Songs like Let's Fall in Love for the Night by FINNEAS
Based on a tempo of (+/- 10%) and a similar genre
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One Direction
Fool's Gold
128 bpm • F# Maj • 03:30 • -4.85db
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
57% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Ruel
Dazed & Confused
128 bpm • D Maj • 03:09 • -7.41db
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Bruno Major
The Most Beautiful Thing
127 bpm • G Maj • 03:55 • -10.39db
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Billie Eilish
Your Power
130 bpm • A min • 04:05 • -14.03db
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Ruel
Painkiller
129 bpm • F Maj • 03:33 • -6.51db
66% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
59% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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FINNEAS
Luck Pusher
130 bpm • A Maj • 02:43 • -12.19db
36% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sasha Alex Sloan
when was it over?
130 bpm • G Maj • 03:38 • -9.3db
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
52% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Cavetown
This Is Home
130 bpm • G Maj • 03:46 • -12.48db
69% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
69% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Stephen Sanchez
I Want You
126 bpm • F Maj • 03:30 • -9.69db
56% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Joshua Bassett
Set Me Free
130 bpm • D Maj • 04:02 • -8.26db
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Hemmings
Bloodline
131 bpm • A# Maj • 02:04 • -16.49db
49% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
49% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Coldplay
Let Somebody Go
131 bpm • C Maj • 04:01 • -8.93db
70% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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FINNEAS
Mona Lisa, Mona Lisa
125 bpm • C Maj • 02:52 • -6.84db
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Cavetown
Home
125 bpm • C# Maj • 04:29 • -5.22db
65% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Labrinth
I’m Tired - Bonus Track
132 bpm • C min • 03:07 • -10.62db
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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FINNEAS
Claudia
125 bpm • B min • 02:41 • -7.63db
49% Popularity • 81% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 81% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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FINNEAS
Flume - Spotify Singles
125 bpm • C Maj • 03:51 • -16db
38% Popularity • 34% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Gracie Abrams
For Real This Time
124 bpm • F# Maj • 03:13 • -8.73db
60% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Sody
is your bedroom ceiling bored?
124 bpm • F# Maj • 03:27 • -9.83db
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
58% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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lovelytheband
broken - acoustic
123 bpm • D Maj • 03:22 • -10.43db
50% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Sky McCreery
i looked into your eyes
134 bpm • A# Maj • 02:28 • -9.55db
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Lauv
Never Not
134 bpm • F Maj • 03:28 • -9db
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Lizzy McAlpine
Come Down Soon
122 bpm • G min • 03:44 • -10.5db
57% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Hayd
Suffocate
122 bpm • E Maj • 04:01 • -22db
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Miley Cyrus
Angels Like You
122 bpm • F Maj • 03:16 • -4.04db
85% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
85% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Sasha Alex Sloan
House With No Mirrors
122 bpm • D Maj • 03:47 • -12db
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Maeson
Hallucinogenics
122 bpm • C Maj • 03:06 • -7.18db
60% Popularity • 59% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 59% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Sanchez
Hey Girl
122 bpm • F# min • 03:05 • -7.78db
65% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Montell Fish
Fall in Love with You.
121 bpm • E Maj • 02:12 • -23.16db
80% Popularity • 54% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
80% Popularity • 54% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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FINNEAS
The 90s
135 bpm • F Maj • 03:23 • -11.63db
45% Popularity • 80% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 80% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sasha Alex Sloan
Glad You Did
121 bpm • E Maj • 03:11 • -10.98db
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Lizzy McAlpine
Staying
136 bpm • E Maj • 02:31 • -10.71db
55% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Lyn Lapid
In My Mind
136 bpm • D min • 02:42 • -12.18db
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bea Miller
feel something
136 bpm • C Maj • 03:00 • -8.91db
64% Popularity • 74% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 74% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
