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Life And Soul
Songs like
Life And Soul
by
Andrew Johnson
Based on a tempo of (+/- 10%) and a similar genre
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GEORGE E WELLS PLANET
RUNAWAY FROM FLAKES
120 bpm • E min • 03:46 • -4.88db
18% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Ballew
Buy Some Time
120 bpm • C Maj • 03:38 • -8.74db
7% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Eight Arms
Off to Bed, Freddie Z
120 bpm • D Maj • 03:46 • -10.73db
9% Popularity • 61% Danceability • 49% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Darren Kent
Such A Nice Time
120 bpm • D Maj • 03:11 • -3.71db
18% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Ethan Jegers
Milky Way
120 bpm • A Maj • 03:16 • -7.2db
15% Popularity • 65% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Bergersen
Running Water
120 bpm • F Maj • 04:01 • -7.37db
8% Popularity • 59% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Eden James
Never Setting Sun - Jimmeah Z Remix
120 bpm • D min • 03:19 • -6.79db
15% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Soft Hearted Scientists
The Comet's Tail
120 bpm • C Maj • 03:12 • -9.79db
10% Popularity • 75% Danceability • 56% Energy • 9% Liveness
27% Instrumentalness • 97% Positiveness
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Eight Arms
A Hundred Years or More
120 bpm • C Maj • 01:24 • -11.2db
23% Popularity • 67% Danceability • 57% Energy • 23% Liveness
6% Instrumentalness • 57% Positiveness
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The Last Hurrah!!
I Do Believe
120 bpm • C Maj • 04:39 • -12.45db
11% Popularity • 61% Danceability • 49% Energy • 25% Liveness
43% Instrumentalness • 55% Positiveness
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Marching Band
Little Wing
120 bpm • A min • 03:02 • -4.79db
11% Popularity • 69% Danceability • 92% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
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The Twilight Years
No Friends
120 bpm • A min • 03:36 • -6.75db
12% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Aingell
Down Here
120 bpm • D# Maj • 03:49 • -6.77db
10% Popularity • 74% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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The Sacred Fire Brigade
Shutting Doors
120 bpm • A Maj • 02:34 • -8.24db
7% Popularity • 77% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Raymond Hogue
Happy Song
120 bpm • B min • 03:20 • -17.39db
18% Popularity • 69% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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George Whistler
Little Soldier
120 bpm • D Maj • 02:54 • -7.04db
8% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Woodentops
LONDON
120 bpm • G Maj • 03:19 • -6.96db
18% Popularity • 68% Danceability • 70% Energy • 12% Liveness
14% Instrumentalness • 46% Positiveness
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Betho Ieesus
The Blues Night
120 bpm • E Maj • 03:29 • -6db
16% Popularity • 66% Danceability • 75% Energy • 11% Liveness
89% Instrumentalness • 80% Positiveness
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The Reds, Pinks and Purples
Unwishing Well
120 bpm • E Maj • 03:02 • -11.83db
20% Popularity • 57% Danceability • 34% Energy • 12% Liveness
68% Instrumentalness • 51% Positiveness
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Andy McCutcheon
Sometimes You Feel So Far Away
120 bpm • C Maj • 05:18 • -12.32db
16% Popularity • 55% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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The Terrible Ifs
This Afternoon
120 bpm • B Maj • 01:49 • -7.82db
9% Popularity • 71% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Brian Joseph Band
What Do You Say? (Album Mix)
120 bpm • A Maj • 03:00 • -7.06db
17% Popularity • 55% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Julien COHEN
Beautiful English Girl
120 bpm • F Maj • 02:34 • -6.26db
30% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Johnson
Chalk and Cheese
120 bpm • A min • 03:57 • -11.22db
0% Popularity • 81% Danceability • 65% Energy • 10% Liveness
11% Instrumentalness • 92% Positiveness
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AURA
SMALL DROPS
120 bpm • C# Maj • 03:33 • -8.14db
22% Popularity • 61% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Pete McClanahan
Redemption Song
120 bpm • G Maj • 03:10 • -7.3db
11% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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BMX Bandits
Time to Get Away - Single Version
120 bpm • G# Maj • 04:04 • -8.47db
10% Popularity • 65% Danceability • 64% Energy • 7% Liveness
11% Instrumentalness • 66% Positiveness
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Andy Smythe
Out of My Mind
120 bpm • B min • 03:50 • -7.53db
7% Popularity • 46% Danceability • 75% Energy • 20% Liveness
4% Instrumentalness • 60% Positiveness
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Magpies
Summer Trip
120 bpm • D Maj • 04:31 • -8.78db
14% Popularity • 63% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Iain MacDonald
Salamander Sky - 'The Instrumental Versi...
120 bpm • D Maj • 03:20 • -8.38db
18% Popularity • 54% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 39% Positiveness
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Panhead Sharps
I Guess This Is Goodbye
121 bpm • C Maj • 03:11 • -5.72db
7% Popularity • 28% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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von Schiller
You're Sweeter Than
119 bpm • G# Maj • 02:09 • -10.21db
10% Popularity • 88% Danceability • 55% Energy • 34% Liveness
26% Instrumentalness • 53% Positiveness
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Lame Drivers
Become an Island
119 bpm • A Maj • 04:14 • -9.58db
7% Popularity • 41% Danceability • 66% Energy • 11% Liveness
78% Instrumentalness • 80% Positiveness
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Joel Dobbins
Don't Upset The Applecart
119 bpm • C Maj • 05:48 • -10.41db
9% Popularity • 66% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 60% Positiveness
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Brian Joseph Band
Blues Bug
118 bpm • D min • 03:05 • -8.83db
16% Popularity • 51% Danceability • 49% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
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Jasmine Jituboh
So Far So Good
118 bpm • B Maj • 04:13 • -5.57db
26% Popularity • 47% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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A.S. Fanning
Song to the Moon
122 bpm • C Maj • 04:31 • -8.36db
14% Popularity • 54% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Colin Newman
Unbroken - 2001 (2024 Version)
122 bpm • G# Maj • 03:19 • -8.45db
11% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Limbo Baby
Worst of All
122 bpm • D Maj • 03:50 • -5.85db
18% Popularity • 64% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Forwardman
Loose Ends
122 bpm • F Maj • 09:34 • -8.65db
24% Popularity • 54% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Sun Kin
All the WeWorks Are Dead!
118 bpm • F min • 03:12 • -11.43db
17% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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GEORGE E WELLS PLANET
CLIMATE SCEPTICS....Your Hired !
118 bpm • C Maj • 03:30 • -11.25db
17% Popularity • 71% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Johnson
Blue Is In The Heart
122 bpm • F min • 03:00 • -7.28db
0% Popularity • 70% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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AURA
THE BIRD IS FREE
118 bpm • D# Maj • 04:05 • -5.5db
8% Popularity • 66% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Gene Loves Jezebel
Another Girl Another Planet
118 bpm • E Maj • 03:11 • -8.25db
9% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Snübear
Bears
118 bpm • F Maj • 05:06 • -9.77db
20% Popularity • 48% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Rimu
Mobile Noise
118 bpm • G Maj • 04:57 • -4.01db
11% Popularity • 37% Danceability • 77% Energy • 27% Liveness
7% Instrumentalness • 33% Positiveness
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Bergersen
Seasons Turning
122 bpm • D Maj • 03:34 • -8db
9% Popularity • 56% Danceability • 73% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
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Andrew Johnson
Let In The Light
118 bpm • F min • 03:08 • -9.02db
0% Popularity • 80% Danceability • 69% Energy • 5% Liveness
23% Instrumentalness • 80% Positiveness
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Dark Tea
Giving Up
118 bpm • C Maj • 02:28 • -8.45db
12% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Tim Barton
Out of Control
118 bpm • B Maj • 03:05 • -10.13db
10% Popularity • 84% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Pride & Shame
Hey Astronaut Two
118 bpm • A min • 04:42 • -8.37db
8% Popularity • 45% Danceability • 59% Energy • 60% Liveness
14% Instrumentalness • 34% Positiveness
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Dirt Road Sunset
Where Do We Go
122 bpm • C Maj • 03:30 • -6.81db
11% Popularity • 40% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
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Brian Joseph Band
Paradox Moment
123 bpm • G Maj • 02:50 • -7.31db
13% Popularity • 50% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Clement Beatrice
Honey, You Can Try
123 bpm • G min • 03:19 • -5.11db
22% Popularity • 51% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Jasmine Jituboh
Different Breeds of Cats
117 bpm • C Maj • 05:10 • -6.28db
26% Popularity • 51% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Katye Kellye and the Interruption
All in My Mind
123 bpm • G Maj • 04:07 • -12.82db
36% Popularity • 61% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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Steve Charles
Every Little Thing
123 bpm • G Maj • 02:12 • -13.83db
9% Popularity • 67% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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vegas water taxi
modern love
117 bpm • G Maj • 04:00 • -12.56db
12% Popularity • 72% Danceability • 47% Energy • 16% Liveness
4% Instrumentalness • 66% Positiveness
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Dog Trumpet
Back Room
117 bpm • C Maj • 04:10 • -9.74db
8% Popularity • 62% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 26% Positiveness
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Mike Ponting
Break the Chains
123 bpm • G Maj • 02:25 • -5.61db
10% Popularity • 59% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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The Welcome Party
Gracie’s Song
117 bpm • C Maj • 03:39 • -8.93db
8% Popularity • 59% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Redd Foxx
Redd's Corner: Andrew Johnson
117 bpm • D Maj • 06:08 • -14.17db
0% Popularity • 64% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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2:45
Run, Scream and Sing
117 bpm • E min • 05:17 • -14.46db
8% Popularity • 51% Danceability • 46% Energy • 16% Liveness
63% Instrumentalness • 42% Positiveness
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Bread and the Man
The Power You Do Have
117 bpm • G Maj • 02:14 • -1.97db
10% Popularity • 74% Danceability • 68% Energy • 22% Liveness
7% Instrumentalness • 61% Positiveness
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Scotti Mars
To Hell and Back
124 bpm • E Maj • 03:19 • -6.42db
0% Popularity • 62% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Andrew Johnson
I Fell To Earth
124 bpm • C# min • 03:53 • -10.43db
0% Popularity • 66% Danceability • 62% Energy • 8% Liveness
42% Instrumentalness • 50% Positiveness
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The Street Puppets
Qué Pasa
116 bpm • A Maj • 03:25 • -7.43db
8% Popularity • 48% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Jacka & The Schott of Love
Paradise Lost
116 bpm • G Maj • 03:24 • -10db
19% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Reciprocity Nexus
Sunlight
116 bpm • B Maj • 03:09 • -9.8db
20% Popularity • 70% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 72% Positiveness
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Fluhx
Mia the Punk
116 bpm • E Maj • 04:13 • -7.2db
11% Popularity • 69% Danceability • 79% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
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The Iddy-Biddies
The Other Side
116 bpm • C# Maj • 03:54 • -6.68db
12% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Johnson
Yammy 50
124 bpm • E Maj • 03:24 • -13.67db
0% Popularity • 78% Danceability • 55% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Scott Colquhoun
Living The Dream
116 bpm • C# Maj • 04:33 • -12.07db
10% Popularity • 51% Danceability • 53% Energy • 12% Liveness
23% Instrumentalness • 4% Positiveness
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Bergersen
Any Other Day
116 bpm • D Maj • 03:09 • -8.37db
8% Popularity • 58% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Emily Sheila
Somewhere Cool
116 bpm • E Maj • 02:28 • -11.06db
29% Popularity • 65% Danceability • 53% Energy • 10% Liveness
13% Instrumentalness • 16% Positiveness
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The Lovetones
Everything Changed
124 bpm • G Maj • 02:47 • -4.26db
11% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Iddy-Biddies
Lost
116 bpm • A min • 03:36 • -7.82db
23% Popularity • 63% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Garrett
Only One
115 bpm • E min • 04:16 • -7.46db
8% Popularity • 82% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Brian Porritt
Long Summer Day
115 bpm • G min • 03:59 • -7.54db
13% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bridgett Vettorel
Calling Along The Coast
125 bpm • G# Maj • 03:04 • -7db
27% Popularity • 42% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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St Vitus Dance
Spendlove
115 bpm • A Maj • 03:31 • -4.34db
14% Popularity • 63% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Srønx
Forever But Never
125 bpm • D Maj • 03:19 • -6.65db
20% Popularity • 65% Danceability • 88% Energy • 34% Liveness
2% Instrumentalness • 72% Positiveness
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AURA
SEPARATE
125 bpm • G Maj • 02:52 • -7db
10% Popularity • 56% Danceability • 73% Energy • 39% Liveness
60% Instrumentalness • 42% Positiveness
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Potential Commotion
Yesterday's Courage
125 bpm • E Maj • 03:09 • -9.58db
13% Popularity • 75% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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A. Savage
It Won't Be Long and I'll Be Hating You
115 bpm • G Maj • 02:22 • -5.55db
32% Popularity • 58% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Catchmen
You Don't Cry Enough
125 bpm • D Maj • 03:13 • -5.98db
14% Popularity • 67% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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HOUSE Of ALL
Cuckoo In The Nest
115 bpm • A Maj • 04:05 • -6.71db
17% Popularity • 66% Danceability • 77% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
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Go Birch
Forever Jayne
115 bpm • C Maj • 01:00 • -7.73db
20% Popularity • 66% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Andrew Kutt
I Am Free
115 bpm • D Maj • 04:06 • -9.1db
24% Popularity • 61% Danceability • 85% Energy • 20% Liveness
29% Instrumentalness • 81% Positiveness
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Brent Newbold
It's A Beautiful Day Today
115 bpm • D Maj • 03:36 • -18db
15% Popularity • 63% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Sean Axelrod
Run Away
125 bpm • F min • 03:17 • -7.78db
24% Popularity • 34% Danceability • 80% Energy • 34% Liveness
6% Instrumentalness • 69% Positiveness
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Kevin ISM
A Quiet Life
115 bpm • E min • 03:38 • -13.88db
11% Popularity • 73% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Hot Mud
Where The Bad Kids Go
115 bpm • D Maj • 03:27 • -6.27db
16% Popularity • 82% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Vicente Luengo
Gold nails
125 bpm • F Maj • 04:08 • -7.69db
24% Popularity • 36% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Hans Gredeby
Saviour Satellite
126 bpm • D Maj • 04:12 • -13.04db
11% Popularity • 55% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Lucie Cheval
More Reality
126 bpm • G Maj • 03:01 • -9db
14% Popularity • 73% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 88% Positiveness
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Man & The Echo
Mental Health
126 bpm • C Maj • 04:27 • -6.46db
13% Popularity • 52% Danceability • 75% Energy • 15% Liveness
9% Instrumentalness • 79% Positiveness
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James Seabrook
Capture
126 bpm • C Maj • 07:28 • -11.79db
10% Popularity • 62% Danceability • 46% Energy • 15% Liveness
11% Instrumentalness • 39% Positiveness
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The Iddy-Biddies
Too Far
126 bpm • A# min • 02:56 • -8.62db
12% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Life And Soul