# min • 04:56 • -13.73db
19% Popularity • 72% Danceability • 24% Energy • 12% Liveness
33% Instrumentalness • 53% Positiveness
19% Popularity • 72% Danceability • 24% Energy • 12% Liveness
33% Instrumentalness • 53% Positiveness
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Khani Cole
You've Made Me So Very Happy
84 bpm • C# Maj • 05:04 • -9.14db
22% Popularity • 38% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 38% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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George Howard
Only Human
84 bpm • C Maj • 04:53 • -11.99db
25% Popularity • 60% Danceability • 51% Energy • 16% Liveness
9% Instrumentalness • 76% Positiveness
25% Popularity • 60% Danceability • 51% Energy • 16% Liveness
9% Instrumentalness • 76% Positiveness
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Patti Austin
Good In Love
84 bpm • C Maj • 04:38 • -8.97db
8% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Dira
Won't You Come With Me
84 bpm • C Maj • 04:12 • -11.73db
15% Popularity • 67% Danceability • 60% Energy • 15% Liveness
3% Instrumentalness • 79% Positiveness
15% Popularity • 67% Danceability • 60% Energy • 15% Liveness
3% Instrumentalness • 79% Positiveness
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Przegląd Piosenki Aktorskiej we Wrocławiu
Speak Low
84 bpm • F Maj • 04:51 • -12.06db
2% Popularity • 20% Danceability • 32% Energy • 96% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 20% Danceability • 32% Energy • 96% Liveness
0% Instrumentalness • 15% Positiveness
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Steve Winwood
Plenty Lovin'
85 bpm • A# min • 05:57 • -5db
33% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Jarrod Lawson
Music & Its Magical Way
85 bpm • G Maj • 05:03 • -6db
19% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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George Howard
Baby Come To Me
84 bpm • G# Maj • 06:34 • -8.92db
30% Popularity • 45% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 68% Positiveness
30% Popularity • 45% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 68% Positiveness
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Zachary Breaux
The Thrill Is Gone
85 bpm • F min • 05:10 • -11.09db
8% Popularity • 54% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
8% Popularity • 54% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
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Pete Belasco
Keep On
85 bpm • C# Maj • 05:12 • -9.82db
17% Popularity • 47% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 47% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Avery*Sunshine
See You When I Get There
85 bpm • A# min • 06:37 • -8.99db
23% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Bobby Lyle
Feel Like Makin' Love
85 bpm • F min • 04:51 • -9.24db
24% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Dw3
I Can't Tell You Why
85 bpm • B min • 03:57 • -8.58db
10% Popularity • 68% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 68% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Nnenna Freelon
Overjoyed
85 bpm • C Maj • 04:45 • -10db
28% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Eric Benét
Stir It Up
86 bpm • D Maj • 04:46 • -6.93db
16% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Kevin Toney
So Good
85 bpm • D min • 05:16 • -11db
15% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Martha Redbone
Children of Love - Radio Edit
86 bpm • G Maj • 03:59 • -9db
15% Popularity • 72% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 72% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Lyle
Poinciana
85 bpm • D Maj • 04:38 • -13db
34% Popularity • 65% Danceability • 49% Energy • 29% Liveness
75% Instrumentalness • 43% Positiveness
34% Popularity • 65% Danceability • 49% Energy • 29% Liveness
75% Instrumentalness • 43% Positiveness
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James Day
Who Can Tell the Heart (Groove Ltd Mix)
86 bpm • A# min • 03:56 • -6db
28% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Nathan East
Why Not This Sunday
86 bpm • B min • 05:44 • -7.06db
13% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Urban Knights
Miracle
86 bpm • G min • 05:09 • -10.46db
15% Popularity • 40% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 40% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Lizz Wright
Lead The Way
87 bpm • B min • 04:22 • -12db
24% Popularity • 51% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 51% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Brenda Russell
Too Cool For The Room
87 bpm • B min • 04:07 • -7.74db
28% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lynne Fiddmont
Flow
87 bpm • E min • 03:34 • -7db
29% Popularity • 67% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 67% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Impromp2
We Got It Goin' On
87 bpm • C Maj • 05:08 • -8.69db
23% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Belasco
Lights On
87 bpm • F Maj • 04:11 • -14.8db
12% Popularity • 38% Danceability • 21% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 21% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
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Sérgio Mendes
Somewhere in the Hills (O Morro Nao Tem ...
87 bpm • A min • 04:00 • -8db
23% Popularity • 75% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
23% Popularity • 75% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Lori Williams
Deja Vu
87 bpm • D min • 04:39 • -9.64db
8% Popularity • 57% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Britt
Keep Workin It out
88 bpm • D min • 04:12 • -9.11db
18% Popularity • 65% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 65% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Franks
Now Love Has No End - featuring Valerie ...
88 bpm • G min • 06:10 • -9.79db
30% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Khani Cole
Call On Me
88 bpm • F# Maj • 04:53 • -10.31db
11% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Pete Belasco
Strong and Able
87 bpm • C Maj • 04:13 • -14.4db
21% Popularity • 66% Danceability • 24% Energy • 7% Liveness
10% Instrumentalness • 44% Positiveness
21% Popularity • 66% Danceability • 24% Energy • 7% Liveness
10% Instrumentalness • 44% Positiveness
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Paul Jackson, Jr.
Can This Be Real?
88 bpm • G# Maj • 04:50 • -7.26db
11% Popularity • 64% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 64% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Lori Williams
Baby, Hold on (To Me)
88 bpm • F# min • 04:47 • -11.1db
11% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Trombone Shorty
Be My Lady
88 bpm • D Maj • 03:31 • -5.56db
24% Popularity • 74% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 74% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Braxton Brothers
So Divine
88 bpm • F Maj • 04:55 • -9.35db
36% Popularity • 69% Danceability • 43% Energy • 38% Liveness
34% Instrumentalness • 31% Positiveness
36% Popularity • 69% Danceability • 43% Energy • 38% Liveness
34% Instrumentalness • 31% Positiveness
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Kirk Whalum
I Want You
89 bpm • B min • 04:26 • -11.82db
33% Popularity • 60% Danceability • 48% Energy • 9% Liveness
42% Instrumentalness • 64% Positiveness
33% Popularity • 60% Danceability • 48% Energy • 9% Liveness
42% Instrumentalness • 64% Positiveness
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Pete Belasco
Stop the Presses
88 bpm • F Maj • 05:13 • -19.43db
14% Popularity • 65% Danceability • 23% Energy • 33% Liveness
1% Instrumentalness • 23% Positiveness
14% Popularity • 65% Danceability • 23% Energy • 33% Liveness
1% Instrumentalness • 23% Positiveness
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Paul Jackson, Jr.
Let's Wait Awhile
88 bpm • C# Maj • 05:17 • -13.89db
38% Popularity • 61% Danceability • 44% Energy • 4% Liveness
38% Instrumentalness • 54% Positiveness
38% Popularity • 61% Danceability • 44% Energy • 4% Liveness
38% Instrumentalness • 54% Positiveness
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Alfonzo Blackwell
Next To You
89 bpm • G min • 03:29 • -6.03db
27% Popularity • 62% Danceability • 78% Energy • 24% Liveness
15% Instrumentalness • 58% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 24% Liveness
15% Instrumentalness • 58% Positiveness
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Lynne Fiddmont
Daylight
89 bpm • G# Maj • 04:06 • -7.3db
20% Popularity • 71% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 71% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Art Porter
Wishful Thinking
89 bpm • F Maj • 04:32 • -10.17db
16% Popularity • 62% Danceability • 57% Energy • 14% Liveness
60% Instrumentalness • 84% Positiveness
16% Popularity • 62% Danceability • 57% Energy • 14% Liveness
60% Instrumentalness • 84% Positiveness
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Roger Smith
Sunset Dreams
90 bpm • G Maj • 04:18 • -7.24db
11% Popularity • 64% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 64% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Belasco
All In My Mind
89 bpm • C# Maj • 04:53 • -9.34db
32% Popularity • 66% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 81% Positiveness
32% Popularity • 66% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 81% Positiveness
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Freddie Ravel
We Belong Together
90 bpm • C# Maj • 05:08 • -14.03db
15% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
