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Life Got In Our Way
Songs like
Life Got In Our Way
by
Piper Williamson
Based on a tempo of (+/- 10%) and a similar genre
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Southside Trio
Blue Eyes Crying In The Rain
107 bpm • F# min • 04:12 • -18.64db
47% Popularity • 50% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
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Hollbeck
The yellow note
107 bpm • A min • 03:49 • -14.51db
50% Popularity • 46% Danceability • 23% Energy • 12% Liveness
46% Instrumentalness • 14% Positiveness
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Pimm's Trio
Waterfall
107 bpm • F min • 02:32 • -18.57db
50% Popularity • 45% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Eddie Harper
Grey Mornings
107 bpm • A min • 03:52 • -16.23db
41% Popularity • 37% Danceability • 13% Energy • 12% Liveness
38% Instrumentalness • 22% Positiveness
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Courtney Salas Group
Worry and Gossip
107 bpm • F# Maj • 03:41 • -16.04db
29% Popularity • 43% Danceability • 26% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Steve Luke & Holloway
Looking Forward
107 bpm • G# Maj • 03:11 • -18.84db
48% Popularity • 33% Danceability • 19% Energy • 23% Liveness
97% Instrumentalness • 9% Positiveness
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Billy Hicks Quartet
Aesthete
107 bpm • C min • 03:42 • -15.88db
36% Popularity • 31% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 12% Positiveness
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The Groove Trio
Life in Space
107 bpm • G min • 02:47 • -15.94db
44% Popularity • 44% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 10% Positiveness
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Sarah Troedsson
Time Remembered
107 bpm • G Maj • 03:04 • -20.65db
44% Popularity • 39% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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The Three Queens
Muddy Trail
107 bpm • G Maj • 03:40 • -18.12db
52% Popularity • 35% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
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Piper Williamson
Life Got In Our Way
107 bpm • F min • 03:43 • -16.79db
1% Popularity • 43% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 20% Positiveness
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Midnight Trio
All Of The Little Things I Know
107 bpm • D min • 04:51 • -23.86db
49% Popularity • 47% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Billy Hicks Quartet
Monk's Mood
107 bpm • F Maj • 05:00 • -19.55db
28% Popularity • 40% Danceability • 8% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
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Mabon Clarke Quartet
Never Let Me Go
107 bpm • G min • 04:14 • -16.43db
40% Popularity • 42% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Yorkville
Morning Star
108 bpm • F min • 03:44 • -13.09db
41% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Foster Davies
Café Conversations
108 bpm • C Maj • 03:44 • -14.39db
49% Popularity • 41% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
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Eddie Harper
Déjà vu
108 bpm • D# Maj • 03:48 • -16.16db
41% Popularity • 41% Danceability • 12% Energy • 31% Liveness
86% Instrumentalness • 13% Positiveness
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Mandy
Confusion
106 bpm • G# Maj • 03:09 • -18.64db
44% Popularity • 40% Danceability • 10% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Bernstein Square
I'll Be There
106 bpm • G Maj • 03:50 • -15.27db
57% Popularity • 52% Danceability • 20% Energy • 13% Liveness
56% Instrumentalness • 10% Positiveness
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More than Jazz
All My Yesterdays
108 bpm • D# Maj • 03:50 • -23.08db
46% Popularity • 44% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Isaiah Lewis
Flow
106 bpm • D Maj • 03:43 • -17db
64% Popularity • 30% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Tadd Norman
Lesters's Tears
106 bpm • E Maj • 03:52 • -16.07db
50% Popularity • 49% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
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Mitch Coleman
Maia Oh Maia
108 bpm • D# Maj • 03:55 • -17.69db
47% Popularity • 42% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Gjermund Skar
My Mistakes
106 bpm • C Maj • 03:54 • -14.79db
51% Popularity • 52% Danceability • 20% Energy • 52% Liveness
46% Instrumentalness • 19% Positiveness
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Belmont Central
La Balade Bleu
106 bpm • G min • 03:02 • -18.54db
52% Popularity • 36% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 20% Positiveness
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The Bob Davis Group
East Of The Sun
106 bpm • E min • 03:09 • -16.5db
44% Popularity • 56% Danceability • 16% Energy • 13% Liveness
96% Instrumentalness • 17% Positiveness
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Newington Green
In the Days of our Love
106 bpm • A min • 03:40 • -20.82db
45% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Eddie Harper
I Will Never Forget You
108 bpm • E min • 03:14 • -17.05db
36% Popularity • 43% Danceability • 25% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
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The Uptown Players
Solitude
106 bpm • F min • 02:30 • -20.03db
49% Popularity • 43% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Jonas Olofsson
Naima
108 bpm • A# min • 03:10 • -19.1db
46% Popularity • 53% Danceability • 10% Energy • 38% Liveness
92% Instrumentalness • 17% Positiveness
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Sand Quartet
Your Goodbye
108 bpm • B min • 03:40 • -16.61db
50% Popularity • 51% Danceability • 11% Energy • 22% Liveness
69% Instrumentalness • 16% Positiveness
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The Sweetgreens
The More I See You
108 bpm • F min • 03:49 • -18.41db
47% Popularity • 54% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Sodermalm Strand
Someone Elses Love
106 bpm • G min • 03:43 • -18.89db
48% Popularity • 58% Danceability • 12% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
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John B. Stewart
I've Grown Accustomed To Your Face
108 bpm • C min • 03:13 • -16db
38% Popularity • 50% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Mitch Coleman
Morristown Blue
106 bpm • F Maj • 03:49 • -13.96db
41% Popularity • 41% Danceability • 18% Energy • 26% Liveness
64% Instrumentalness • 19% Positiveness
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The Southern Belle
Closing Time
108 bpm • F Maj • 03:36 • -20.38db
54% Popularity • 47% Danceability • 17% Energy • 18% Liveness
60% Instrumentalness • 17% Positiveness
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Akio
All The Way
106 bpm • C min • 03:21 • -15.49db
47% Popularity • 45% Danceability • 17% Energy • 30% Liveness
84% Instrumentalness • 13% Positiveness
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Mornington
Windfall
105 bpm • A# Maj • 03:48 • -15.05db
34% Popularity • 52% Danceability • 13% Energy • 12% Liveness
14% Instrumentalness • 16% Positiveness
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Sand Quartet
Imogene
109 bpm • F# min • 03:58 • -13.99db
42% Popularity • 52% Danceability • 17% Energy • 35% Liveness
50% Instrumentalness • 17% Positiveness
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Farmer Street Quartet
November Fall
109 bpm • F# min • 03:58 • -13.99db
54% Popularity • 52% Danceability • 17% Energy • 35% Liveness
50% Instrumentalness • 17% Positiveness
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Midnight Trio
There Will Be Better Days
105 bpm • D min • 04:59 • -22.9db
56% Popularity • 52% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Isac Solo Trio
Wallflower
109 bpm • C Maj • 03:40 • -16.64db
53% Popularity • 56% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Cecil Andrews
I'll Take Romance
105 bpm • F Maj • 03:46 • -16.99db
56% Popularity • 57% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Marc Frost
All Good
105 bpm • F min • 03:25 • -17.76db
48% Popularity • 32% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Darlington
Will You Wait For Me
105 bpm • C# Maj • 03:47 • -15.55db
50% Popularity • 45% Danceability • 12% Energy • 32% Liveness
15% Instrumentalness • 28% Positiveness
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Sand Quartet
April Calling
109 bpm • F min • 03:50 • -14.23db
48% Popularity • 48% Danceability • 16% Energy • 38% Liveness
28% Instrumentalness • 25% Positiveness
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High North Trio
Time Traveler
109 bpm • G Maj • 03:43 • -18.57db
45% Popularity • 45% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Magpie Jazz Trio
Love To Be Happy
105 bpm • F# Maj • 03:15 • -19.58db
53% Popularity • 47% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Anita Rosswell
Midnight Serenade
105 bpm • C Maj • 04:19 • -14.37db
47% Popularity • 56% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Saginaw Society
A Flower Is A Lovesome Thing
105 bpm • F# Maj • 04:51 • -19.97db
54% Popularity • 45% Danceability • 19% Energy • 29% Liveness
78% Instrumentalness • 10% Positiveness
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Jenny Jones
I'll Be Seeing You
105 bpm • F min • 03:33 • -18.9db
46% Popularity • 53% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Mino Conte & Co
The Fate of Love
109 bpm • B Maj • 02:50 • -19.27db
49% Popularity • 48% Danceability • 14% Energy • 9% Liveness
54% Instrumentalness • 10% Positiveness
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Carla Anderson
Bright Drops
109 bpm • G# Maj • 04:44 • -13.79db
32% Popularity • 44% Danceability • 19% Energy • 18% Liveness
86% Instrumentalness • 29% Positiveness
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Tadd Norman
Lazy Steps
109 bpm • G# Maj • 03:48 • -16.18db
38% Popularity • 37% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 5% Positiveness
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Lee Davis
Blue In Green
105 bpm • D min • 04:02 • -25.11db
43% Popularity • 42% Danceability • 3% Energy • 23% Liveness
24% Instrumentalness • 26% Positiveness
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Mornington
In The Old Fashioned Way
109 bpm • C Maj • 03:48 • -13.5db
47% Popularity • 48% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Arthur Taylor Trio
Above All
109 bpm • A# Maj • 03:02 • -15.78db
59% Popularity • 47% Danceability • 14% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
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Sverrir Audland
Shadows of You
104 bpm • G# Maj • 03:22 • -16.21db
51% Popularity • 40% Danceability • 20% Energy • 11% Liveness
24% Instrumentalness • 26% Positiveness
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Paul Moretti Trio
To Dream Like Youth
104 bpm • A Maj • 03:55 • -14.91db
41% Popularity • 43% Danceability • 17% Energy • 15% Liveness
54% Instrumentalness • 12% Positiveness
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The City of Birches
Tidewater
110 bpm • D# Maj • 03:36 • -14.63db
46% Popularity • 49% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Piper Williamson
I Will Wait For You
110 bpm • D min • 03:59 • -14.68db
45% Popularity • 54% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Original Three
You're All I Can Think Of
104 bpm • G# Maj • 04:58 • -24.1db
54% Popularity • 44% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Hermie
Over The Rooftops
104 bpm • G Maj • 03:50 • -10.48db
38% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Long Island Quartet
When Love Is Gone
104 bpm • D min • 03:35 • -17.89db
46% Popularity • 45% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Saginaw Society
Darn That Dream
110 bpm • G Maj • 04:53 • -15.36db
37% Popularity • 50% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Shay Walsh
Chasing Raindrops
110 bpm • D# Maj • 03:34 • -19.89db
64% Popularity • 50% Danceability • 16% Energy • 11% Liveness
34% Instrumentalness • 16% Positiveness
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Nick Osman Trio
Baubles, Bangles & Beads
104 bpm • G# Maj • 03:22 • -19.54db
49% Popularity • 59% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 19% Positiveness
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Ballroom Jazz Collective
Mirror Images
110 bpm • C Maj • 03:57 • -12.41db
34% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Piper Williamson
Collected
110 bpm • F Maj • 03:30 • -17.1db
37% Popularity • 55% Danceability • 15% Energy • 13% Liveness
66% Instrumentalness • 22% Positiveness
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Lennie Weston
Merry Monday
110 bpm • C min • 03:10 • -19.52db
49% Popularity • 59% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
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Ikigai
Yearning
104 bpm • G# min • 02:59 • -16.96db
47% Popularity • 43% Danceability • 13% Energy • 14% Liveness
69% Instrumentalness • 30% Positiveness
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Neo Fourths Trio
A Certain Smile
104 bpm • E Maj • 03:50 • -20.47db
46% Popularity • 56% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Keanan Field Group
I Loves You, Porgy
104 bpm • G min • 03:30 • -22.36db
50% Popularity • 56% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Moonside Trio
Juliana
110 bpm • A# min • 03:40 • -17.03db
45% Popularity • 52% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Long Island Quartet
Blame It On My Youth
110 bpm • C min • 04:58 • -13.21db
32% Popularity • 51% Danceability • 21% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
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Andy Miller Group
I Thought About Us
110 bpm • C min • 03:57 • -16.21db
44% Popularity • 47% Danceability • 16% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
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George Kuntz Four
Flatlands
110 bpm • G min • 03:14 • -13.15db
40% Popularity • 42% Danceability • 19% Energy • 37% Liveness
78% Instrumentalness • 12% Positiveness
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Jonas Olofsson
It Never Entered My Mind
104 bpm • F Maj • 04:11 • -17.62db
42% Popularity • 57% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Green Trio
Little Bell
110 bpm • D min • 03:30 • -16.71db
46% Popularity • 56% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Matt Marantz Quartet
Once In A Lifetime
104 bpm • G min • 04:12 • -15.09db
40% Popularity • 39% Danceability • 13% Energy • 15% Liveness
38% Instrumentalness • 16% Positiveness
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The Jazz Cultivators
Almost Like Being In Love
111 bpm • A# Maj • 02:48 • -16.54db
45% Popularity • 52% Danceability • 15% Energy • 12% Liveness
98% Instrumentalness • 16% Positiveness
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Bernhard Cohen
Silver Lining
111 bpm • F# Maj • 03:04 • -18.76db
47% Popularity • 40% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 26% Positiveness
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James Jackson Jazz Trio
On 14th Street
103 bpm • C min • 02:56 • -14.69db
47% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
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George Kuntz Four
Dextereous
111 bpm • C min • 03:08 • -14.18db
50% Popularity • 57% Danceability • 28% Energy • 11% Liveness
52% Instrumentalness • 21% Positiveness
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The Lyon Hearts
Banks of Noon
111 bpm • G# Maj • 03:35 • -19.41db
50% Popularity • 42% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Piper Williamson
Light Wave
103 bpm • C# Maj • 03:45 • -23.74db
46% Popularity • 34% Danceability • 4% Energy • 8% Liveness
81% Instrumentalness • 7% Positiveness
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Tore Lundblad
You Softly Breathe
103 bpm • F# Maj • 03:16 • -16.88db
47% Popularity • 38% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Belmont Central
You Do Something To Me
111 bpm • C min • 03:10 • -13.69db
47% Popularity • 53% Danceability • 20% Energy • 21% Liveness
68% Instrumentalness • 13% Positiveness
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Bruce Willmington & Co
Something About Him
111 bpm • E Maj • 02:40 • -21.31db
30% Popularity • 42% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 14% Positiveness
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Michael Stylez & Co
Love Will Last Forever
103 bpm • F Maj • 03:35 • -18.4db
49% Popularity • 58% Danceability • 9% Energy • 9% Liveness
74% Instrumentalness • 16% Positiveness
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The Lyon Hearts
Time To Ponder
103 bpm • B Maj • 03:12 • -16.65db
47% Popularity • 48% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Darlington
You Go To My Heart
111 bpm • G Maj • 03:41 • -13.43db
49% Popularity • 43% Danceability • 27% Energy • 10% Liveness
44% Instrumentalness • 17% Positiveness
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Andy Miller Group
If You Say Goodbye
103 bpm • C# Maj • 03:00 • -20.17db
45% Popularity • 46% Danceability • 12% Energy • 23% Liveness
92% Instrumentalness • 7% Positiveness
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Sean Murphy
Passing Time
103 bpm • C Maj • 03:05 • -18.94db
52% Popularity • 42% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Prism Trio
Elegant As They Come
103 bpm • G Maj • 04:22 • -23.14db
53% Popularity • 27% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
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Emily Green Trio
In Your Arms
111 bpm • D Maj • 03:33 • -21.11db
63% Popularity • 40% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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The City of Birches
Walk Away
111 bpm • A Maj • 03:56 • -10.69db
44% Popularity • 53% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 30% Positiveness
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Baxter Williams
Epilogue
111 bpm • C min • 03:33 • -15.79db
36% Popularity • 42% Danceability • 20% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Drew Milner
Falling In Love With Love
103 bpm • A# Maj • 02:54 • -16.24db
47% Popularity • 62% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 22% Positiveness
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Bruce Willmington & Co
Chances Are
103 bpm • D Maj • 04:42 • -21.39db
18% Popularity • 42% Danceability • 12% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
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Life Got In Our Way