Songs like Lied vom Weib des Nazi-Soldaten by Mischa Spoliansky
Based on a tempo of (+/- 10%) and a similar genre
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Hans Moser
Wenn der Herrgott net will, nutzt es gar...
169 bpm • G Maj • 02:40 • -19db
11% Popularity • 41% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 39% Positiveness
11% Popularity • 41% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 39% Positiveness
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Richard Tauber
Ich kuesse Ihre Hand, Madame
171 bpm • D# Maj • 02:43 • -13db
17% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Eugen Hildach
In meiner Heimat
172 bpm • F# Maj • 02:24 • -15.71db
0% Popularity • 25% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Mischa Spoliansky
Zwei Krawatten: Und in Washington jagt m...
168 bpm • D min • 02:36 • -13.24db
0% Popularity • 37% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 37% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Anna Karina
Mic et mac - Bande originale du film "Pi...
168 bpm • A# Maj • 02:41 • -11.09db
7% Popularity • 47% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 47% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Otto Reutter
Bevor du sterbst
173 bpm • A Maj • 03:20 • -12db
12% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 1. Gute...
167 bpm • C# min • 02:56 • -15.97db
0% Popularity • 37% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Ilse Werner
Du Und Ich Im Mondenschein
173 bpm • F Maj • 02:58 • -9db
19% Popularity • 56% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 56% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Joséphine Baker
Breezin' Along With The Breeze
166 bpm • G min • 02:53 • -13.9db
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Mischa Spoliansky
Mir ist so nach dir
173 bpm • C Maj • 03:08 • -12.09db
0% Popularity • 46% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 46% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Trude Herr
Weil ich so sexy bin
174 bpm • F# Maj • 03:03 • -10.22db
28% Popularity • 44% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 44% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Yvette Guilbert
Madame Arthur
175 bpm • D# Maj • 03:39 • -19db
12% Popularity • 56% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 56% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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The Beau Hunks
Honolulu Baby
175 bpm • A min • 02:41 • -19.24db
20% Popularity • 67% Danceability • 10% Energy • 12% Liveness
31% Instrumentalness • 73% Positiveness
20% Popularity • 67% Danceability • 10% Energy • 12% Liveness
31% Instrumentalness • 73% Positiveness
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Ilse Werner
Ja, Das Ist Meine Melodie
166 bpm • D# Maj • 02:46 • -10db
17% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Joséphine Baker
La seine
174 bpm • A Maj • 03:05 • -16.65db
11% Popularity • 31% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 31% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Willi Forst
Wir zahlen keine Miete mehr
176 bpm • F Maj • 03:11 • -13db
11% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Mischa Spoliansky
Einmal möcht ich keine Sorgen haben
167 bpm • F Maj • 03:02 • -14.03db
0% Popularity • 52% Danceability • 30% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
0% Popularity • 52% Danceability • 30% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
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Ambrose & His Orchestra
The Peanut Vendor
165 bpm • G Maj • 03:15 • -13.09db
8% Popularity • 67% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 67% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Evelyn Künneke
Haben Sie schonmal im Dunkeln geküßt
176 bpm • C min • 03:06 • -7db
13% Popularity • 46% Danceability • 55% Energy • 17% Liveness
23% Instrumentalness • 55% Positiveness
13% Popularity • 46% Danceability • 55% Energy • 17% Liveness
23% Instrumentalness • 55% Positiveness
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Ivor Novello
And her mother came too
177 bpm • D# Maj • 01:50 • -19.47db
20% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Franz Lehár
Das Land des Lächelns, Act II: "Dein is...
177 bpm • D Maj • 03:34 • -16db
7% Popularity • 20% Danceability • 21% Energy • 13% Liveness
51% Instrumentalness • 27% Positiveness
7% Popularity • 20% Danceability • 21% Energy • 13% Liveness
51% Instrumentalness • 27% Positiveness
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Carroll Gibbons
Spread a Little Happiness (Carroll Gibbo...
178 bpm • D# Maj • 03:03 • -14.27db
8% Popularity • 41% Danceability • 22% Energy • 30% Liveness
18% Instrumentalness • 67% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 30% Liveness
18% Instrumentalness • 67% Positiveness
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Mischa Spoliansky
L'Heure bleue
173 bpm • A# Maj • 02:50 • -16.61db
0% Popularity • 23% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 35% Positiveness
0% Popularity • 23% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 35% Positiveness
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Ilse Werner
Ich Hab Dich Und Du Hast Mich
178 bpm • F Maj • 02:22 • -9db
10% Popularity • 62% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 62% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Anton Karas
The Third Man Theme - Later Version
178 bpm • C# Maj • 02:14 • -11.14db
13% Popularity • 49% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Erwin Hartung
So suss wie du
178 bpm • G# Maj • 02:44 • -13db
13% Popularity • 60% Danceability • 33% Energy • 16% Liveness
19% Instrumentalness • 80% Positiveness
13% Popularity • 60% Danceability • 33% Energy • 16% Liveness
19% Instrumentalness • 80% Positiveness
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Leonard Bernstein
West Side Story : Act I: America
162 bpm • C Maj • 04:32 • -15db
24% Popularity • 47% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 47% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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Charles Trenet
Boom ! - Remasterisé en 2017
179 bpm • A min • 02:19 • -8.26db
11% Popularity • 54% Danceability • 46% Energy • 24% Liveness
7% Instrumentalness • 90% Positiveness
11% Popularity • 54% Danceability • 46% Energy • 24% Liveness
7% Instrumentalness • 90% Positiveness
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Mischa Spoliansky
North West Frontier Suite: I. Main Title...
176 bpm • C Maj • 01:26 • -14.08db
0% Popularity • 12% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
0% Popularity • 12% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Franz Grothe
Ganz leise kommt die Nacht
178 bpm • A# Maj • 02:48 • -17db
9% Popularity • 34% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 58% Positiveness
9% Popularity • 34% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 58% Positiveness
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Kirsten Heidberg
Ja und nein
179 bpm • C# Maj • 03:00 • -10db
9% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ray Ventura
Lambeth Walk
179 bpm • A# Maj • 03:09 • -9.3db
14% Popularity • 49% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 49% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Marilyn Monroe (performer), Tony Curtis (performer)
Running Wild
161 bpm • G min • 01:03 • -10db
25% Popularity • 39% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
25% Popularity • 39% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Claire Waldoff
Raus mit den Männern
159 bpm • B Maj • 03:14 • -9.64db
15% Popularity • 62% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 62% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Mischa Spoliansky
Jimmy Shimmy
177 bpm • A Maj • 02:02 • -21.78db
0% Popularity • 40% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
0% Popularity • 40% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
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Ilse Werner
Ich hab' dich und du hast mich
182 bpm • F Maj • 02:18 • -12db
20% Popularity • 55% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 55% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Benny De Weille
Ich nenne alle Frauen Baby
183 bpm • D# Maj • 03:00 • -16.7db
6% Popularity • 47% Danceability • 22% Energy • 14% Liveness
34% Instrumentalness • 83% Positiveness
6% Popularity • 47% Danceability • 22% Energy • 14% Liveness
34% Instrumentalness • 83% Positiveness
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Hildegard Knef
Ball paré
184 bpm • G# Maj • 02:39 • -9db
9% Popularity • 28% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 28% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Renate Müller
Ich Bin Ja Heut So Glücklich
187 bpm • B Maj • 02:59 • -10db
12% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Meow Meow
Mausi, Süß Warst Du Heute Nacht
186 bpm • F Maj • 03:03 • -8.95db
6% Popularity • 54% Danceability • 67% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
6% Popularity • 54% Danceability • 67% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Mischa Spoliansky
Trouble In Store: I'd Like to Put On Rec...
180 bpm • A# Maj • 02:08 • -9.08db
0% Popularity • 49% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 49% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Yossi Yadin
Tradition (Anatevka)
154 bpm • C Maj • 08:02 • -12db
11% Popularity • 50% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 50% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Original Soundtrack
The Cocktail Party
188 bpm • D# Maj • 01:26 • -15.13db
18% Popularity • 40% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 93% Positiveness
18% Popularity • 40% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 93% Positiveness
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Lotte Lenya
Die Moritat von Mackie Messer
153 bpm • F# min • 03:02 • -12.48db
8% Popularity • 43% Danceability • 35% Energy • 61% Liveness
46% Instrumentalness • 84% Positiveness
8% Popularity • 43% Danceability • 35% Energy • 61% Liveness
46% Instrumentalness • 84% Positiveness
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Renate Müller
Wie sag' ich's meinem Mann
153 bpm • D# Maj • 03:03 • -12.93db
8% Popularity • 60% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 76% Positiveness
8% Popularity • 60% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 76% Positiveness
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Michael Jary
Fraulein vom Amt: Es liegt was in der Lu...
152 bpm • G# Maj • 03:22 • -10.48db
12% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Mischa Spoliansky
Ich bin vom Rockefeller grad das Gegente...
159 bpm • C Maj • 03:12 • -13.5db
1% Popularity • 59% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 59% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Cy Coleman
Sweet Charity: Rich Man's Frug
150 bpm • C Maj • 02:38 • -13.78db
29% Popularity • 68% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
29% Popularity • 68% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
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Judy Garland
Be a Clown
150 bpm • A min • 02:38 • -9.76db
13% Popularity • 60% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 60% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Klaus Gerboth
Der morgige Tag ist mein (Cabaret)
149 bpm • A Maj • 02:29 • -17.63db
7% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Moka Efti Orchestra
Frenzy
149 bpm • C min • 02:15 • -4db
28% Popularity • 40% Danceability • 91% Energy • 16% Liveness
29% Instrumentalness • 69% Positiveness
28% Popularity • 40% Danceability • 91% Energy • 16% Liveness
29% Instrumentalness • 69% Positiveness
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Joséphine Baker
La Petite Tonkinoise
148 bpm • G Maj • 02:18 • -15.62db
17% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Mischa Spoliansky
Zwei Krawatten: Der Mann bleibt stumm
151 bpm • A min • 01:40 • -15.67db
0% Popularity • 62% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 62% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Hildegard Knef
Macky-Messer (Die Moritat von Mackie Mes...
147 bpm • G Maj • 03:08 • -16db
22% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 42% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Hans Albers
Und über uns der Himmel
147 bpm • D# Maj • 03:20 • -11.56db
12% Popularity • 33% Danceability • 16% Energy • 15% Liveness
13% Instrumentalness • 29% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 15% Liveness
13% Instrumentalness • 29% Positiveness
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Anton Karas
Theme De Harry Lime
146 bpm • G Maj • 02:56 • -11.85db
19% Popularity • 38% Danceability • 48% Energy • 26% Liveness
88% Instrumentalness • 66% Positiveness
19% Popularity • 38% Danceability • 48% Energy • 26% Liveness
88% Instrumentalness • 66% Positiveness
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Dave Tarras
A Vaibele A Tsnien
197 bpm • B Maj • 02:43 • -8db
11% Popularity • 44% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 44% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 83% Positiveness
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Georg Kreisler
Tauben vergiften
198 bpm • F Maj • 02:28 • -12db
12% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Johannes Heesters
Da geh' ich ins Maxim
145 bpm • D Maj • 03:05 • -11db
12% Popularity • 38% Danceability • 29% Energy • 48% Liveness
3% Instrumentalness • 38% Positiveness
12% Popularity • 38% Danceability • 29% Energy • 48% Liveness
3% Instrumentalness • 38% Positiveness
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Richard Geere
Swing, Swing, Swing
200 bpm • D min • 02:56 • -9.09db
8% Popularity • 67% Danceability • 44% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
8% Popularity • 67% Danceability • 44% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
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The Bryan Ferry Orchestra
Bitter Sweet
145 bpm • D min • 04:00 • -11.69db
27% Popularity • 39% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 39% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Erhard Bauschke Tanz-Orchester
Sommer, See und Sonnenschein
203 bpm • A# Maj • 03:23 • -16db
10% Popularity • 54% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 88% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 88% Positiveness
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Evelyn Künneke
Dieses Lied hat keinen Text
204 bpm • D# Maj • 02:26 • -8db
13% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Georg Kreisler
Weg zur Arbeit
203 bpm • A Maj • 03:56 • -28db
10% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Lauren Bacall
How Little We Know - To Have and to Have...
204 bpm • A# Maj • 01:43 • -13.17db
13% Popularity • 32% Danceability • 39% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 32% Danceability • 39% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
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Joseph Schmidt
Heut' Ist Der Schönste Tag In Meinem Le...
206 bpm • A# Maj • 03:14 • -7db
16% Popularity • 36% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 36% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Martin Kraemer
Trudy
144 bpm • C Maj • 02:08 • -14.32db
18% Popularity • 64% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
18% Popularity • 64% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness