Songs like Libiamo from La Traviata (from Ziegfeld Follies) by James Melton & Marion Bell
Based on a tempo of (+/- 10%) and a similar genre
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Tobias Picker
Emmeline: Act Two: "I know nothing"
67 bpm • A# min • 07:39 • -23.5db
27% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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James Melton & Marion Bell
Libiamo from La Traviata
67 bpm • A# Maj • 03:31 • -14.4db
0% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Laura Auer
Norma: "Casta Diva"
68 bpm • F Maj • 05:30 • -10.31db
10% Popularity • 13% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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明星合唱團
今宵多珍重
67 bpm • F Maj • 03:47 • -26.03db
7% Popularity • 27% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 27% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Marcos Redondo
Molinos de Viento: Dúo y serenata: ¿Qu...
66 bpm • C min • 04:00 • -14db
11% Popularity • 36% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Otello: Deh calma, o ciel, nel sonno
66 bpm • G# Maj • 02:06 • -20.6db
15% Popularity • 31% Danceability • 4% Energy • 11% Liveness
8% Instrumentalness • 11% Positiveness
15% Popularity • 31% Danceability • 4% Energy • 11% Liveness
8% Instrumentalness • 11% Positiveness
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Gaspare Spontini
Spontini: Agnes von Hohenstaufen: "Der S...
66 bpm • A# Maj • 05:12 • -17.79db
13% Popularity • 24% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 13% Positiveness
13% Popularity • 24% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Ernani / Part 1: Preludio
68 bpm • C Maj • 03:23 • -24.52db
8% Popularity • 7% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena 2ª: "Caminar"
68 bpm • G Maj • 03:53 • -11db
9% Popularity • 28% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 28% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Bedřich Smetana
The Prague Carnival. Introduction and Po...
69 bpm • A Maj • 05:57 • -15.52db
16% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
16% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Peter Deunov
The joy of Earth
69 bpm • G Maj • 01:56 • -19db
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Ángeles Ottein
Escena final - Primer acto, Pt. 3
69 bpm • F Maj • 03:29 • -9db
11% Popularity • 34% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 34% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 41% Positiveness
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Victor Herbert
The Red Mill: Moonbeams
69 bpm • A# min • 03:27 • -19.68db
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena 1ª, II parte: "...
69 bpm • F# Maj • 04:10 • -9.46db
9% Popularity • 40% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 40% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act II: Duetto. ...
70 bpm • A Maj • 06:26 • -20.06db
10% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Peter Deunov
Step by step
70 bpm • D min • 03:42 • -17db
8% Popularity • 9% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
8% Popularity • 9% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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環球合唱團
握別
70 bpm • E Maj • 03:44 • -21.56db
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Rafael Sanchez Cestero
Serenata rimpianto
64 bpm • D# Maj • 03:00 • -14.02db
9% Popularity • 25% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hugo Avendaño
Tu, Tu y Tu
70 bpm • D# Maj • 02:59 • -12.16db
7% Popularity • 24% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
7% Popularity • 24% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, I parte: "Pantomima"
69 bpm • F Maj • 03:58 • -13db
10% Popularity • 26% Danceability • 24% Energy • 51% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 24% Energy • 51% Liveness
2% Instrumentalness • 7% Positiveness
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Jules Massenet
Cendrillon: Enfin, je connaîtrai
64 bpm • D Maj • 04:11 • -19.22db
8% Popularity • 32% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Gaspare Spontini
La vestale, Act I: Scène. Grands dieux ...
70 bpm • D min • 01:24 • -15.07db
13% Popularity • 34% Danceability • 32% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 34% Danceability • 32% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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Franz Lehár
Der Zarewitsch: Einer wird kommen
64 bpm • E Maj • 05:14 • -21.4db
9% Popularity • 11% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 7% Positiveness
9% Popularity • 11% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: Sulla tomba ...
63 bpm • G Maj • 03:06 • -16.16db
9% Popularity • 23% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 23% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Vincenzo Bellini
Bellini: Norma: "Meco all'altar di Vener...
64 bpm • G min • 06:44 • -15.24db
12% Popularity • 24% Danceability • 31% Energy • 12% Liveness
29% Instrumentalness • 22% Positiveness
12% Popularity • 24% Danceability • 31% Energy • 12% Liveness
29% Instrumentalness • 22% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena 3ª, II parte: "...
70 bpm • C# Maj • 03:53 • -12db
9% Popularity • 38% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Ofelia Nieto
Mírate en el espejo
71 bpm • G Maj • 02:36 • -12db
12% Popularity • 36% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527, Act II: Aria. "Mi t...
72 bpm • D# Maj • 03:45 • -17.1db
10% Popularity • 36% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
64 bpm • G Maj • 01:06 • -23.82db
9% Popularity • 58% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 58% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: Il tuo dubbi...
71 bpm • A# Maj • 02:02 • -13.69db
9% Popularity • 42% Danceability • 18% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
9% Popularity • 42% Danceability • 18% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
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Giuseppe Verdi
Verdi: La traviata, Act 1: "Che è ciò?...
72 bpm • D# Maj • 02:37 • -18.79db
4% Popularity • 59% Danceability • 9% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 59% Danceability • 9% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Brian Greene
The Happy Ending / Guys and Dolls Finale
72 bpm • D# Maj • 02:13 • -13.92db
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
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![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) cover art](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6)
Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
63 bpm • F Maj • 02:56 • -16.3db
7% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Final...
72 bpm • E Maj • 05:01 • -23.99db
11% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pêcheurs de perles: Demeure parmi n...
72 bpm • G min • 02:05 • -20.87db
13% Popularity • 29% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 29% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: La pietade i...
72 bpm • G Maj • 03:09 • -12.64db
9% Popularity • 37% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 37% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Vincenzo Bellini
Bellini: La sonnambula, Act 1: "Viva! Vi...
62 bpm • G Maj • 05:33 • -20.69db
1% Popularity • 25% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
1% Popularity • 25% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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Orfeón de Miravalles
Audi Deus (salmo 60)
73 bpm • A min • 02:28 • -10db
12% Popularity • 29% Danceability • 25% Energy • 20% Liveness
29% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 25% Energy • 20% Liveness
29% Instrumentalness • 16% Positiveness
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Coros del Gran Teatro del Liceo
Preludio y escena
62 bpm • G Maj • 04:23 • -10.57db
8% Popularity • 24% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 24% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Aida: Act IV: Vedi? ... di morte l'angel...
73 bpm • C# Maj • 00:59 • -24.92db
14% Popularity • 37% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 37% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Im Feuer...
74 bpm • D Maj • 02:17 • -16db
11% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 2: "...
72 bpm • C Maj • 01:10 • -22.84db
12% Popularity • 26% Danceability • 2% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 26% Danceability • 2% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
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Franco Corelli
Ave, Verum Corpus
74 bpm • F Maj • 02:13 • -14.57db
11% Popularity • 23% Danceability • 19% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
11% Popularity • 23% Danceability • 19% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
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Francesco Maria Piave
Rigoletto: Questa O Quella
74 bpm • G# Maj • 01:52 • -12.94db
7% Popularity • 52% Danceability • 44% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 52% Danceability • 44% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
74 bpm • C# Maj • 05:26 • -22.19db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena final, I parte: ...
74 bpm • C# Maj • 04:02 • -17.43db
9% Popularity • 31% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 27% Positiveness
9% Popularity • 31% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 27% Positiveness
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Johann Strauss II
Wiener Blut (operetta): Drauss' in Hietz...
73 bpm • G# Maj • 01:33 • -13.97db
16% Popularity • 58% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 58% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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幸福男聲合唱團
歸來吧蘇瀾多
74 bpm • E Maj • 03:29 • -13.8db
4% Popularity • 21% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 21% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: Ah, verranno...
72 bpm • A# Maj • 04:20 • -12.75db
8% Popularity • 29% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 29% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Umberto Giordano
Fedora: "Amor ti vieta" (Loris) - Full V...
60 bpm • C Maj • 02:16 • -9.32db
10% Popularity • 19% Danceability • 35% Energy • 14% Liveness
48% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 35% Energy • 14% Liveness
48% Instrumentalness • 6% Positiveness
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Ángeles Ottein
Que la lea prima Rosa
74 bpm • D Maj • 03:14 • -10db
8% Popularity • 25% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
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Ralph Benatzky
Im weissen Rossl (White Horse Inn): Act ...
74 bpm • G# Maj • 02:48 • -11db
10% Popularity • 36% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 36% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
75 bpm • D min • 09:02 • -19.73db
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
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Paul Lincke
Frau Luna: Ouvertüre
75 bpm • A Maj • 04:30 • -11db
15% Popularity • 21% Danceability • 40% Energy • 24% Liveness
89% Instrumentalness • 33% Positiveness
15% Popularity • 21% Danceability • 40% Energy • 24% Liveness
89% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act II: Rondo. "...
75 bpm • E Maj • 07:19 • -21.22db
9% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
Das Land des Lächelns / Act 1: Freunder...
75 bpm • F Maj • 01:09 • -16.91db
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Luis Fernández de Sevilla
Golondrina de Madrid: "Sopló Furioso el...
75 bpm • F# Maj • 03:43 • -9.23db
1% Popularity • 23% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 23% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
75 bpm • F Maj • 03:33 • -22.91db
9% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Paul Lincke
Frau Luna: Einleitung - Schlösser, die ...
75 bpm • D Maj • 02:53 • -12db
9% Popularity • 40% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 40% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 30% Positiveness
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Vicente Celestino
Coração Materno
75 bpm • C# Maj • 03:07 • -6.4db
8% Popularity • 48% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 48% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Carl Millöcker
Der Bettelstudent - operetta in 3 Acts: ...
75 bpm • E Maj • 01:48 • -13db
10% Popularity • 25% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 25% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Gioachino Rossini
William Tell / Act 1: "E il ciel seren, ...
76 bpm • G Maj • 03:41 • -27.58db
9% Popularity • 11% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
9% Popularity • 11% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
76 bpm • D# Maj • 03:03 • -12db
9% Popularity • 30% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 30% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Francis Lopez
Violettes imperiales
60 bpm • G Maj • 03:06 • -20db
13% Popularity • 31% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 31% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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José Ramos Martín
Los Gavilanes, Acto I: El Dinero Que Ate...
76 bpm • C min • 03:09 • -6.63db
8% Popularity • 35% Danceability • 34% Energy • 7% Liveness
7% Instrumentalness • 58% Positiveness
8% Popularity • 35% Danceability • 34% Energy • 7% Liveness
7% Instrumentalness • 58% Positiveness
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Wiener Operettenorchester
Im Salzkammergut da kann man gut
76 bpm • C Maj • 02:07 • -9db
14% Popularity • 60% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 70% Positiveness
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Rafael Sanchez Cestero
Martha
76 bpm • A# Maj • 03:15 • -12.14db
13% Popularity • 16% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 10% Positiveness
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David Whitfield
Cara Mia Mine
76 bpm • C Maj • 03:17 • -13.28db
12% Popularity • 26% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
76 bpm • D min • 04:02 • -13.47db
2% Popularity • 23% Danceability • 17% Energy • 23% Liveness
1% Instrumentalness • 17% Positiveness
2% Popularity • 23% Danceability • 17% Energy • 23% Liveness
1% Instrumentalness • 17% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Cuarteto: La dimisi�...
76 bpm • E Maj • 02:18 • -11.19db
8% Popularity • 47% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 47% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Bonneau
Je rêve de danser
76 bpm • F min • 03:00 • -12.92db
24% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Tomás Bretón
La Verbena de la Paloma, Act I: Mazurka ...
76 bpm • D Maj • 02:23 • -17.01db
13% Popularity • 51% Danceability • 23% Energy • 19% Liveness
31% Instrumentalness • 42% Positiveness
13% Popularity • 51% Danceability • 23% Energy • 19% Liveness
31% Instrumentalness • 42% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
77 bpm • C min • 04:45 • -15.61db
8% Popularity • 23% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene I: S...
77 bpm • A Maj • 01:38 • -17.86db
15% Popularity • 52% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 52% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
58 bpm • C Maj • 01:40 • -13db
9% Popularity • 43% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 43% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
18% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Miguel Fleta
Aida - O Terra Addio
77 bpm • C# Maj • 04:04 • -14db
0% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: When First My Old, Old Lo...
77 bpm • D Maj • 02:37 • -12.74db
10% Popularity • 59% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 59% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
8% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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The Red Army Choir
Моя Родина
77 bpm • G Maj • 03:19 • -11.01db
8% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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湯蘭花
藍色的憂鬱
77 bpm • F# min • 03:17 • -28.57db
8% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Carlos Galeffi
Monólogo de Pablo. Aquí en este sitio
58 bpm • E Maj • 03:37 • -10.3db
8% Popularity • 21% Danceability • 30% Energy • 24% Liveness
6% Instrumentalness • 16% Positiveness
8% Popularity • 21% Danceability • 30% Energy • 24% Liveness
6% Instrumentalness • 16% Positiveness
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Marcos Redondo
Molinos de Viento: Concertante
77 bpm • E Maj • 08:17 • -12db
11% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Giuseppe Verdi
Il corsaro: Ah sì, ben dite - Tutto par...
78 bpm • G# Maj • 07:22 • -16.04db
10% Popularity • 23% Danceability • 22% Energy • 4% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 23% Danceability • 22% Energy • 4% Liveness
1% Instrumentalness • 9% Positiveness
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Peter Deunov
A nice day
78 bpm • C Maj • 02:56 • -18.53db
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Johann Strauss II
Der Zigeunerbaron, Act 1: Als flotter Ge...
78 bpm • C Maj • 02:40 • -18db
8% Popularity • 38% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
58 bpm • D Maj • 01:00 • -11.52db
19% Popularity • 30% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 30% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Ángeles Ottein
Dúo de Rosa y Rufo, Pt. 2
78 bpm • B Maj • 03:01 • -10db
8% Popularity • 35% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 35% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Strauss
Four Last Songs, TrV 296: III. Beim Schl...
78 bpm • C# Maj • 05:29 • -20.78db
12% Popularity • 11% Danceability • 8% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 8% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act II: Chi mi fren...
78 bpm • C# Maj • 03:39 • -12.27db
8% Popularity • 24% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 24% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Charlotte Hoather
La Boheme, Act II: “Quando me’n vo�...
78 bpm • E Maj • 02:22 • -13db
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Macbeth: La luce langue
78 bpm • B Maj • 04:11 • -17db
0% Popularity • 22% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ro...
78 bpm • G Maj • 01:52 • -21db
10% Popularity • 56% Danceability • 21% Energy • 46% Liveness
21% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 21% Energy • 46% Liveness
21% Instrumentalness • 85% Positiveness
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Tony Bennett
Rags to Riches - New Mono to Stereo Mix
78 bpm • D Maj • 02:51 • -7.5db
8% Popularity • 33% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 33% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
