Songs like Life on a Wire - Acoustic Version by Jason Walker
Based on a tempo of (+/- 10%) and a similar genre
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Rachel Taylor
Light A Fire
99 bpm • A min • 04:01 • -9db
32% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Athelo
Flicker
100 bpm • C Maj • 02:56 • -7.16db
1% Popularity • 75% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 75% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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James Blunt
The Only One
98 bpm • E min • 03:41 • -6.26db
36% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Katy McAllister
Because Of You
98 bpm • B Maj • 05:03 • -6.65db
9% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Jason Walker
Life on a Wire - Acoustic Version
99 bpm • E Maj • 03:45 • -11.8db
5% Popularity • 62% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 62% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Swift
loml
98 bpm • C Maj • 04:37 • -12.55db
82% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
82% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Script
If You Could See Me Now
100 bpm • C Maj • 03:39 • -6.86db
61% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Cary Brothers
Free Like You Make Me
101 bpm • G Maj • 05:43 • -11.16db
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
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Glenn Morrison
Different Languages
97 bpm • F min • 03:20 • -6.92db
3% Popularity • 64% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 64% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Katy McAllister
Amazing For A Minute
101 bpm • G# Maj • 03:46 • -6.83db
17% Popularity • 59% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 59% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Walker
After Midnight
97 bpm • C Maj • 03:51 • -5.15db
7% Popularity • 57% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 57% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Matthew Mayfield
Take What I Can Get
97 bpm • E Maj • 04:28 • -10.89db
29% Popularity • 33% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 33% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Madeline Juno
The Unknown
97 bpm • D# min • 03:04 • -7.96db
18% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Maroon 5
My Heart Is Open
102 bpm • C# Maj • 03:56 • -8db
46% Popularity • 41% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 41% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Birdy
Without a Word
96 bpm • G Maj • 04:46 • -8.9db
40% Popularity • 32% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 32% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Katy McAllister
Wanna Believe
97 bpm • D Maj • 03:20 • -5db
13% Popularity • 62% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Trading Yesterday
Beautiful
96 bpm • F Maj • 04:01 • -10.32db
17% Popularity • 49% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 49% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Swedish House Mafia
Don't You Worry Child - Acoustic Version
102 bpm • B min • 04:17 • -8db
54% Popularity • 55% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 55% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Cary Brothers
Run Away
96 bpm • F Maj • 04:29 • -8.26db
27% Popularity • 49% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
27% Popularity • 49% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
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Jamestown Story
I'll See You Someday
102 bpm • G# Maj • 05:06 • -10.52db
10% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Daughtry
Gone Too Soon
96 bpm • D# Maj • 03:36 • -6.89db
49% Popularity • 52% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 52% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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David Cook
Permanent
96 bpm • F Maj • 02:56 • -7db
36% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jamie Scott
Unbreakable
103 bpm • G Maj • 04:25 • -10db
45% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Halsey
Colors - Stripped
103 bpm • C# Maj • 04:26 • -8.94db
48% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Tanner Townsend
Gone Gone Gone
103 bpm • D Maj • 03:54 • -16db
27% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Cary Brothers
Alien
95 bpm • C min • 04:42 • -8.45db
31% Popularity • 54% Danceability • 62% Energy • 31% Liveness
11% Instrumentalness • 22% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 31% Liveness
11% Instrumentalness • 22% Positiveness
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Jason Walker
One Step Closer
95 bpm • C# Maj • 04:01 • -8.11db
7% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Katy McAllister
Worth Fighting For
95 bpm • D Maj • 04:31 • -5db
15% Popularity • 65% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
15% Popularity • 65% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
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Matt Nathanson
Wedding Dress
103 bpm • C# Maj • 03:54 • -5.75db
37% Popularity • 52% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 52% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Selena Gomez
Kill Em With Kindness - Acoustic
95 bpm • B Maj • 03:32 • -14.91db
50% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Demi Lovato
Skyscraper
104 bpm • G Maj • 03:41 • -3.33db
65% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Fray
Changing Tides
104 bpm • C Maj • 03:29 • -4.85db
31% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Natalie Taylor
Latch
104 bpm • G# Maj • 02:57 • -8db
43% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Trading Yesterday
Love Song Requiem
104 bpm • F Maj • 04:33 • -9.85db
31% Popularity • 54% Danceability • 58% Energy • 29% Liveness
3% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 58% Energy • 29% Liveness
3% Instrumentalness • 26% Positiveness
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Sleeperstar
Wherever You Go
104 bpm • C Maj • 04:51 • -4.43db
19% Popularity • 45% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 45% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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You Me At Six
Take on the World
104 bpm • D Maj • 04:31 • -6.46db
63% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
63% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jason Walker
Life on a Wire
104 bpm • E Maj • 03:13 • -8db
13% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Maggie Eckford
Everything Is Lost
104 bpm • D Maj • 03:28 • -7.57db
35% Popularity • 39% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 39% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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Tommee Profitt
Hurricane
94 bpm • C Maj • 05:19 • -12.73db
46% Popularity • 52% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 52% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
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Trading Yesterday
My Last Goodbye
94 bpm • D# Maj • 04:16 • -6db
28% Popularity • 48% Danceability • 72% Energy • 12% Liveness
13% Instrumentalness • 41% Positiveness
28% Popularity • 48% Danceability • 72% Energy • 12% Liveness
13% Instrumentalness • 41% Positiveness
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The Afters
Ocean Wide
94 bpm • C# Maj • 04:24 • -7db
35% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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The Script
Army of Angels
94 bpm • C Maj • 03:58 • -6.6db
38% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Walker
Fun While It Lasted
94 bpm • C# Maj • 03:48 • -7db
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Mindy Smith
Anymore of This
94 bpm • A Maj • 04:02 • -10db
33% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
33% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Lily Kershaw
As It Seems
93 bpm • C Maj • 03:03 • -10.93db
45% Popularity • 48% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 48% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Trading Yesterday
Under My Skin
94 bpm • C Maj • 03:51 • -5.71db
24% Popularity • 44% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 44% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Ripp
When You Fall in Love
105 bpm • C# Maj • 03:41 • -6.95db
34% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Christina Novelli
Concrete Angel (acoustic)
105 bpm • D Maj • 04:25 • -6.9db
37% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Rixton
Hotel Ceiling
105 bpm • A# Maj • 03:10 • -7.76db
51% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Gavin DeGraw
You Got Me
106 bpm • F# Maj • 03:47 • -8.9db
40% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Walker
Everybody Lies
93 bpm • F# min • 03:50 • -6db
32% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Trading Yesterday
One Day
94 bpm • D# Maj • 04:24 • -6.64db
31% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Hurts
Somebody to Die For
92 bpm • B Maj • 04:35 • -7.74db
46% Popularity • 43% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 43% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
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Arrows to Athens
Dust and Gold
92 bpm • D# Maj • 04:01 • -5.65db
39% Popularity • 40% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Rixton
Appreciated
106 bpm • C# Maj • 03:52 • -6.39db
44% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Katy McAllister
Seriously
92 bpm • D Maj • 03:53 • -10db
15% Popularity • 64% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 64% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Walker
Once In a Lifetime
106 bpm • B Maj • 02:56 • -4db
7% Popularity • 74% Danceability • 69% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 74% Danceability • 69% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Trading Yesterday
For You Only
106 bpm • D min • 05:36 • -9db
25% Popularity • 45% Danceability • 42% Energy • 18% Liveness
13% Instrumentalness • 6% Positiveness
25% Popularity • 45% Danceability • 42% Energy • 18% Liveness
13% Instrumentalness • 6% Positiveness
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Jamestown Story
Goodbye I'm Sorry
107 bpm • A# Maj • 04:23 • -9.21db
33% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Stanfour
Life Without You - Basic Album Version
92 bpm • B Maj • 03:53 • -8.44db
24% Popularity • 46% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 46% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jamie McDell
Moon Shines Red
107 bpm • B min • 04:11 • -10db
28% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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The Fray
Be Still
108 bpm • G Maj • 02:48 • -12.07db
53% Popularity • 36% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 36% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Sleeperstar
I Was Wrong
108 bpm • F Maj • 02:32 • -10db
45% Popularity • 44% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 44% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Trading Yesterday
Revolution
108 bpm • D# Maj • 04:18 • -5db
27% Popularity • 45% Danceability • 74% Energy • 14% Liveness
40% Instrumentalness • 21% Positiveness
27% Popularity • 45% Danceability • 74% Energy • 14% Liveness
40% Instrumentalness • 21% Positiveness
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Alessia Cara
River Of Tears
90 bpm • F# Maj • 04:14 • -5.72db
59% Popularity • 39% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 39% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Red
Hymn For The Missing
90 bpm • A# min • 05:37 • -14.19db
45% Popularity • 15% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
45% Popularity • 15% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Griffin Peterson
Ugly Love
90 bpm • D# Maj • 04:13 • -7.15db
36% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kaleb Jones
Till the World Stops Turning - Acoustic
109 bpm • E Maj • 03:30 • -7db
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Wakey!Wakey!
Light Outside
90 bpm • C Maj • 02:44 • -4.36db
39% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Katy McAllister
Phil
109 bpm • G Maj • 04:25 • -5.82db
15% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lia Marie Johnson
DNA
90 bpm • C# Maj • 03:37 • -7.56db
54% Popularity • 54% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 54% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Phillip Phillips
So Easy
90 bpm • G Maj • 03:40 • -8db
45% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jamestown Story
Don't Say Goodbye
90 bpm • A Maj • 04:17 • -5.39db
22% Popularity • 34% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 34% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Trading Yesterday
Come Back to Me
90 bpm • G# Maj • 03:37 • -8.58db
22% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jason Reeves
Save My Heart
109 bpm • B Maj • 03:44 • -5db
34% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Isak Danielson
Falling into You
109 bpm • D Maj • 03:55 • -7db
31% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Ed Sheeran
Happier
90 bpm • C Maj • 03:27 • -7.36db
77% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
77% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Nathan Wagner
Love
109 bpm • G Maj • 04:36 • -12.71db
31% Popularity • 26% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 26% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Adam Lambert
Better Than I Know Myself
109 bpm • A# Maj • 03:36 • -5db
46% Popularity • 48% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 48% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan Star
Last Train Home
110 bpm • C# Maj • 04:14 • -5.53db
30% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jaymes Young
I'll Be Good
89 bpm • G Maj • 04:07 • -10.76db
62% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
62% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jacob Lee
Heartstrings
110 bpm • G min • 03:42 • -8db
36% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Natalie Taylor
Love Life
110 bpm • A# Maj • 03:06 • -4.67db
31% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tedy
Can I
89 bpm • A# min • 03:07 • -7db
41% Popularity • 34% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 34% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Sheeran
Autumn Leaves - Deluxe Edition
89 bpm • A# Maj • 03:20 • -12.64db
53% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Trading Yesterday
Desert Lands
111 bpm • G# Maj • 04:25 • -9.11db
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 15% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 15% Positiveness
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Jaymes Young
Stone
110 bpm • G Maj • 03:36 • -12.15db
48% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jacob Lee
Secrets
88 bpm • A Maj • 03:52 • -6db
35% Popularity • 33% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 33% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ingrid Michaelson
Turn To Stone
111 bpm • C Maj • 04:36 • -9.78db
44% Popularity • 35% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 35% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Charlene Soraia
Wherever You Will Go
111 bpm • A Maj • 03:17 • -9.22db
57% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Walker
Rockets
88 bpm • C min • 03:09 • -4.58db
6% Popularity • 54% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
6% Popularity • 54% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Tommee Profitt
Wake Me Up
88 bpm • A# Maj • 05:12 • -11.03db
46% Popularity • 31% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 31% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Emily Hearn
Volcano
112 bpm • F Maj • 02:54 • -5db
34% Popularity • 48% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 48% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Maroon 5
Sad
112 bpm • G Maj • 03:13 • -9.19db
46% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Alex & Sierra
You're The One That I Want
87 bpm • F min • 03:09 • -7.6db
41% Popularity • 36% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 36% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Sleeperstar
Details
112 bpm • A Maj • 03:37 • -7.49db
24% Popularity • 50% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 50% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Walker
Hopeful Heart
88 bpm • F Maj • 03:29 • -4db
10% Popularity • 32% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 32% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
