Songs like Life On Earth by Snow Patrol
Based on a tempo of (+/- 10%) and a similar genre
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Snow Patrol
Life On Earth
144 bpm • C# min • 05:22 • -9.02db
44% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Adams
Shiver And Shake
144 bpm • A Maj • 03:05 • -14.78db
43% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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BANNERS
Start A Riot
144 bpm • A# min • 03:35 • -4.01db
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Keane
The Way I Feel
144 bpm • C Maj • 04:06 • -6.92db
49% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Great Escape
All You Got Is Gold
144 bpm • G Maj • 04:41 • -9db
32% Popularity • 53% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 53% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Blaudzun
islands_
144 bpm • D# Maj • 03:58 • -9db
28% Popularity • 53% Danceability • 65% Energy • 12% Liveness
5% Instrumentalness • 45% Positiveness
28% Popularity • 53% Danceability • 65% Energy • 12% Liveness
5% Instrumentalness • 45% Positiveness
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Eddie Vedder
Hard Sun
143 bpm • G# Maj • 05:22 • -6.53db
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Radical Face
The Road to Nowhere
144 bpm • B Maj • 04:46 • -11.04db
34% Popularity • 32% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 53% Positiveness
34% Popularity • 32% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 53% Positiveness
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Future Islands
Ran
145 bpm • G min • 03:25 • -9.12db
52% Popularity • 46% Danceability • 63% Energy • 7% Liveness
6% Instrumentalness • 39% Positiveness
52% Popularity • 46% Danceability • 63% Energy • 7% Liveness
6% Instrumentalness • 39% Positiveness
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Keane
A Bad Dream
145 bpm • C# Maj • 05:04 • -4.92db
55% Popularity • 41% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 41% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Bear's Den
Emeralds
143 bpm • G# Maj • 04:30 • -7.43db
36% Popularity • 56% Danceability • 81% Energy • 18% Liveness
4% Instrumentalness • 62% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 18% Liveness
4% Instrumentalness • 62% Positiveness
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Liam Gallagher
For What It's Worth
146 bpm • C Maj • 04:11 • -4.45db
55% Popularity • 49% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 49% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Elbow
Fugitive Motel
142 bpm • E min • 05:07 • -6.84db
15% Popularity • 50% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 50% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Stereophonics
Fly Like an Eagle
146 bpm • C Maj • 04:32 • -8.03db
41% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Keane
Tear Up This Town - Orchestral Version /...
142 bpm • G# Maj • 03:07 • -8.96db
52% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Bear's Den
Dew On The Vine
146 bpm • E Maj • 05:02 • -6.78db
38% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
38% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
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James Vincent McMorrow
Rising Water
146 bpm • A# Maj • 04:56 • -10.54db
27% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
27% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
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Ben Howard
A Boat To An Island On The Wall
146 bpm • F Maj • 07:10 • -9.06db
37% Popularity • 49% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
37% Popularity • 49% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
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Damien Rice
I Don't Want to Change You
142 bpm • E min • 05:26 • -9.7db
46% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Patrick Watson
Broken
147 bpm • G Maj • 04:37 • -13.85db
38% Popularity • 38% Danceability • 14% Energy • 6% Liveness
3% Instrumentalness • 20% Positiveness
38% Popularity • 38% Danceability • 14% Energy • 6% Liveness
3% Instrumentalness • 20% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Glen Hansard
Bird Of Sorrow
147 bpm • C# min • 05:50 • -11.31db
9% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Bear's Den
When You Break
141 bpm • F min • 04:45 • -10.95db
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Bugg
Waiting
147 bpm • A min • 03:11 • -5.61db
48% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Snow Patrol
What If This Is All The Love You Ever Ge...
148 bpm • C Maj • 03:49 • -10.13db
45% Popularity • 70% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 70% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Damien Rice
Cannonball
148 bpm • C# Maj • 05:10 • -15.32db
58% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Rhye
Sinful
148 bpm • D min • 04:03 • -11db
32% Popularity • 56% Danceability • 48% Energy • 7% Liveness
16% Instrumentalness • 36% Positiveness
32% Popularity • 56% Danceability • 48% Energy • 7% Liveness
16% Instrumentalness • 36% Positiveness
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Ben Howard
Nica Libres At Dusk
148 bpm • A Maj • 06:34 • -12.79db
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
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Keegan DeWitt
Hearts Beat Loud
140 bpm • C Maj • 03:18 • -9.75db
28% Popularity • 59% Danceability • 65% Energy • 12% Liveness
22% Instrumentalness • 13% Positiveness
28% Popularity • 59% Danceability • 65% Energy • 12% Liveness
22% Instrumentalness • 13% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Snow Patrol
What If This Is All The Love You Ever Ge...
148 bpm • F Maj • 03:14 • -6.88db
24% Popularity • 48% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 48% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Thirty Seconds To Mars
Walk On Water - Acoustic
140 bpm • G Maj • 03:08 • -6.66db
44% Popularity • 52% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 52% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Chaplin
Quicksand
140 bpm • F Maj • 04:03 • -4.23db
39% Popularity • 45% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 45% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Bastille
World Gone Mad
140 bpm • F# min • 03:15 • -3.42db
52% Popularity • 50% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 50% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Greg Laswell
Your Ghost
140 bpm • G Maj • 03:41 • -10db
37% Popularity • 39% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 39% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Paolo Nutini
Iron Sky
140 bpm • C# min • 06:13 • -7.13db
63% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Snow Patrol
What If This Is All The Love You Ever Ge...
148 bpm • C Maj • 04:16 • -7.59db
26% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Thirty Seconds To Mars
Great Wide Open
140 bpm • C Maj • 04:49 • -7.71db
40% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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White Lies
Finish Line
149 bpm • E Maj • 04:45 • -6db
29% Popularity • 42% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 42% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Gold Brother
Back from the Fire
139 bpm • C Maj • 03:05 • -6db
41% Popularity • 40% Danceability • 44% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
41% Popularity • 40% Danceability • 44% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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James
Tomorrow
149 bpm • C Maj • 03:42 • -6.32db
43% Popularity • 30% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
43% Popularity • 30% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
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Snow Patrol
Reaching Out To You
140 bpm • E Maj • 03:30 • -8db
32% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Glen Hansard
Time Will Be The Healer
139 bpm • B min • 04:26 • -9db
34% Popularity • 42% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 42% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ed Harcourt
Furnaces
150 bpm • C min • 03:53 • -5.46db
36% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bear's Den
Agape
150 bpm • E Maj • 04:17 • -8.01db
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Manchester Orchestra
I Know How To Speak
150 bpm • B Maj • 06:00 • -8.64db
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
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Fink
Pilgrim
150 bpm • F# min • 07:02 • -10.77db
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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Snow Patrol
In The End
139 bpm • C Maj • 03:59 • -5.18db
37% Popularity • 43% Danceability • 82% Energy • 51% Liveness
2% Instrumentalness • 22% Positiveness
37% Popularity • 43% Danceability • 82% Energy • 51% Liveness
2% Instrumentalness • 22% Positiveness
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The War On Drugs
Holding On
150 bpm • F# Maj • 05:50 • -5.03db
53% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
53% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
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Death Cab for Cutie
Near/Far
138 bpm • F# Maj • 03:41 • -6.11db
37% Popularity • 58% Danceability • 95% Energy • 14% Liveness
17% Instrumentalness • 87% Positiveness
37% Popularity • 58% Danceability • 95% Energy • 14% Liveness
17% Instrumentalness • 87% Positiveness
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Bear's Den
Elysium
138 bpm • G Maj • 03:26 • -10db
18% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
18% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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U2
The Little Things That Give You Away
138 bpm • C# Maj • 04:55 • -10.69db
38% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Starsailor
Good Souls
150 bpm • D Maj • 04:53 • -8.21db
42% Popularity • 34% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 34% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Snow Patrol
New York
138 bpm • F Maj • 04:00 • -6.74db
48% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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St. Vincent
New York
138 bpm • A# Maj • 02:34 • -11.65db
51% Popularity • 37% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 37% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Death Cab for Cutie
Northern Lights
138 bpm • E min • 03:56 • -3.81db
47% Popularity • 51% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 51% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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isaac gracie
terrified
151 bpm • F min • 04:34 • -8.4db
34% Popularity • 39% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
34% Popularity • 39% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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The War On Drugs
In Chains
138 bpm • B Maj • 07:20 • -4.82db
47% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
47% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
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Kings of Leon
Use Somebody
137 bpm • C Maj • 03:50 • -5.36db
79% Popularity • 28% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 28% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Augustines
Walkabout
137 bpm • C Maj • 05:00 • -9.05db
34% Popularity • 22% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
34% Popularity • 22% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Perfume Genius
Slip Away
137 bpm • C# Maj • 02:45 • -6.82db
50% Popularity • 60% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 60% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Elenowen
Place from Where I Fell
152 bpm • B min • 04:25 • -12db
19% Popularity • 41% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 41% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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James Bay
Pink Lemonade
152 bpm • C# min • 04:12 • -2.55db
49% Popularity • 48% Danceability • 92% Energy • 75% Liveness
2% Instrumentalness • 70% Positiveness
49% Popularity • 48% Danceability • 92% Energy • 75% Liveness
2% Instrumentalness • 70% Positiveness
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U2
Beautiful Day
136 bpm • B min • 04:08 • -6.49db
75% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
75% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew Perryman Jones
Land of the Living
136 bpm • D Maj • 06:04 • -7.84db
26% Popularity • 39% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 21% Positiveness
26% Popularity • 39% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 21% Positiveness
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The Decemberists
Severed
136 bpm • E min • 04:03 • -7.04db
46% Popularity • 60% Danceability • 79% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
46% Popularity • 60% Danceability • 79% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Frank Turner
Be More Kind
136 bpm • B Maj • 04:06 • -10.87db
44% Popularity • 55% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 55% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Kings of Leon
Waste A Moment
153 bpm • D Maj • 03:03 • -4.86db
69% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
69% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
52% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
52% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Of Monsters and Men
Wolves Without Teeth
136 bpm • B min • 03:52 • -6.17db
54% Popularity • 36% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 36% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Snow Patrol
Somewhere A Clock Is Ticking
135 bpm • A# Maj • 04:31 • -6.84db
39% Popularity • 53% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
39% Popularity • 53% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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VVE
All That Remains
135 bpm • G# Maj • 03:20 • -7.79db
28% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Nothing But Thieves
Particles
154 bpm • B min • 03:55 • -5.15db
57% Popularity • 52% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 52% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew And The Atlas
On A Midnight Street
154 bpm • D Maj • 03:36 • -6.36db
26% Popularity • 60% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
26% Popularity • 60% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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George Glew
Home Love
154 bpm • B min • 03:28 • -8db
21% Popularity • 36% Danceability • 83% Energy • 16% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 36% Danceability • 83% Energy • 16% Liveness
1% Instrumentalness • 11% Positiveness
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Athlete
Wires
135 bpm • D# min • 04:20 • -7db
49% Popularity • 50% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 50% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Snow Patrol
Life And Death
154 bpm • G# Maj • 05:35 • -6.62db
27% Popularity • 41% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 24% Positiveness
27% Popularity • 41% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 24% Positiveness
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isaac gracie
running on empty
134 bpm • F Maj • 03:06 • -5.13db
30% Popularity • 49% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 49% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Biffy Clyro
Re-arrange
134 bpm • E Maj • 03:37 • -8.57db
48% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Death Cab for Cutie
To the Ground
134 bpm • G# Maj • 05:15 • -4db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
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Dido
Give You Up
134 bpm • F Maj • 03:21 • -6.76db
47% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Pete Yorn
Bad Dreams
134 bpm • B min • 03:24 • -4.99db
30% Popularity • 59% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 59% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Snow Patrol
Life On Earth - Alternate Version
134 bpm • C# min • 04:41 • -6.96db
27% Popularity • 44% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 44% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Stereophonics
Mr. Writer
133 bpm • F min • 05:19 • -3.5db
49% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Maccabees
Grew Up At Midnight
155 bpm • C Maj • 04:00 • -10db
34% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Glen Hansard
Wheels on Fire
133 bpm • B min • 04:02 • -5.32db
18% Popularity • 52% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 63% Positiveness
18% Popularity • 52% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 63% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Jesse Marchant
Frame for One
156 bpm • G# Maj • 05:23 • -8.09db
26% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
26% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Darlingside
Hold Your Head Up High
132 bpm • A Maj • 03:37 • -11.31db
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Of Monsters and Men
Crystals
132 bpm • C Maj • 04:03 • -7.21db
62% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
