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Let's Run Away Together
Songs like
Let's Run Away Together
by
Johannes Bornlöf
Based on a tempo of (+/- 10%) and a similar genre
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Anne Sophie Versnaeyen
The Power of Mind
80 bpm • C min • 02:56 • -13.69db
41% Popularity • 30% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Johannes Bornlöf
Hope Whispers
80 bpm • C# Maj • 02:54 • -15.26db
20% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
51% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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David Celeste
Follow Hidden Paths
79 bpm • F Maj • 02:03 • -22.33db
34% Popularity • 21% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
54% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Newman
Fellowship
81 bpm • G min • 05:06 • -19.93db
39% Popularity • 31% Danceability • 15% Energy • 22% Liveness
94% Instrumentalness • 6% Positiveness
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David Celeste
Sphinx
79 bpm • A min • 01:42 • -24.45db
44% Popularity • 37% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Night
81 bpm • D# Maj • 05:03 • -24.12db
9% Popularity • 56% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Look to the Stars
81 bpm • B Maj • 02:49 • -16db
28% Popularity • 34% Danceability • 18% Energy • 21% Liveness
87% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Carter Burwell
Silent Whispers
81 bpm • A min • 01:33 • -19.96db
15% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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James Newton Howard
London
79 bpm • D min • 02:38 • -20.74db
50% Popularity • 44% Danceability • 16% Energy • 36% Liveness
93% Instrumentalness • 11% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Rachel Portman
Burying Fuzzy - Instrumental
81 bpm • G Maj • 01:35 • -26.87db
34% Popularity • 14% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
43% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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James Newton Howard
A Hidden Life
82 bpm • F min • 02:50 • -27.16db
50% Popularity • 10% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Kevin Smuts
Basically Flying
82 bpm • A min • 02:29 • -20.53db
40% Popularity • 36% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Tegelhof Kammerorchester
Sinfonia in B Minor
78 bpm • B Maj • 02:37 • -16.13db
22% Popularity • 9% Danceability • 21% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
The Diary
82 bpm • G# min • 02:26 • -25.86db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 27% Positiveness
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Trevor Kowalski
Caught in the Waves
82 bpm • G min • 02:28 • -16.01db
38% Popularity • 31% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Michael Logozar
Sea of Stars
82 bpm • C min • 03:58 • -11db
39% Popularity • 10% Danceability • 45% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
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Johannes Bornlöf
Liberations (Scaled Down Version)
78 bpm • C# min • 02:22 • -21.65db
33% Popularity • 60% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Invadable Harmony
Elvenking's Halls
82 bpm • D# Maj • 02:09 • -17.21db
35% Popularity • 30% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Oceano
82 bpm • G min • 04:11 • -11.95db
46% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Fabrizio Paterlini
Soffia la notte
78 bpm • E min • 03:40 • -24.97db
11% Popularity • 19% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Michael Logozar
Nocturne
82 bpm • B min • 04:17 • -15.83db
30% Popularity • 20% Danceability • 17% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
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Ludovico Einaudi
The Earth Prelude
82 bpm • G Maj • 05:01 • -19.02db
47% Popularity • 12% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Vulpecula
78 bpm • F# min • 02:07 • -16db
38% Popularity • 35% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Christoffer Moe Ditlevsen
Longing for Home
83 bpm • G min • 02:09 • -13.47db
29% Popularity • 36% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
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Jakob Ahlbom
Endeavour
83 bpm • C Maj • 04:27 • -18.59db
32% Popularity • 8% Danceability • 17% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Sebastián Escofet
Ondulante
83 bpm • F Maj • 03:00 • -21.87db
35% Popularity • 8% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Charlotte Funke
2nd Episode
83 bpm • G Maj • 02:35 • -21.73db
29% Popularity • 23% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Ramin Djawadi
Truth
83 bpm • D min • 03:31 • -13db
47% Popularity • 8% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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James Spiteri
A Walk in the Snow
83 bpm • F# min • 05:36 • -17.85db
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Johannes Bornlöf
The First Law Of Motion
83 bpm • A# Maj • 02:10 • -16.23db
38% Popularity • 49% Danceability • 27% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Rachel Portman
Sisterhood
83 bpm • D Maj • 03:28 • -18.47db
33% Popularity • 14% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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L'Orchestra Nazionale di Mendoni
Enigma Variations: Nimrod
83 bpm • D# Maj • 03:09 • -15.02db
30% Popularity • 19% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Atlantico
83 bpm • D min • 03:49 • -12db
46% Popularity • 32% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Kerry Muzzey
The Heart Wants
84 bpm • G min • 05:45 • -14.15db
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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Oskar Schuster
Maribel
77 bpm • C Maj • 02:44 • -20.4db
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
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Dario Marianelli
Yes!
84 bpm • C min • 02:01 • -15db
44% Popularity • 15% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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August D. Valentine
I Thought I'd Never Forget
77 bpm • G min • 02:20 • -18.4db
32% Popularity • 7% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Ramin Djawadi
I Feel Alive
76 bpm • F min • 02:39 • -22db
34% Popularity • 7% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
34% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Arelius
Rise
84 bpm • C Maj • 03:02 • -27.67db
42% Popularity • 23% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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James Horner
Rooftop Kiss
84 bpm • G Maj • 03:09 • -19.78db
24% Popularity • 29% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Crain
Innocent Heart
75 bpm • C Maj • 03:14 • -16.14db
32% Popularity • 18% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
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Kerry Muzzey
An Invincible Summer
85 bpm • F# min • 04:59 • -14.83db
31% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Maester
75 bpm • A min • 02:52 • -20.31db
41% Popularity • 15% Danceability • 5% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Maree Docia
We Were Legends
75 bpm • G Maj • 02:00 • -21.75db
19% Popularity • 8% Danceability • 8% Energy • 13% Liveness
23% Instrumentalness • 7% Positiveness
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David Celeste
Mastermind
85 bpm • F# min • 02:10 • -16.68db
38% Popularity • 22% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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James Newton Howard
Love and Suffering
85 bpm • F min • 07:45 • -35.28db
22% Popularity • 9% Danceability • 0% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Unseen By Men
85 bpm • G# Maj • 02:00 • -13.19db
12% Popularity • 19% Danceability • 35% Energy • 28% Liveness
78% Instrumentalness • 3% Positiveness
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Kris Baines
All She Left Behind
75 bpm • D min • 02:50 • -20.36db
33% Popularity • 43% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Christophe Terrettaz
I Miss You
75 bpm • F# min • 01:53 • -34.61db
14% Popularity • 39% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
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Samuel Lindon
La Tour - Orchestral Version
75 bpm • D min • 02:19 • -18.99db
37% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Mělník Philharmonic Orchestra
E Lucevan Le Stelle - Instrumental
86 bpm • A# min • 02:22 • -16db
29% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Music Within
Julichka's Theme (String Quartet)
86 bpm • D# Maj • 02:38 • -11.38db
35% Popularity • 14% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Christoffer Moe Ditlevsen
Partners in Crime
86 bpm • E min • 03:27 • -14.11db
40% Popularity • 51% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
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Johannes Bornlöf
Crystal Clear
75 bpm • F Maj • 02:07 • -38.77db
37% Popularity • 24% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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James Newton Howard
The Gravel Road - Score
86 bpm • G min • 04:31 • -22.88db
44% Popularity • 14% Danceability • 12% Energy • 21% Liveness
16% Instrumentalness • 10% Positiveness
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Nico Cartosio
Melting
86 bpm • C# Maj • 02:38 • -17.17db
30% Popularity • 15% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
50% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Lili's Dream
74 bpm • F min • 05:23 • -22.88db
29% Popularity • 12% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Ramin Djawadi
A Lannister Always Pays His Debts
86 bpm • D min • 02:50 • -16.52db
60% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Michael Logozar
Moonbeams
87 bpm • A min • 04:49 • -19.67db
27% Popularity • 25% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Thomas Newman
Starlit
87 bpm • D Maj • 03:12 • -31.79db
36% Popularity • 32% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 5% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Just Me and You
74 bpm • C min • 02:11 • -33.09db
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
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Samyula
Infinity
73 bpm • G# Maj • 04:45 • -16.74db
32% Popularity • 22% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Danny Elfman
Main Titles
87 bpm • A min • 02:28 • -20.26db
36% Popularity • 11% Danceability • 10% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Let's Run Away Together