Songs like Liederkreis, Op. 24: 9. Mit Myrten und Rosen, lieblich und hold by Robert Schumann
Based on a tempo of (+/- 10%) and a similar genre
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Friedrich Rückert
Schumann: Gedichte aus "Liebesfrühling"...
81 bpm • G# Maj • 02:24 • -16.17db
5% Popularity • 23% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 23% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Robert Schumann
Symphony No. 3 in E Flat Major, Op. 97 "...
81 bpm • C Maj • 06:34 • -21.31db
10% Popularity • 15% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
46% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
46% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 6. Internmezzo-seren...
83 bpm • A Maj • 02:26 • -32.62db
57% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
43% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
43% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: Träumerei (Arr. L...
81 bpm • D Maj • 03:35 • -31.82db
64% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 2. Canone
83 bpm • A# Maj • 02:42 • -23.33db
39% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Presto passionato
81 bpm • G min • 06:14 • -22.57db
18% Popularity • 17% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
18% Popularity • 17% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
33% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Heinrich Heine
Schumann: Belsatzar, Op. 57
83 bpm • C min • 04:40 • -22db
7% Popularity • 37% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Menuets, RCT 6/3-4
78 bpm • G Maj • 02:54 • -32.35db
33% Popularity • 29% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 47% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 47% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Heinrich Heine
Schumann: Liederkreis, Op. 24: No. 3, Ic...
78 bpm • B Maj • 03:31 • -32db
6% Popularity • 22% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 22% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
25% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
25% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
78 bpm • A# Maj • 04:18 • -31db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Friedrich Rückert
Schumann: Minnespiel, Op. 101: No. 8, Qu...
84 bpm • G Maj • 02:23 • -15.01db
0% Popularity • 22% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 22% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
35% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Johannes Brahms
Capriccio in B Minor, Op. 76, No. 2
84 bpm • B Maj • 03:33 • -31db
23% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 12: No. 1, Arietta
78 bpm • D# Maj • 01:31 • -39.59db
21% Popularity • 24% Danceability • 0% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
21% Popularity • 24% Danceability • 0% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Friedrich Burgmüller
18 Études, Op. 109: No. 7, Berceuse
85 bpm • F Maj • 01:26 • -30db
46% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
22% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: VII. Träumerei
77 bpm • F Maj • 03:15 • -37.79db
30% Popularity • 38% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 26% Positiveness
30% Popularity • 38% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
52% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
52% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata in E-Flat Major, WoO 47, No...
86 bpm • A# Maj • 02:56 • -35db
44% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
44% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
► Preview
Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Pièces froides: II. Airs à faire fuir ...
76 bpm • G Maj • 01:46 • -34.26db
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Robert Schumann
Violin Concerto in D Minor, WoO 1: III. ...
76 bpm • D Maj • 01:29 • -21.64db
21% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
21% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
► Preview
Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Stille Musik: 3. Augenblicke der Serenad...
86 bpm • C Maj • 02:17 • -39db
58% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
58% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Edvard Grieg
Lyrical Pieces, Op. 12: No. 1, Arietta
76 bpm • D# Maj • 01:10 • -35.49db
37% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
37% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Robert Schumann
Symphony No. 4 in D Minor, Op. 120: II. ...
86 bpm • A min • 01:43 • -24.47db
24% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
24% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 3. Notturno
87 bpm • F# Maj • 04:01 • -28.67db
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
A la manière de. . . Chabrier
87 bpm • C Maj • 02:25 • -36db
40% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
40% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux: Saint-Saens - C...
75 bpm • F# Maj • 02:48 • -36.73db
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
38% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
38% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 5. Glückes genug
88 bpm • G Maj • 01:02 • -27.6db
44% Popularity • 31% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
44% Popularity • 31% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
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Valentina Lisitsa
Etude Op. 10 no. 1 in C Major
88 bpm • C Maj • 01:55 • -22.63db
43% Popularity • 23% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
43% Popularity • 23% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
