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Life Is Good
Songs like
Life Is Good
by
Phil Keaggy
Based on a tempo of (+/- 10%) and a similar genre
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Michael Gettel
Watershed
98 bpm • D# Maj • 05:00 • -15.74db
10% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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眠れる音楽 クラシック
ミュージック(睡眠)
98 bpm • C Maj • 02:46 • -18.03db
12% Popularity • 73% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Gentle Faith
It's So Good To Know
98 bpm • C# Maj • 04:41 • -8.43db
11% Popularity • 57% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Mucklow
Balm
98 bpm • G Maj • 06:43 • -12.94db
25% Popularity • 42% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Al Petteway
Jock O'hazeldean
98 bpm • D Maj • 03:52 • -16.31db
9% Popularity • 28% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Chris Hays
Etude 1
98 bpm • D Maj • 01:05 • -22.18db
16% Popularity • 13% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Phil Keaggy
Sign Language
97 bpm • E min • 01:52 • -17.62db
15% Popularity • 76% Danceability • 30% Energy • 7% Liveness
47% Instrumentalness • 78% Positiveness
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Pete Huttlinger
Redeemed
99 bpm • D# Maj • 02:49 • -18.61db
19% Popularity • 43% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 65% Positiveness
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Phil Driscoll
Shine In Me
97 bpm • E min • 05:09 • -8.02db
12% Popularity • 53% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Erick Turnbull
June Tune
97 bpm • D Maj • 02:13 • -13.15db
19% Popularity • 33% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Montreux
Sweet Intentions
99 bpm • A Maj • 04:27 • -14.24db
14% Popularity • 29% Danceability • 20% Energy • 11% Liveness
52% Instrumentalness • 5% Positiveness
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Billy McLaughlin
Coffee Break
99 bpm • E min • 04:58 • -20.42db
25% Popularity • 66% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Musik für Geschäfte Bgm
Ernst Speichert
99 bpm • C Maj • 01:46 • -14.84db
16% Popularity • 72% Danceability • 36% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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PFR
That Kind Of Love
97 bpm • A Maj • 03:35 • -13.41db
24% Popularity • 73% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Pachelli
Slap Happy Too
97 bpm • C# min • 03:09 • -15.44db
9% Popularity • 63% Danceability • 28% Energy • 11% Liveness
72% Instrumentalness • 52% Positiveness
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El McMeen
Medley: O, For A Thousand Tongues; Prais...
97 bpm • B Maj • 02:47 • -21.87db
22% Popularity • 35% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
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Michael Hedges
Java Man
97 bpm • C Maj • 03:44 • -16.28db
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
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Steve Morse
Modoc
97 bpm • D# Maj • 02:19 • -18db
31% Popularity • 47% Danceability • 17% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
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Al Petteway
Pavane
96 bpm • C Maj • 02:53 • -16db
15% Popularity • 79% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 74% Positiveness
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John Michael & Terry Talbot
Create In Me A Clean Heart
100 bpm • C# Maj • 02:35 • -18db
15% Popularity • 63% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Matthew Ward
Consume Me
96 bpm • A Maj • 04:04 • -6.79db
16% Popularity • 58% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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harris
Homecoming
96 bpm • G# Maj • 04:09 • -7.33db
24% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jeff Johnson
Air & Light
96 bpm • D Maj • 05:53 • -25.87db
5% Popularity • 57% Danceability • 6% Energy • 9% Liveness
72% Instrumentalness • 7% Positiveness
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Hans Raum
Wings of Time
100 bpm • G Maj • 01:48 • -19.58db
8% Popularity • 65% Danceability • 41% Energy • 16% Liveness
99% Instrumentalness • 80% Positiveness
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Ben Woolman
Legends of the Fall
100 bpm • D Maj • 05:09 • -15.37db
9% Popularity • 38% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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Phil Keaggy
Rubix Cube
96 bpm • D# Maj • 02:25 • -16.45db
10% Popularity • 48% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Al Petteway
Sheep At The Door
100 bpm • E Maj • 02:26 • -16db
25% Popularity • 44% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 62% Positiveness
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William Ellwood
Light A Candle
96 bpm • F# min • 05:01 • -19db
18% Popularity • 56% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 32% Positiveness
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Ryan Tilby
O My Father
96 bpm • G Maj • 04:48 • -19.56db
34% Popularity • 44% Danceability • 9% Energy • 13% Liveness
60% Instrumentalness • 19% Positiveness
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Daniel Amos
Lady Goodbye
101 bpm • D Maj • 02:39 • -9.85db
11% Popularity • 32% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Matthew Ward
Noah's Song
101 bpm • E Maj • 03:56 • -19.4db
10% Popularity • 33% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Phil Keaggy
Chester's Tree
96 bpm • A min • 05:39 • -16.72db
10% Popularity • 41% Danceability • 30% Energy • 39% Liveness
84% Instrumentalness • 41% Positiveness
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Al Petteway
Falls
95 bpm • D# Maj • 01:59 • -18db
16% Popularity • 45% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Don Ross
Catherine
101 bpm • D Maj • 06:01 • -20.21db
9% Popularity • 47% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 33% Positiveness
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Michael Gettel
Turning Of A Key
95 bpm • F Maj • 04:32 • -16.85db
10% Popularity • 52% Danceability • 54% Energy • 8% Liveness
82% Instrumentalness • 60% Positiveness
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Wes King
Simplify
101 bpm • A Maj • 05:21 • -8db
13% Popularity • 63% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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John Danley
The Infinite Landscape
95 bpm • D# Maj • 02:46 • -17.86db
14% Popularity • 37% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 43% Positiveness
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Phil Keaggy
Shigeo
95 bpm • F# Maj • 05:17 • -15.89db
12% Popularity • 41% Danceability • 39% Energy • 15% Liveness
89% Instrumentalness • 20% Positiveness
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Billy McLaughlin
The Good Wife
95 bpm • C# Maj • 03:33 • -26.42db
23% Popularity • 45% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
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Al Petteway
Sundog
102 bpm • C Maj • 05:25 • -17.49db
13% Popularity • 38% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
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Andrew White
Nicola's Tears
102 bpm • E Maj • 04:01 • -23.32db
24% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Doyle Dykes
Gitarre 2000
102 bpm • E min • 04:17 • -14.12db
12% Popularity • 43% Danceability • 45% Energy • 13% Liveness
88% Instrumentalness • 36% Positiveness
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Guitart
In the mist
102 bpm • F Maj • 01:10 • -27.6db
22% Popularity • 45% Danceability • 3% Energy • 7% Liveness
47% Instrumentalness • 25% Positiveness
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Randy Stonehill
Coming Back Soon
102 bpm • D Maj • 04:41 • -6db
9% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Finger
101 South
102 bpm • D Maj • 04:05 • -12.46db
27% Popularity • 33% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 54% Positiveness
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Mike Pachelli
I Will
102 bpm • F Maj • 02:43 • -15.92db
8% Popularity • 77% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 18% Positiveness
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Steve Bell
Here by the Water
102 bpm • F min • 04:56 • -12.29db
15% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Billy McLaughlin
The Happy Archer
94 bpm • D Maj • 03:13 • -20.41db
29% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Franco Morone
Picking the Joys of Life
94 bpm • C Maj • 03:39 • -21.97db
13% Popularity • 44% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Anthony Sallee
Blackbird
94 bpm • F# Maj • 03:24 • -13.47db
11% Popularity • 64% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Mark Heard
Eye of the Storm
94 bpm • E Maj • 03:00 • -15db
16% Popularity • 60% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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California Guitar Trio
The Marsh
94 bpm • E min • 05:00 • -14.23db
16% Popularity • 22% Danceability • 34% Energy • 12% Liveness
82% Instrumentalness • 24% Positiveness
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Michael Hedges
Ritual Dance
94 bpm • A min • 02:17 • -21.04db
27% Popularity • 63% Danceability • 38% Energy • 11% Liveness
98% Instrumentalness • 55% Positiveness
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Mark V Bisson
Heartstrings
103 bpm • G Maj • 03:27 • -15.88db
24% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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EUFORIA LA VERSATILIDAD
Guitarra Amorosa
93 bpm • G Maj • 01:12 • -30.48db
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 74% Positiveness
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Martin Tallstrom
Lucid Dream
93 bpm • B Maj • 03:37 • -10.63db
7% Popularity • 66% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 33% Positiveness
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Mark Heard
Appalachian Melody
93 bpm • G Maj • 04:24 • -14db
8% Popularity • 43% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew White
Home James
104 bpm • D Maj • 04:21 • -24.4db
25% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Kerry Livgren
Just One Way
93 bpm • A min • 05:45 • -12db
11% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Finger
The Girl at the Harbour
104 bpm • D Maj • 04:11 • -22.14db
29% Popularity • 30% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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John Michael & Terry Talbot
Greeting
104 bpm • C# Maj • 01:45 • -15.74db
13% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lance Allen
Butterfly Dance
104 bpm • F# Maj • 03:39 • -18.06db
32% Popularity • 62% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Bernard Harris
Lord Prepare Me (Sanctuary)
104 bpm • C Maj • 02:53 • -20.23db
10% Popularity • 54% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Ian Melrose
Fingerpickers Have More Fun
104 bpm • A# Maj • 03:34 • -14.11db
28% Popularity • 57% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
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Craig Riley
Dance with the Breeze
92 bpm • C# min • 02:31 • -19.96db
23% Popularity • 51% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
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Kim Hill
Mysterious Ways
104 bpm • F min • 05:37 • -13.91db
12% Popularity • 69% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Trevor Gordon Hall
Midnight and Raining
92 bpm • C Maj • 03:55 • -20.11db
11% Popularity • 43% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Moderno Musica de Verano
Relajado (Musica)
92 bpm • C Maj • 01:54 • -17db
11% Popularity • 66% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 32% Positiveness
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Dick Henley
I'm Leaving
92 bpm • A# Maj • 05:29 • -16.02db
21% Popularity • 29% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Billy McLaughlin
Helms Place
104 bpm • D Maj • 05:11 • -19.09db
17% Popularity • 23% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Mark Heard
Heart of Hearts
105 bpm • E Maj • 03:07 • -13.26db
10% Popularity • 54% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
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John Tesh
The Dream
92 bpm • C# Maj • 04:29 • -11.11db
8% Popularity • 56% Danceability • 44% Energy • 8% Liveness
93% Instrumentalness • 30% Positiveness
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Paul Clark
Holding On To You
105 bpm • G Maj • 02:31 • -12.13db
10% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Andrew White
Primavera
105 bpm • E Maj • 04:06 • -23.54db
23% Popularity • 33% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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Scott Cossu
Angel Steps
92 bpm • D# Maj • 02:52 • -13.69db
10% Popularity • 39% Danceability • 25% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
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Jeff Johnson
Waltzing by Moonlight
105 bpm • E min • 05:10 • -24.84db
7% Popularity • 46% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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Integrity Worship Musicians
God Shall Bless Us
105 bpm • D min • 04:51 • -14.79db
10% Popularity • 68% Danceability • 25% Energy • 20% Liveness
49% Instrumentalness • 18% Positiveness
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Ralf Illenberger
Sedona
91 bpm • A Maj • 03:02 • -15.01db
11% Popularity • 30% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Bob Bennett
Madness Dancing
105 bpm • A Maj • 03:20 • -11.23db
12% Popularity • 65% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Al Petteway
Blue Ridge Brambles
105 bpm • G Maj • 02:13 • -14.51db
14% Popularity • 52% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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Mike Pachelli
Water Day
91 bpm • B min • 03:58 • -13.83db
6% Popularity • 69% Danceability • 25% Energy • 11% Liveness
28% Instrumentalness • 48% Positiveness
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Paul Adams
At Prairie's Edge
105 bpm • F# Maj • 04:47 • -16.83db
21% Popularity • 47% Danceability • 18% Energy • 40% Liveness
2% Instrumentalness • 4% Positiveness
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Doyle Dykes
Classical Gas / 25 or 6 to 4
91 bpm • A min • 04:30 • -6.42db
13% Popularity • 44% Danceability • 59% Energy • 16% Liveness
88% Instrumentalness • 56% Positiveness
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Michael W. Smith
Free Man
106 bpm • C Maj • 03:56 • -13.18db
23% Popularity • 28% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Martin Simpson
Shallow Brown
91 bpm • D Maj • 03:01 • -18.81db
15% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Robin Bullock
Tiger Baby's Lullaby
91 bpm • C Maj • 04:37 • -22.09db
26% Popularity • 59% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Sweet Comfort Band
Then I Remember
106 bpm • B Maj • 04:36 • -9.19db
17% Popularity • 48% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Phil Keaggy
Cajon Pass
106 bpm • B Maj • 06:08 • -10.76db
12% Popularity • 44% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
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Matthew Ward
It's Alright
90 bpm • A Maj • 02:34 • -14.22db
21% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Kerry Livgren
Dust in the Wind
90 bpm • A min • 02:28 • -23.64db
9% Popularity • 26% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Al Petteway
The Pond At Woodburn Hill
107 bpm • A# Maj • 02:25 • -18.23db
10% Popularity • 38% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Lynn Patrick
Sweet Acceptance
90 bpm • E Maj • 03:40 • -14.3db
21% Popularity • 54% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 45% Positiveness
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Jeff Johnson
Floating in This Confluence
90 bpm • D Maj • 07:03 • -15.2db
23% Popularity • 53% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Billy McLaughlin
The Pond
107 bpm • A min • 05:03 • -24.8db
11% Popularity • 49% Danceability • 3% Energy • 12% Liveness
50% Instrumentalness • 11% Positiveness
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Tim Weisberg
Angelic Smile
107 bpm • G Maj • 01:16 • -19.59db
20% Popularity • 54% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 51% Positiveness
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Phil Keaggy
When Night Falls
107 bpm • A# min • 03:56 • -29.53db
22% Popularity • 47% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Robert Linton
Autumn Moon
107 bpm • E min • 04:26 • -19.39db
9% Popularity • 50% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
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Isato Nakagawa
Night Song
107 bpm • F# Maj • 04:31 • -22db
16% Popularity • 51% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Artie Traum
The Blue Hotel
107 bpm • E Maj • 04:29 • -20.33db
13% Popularity • 32% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
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Wes King
Who But God
107 bpm • F Maj • 03:22 • -15db
11% Popularity • 70% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Life Is Good