Songs like Let's Don't Ever Blow Our Thing by Isaac Hayes
Based on a tempo of (+/- 10%) and a similar genre
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The Whole Darn Family
Seven Minutes Of Funk
111 bpm • C min • 07:00 • -13db
30% Popularity • 63% Danceability • 60% Energy • 16% Liveness
77% Instrumentalness • 77% Positiveness
30% Popularity • 63% Danceability • 60% Energy • 16% Liveness
77% Instrumentalness • 77% Positiveness
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Con Funk Shun
Ffun
111 bpm • F min • 04:11 • -13.09db
42% Popularity • 95% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 95% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Cameo
Rigor Mortis
111 bpm • B min • 05:21 • -12.35db
33% Popularity • 75% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
33% Popularity • 75% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Willie Hutch
Brother's Gonna Work It Out - The Mack/S...
111 bpm • F# min • 04:47 • -11db
38% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Crusaders
Street Life - Single Edit
111 bpm • F min • 05:32 • -8db
49% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Four Tops
Bernadette
111 bpm • F# Maj • 03:01 • -8db
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Gwen McCrae
The Rub
111 bpm • A Maj • 03:31 • -5db
38% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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People's Choice
Do It Any Way You Wanna
111 bpm • C min • 03:18 • -10.99db
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
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The Blackbyrds
Rock Creek Park
111 bpm • D Maj • 04:38 • -10.87db
43% Popularity • 75% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 75% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Staple Singers
Respect Yourself
111 bpm • B min • 04:56 • -10.62db
36% Popularity • 80% Danceability • 48% Energy • 7% Liveness
27% Instrumentalness • 82% Positiveness
36% Popularity • 80% Danceability • 48% Energy • 7% Liveness
27% Instrumentalness • 82% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • G# Maj • 04:42 • -6.7db
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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Lou Rawls
You'll Never Find Another Love Like Mine
111 bpm • D Maj • 04:26 • -8.46db
64% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
64% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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CHIC
Good Times
111 bpm • D Maj • 08:15 • -7.32db
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Brass Construction
Changin'
111 bpm • C Maj • 08:14 • -4db
33% Popularity • 68% Danceability • 91% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
33% Popularity • 68% Danceability • 91% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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Chuck Brown and the Soul Searchers
Bustin' Loose
111 bpm • D# min • 07:42 • -7.03db
41% Popularity • 86% Danceability • 90% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
41% Popularity • 86% Danceability • 90% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
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Diana Ross
Love Hangover - Single Version
112 bpm • C# Maj • 03:49 • -10db
41% Popularity • 50% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
41% Popularity • 50% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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Sharon Jones & The Dap-Kings
Tell Me
111 bpm • F# Maj • 02:46 • -8db
58% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Bernard Wright
Spinnin'
112 bpm • D Maj • 05:31 • -7db
28% Popularity • 68% Danceability • 85% Energy • 4% Liveness
23% Instrumentalness • 64% Positiveness
28% Popularity • 68% Danceability • 85% Energy • 4% Liveness
23% Instrumentalness • 64% Positiveness
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The Mohawks
The Champ - Original Version
112 bpm • C Maj • 02:37 • -4.41db
34% Popularity • 77% Danceability • 82% Energy • 30% Liveness
93% Instrumentalness • 89% Positiveness
34% Popularity • 77% Danceability • 82% Energy • 30% Liveness
93% Instrumentalness • 89% Positiveness
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Donald Byrd
Love Has Come Around
112 bpm • D min • 07:52 • -8.98db
35% Popularity • 73% Danceability • 72% Energy • 29% Liveness
27% Instrumentalness • 52% Positiveness
35% Popularity • 73% Danceability • 72% Energy • 29% Liveness
27% Instrumentalness • 52% Positiveness
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Lou Rawls
A Natural Man
112 bpm • G min • 03:41 • -8db
40% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Gwen McCrae
I've Got Nothing to Lose but the Blues
110 bpm • F# min • 04:29 • -5.92db
19% Popularity • 51% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 46% Positiveness
19% Popularity • 51% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 46% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Beginning Of The End
Come Down
112 bpm • E min • 03:15 • -5db
34% Popularity • 57% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 57% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lafayette Afro Rock Band
Hihache
110 bpm • C Maj • 06:57 • -10db
38% Popularity • 55% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
38% Popularity • 55% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
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The Jackson 5
Dancing Machine
109 bpm • F# Maj • 02:41 • -7.72db
54% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Diana Ross
Love Hangover
112 bpm • C# Maj • 07:48 • -10.34db
51% Popularity • 51% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
51% Popularity • 51% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Fatback Band
Wicky Wacky
109 bpm • G Maj • 03:18 • -15db
35% Popularity • 81% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 81% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Brick
Dazz - Single Version
109 bpm • E Maj • 03:22 • -7.93db
51% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Gill Scott
The Bottle
113 bpm • D Maj • 05:16 • -15.01db
44% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
44% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
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Booker T. & the M.G.'s
Hip Hug-Her
109 bpm • D# Maj • 02:26 • -17db
41% Popularity • 81% Danceability • 32% Energy • 11% Liveness
23% Instrumentalness • 86% Positiveness
41% Popularity • 81% Danceability • 32% Energy • 11% Liveness
23% Instrumentalness • 86% Positiveness
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CHIC
Chic Cheer - 2018 Remaster
113 bpm • D Maj • 04:44 • -15db
36% Popularity • 86% Danceability • 67% Energy • 84% Liveness
18% Instrumentalness • 53% Positiveness
36% Popularity • 86% Danceability • 67% Energy • 84% Liveness
18% Instrumentalness • 53% Positiveness
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The Blackbyrds
Walking In Rhythm
113 bpm • F Maj • 04:14 • -13db
50% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Fatback Band
(Are You Ready) Do the Bus Stop
109 bpm • C Maj • 03:14 • -9db
38% Popularity • 60% Danceability • 88% Energy • 8% Liveness
33% Instrumentalness • 96% Positiveness
38% Popularity • 60% Danceability • 88% Energy • 8% Liveness
33% Instrumentalness • 96% Positiveness
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Brick
Dazz - Dazz Disco Mix
109 bpm • D Maj • 05:36 • -6.26db
39% Popularity • 76% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 76% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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The Beginning Of The End
When She Made Me Promise
113 bpm • A min • 04:17 • -9db
36% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
36% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
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Grace Jones
Pull Up To The Bumper
109 bpm • C# Maj • 04:41 • -8db
52% Popularity • 85% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
52% Popularity • 85% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Roberta Flack
Compared to What
109 bpm • F min • 05:16 • -14db
43% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Fatback Band
Yum Yum (Gimme Some)
109 bpm • F# min • 03:18 • -13.82db
38% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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King Curtis
Memphis Soul Stew
113 bpm • B min • 02:59 • -10.81db
51% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
51% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
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War
Me And Baby Brother
114 bpm • D Maj • 03:27 • -9.59db
38% Popularity • 78% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 78% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
38% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
38% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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B.T. Express
Express
108 bpm • C Maj • 05:08 • -11db
33% Popularity • 66% Danceability • 68% Energy • 7% Liveness
10% Instrumentalness • 53% Positiveness
33% Popularity • 66% Danceability • 68% Energy • 7% Liveness
10% Instrumentalness • 53% Positiveness
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The O'Jays
Now That We Found Love
114 bpm • C Maj • 04:41 • -8.4db
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Donny Hathaway
The Ghetto
114 bpm • F min • 06:53 • -10.46db
51% Popularity • 74% Danceability • 52% Energy • 18% Liveness
19% Instrumentalness • 83% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 18% Liveness
19% Instrumentalness • 83% Positiveness
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The J.B.'s
Doing It To Death - Pts. 1 & 2
114 bpm • F min • 10:01 • -9db
34% Popularity • 93% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 93% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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War
All Day Music
108 bpm • B min • 04:08 • -11.89db
45% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Donald Byrd
Think Twice
108 bpm • F min • 06:12 • -9db
35% Popularity • 55% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
35% Popularity • 55% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
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Syl Johnson
Different Strokes
108 bpm • D Maj • 02:19 • -9.61db
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
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David Ruffin
Blood Donors Needed (Give All You Can)
108 bpm • A min • 05:51 • -9.75db
15% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The O'Jays
Darlin' Darlin' Baby (Sweet, Tender, Lov...
108 bpm • D Maj • 04:16 • -6.91db
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tom Scott
Today
108 bpm • D min • 03:22 • -9.46db
33% Popularity • 47% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 47% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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CHIC
I Want Your Love - 2018 Remaster
114 bpm • A min • 06:53 • -13.4db
58% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
58% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
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Maceo And The Macks
Parrty - Pt. 1
114 bpm • G# Maj • 03:22 • -12.47db
26% Popularity • 86% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 86% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Donald Byrd
Flight-Time
114 bpm • F Maj • 08:31 • -9db
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
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Graham Central Station
The Jam
108 bpm • B min • 08:12 • -11db
37% Popularity • 70% Danceability • 83% Energy • 11% Liveness
33% Instrumentalness • 65% Positiveness
37% Popularity • 70% Danceability • 83% Energy • 11% Liveness
33% Instrumentalness • 65% Positiveness
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Eddie Kendricks
Let Me Run Into Your Lonely Heart
107 bpm • D Maj • 03:10 • -12db
20% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Black Ivory
I Keep Asking You Questions
108 bpm • D Maj • 03:08 • -5db
12% Popularity • 56% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
12% Popularity • 56% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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El Chicano
Viva Tirado
115 bpm • D Maj • 04:40 • -12.97db
39% Popularity • 76% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
39% Popularity • 76% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
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The Brothers Johnson
Right On Time
107 bpm • C Maj • 03:38 • -11db
28% Popularity • 85% Danceability • 85% Energy • 7% Liveness
15% Instrumentalness • 78% Positiveness
28% Popularity • 85% Danceability • 85% Energy • 7% Liveness
15% Instrumentalness • 78% Positiveness
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Bob James
Westchester Lady
107 bpm • A min • 07:28 • -8.92db
34% Popularity • 76% Danceability • 70% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
34% Popularity • 76% Danceability • 70% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
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Ohio Players
Fire
107 bpm • F Maj • 04:36 • -12db
52% Popularity • 64% Danceability • 75% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
52% Popularity • 64% Danceability • 75% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
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Isaac Hayes
Bumpy's Lament - Remastered 2009
115 bpm • G min • 01:51 • -20.43db
28% Popularity • 40% Danceability • 17% Energy • 9% Liveness
8% Instrumentalness • 30% Positiveness
28% Popularity • 40% Danceability • 17% Energy • 9% Liveness
8% Instrumentalness • 30% Positiveness
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Tammi Terrell
All I Do Is Think About You
115 bpm • C# Maj • 02:58 • -2db
37% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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The Marvelettes
The Hunter Gets Captured By The Game
115 bpm • B min • 02:50 • -11.43db
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Winstons
Color Him Father
115 bpm • F min • 03:10 • -7.31db
35% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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William DeVaughn
Be Thankful for What You've Got - David ...
107 bpm • F# min • 06:56 • -20.46db
34% Popularity • 80% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
34% Popularity • 80% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Dr. Buzzard's Original Savannah Band
Cherchez la Femme / Se Si Bon
115 bpm • C Maj • 05:47 • -19.34db
35% Popularity • 70% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 70% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Slave
Son of Slide
115 bpm • D Maj • 05:27 • -12db
25% Popularity • 68% Danceability • 71% Energy • 7% Liveness
79% Instrumentalness • 96% Positiveness
25% Popularity • 68% Danceability • 71% Energy • 7% Liveness
79% Instrumentalness • 96% Positiveness
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Funkadelic
Standing On The Verge Of Getting It On
115 bpm • G# Maj • 05:10 • -9db
38% Popularity • 66% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 66% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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The Blackbyrds
Happy Music
115 bpm • A Maj • 04:56 • -10db
33% Popularity • 80% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 80% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Betty Wright
I Love the Way You Love
107 bpm • E min • 03:06 • -9db
29% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Bob James
Take Me To The Mardi Gras
106 bpm • A# Maj • 05:49 • -8.6db
34% Popularity • 48% Danceability • 73% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
34% Popularity • 48% Danceability • 73% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
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Slave
Slide
116 bpm • E min • 06:50 • -12.8db
40% Popularity • 60% Danceability • 82% Energy • 11% Liveness
11% Instrumentalness • 93% Positiveness
40% Popularity • 60% Danceability • 82% Energy • 11% Liveness
11% Instrumentalness • 93% Positiveness
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Ann Peebles
99 Lbs
116 bpm • C Maj • 02:19 • -10.04db
41% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The James Brown Soul Train
Honky Tonk - Pt. 1
116 bpm • D Maj • 03:04 • -10.49db
24% Popularity • 64% Danceability • 52% Energy • 33% Liveness
26% Instrumentalness • 69% Positiveness
24% Popularity • 64% Danceability • 52% Energy • 33% Liveness
26% Instrumentalness • 69% Positiveness
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Herbie Hancock
I Thought It Was You
116 bpm • C# Maj • 08:55 • -11.38db
39% Popularity • 73% Danceability • 79% Energy • 11% Liveness
5% Instrumentalness • 72% Positiveness
39% Popularity • 73% Danceability • 79% Energy • 11% Liveness
5% Instrumentalness • 72% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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The Brothers Johnson
Get The Funk Out Ma Face
106 bpm • D Maj • 02:27 • -13.15db
49% Popularity • 88% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
49% Popularity • 88% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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Billy Preston
Outa-Space
116 bpm • C# Maj • 04:10 • -8.56db
43% Popularity • 72% Danceability • 83% Energy • 24% Liveness
18% Instrumentalness • 90% Positiveness
43% Popularity • 72% Danceability • 83% Energy • 24% Liveness
18% Instrumentalness • 90% Positiveness
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Mandrill
Fencewalk
106 bpm • G Maj • 05:32 • -12db
35% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
35% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Thank You (Falettinme Be Mice Elf Agin) ...
106 bpm • A Maj • 04:51 • -12.68db
57% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny "Guitar" Watson
Your Love Is My Love
106 bpm • D# Maj • 04:39 • -10.12db
21% Popularity • 87% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 87% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Boz Scaggs
Lowdown (2023 Remaster)
117 bpm • B min • 05:17 • -12.15db
63% Popularity • 69% Danceability • 55% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
63% Popularity • 69% Danceability • 55% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
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Parliament
Give Up The Funk (Tear The Roof Off The ...
106 bpm • A Maj • 05:48 • -9.5db
59% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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The Jones Girls
You Gonna Make Me Love Somebody Else
106 bpm • C# min • 04:30 • -8db
40% Popularity • 80% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
40% Popularity • 80% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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The J.B.'s
The Grunt
106 bpm • A Maj • 02:47 • -6.3db
31% Popularity • 72% Danceability • 77% Energy • 19% Liveness
72% Instrumentalness • 83% Positiveness
31% Popularity • 72% Danceability • 77% Energy • 19% Liveness
72% Instrumentalness • 83% Positiveness
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Timmy Thomas
Why Can't We Live Together
106 bpm • G min • 04:37 • -15.31db
47% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
47% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
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Rick James
Ghetto Life
117 bpm • C Maj • 04:21 • -8.61db
51% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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B.T. Express
Everything Good to You (Ain't Always Goo...
117 bpm • B min • 03:02 • -10.08db
17% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Dramatics
Your Love Was Strange
106 bpm • C Maj • 03:04 • -9db
28% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Donald Byrd
Change (Makes You Want To Hustle)
106 bpm • C# Maj • 05:08 • -8.74db
31% Popularity • 70% Danceability • 82% Energy • 37% Liveness
28% Instrumentalness • 69% Positiveness
31% Popularity • 70% Danceability • 82% Energy • 37% Liveness
28% Instrumentalness • 69% Positiveness
