Songs like Let's Go Get Stoned - 2007 Remaster Single Version; Remastered by The Coasters
Based on a tempo of (+/- 10%) and a similar genre
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The Dixie Cups
Iko Iko
102 bpm • A min • 02:06 • -10db
56% Popularity • 91% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
56% Popularity • 91% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Strangeloves
I Want Candy
102 bpm • G# min • 02:57 • -10db
41% Popularity • 67% Danceability • 85% Energy • 9% Liveness
9% Instrumentalness • 66% Positiveness
41% Popularity • 67% Danceability • 85% Energy • 9% Liveness
9% Instrumentalness • 66% Positiveness
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Roy Hamilton
Don't Let Go
101 bpm • G# Maj • 02:31 • -16.81db
34% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Cash
Folsom Prison Blues
102 bpm • F Maj • 02:48 • -8.33db
62% Popularity • 75% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 75% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Coasters
One Kiss Led to Another
101 bpm • G Maj • 02:53 • -10.25db
18% Popularity • 83% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 83% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Elmore James
Dust My Broom
101 bpm • G Maj • 02:55 • -4.91db
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
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Gene Chandler
Duke of Earl
101 bpm • F Maj • 02:27 • -11db
56% Popularity • 42% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 42% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Gene Vincent
Race with the Devil
101 bpm • C# min • 02:03 • -8.54db
28% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Dion & The Belmonts
I Wonder Why
103 bpm • A# Maj • 02:21 • -3.83db
60% Popularity • 51% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 51% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Little Anthony & The Imperials
Tears on My Pillow
101 bpm • C Maj • 02:15 • -9.85db
47% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Coasters
Smokey Joe's Cafe
103 bpm • F min • 02:46 • -10db
36% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Big Maybelle
Blues Early, Early, Pts. 1 & 2
100 bpm • G# Maj • 04:32 • -9.98db
29% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Wynonie Harris
Quiet Whiskey
100 bpm • G# Maj • 02:26 • -7.91db
31% Popularity • 58% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 58% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Laine
Rawhide
104 bpm • F min • 02:00 • -12.8db
51% Popularity • 62% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 62% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Little Willie John
Leave My Kitten Alone
104 bpm • G# Maj • 02:33 • -9.67db
18% Popularity • 50% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 50% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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The Chantels
Maybe
104 bpm • A# Maj • 02:56 • -8.68db
44% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Coasters
Mustang Sally
100 bpm • C Maj • 03:36 • -9.42db
13% Popularity • 72% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 72% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Janis Martin
Bang Bang
99 bpm • E Maj • 02:00 • -5.27db
33% Popularity • 67% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 67% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Cab Calloway & His Orchestra
Minnie the Moocher
100 bpm • E min • 03:14 • -10.54db
30% Popularity • 55% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
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Carl Perkins
Glad All Over
105 bpm • G# Maj • 01:39 • -9.59db
34% Popularity • 77% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 77% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Johnny Otis
Willie and the Hand Jive
99 bpm • G# min • 02:35 • -9.12db
39% Popularity • 78% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 78% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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The Coasters
Turtle Dovin'
105 bpm • G# Maj • 03:08 • -9.46db
17% Popularity • 86% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 86% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Donovan
Mellow Yellow
105 bpm • D Maj • 03:47 • -12.39db
52% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
52% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
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The Dovells
Bristol Stomp
106 bpm • D Maj • 02:21 • -6.32db
26% Popularity • 66% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 66% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Cochran
Twenty Flight Rock
106 bpm • A Maj • 01:45 • -8.66db
50% Popularity • 64% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 64% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Larry Williams
Lawdy Miss Clawdy
98 bpm • A# Maj • 02:13 • -13.99db
29% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
98 bpm • A# Maj • 02:24 • -9.82db
21% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Them
Baby, Please Don't Go
106 bpm • F Maj • 02:42 • -6.82db
56% Popularity • 72% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 72% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Curtis Lee
Pretty Little Angel Eyes
106 bpm • C# min • 02:45 • -8db
41% Popularity • 62% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 62% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
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The Shirelles
Soldier Boy
98 bpm • A# Maj • 02:42 • -13.35db
43% Popularity • 58% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 58% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Danny & The Juniors
Rock And Roll Is Here To Stay
97 bpm • G Maj • 02:29 • -8db
35% Popularity • 62% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 62% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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Buddy Holly
Oh Boy!
97 bpm • A Maj • 02:06 • -7.19db
50% Popularity • 53% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 53% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Buddy Holly & The Crickets
Not Fade Away
96 bpm • A Maj • 02:22 • -13db
49% Popularity • 80% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 80% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
50% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
50% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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Little Richard
Rip It Up
96 bpm • F Maj • 02:21 • -6db
57% Popularity • 90% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 90% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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James Brown & The Famous Flames
Please, Please, Please
109 bpm • F Maj • 02:46 • -13.32db
45% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Charlie Feathers
Can't Hardly Stand It
95 bpm • E Maj • 02:49 • -10.03db
40% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Platters
My Prayer
109 bpm • A# Maj • 02:47 • -8.39db
56% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Wilson Pickett
Something You Got
110 bpm • C Maj • 02:58 • -11db
37% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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The Big Bopper
Big Bopper's Wedding
95 bpm • A# Maj • 02:12 • -6db
34% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
41% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
66% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
66% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Coasters
Down In Mexico
94 bpm • D# min • 03:21 • -8db
48% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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The El Dorados
Bim Bam Boom
94 bpm • G# Maj • 02:53 • -11.61db
23% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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LaVern Baker
See See Rider
94 bpm • F# Maj • 02:30 • -11db
40% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
65% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
65% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Cash
Get Rhythm
111 bpm • F Maj • 02:12 • -9db
61% Popularity • 90% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
61% Popularity • 90% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Muddy Waters
Mannish Boy
111 bpm • D Maj • 05:21 • -10.88db
63% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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The Coasters
Young Blood
111 bpm • G# Maj • 02:23 • -13.25db
32% Popularity • 50% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 50% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Charlie Feathers
That Certain Female
93 bpm • B Maj • 03:05 • -6db
34% Popularity • 63% Danceability • 58% Energy • 31% Liveness
25% Instrumentalness • 44% Positiveness
34% Popularity • 63% Danceability • 58% Energy • 31% Liveness
25% Instrumentalness • 44% Positiveness
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Dion
Lovers Who Wander
112 bpm • C Maj • 02:31 • -14db
44% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Orlons
Don't Hang Up - Remastered
112 bpm • G Maj • 02:16 • -9.09db
23% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
93 bpm • F min • 02:30 • -9.48db
26% Popularity • 63% Danceability • 57% Energy • 34% Liveness
2% Instrumentalness • 70% Positiveness
26% Popularity • 63% Danceability • 57% Energy • 34% Liveness
2% Instrumentalness • 70% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Coasters
Down in Mexico
112 bpm • C# Maj • 03:16 • -8.67db
58% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Sam & Dave
Hold On, I'm Comin' (Rerecorded)
112 bpm • C# Maj • 02:34 • -8.17db
53% Popularity • 81% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 81% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Feathers
That Certain Female
93 bpm • B Maj • 03:01 • -7.33db
47% Popularity • 64% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 66% Positiveness
47% Popularity • 64% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 66% Positiveness
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Chuck Berry
Roll Over Beethoven
93 bpm • D# Maj • 02:24 • -10.15db
62% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Danny & The Juniors
At the Hop
93 bpm • G Maj • 02:36 • -7.39db
20% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Slim Harpo
I'm A King Bee
113 bpm • A# min • 03:02 • -7db
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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The Coasters
Along Came Jones
113 bpm • E Maj • 02:54 • -10.72db
15% Popularity • 81% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 81% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
68% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
68% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Slim Rhodes
Gonna Romp and Stomp
113 bpm • D Maj • 02:18 • -9.34db
35% Popularity • 92% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
35% Popularity • 92% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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The Shirelles
Baby It's You
113 bpm • G min • 02:41 • -11.86db
48% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Clyde McPhatter
You're Moving Me
113 bpm • A# Maj • 02:27 • -5.23db
37% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Muddy Waters
Got My Mojo Working
114 bpm • E Maj • 02:52 • -9.63db
54% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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The Coasters
Keep on Rolling
92 bpm • G Maj • 02:22 • -12.57db
13% Popularity • 78% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 78% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ike Turner
She Made My Blood Run Cold
114 bpm • D min • 02:21 • -9db
18% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Maestro
16 Candles
114 bpm • A# Maj • 02:54 • -10.08db
46% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Dion
The Wanderer
114 bpm • G Maj • 02:48 • -10db
65% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
65% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Williams
She Said Yeah
91 bpm • F Maj • 01:51 • -11db
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Muddy Waters
I'm Your Hoochie Coochie Man
114 bpm • D Maj • 03:58 • -9.27db
57% Popularity • 54% Danceability • 59% Energy • 24% Liveness
16% Instrumentalness • 88% Positiveness
57% Popularity • 54% Danceability • 59% Energy • 24% Liveness
16% Instrumentalness • 88% Positiveness
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Lloyd Price
Just Because
114 bpm • D# Maj • 02:46 • -9.29db
33% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Fats Domino
I'm Walkin'
115 bpm • A Maj • 02:06 • -8.11db
50% Popularity • 65% Danceability • 89% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
50% Popularity • 65% Danceability • 89% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Bill Haley & His Comets
(We're Gonna) Rock Around The Clock
91 bpm • A Maj • 02:09 • -6.32db
66% Popularity • 81% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
66% Popularity • 81% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Aretha Franklin
Won't Be Long - As heard in the Netflix ...
91 bpm • F Maj • 03:07 • -9.62db
38% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Buddy Holly
That'll Be The Day
115 bpm • D Maj • 02:30 • -7.77db
61% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Coasters
I Must Be Dreamin'
115 bpm • C Maj • 02:18 • -7.06db
15% Popularity • 76% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 76% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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The McCoys
Hang On Sloopy
115 bpm • G Maj • 03:51 • -12db
56% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Buddy Knox
Party Doll
90 bpm • B min • 02:15 • -8db
44% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Carl Perkins
Everybody's Trying to Be My Baby
90 bpm • B min • 02:13 • -8.09db
34% Popularity • 59% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 59% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 85% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Big Joe Turner
Boogie Woogie Country Girl
90 bpm • G min • 02:57 • -6.54db
30% Popularity • 77% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 77% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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The Platters
Twilight Time - Single Version
116 bpm • A Maj • 02:48 • -12.56db
60% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Little Anthony
Shimmy Shimmy Ko Ko Bop (Alternate Take)
116 bpm • G min • 02:09 • -9.5db
24% Popularity • 70% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 70% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Harry Belafonte
Jump in the Line
116 bpm • F Maj • 03:41 • -7.78db
65% Popularity • 59% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
65% Popularity • 59% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Coasters
Little Egypt (Ying-Yang)
116 bpm • A# Maj • 02:52 • -15.83db
25% Popularity • 87% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 87% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Bob & Earl
Harlem Shuffle
116 bpm • F Maj • 02:54 • -6.64db
53% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
53% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
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Huey "Piano" Smith
Rocking Pneumonia and the Boogie Woogie ...
117 bpm • C Maj • 02:23 • -7.14db
20% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
20% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
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The Beach Boys
California Girls - Remix/Remastered 2001
117 bpm • B Maj • 02:40 • -6.07db
59% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
