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Let's Go There
Songs like
Let's Go There
by
Dan Davidson
Based on a tempo of (+/- 10%) and a similar genre
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Clayton Anderson
In The Dark
113 bpm • A Maj • 02:59 • -3.21db
20% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Dan Davidson
These Are My People
113 bpm • E Maj • 03:20 • -7.32db
9% Popularity • 63% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
42% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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William Michael Morgan
Gone Enough
113 bpm • F# min • 04:00 • -6.18db
25% Popularity • 61% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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River Town Saints
Slow Kiss
113 bpm • E Maj • 02:37 • -5.81db
27% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Mitch Rossell
All About Me
113 bpm • F Maj • 03:34 • -6.63db
18% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Robinette
What I Wasn't Lookin' for
113 bpm • F# Maj • 03:07 • -3.5db
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Dan Davidson
Let's Go There
113 bpm • F# Maj • 02:59 • -6.06db
30% Popularity • 54% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Brandt
Better Country
114 bpm • A# Maj • 03:26 • -4db
22% Popularity • 61% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Clayton Anderson
Country High
112 bpm • D Maj • 03:16 • -6.86db
19% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Blaine
Ain't Got Growin' Up Down Yet
112 bpm • A Maj • 03:29 • -3db
14% Popularity • 58% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Chase Bryant
Jet Black Pontiac
112 bpm • D Maj • 03:17 • -5.49db
25% Popularity • 77% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Kip Moore
I've Been Around
114 bpm • F min • 03:37 • -5db
41% Popularity • 76% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Dan Davidson
Won't Forget
114 bpm • G Maj • 03:19 • -4.36db
17% Popularity • 56% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Benoit
Slow Hand
114 bpm • G Maj • 03:36 • -5db
14% Popularity • 62% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Pell
Ball Caps & Blue Jeans
114 bpm • F# min • 03:19 • -4.68db
23% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tebey
Till It's Gone
114 bpm • G# Maj • 03:22 • -5db
23% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
32% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Nestor Andress
Drunk at a Bar
114 bpm • G# Maj • 03:10 • -4.44db
16% Popularity • 64% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Brandt
I'm An Open Road
115 bpm • D Maj • 03:54 • -6db
34% Popularity • 50% Danceability • 79% Energy • 23% Liveness
18% Instrumentalness • 17% Positiveness
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Bobby Wills
Raise The Bar
115 bpm • D Maj • 02:38 • -3.63db
5% Popularity • 74% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Kip Moore
Motorcycle
115 bpm • G Maj • 04:14 • -7.1db
30% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Petric
All She Wrote
111 bpm • F min • 02:43 • -3.69db
30% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Reklaws
Roots - World Junior Song
115 bpm • C Maj • 03:26 • -4.59db
36% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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LOCASH
Alll Day
111 bpm • F# Maj • 03:14 • -4db
6% Popularity • 59% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Aaron Goodvin
Country Dance
115 bpm • G Maj • 03:10 • -4.17db
46% Popularity • 71% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Rose
Like This Like That
115 bpm • A Maj • 03:00 • -5.94db
24% Popularity • 69% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Kip Moore
Burn The Whole World Down
115 bpm • A Maj • 04:03 • -7.18db
36% Popularity • 61% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Wills
Somebody Will
111 bpm • D Maj • 03:10 • -8db
13% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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George Canyon
Your Lips Got In The Way
115 bpm • E Maj • 02:52 • -2.34db
22% Popularity • 58% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Hillside Outlaws
Girls in Trucks
111 bpm • B Maj • 03:19 • -3.14db
13% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Levi Hummon
Window Down Days
111 bpm • F Maj • 03:34 • -5.34db
13% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Trace Adkins
Lit
110 bpm • D Maj • 03:28 • -4.95db
32% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Road Hammers
Crazy About You
116 bpm • A# min • 03:40 • -6db
22% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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LOCASH
How Much Time You Got
110 bpm • F Maj • 03:02 • -3.18db
20% Popularity • 58% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Denny Strickland
Get a Grip
110 bpm • F Maj • 02:54 • -11.1db
24% Popularity • 74% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Krystal Keith
Anyone Else
110 bpm • G# Maj • 03:24 • -3.13db
25% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Big & Rich
Smoke in Her Eyes
110 bpm • A Maj • 03:11 • -5db
24% Popularity • 63% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Dan Davidson
Found
110 bpm • A# Maj • 03:14 • -5db
46% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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James Barker Band
Chills - Acoustic
116 bpm • G# min • 02:57 • -9.43db
22% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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LOCASH
The Fighters
110 bpm • G Maj • 03:40 • -5db
5% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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David James
Lonely Girl
110 bpm • B Maj • 03:38 • -5.42db
17% Popularity • 66% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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David Nail
Good At Tonight
110 bpm • E Maj • 03:30 • -5db
35% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Granger Smith
Never Too Old
109 bpm • C Maj • 03:29 • -6.2db
26% Popularity • 61% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Davidson
Barn Burner
116 bpm • A Maj • 03:13 • -4db
30% Popularity • 63% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Walker McGuire
18 Forever
117 bpm • E Maj • 03:21 • -3.89db
22% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Jenckes
Same Beer Different Day
117 bpm • C# min • 03:07 • -5.77db
16% Popularity • 60% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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Bobby Wills
Get While The Gettin's Good
117 bpm • D Maj • 03:29 • -5db
11% Popularity • 66% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Frankie Ballard
El Camino
117 bpm • G Maj • 03:29 • -4.87db
29% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Carlton Anderson
Drop Everything
109 bpm • C Maj • 02:38 • -3db
28% Popularity • 70% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Tebey
Now I Do
109 bpm • A Maj • 03:58 • -3.45db
22% Popularity • 62% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Watson
The Arrow
109 bpm • B Maj • 03:45 • -7.3db
25% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Petric
18 Ends
109 bpm • G# Maj • 02:52 • -5db
24% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Dorr
Ready or Not
109 bpm • G# Maj • 04:14 • -5db
27% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Riggs
Burn Me Down
109 bpm • A min • 03:22 • -7.24db
14% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Trea Landon
When I Get There
117 bpm • C min • 03:15 • -4.7db
18% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Road Hammers
Get on Down the Road
109 bpm • F# min • 03:14 • -5.44db
29% Popularity • 63% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Drew Gregory
All About It
118 bpm • D Maj • 03:20 • -4.54db
10% Popularity • 68% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
30% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
39% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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JT Hodges
Ray Bans
118 bpm • D Maj • 03:20 • -3.51db
26% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Robby Johnson
Don't Look Back
108 bpm • F Maj • 03:26 • -3.81db
12% Popularity • 65% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Buck Band
Holy Ground
118 bpm • G Maj • 02:53 • -4.62db
28% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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LOCASH
God Loves Me More
108 bpm • D Maj • 02:59 • -4.31db
4% Popularity • 45% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Bobby Wills
Never Didn’t Love You
108 bpm • B min • 03:13 • -6db
27% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Frankie Ballard
You'll Accomp'ny Me
108 bpm • G Maj • 04:00 • -6db
38% Popularity • 60% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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The Reklaws
Hometown Kids
108 bpm • F Maj • 03:06 • -6db
36% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Drew Baldridge
Everyday Night
108 bpm • G Maj • 02:56 • -4.07db
18% Popularity • 67% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Chase Rice
On Tonight
119 bpm • C# min • 04:03 • -4.6db
43% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Brandon Ray
American Way
119 bpm • D Maj • 03:04 • -4.18db
19% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Big & Rich
Brand New Buzz
119 bpm • B Maj • 03:22 • -3.84db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Frankie Ballard
Wasting Time
119 bpm • A Maj • 03:43 • -5.38db
21% Popularity • 55% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Kip Moore
Good Thing
119 bpm • E Maj • 02:50 • -5.42db
34% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Jordan Davis
More Than I Know
107 bpm • E min • 02:48 • -3.67db
45% Popularity • 66% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Shawn Austin
You Belong
107 bpm • C min • 03:05 • -7db
29% Popularity • 57% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Brandon Lay
Let It
107 bpm • F# Maj • 02:28 • -5.67db
38% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Austin Burke
Sleepin' Around
107 bpm • E Maj • 02:55 • -9.95db
27% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Jay Allen
Top It Off
107 bpm • B Maj • 02:47 • -2.78db
22% Popularity • 58% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Petric
Play It Safe
120 bpm • B Maj • 03:00 • -3.93db
17% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jason Benoit
I Won't Go
120 bpm • F# Maj • 03:02 • -7.04db
11% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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LOCASH
Ain't Startin Tonight
120 bpm • C# min • 02:50 • -3.12db
9% Popularity • 55% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Jojo Mason
Edge Of The Night
120 bpm • E Maj • 02:58 • -3.65db
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Caleb Lee Hutchinson
Left of Me
120 bpm • F Maj • 04:44 • -3.92db
19% Popularity • 55% Danceability • 92% Energy • 33% Liveness
49% Instrumentalness • 60% Positiveness
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Dan Davidson
Church
120 bpm • C# Maj • 02:58 • -5.75db
27% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Ray
This Love
120 bpm • C# min • 02:58 • -3.76db
18% Popularity • 70% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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Emerson Drive
That Kind of Beautiful
120 bpm • C Maj • 03:08 • -4db
29% Popularity • 73% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Brandon Scott
Noise
120 bpm • D Maj • 02:38 • -3.87db
10% Popularity • 63% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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Jojo Mason
Future
120 bpm • G# Maj • 02:59 • -6.57db
28% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Dylan Schneider
You I Used to Know
120 bpm • C# Maj • 03:09 • -7.4db
28% Popularity • 71% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Reklaws
Wish You Were Beer
120 bpm • A Maj • 03:46 • -7.29db
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Jason Blaine
Spotlight
120 bpm • F# min • 04:36 • -6.96db
16% Popularity • 65% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Waterloo Revival
What Guy Wouldn't
120 bpm • F# Maj • 02:58 • -6db
35% Popularity • 54% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Dan Davidson
Say We Did
106 bpm • D Maj • 03:29 • -6.03db
14% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Petric
Something to Do with You
106 bpm • F# Maj • 03:11 • -5db
13% Popularity • 56% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Bobby Wills
So Much For Taking It Slow
106 bpm • D Maj • 03:28 • -6.11db
13% Popularity • 69% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Craig Campbell
Mas Tequila
106 bpm • A Maj • 02:42 • -3.91db
22% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Let's Go There