Songs like Let's Get Serious - Single Version by Jermaine Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Jermaine Stewart
Frantic Romantic
110 bpm • C Maj • 04:36 • -12.28db
10% Popularity • 82% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 82% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jody Watley
Still A Thrill
110 bpm • D Maj • 04:41 • -13.25db
23% Popularity • 84% Danceability • 46% Energy • 15% Liveness
25% Instrumentalness • 97% Positiveness
23% Popularity • 84% Danceability • 46% Energy • 15% Liveness
25% Instrumentalness • 97% Positiveness
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Odyssey
Native New Yorker - Rerecorded
110 bpm • C Maj • 03:43 • -14.52db
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Phil Fearon
I Can Prove It
110 bpm • G min • 03:59 • -10.25db
35% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Patti Austin
(Ooh-Wee) He's Killing Me
110 bpm • D min • 03:27 • -14.11db
26% Popularity • 77% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 77% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jermaine Jackson
Let's Get Serious - Single Version
110 bpm • A# min • 03:29 • -5.84db
33% Popularity • 76% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 76% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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George Benson
Give Me the Night - Single Version; 2015...
110 bpm • C# Maj • 05:02 • -12.14db
38% Popularity • 78% Danceability • 70% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
38% Popularity • 78% Danceability • 70% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
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Ashford & Simpson
Outta The World
110 bpm • C min • 05:49 • -12.65db
13% Popularity • 77% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 77% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
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Gladys Knight & The Pips
Save the Overtime (For Me) - John Luongo...
110 bpm • A Maj • 06:38 • -8.01db
9% Popularity • 81% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 81% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Heatwave
Lettin' It Loose
110 bpm • C min • 04:23 • -6.43db
20% Popularity • 87% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 87% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Stephanie Mills
Sweet Sensation
110 bpm • G Maj • 04:27 • -9.98db
15% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Instant Funk
I Got My Mind Made Up (You Can Get It Gi...
110 bpm • F Maj • 05:17 • -10.62db
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
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The System
You Are in My System - Extended Vocal
110 bpm • G# min • 07:43 • -11db
23% Popularity • 88% Danceability • 46% Energy • 27% Liveness
8% Instrumentalness • 80% Positiveness
23% Popularity • 88% Danceability • 46% Energy • 27% Liveness
8% Instrumentalness • 80% Positiveness
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George Benson
20/20
110 bpm • F# min • 04:07 • -11.44db
32% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Cameo
Candy - 7" Version
110 bpm • G Maj • 04:23 • -5.42db
35% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Inner Life
I'm Caught up (In a One Night Love Affai...
110 bpm • B min • 07:42 • -8.63db
18% Popularity • 84% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 84% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jermaine Jackson
Let's Get Serious
110 bpm • A# min • 07:57 • -10.17db
27% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Instant Funk
I Got My Mind Made Up (You Can Get It Gi...
110 bpm • A# Maj • 03:21 • -8.78db
23% Popularity • 66% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
23% Popularity • 66% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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The Spinners
Ghetto Child
109 bpm • D min • 03:50 • -11.65db
37% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The B. B. & Q. Band
Dreamer
109 bpm • D# min • 05:47 • -7db
32% Popularity • 87% Danceability • 68% Energy • 4% Liveness
3% Instrumentalness • 98% Positiveness
32% Popularity • 87% Danceability • 68% Energy • 4% Liveness
3% Instrumentalness • 98% Positiveness
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Champaign
Off and On Love
111 bpm • G min • 04:10 • -10.51db
16% Popularity • 84% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 84% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Cameo
Single Life
111 bpm • G Maj • 04:26 • -8.41db
43% Popularity • 76% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 76% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Slave
Watching You - Single Version
111 bpm • G Maj • 03:28 • -9db
33% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Teena Marie
I Need Your Lovin'
109 bpm • F# min • 03:51 • -8.52db
23% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jermaine Stewart
Jody
111 bpm • B min • 05:35 • -12.34db
11% Popularity • 70% Danceability • 84% Energy • 71% Liveness
4% Instrumentalness • 79% Positiveness
11% Popularity • 70% Danceability • 84% Energy • 71% Liveness
4% Instrumentalness • 79% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love
109 bpm • G min • 04:38 • -6db
40% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
40% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Odyssey
Native New Yorker
109 bpm • C# Maj • 03:26 • -6.87db
37% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Cameo
Single Life
111 bpm • G Maj • 06:33 • -14.45db
27% Popularity • 77% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 77% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
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Ashford & Simpson
Street Corner
111 bpm • C Maj • 04:38 • -13.99db
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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The System
You Are in My System
109 bpm • A# min • 05:57 • -13.51db
38% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Morris Day
Fishnet
111 bpm • B Maj • 06:06 • -14db
28% Popularity • 74% Danceability • 73% Energy • 67% Liveness
3% Instrumentalness • 71% Positiveness
28% Popularity • 74% Danceability • 73% Energy • 67% Liveness
3% Instrumentalness • 71% Positiveness
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Gladys Knight & The Pips
Save the Overtime (For Me)
109 bpm • A Maj • 04:41 • -11db
32% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Aurra
Baby Love
109 bpm • F# min • 05:53 • -8.88db
28% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jocelyn Brown
I Wish You Would
111 bpm • A min • 05:29 • -6.54db
27% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Taja Sevelle
Love Is Contagious
111 bpm • C Maj • 04:37 • -9db
35% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Ashford & Simpson
Street Opera, Pt. 3: Street Corner
111 bpm • C Maj • 04:21 • -8db
18% Popularity • 74% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 74% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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Alexander O'Neal
What's Missing
111 bpm • B min • 05:43 • -8db
38% Popularity • 76% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 76% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Manhattans
Crazy
111 bpm • G# min • 04:55 • -12db
34% Popularity • 85% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 85% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Aurra
You And Me Tonight
109 bpm • G min • 03:56 • -13db
30% Popularity • 87% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 87% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Cameo
She's Strange
109 bpm • C# Maj • 07:11 • -11.75db
38% Popularity • 82% Danceability • 59% Energy • 6% Liveness
4% Instrumentalness • 88% Positiveness
38% Popularity • 82% Danceability • 59% Energy • 6% Liveness
4% Instrumentalness • 88% Positiveness
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Delegation
In the Night
111 bpm • E min • 04:36 • -14db
36% Popularity • 71% Danceability • 63% Energy • 17% Liveness
11% Instrumentalness • 97% Positiveness
36% Popularity • 71% Danceability • 63% Energy • 17% Liveness
11% Instrumentalness • 97% Positiveness
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Vesta Williams
Once Bitten Twice Shy
111 bpm • C min • 05:59 • -13.78db
25% Popularity • 69% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 69% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Total Contrast
Takes a Little Time
111 bpm • A# min • 05:49 • -13.62db
23% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Roberta Flack
Back Together Again
111 bpm • C# min • 04:50 • -5.48db
44% Popularity • 78% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 78% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • F min • 03:18 • -6.45db
27% Popularity • 80% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 80% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Cameo
She's Strange - Single Version
109 bpm • C# Maj • 03:45 • -8.26db
25% Popularity • 81% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 81% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Temptations
Running
111 bpm • B Maj • 03:29 • -12.67db
11% Popularity • 78% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
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Diana Ross
Love Hangover - Extended Alternate Versi...
111 bpm • C# Maj • 10:23 • -8.23db
28% Popularity • 37% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 37% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Sharon Redd
Can You Handle It
109 bpm • A# min • 06:26 • -11db
39% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
39% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Roberta Flack
Back Together Again
111 bpm • C# min • 09:48 • -11.85db
25% Popularity • 75% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
25% Popularity • 75% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Slave
Just a Touch of Love
109 bpm • C Maj • 06:32 • -15db
44% Popularity • 74% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 74% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Cameo
She's Strange - Original 12" Mix
109 bpm • C# Maj • 06:55 • -10.13db
23% Popularity • 87% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 87% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Gladys Knight & The Pips
When You're Far Away
111 bpm • B min • 05:48 • -8.49db
17% Popularity • 78% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 78% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Maze
Too Many Games - 2004 Remastered Versio...
111 bpm • G# Maj • 03:59 • -6.63db
19% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jermaine Jackson
Tell Me I'm Not Dreaming (Too Good to Be...
109 bpm • A# min • 04:27 • -9.07db
39% Popularity • 80% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 80% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Herb Alpert
Diamonds
111 bpm • E Maj • 04:53 • -11db
38% Popularity • 88% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 88% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Slave
Feel My Love
111 bpm • F# Maj • 04:30 • -11db
32% Popularity • 68% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 68% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Skyy
Skyyzoo
111 bpm • B min • 04:55 • -16.19db
18% Popularity • 79% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
18% Popularity • 79% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love - Single Version
109 bpm • G min • 03:42 • -6.58db
14% Popularity • 76% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 76% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Brown
Dance with Me
109 bpm • A# Maj • 05:19 • -14.8db
38% Popularity • 91% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 91% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Thelma Houston
You Used To Hold Me So Tight - Original ...
112 bpm • B min • 05:33 • -13db
26% Popularity • 75% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 75% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Diana Ross
Love Hangover - Single Version
112 bpm • C# Maj • 03:49 • -10db
42% Popularity • 50% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
42% Popularity • 50% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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Slave
Just a Touch of Love
109 bpm • C Maj • 06:30 • -6.01db
12% Popularity • 73% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 73% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Randy Crawford
Street Life - Edit
112 bpm • F min • 04:49 • -11.17db
16% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Sharon Redd
Can You Handle It - Radio Mix
108 bpm • A# min • 03:46 • -13db
31% Popularity • 73% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 73% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Alexander O'Neal
Fake - Extended Remix
112 bpm • F# min • 05:18 • -10.32db
28% Popularity • 74% Danceability • 76% Energy • 12% Liveness
24% Instrumentalness • 71% Positiveness
28% Popularity • 74% Danceability • 76% Energy • 12% Liveness
24% Instrumentalness • 71% Positiveness
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Peaches & Herb
We've Got Love
112 bpm • F min • 03:22 • -7db
23% Popularity • 77% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 77% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Odyssey
Inside Out - 12" Version
112 bpm • G Maj • 06:19 • -9.7db
30% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Cameo
Back And Forth - 7" Version
112 bpm • F# min • 03:51 • -6.16db
36% Popularity • 89% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 89% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Lillo Thomas
Sexy Girl
108 bpm • C min • 04:02 • -13.29db
30% Popularity • 77% Danceability • 60% Energy • 8% Liveness
19% Instrumentalness • 94% Positiveness
30% Popularity • 77% Danceability • 60% Energy • 8% Liveness
19% Instrumentalness • 94% Positiveness
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The Trammps
Hooked for Life
108 bpm • F min • 04:48 • -13.91db
13% Popularity • 79% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 79% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Whitney Houston
Take Good Care of My Heart
112 bpm • B min • 04:15 • -14.57db
38% Popularity • 71% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 71% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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James Ingram
Party Animal
112 bpm • C# Maj • 04:52 • -10.56db
23% Popularity • 79% Danceability • 60% Energy • 21% Liveness
20% Instrumentalness • 80% Positiveness
23% Popularity • 79% Danceability • 60% Energy • 21% Liveness
20% Instrumentalness • 80% Positiveness
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Odyssey
Inside Out
112 bpm • G Maj • 05:14 • -10db
34% Popularity • 74% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 74% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Evelyn "Champagne" King
Smooth Talk
112 bpm • D min • 05:28 • -4.2db
16% Popularity • 49% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 49% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Jermaine Jackson
I'm Just Too Shy
108 bpm • F Maj • 03:45 • -10.12db
11% Popularity • 69% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Cameo
Back And Forth
112 bpm • F# min • 06:32 • -13db
39% Popularity • 91% Danceability • 42% Energy • 5% Liveness
1% Instrumentalness • 94% Positiveness
39% Popularity • 91% Danceability • 42% Energy • 5% Liveness
1% Instrumentalness • 94% Positiveness
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The B. B. & Q. Band
Main Attraction
112 bpm • F# min • 05:45 • -6.41db
16% Popularity • 74% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 74% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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David Grant
Watching You, Watching Me
112 bpm • C Maj • 03:34 • -13.2db
26% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Fatback Band
Double Dutch
112 bpm • C# Maj • 03:30 • -7.12db
14% Popularity • 70% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 82% Positiveness
14% Popularity • 70% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 82% Positiveness
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Central Line
Walking Into Sunshine - Edit
112 bpm • C Maj • 03:48 • -11.45db
32% Popularity • 89% Danceability • 39% Energy • 4% Liveness
17% Instrumentalness • 86% Positiveness
32% Popularity • 89% Danceability • 39% Energy • 4% Liveness
17% Instrumentalness • 86% Positiveness
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The Spinners
Magic in the Moonlight
112 bpm • E Maj • 06:04 • -12.41db
10% Popularity • 85% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 85% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Gwen Guthrie
Ain't Nothin' Goin' On But The Rent
108 bpm • A# min • 03:34 • -9.56db
32% Popularity • 77% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 77% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Odyssey
Inside Out - Single Mix
113 bpm • G Maj • 03:53 • -10db
35% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Change
Change of Heart - Single Version
107 bpm • C# Maj • 04:17 • -6.61db
32% Popularity • 75% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 75% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Stacy Lattisaw
Jump Into My Life
107 bpm • C# Maj • 04:23 • -7.66db
15% Popularity • 81% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 81% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jermaine Jackson
Do What You Do - 12" Remix Version
113 bpm • C# min • 05:46 • -10.31db
14% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Alexander O'Neal
Fake
113 bpm • F# min • 03:55 • -13.52db
46% Popularity • 74% Danceability • 69% Energy • 22% Liveness
5% Instrumentalness • 76% Positiveness
46% Popularity • 74% Danceability • 69% Energy • 22% Liveness
5% Instrumentalness • 76% Positiveness
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Gwen Guthrie
Ain't Nothin' Goin' On But The Rent - Ex...
107 bpm • C# min • 07:16 • -11.87db
23% Popularity • 80% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 80% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Odyssey
Going Back to My Roots - 12" Version
107 bpm • C# Maj • 05:25 • -9.55db
39% Popularity • 68% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
39% Popularity • 68% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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The Time
Get It Up (Single Edit) - 2021 Remaster
113 bpm • G Maj • 03:09 • -9db
21% Popularity • 97% Danceability • 38% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
21% Popularity • 97% Danceability • 38% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
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Sharon Redd
Never Give You Up
113 bpm • F# Maj • 06:57 • -8db
27% Popularity • 76% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 76% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Jermaine Jackson
Paradise In Your Eyes
107 bpm • B Maj • 04:24 • -18.28db
6% Popularity • 77% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 77% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Diana Ross
Upside Down - Original CHIC Mix
107 bpm • F Maj • 04:15 • -8.63db
35% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Stephanie Mills
Never Knew Love Like This Before - Singl...
113 bpm • B Maj • 03:31 • -9.46db
35% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Odyssey
Going Back to My Roots - Single Version
107 bpm • C# Maj • 03:25 • -9.67db
48% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Instant Funk
I Got My Mind Made Up (You Can Get It Gi...
113 bpm • C# Maj • 04:43 • -10.05db
23% Popularity • 75% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 75% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Sharon Redd
Never Give You Up - Radio Mix
113 bpm • C# Maj • 04:10 • -12db
25% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
