Songs like L'Heure bleue by Mischa Spoliansky
Based on a tempo of (+/- 10%) and a similar genre
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Ilse Werner
Du Und Ich Im Mondenschein
173 bpm • F Maj • 02:58 • -9db
19% Popularity • 56% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 56% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Mischa Spoliansky
L'Heure bleue
173 bpm • A# Maj • 02:50 • -16.61db
1% Popularity • 23% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 35% Positiveness
1% Popularity • 23% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 35% Positiveness
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Otto Reutter
Bevor du sterbst
173 bpm • A Maj • 03:20 • -12db
12% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Eugen Hildach
In meiner Heimat
172 bpm • F# Maj • 02:24 • -15.71db
0% Popularity • 25% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Yvette Guilbert
Madame Arthur
175 bpm • D# Maj • 03:39 • -19db
13% Popularity • 56% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 56% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Helmut Qualtinger
Der g´schupfte Ferdl
171 bpm • A# Maj • 03:22 • -11.85db
19% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Richard Tauber
Ich kuesse Ihre Hand, Madame
171 bpm • D# Maj • 02:43 • -13db
17% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Mischa Spoliansky
Junger dunkler Herr sucht Anschluss
172 bpm • C# Maj • 03:16 • -14.64db
0% Popularity • 41% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
0% Popularity • 41% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
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Willi Forst
Wir zahlen keine Miete mehr
176 bpm • F Maj • 03:11 • -13db
11% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Evelyn Künneke
Haben Sie schonmal im Dunkeln geküßt
176 bpm • C min • 03:06 • -7db
12% Popularity • 46% Danceability • 55% Energy • 17% Liveness
23% Instrumentalness • 55% Positiveness
12% Popularity • 46% Danceability • 55% Energy • 17% Liveness
23% Instrumentalness • 55% Positiveness
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Hans Moser
Wenn der Herrgott net will, nutzt es gar...
169 bpm • G Maj • 02:40 • -19db
11% Popularity • 41% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 39% Positiveness
11% Popularity • 41% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 39% Positiveness
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Otto Reutter
Mir hammse als jeheilt entlassen
169 bpm • G Maj • 02:57 • -11.44db
6% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Willi Kollo
Schreib' mir mal 'ne Karte
178 bpm • D# Maj • 02:57 • -11.67db
9% Popularity • 53% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 80% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 80% Positiveness
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Mischa Spoliansky
Mir ist so nach dir
173 bpm • C Maj • 03:08 • -12.09db
1% Popularity • 46% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 46% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Anton Karas
The Third Man Theme - Later Version
178 bpm • C# Maj • 02:14 • -11.14db
13% Popularity • 49% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Willy Berking
Es klopft mein Herz bum-bum
178 bpm • G Maj • 02:26 • -7.62db
12% Popularity • 55% Danceability • 29% Energy • 16% Liveness
77% Instrumentalness • 82% Positiveness
12% Popularity • 55% Danceability • 29% Energy • 16% Liveness
77% Instrumentalness • 82% Positiveness
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Ilse Werner
Ich Hab Dich Und Du Hast Mich
178 bpm • F Maj • 02:22 • -9db
9% Popularity • 62% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 62% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Franz Grothe
Ganz leise kommt die Nacht
178 bpm • A# Maj • 02:48 • -17db
9% Popularity • 34% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 58% Positiveness
9% Popularity • 34% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 58% Positiveness
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Erwin Hartung
So suss wie du
178 bpm • G# Maj • 02:44 • -13db
13% Popularity • 60% Danceability • 33% Energy • 16% Liveness
19% Instrumentalness • 80% Positiveness
13% Popularity • 60% Danceability • 33% Energy • 16% Liveness
19% Instrumentalness • 80% Positiveness
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Mischa Spoliansky
North West Frontier Suite: I. Main Title...
176 bpm • C Maj • 01:26 • -14.08db
0% Popularity • 12% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
0% Popularity • 12% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 1. Gute...
167 bpm • C# min • 02:56 • -15.97db
0% Popularity • 37% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kirsten Heidberg
Ja und nein
179 bpm • C# Maj • 03:00 • -10db
8% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Charles Trenet
Boom ! - Remasterisé en 2017
179 bpm • A min • 02:19 • -8.26db
10% Popularity • 54% Danceability • 46% Energy • 24% Liveness
7% Instrumentalness • 90% Positiveness
10% Popularity • 54% Danceability • 46% Energy • 24% Liveness
7% Instrumentalness • 90% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
167 bpm • D min • 03:22 • -13db
10% Popularity • 39% Danceability • 22% Energy • 17% Liveness
6% Instrumentalness • 33% Positiveness
10% Popularity • 39% Danceability • 22% Energy • 17% Liveness
6% Instrumentalness • 33% Positiveness
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Sophia Loren
Bing! Bang! Bong!
179 bpm • F Maj • 02:23 • -6db
16% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Mischa Spoliansky
Jimmy Shimmy
177 bpm • A Maj • 02:02 • -21.78db
0% Popularity • 40% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
0% Popularity • 40% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
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Margot Werner
Und für jeden kommt der Tag
179 bpm • A# min • 03:25 • -9.86db
10% Popularity • 29% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 29% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Ilse Werner
Ja, Das Ist Meine Melodie
166 bpm • D# Maj • 02:46 • -10db
15% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Wieland Reissmann
The Easy Winter
165 bpm • C# Maj • 03:47 • -14.02db
8% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Hildegard Knef
Ball paré
184 bpm • G# Maj • 02:39 • -9db
10% Popularity • 28% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 28% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Benny De Weille
Ich nenne alle Frauen Baby
183 bpm • D# Maj • 03:00 • -16.7db
7% Popularity • 47% Danceability • 22% Energy • 14% Liveness
34% Instrumentalness • 83% Positiveness
7% Popularity • 47% Danceability • 22% Energy • 14% Liveness
34% Instrumentalness • 83% Positiveness
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Mischa Spoliansky
Heute Nacht oder nie [Arr. A.N. Tarkman...
168 bpm • C Maj • 03:17 • -16.07db
0% Popularity • 18% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 18% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
184 bpm • D Maj • 02:31 • -13db
20% Popularity • 49% Danceability • 17% Energy • 68% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 49% Danceability • 17% Energy • 68% Liveness
0% Instrumentalness • 50% Positiveness
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Ilse Werner
Ich hab' dich und du hast mich
182 bpm • F Maj • 02:18 • -12db
20% Popularity • 55% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 55% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Alexandra
Im sechsten Stock
186 bpm • F# Maj • 02:49 • -9.42db
13% Popularity • 46% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 46% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Meow Meow
Mausi, Süß Warst Du Heute Nacht
186 bpm • F Maj • 03:03 • -8.95db
7% Popularity • 54% Danceability • 67% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 54% Danceability • 67% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Renate Müller
Ich Bin Ja Heut So Glücklich
187 bpm • B Maj • 02:59 • -10db
9% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Mischa Spoliansky
Zwei Krawatten: Und in Washington jagt m...
168 bpm • D min • 02:36 • -13.24db
0% Popularity • 37% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 37% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Claire Waldoff
Raus mit den Männern
159 bpm • B Maj • 03:14 • -9.64db
17% Popularity • 62% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 62% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Nighthawks
The Carioca
159 bpm • D# Maj • 03:06 • -18.55db
9% Popularity • 66% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 95% Positiveness
9% Popularity • 66% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 95% Positiveness
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Georg Kreisler
Bidla Buh
156 bpm • C min • 03:09 • -13.92db
9% Popularity • 65% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 65% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Yossi Yadin
Tradition (Anatevka)
154 bpm • C Maj • 08:02 • -12db
13% Popularity • 50% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 50% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Renate Müller
Wie sag' ich's meinem Mann
153 bpm • D# Maj • 03:03 • -12.93db
8% Popularity • 60% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 76% Positiveness
8% Popularity • 60% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 76% Positiveness
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Mischa Spoliansky
Einmal möcht ich keine Sorgen haben
167 bpm • F Maj • 03:02 • -14.03db
1% Popularity • 52% Danceability • 30% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
1% Popularity • 52% Danceability • 30% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
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Lotte Lenya
Die Moritat von Mackie Messer
153 bpm • F# min • 03:02 • -12.48db
10% Popularity • 43% Danceability • 35% Energy • 61% Liveness
46% Instrumentalness • 84% Positiveness
10% Popularity • 43% Danceability • 35% Energy • 61% Liveness
46% Instrumentalness • 84% Positiveness
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Michael Jary
Fraulein vom Amt: Es liegt was in der Lu...
152 bpm • G# Maj • 03:22 • -10.48db
12% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Georg Kreisler
Tauben vergiften
198 bpm • F Maj • 02:28 • -12db
12% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Richard Geere
Swing, Swing, Swing
200 bpm • D min • 02:56 • -9.09db
11% Popularity • 67% Danceability • 44% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
11% Popularity • 67% Danceability • 44% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
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Moka Efti Orchestra
Frenzy
149 bpm • C min • 02:15 • -4db
29% Popularity • 40% Danceability • 91% Energy • 16% Liveness
29% Instrumentalness • 69% Positiveness
29% Popularity • 40% Danceability • 91% Energy • 16% Liveness
29% Instrumentalness • 69% Positiveness
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Mischa Spoliansky
Trouble In Store: I'd Like to Put On Rec...
180 bpm • A# Maj • 02:08 • -9.08db
0% Popularity • 49% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 49% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Erhard Bauschke Tanz-Orchester
Sommer, See und Sonnenschein
203 bpm • A# Maj • 03:23 • -16db
9% Popularity • 54% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 88% Positiveness
9% Popularity • 54% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 88% Positiveness
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Klaus Gerboth
Der morgige Tag ist mein (Cabaret)
149 bpm • A Maj • 02:29 • -17.63db
8% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Hildegard Knef
Macky-Messer (Die Moritat von Mackie Mes...
147 bpm • G Maj • 03:08 • -16db
22% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Georg Kreisler
Weg zur Arbeit
203 bpm • A Maj • 03:56 • -28db
11% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Hans Albers
Und über uns der Himmel
147 bpm • D# Maj • 03:20 • -11.56db
12% Popularity • 33% Danceability • 16% Energy • 15% Liveness
13% Instrumentalness • 29% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 15% Liveness
13% Instrumentalness • 29% Positiveness
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Mischa Spoliansky
The Happiest Days of Your Life: Galop
162 bpm • A# Maj • 02:52 • -15.38db
0% Popularity • 40% Danceability • 43% Energy • 4% Liveness
94% Instrumentalness • 32% Positiveness
0% Popularity • 40% Danceability • 43% Energy • 4% Liveness
94% Instrumentalness • 32% Positiveness
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The Bryan Ferry Orchestra
Alphaville
204 bpm • A min • 02:54 • -7.87db
23% Popularity • 50% Danceability • 45% Energy • 14% Liveness
93% Instrumentalness • 81% Positiveness
23% Popularity • 50% Danceability • 45% Energy • 14% Liveness
93% Instrumentalness • 81% Positiveness
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Evelyn Künneke
Dieses Lied hat keinen Text
204 bpm • D# Maj • 02:26 • -8db
12% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Eugene Ford
Rain
207 bpm • A# Maj • 02:59 • -13.44db
9% Popularity • 36% Danceability • 28% Energy • 13% Liveness
64% Instrumentalness • 60% Positiveness
9% Popularity • 36% Danceability • 28% Energy • 13% Liveness
64% Instrumentalness • 60% Positiveness