Songs like Life Round Here by James Blake
Based on a tempo of (+/- 10%) and a similar genre
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Cashmere Cat
Rice Rain
145 bpm • C min • 04:25 • -7db
23% Popularity • 71% Danceability • 63% Energy • 10% Liveness
38% Instrumentalness • 51% Positiveness
23% Popularity • 71% Danceability • 63% Energy • 10% Liveness
38% Instrumentalness • 51% Positiveness
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James Blake
Life Round Here
145 bpm • A# min • 03:37 • -9.48db
48% Popularity • 60% Danceability • 66% Energy • 11% Liveness
33% Instrumentalness • 26% Positiveness
48% Popularity • 60% Danceability • 66% Energy • 11% Liveness
33% Instrumentalness • 26% Positiveness
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Jonwayne
The Come Up pt. 2
145 bpm • C# Maj • 02:22 • -8.88db
25% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Joey Bada$$
Enter The Void
144 bpm • D Maj • 03:04 • -14.07db
29% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Falcons
Aquafina
144 bpm • A# min • 03:41 • -6.25db
29% Popularity • 71% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 71% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Teams vs. Star Slinger
Punch Drunk Love
144 bpm • A Maj • 03:32 • -4db
10% Popularity • 58% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 58% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Toro y Moi
So Many Details
144 bpm • F min • 04:45 • -10.34db
48% Popularity • 64% Danceability • 66% Energy • 13% Liveness
7% Instrumentalness • 22% Positiveness
48% Popularity • 64% Danceability • 66% Energy • 13% Liveness
7% Instrumentalness • 22% Positiveness
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James Blake
Life Round Here
145 bpm • A# min • 03:08 • -6.24db
40% Popularity • 43% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 27% Positiveness
40% Popularity • 43% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 27% Positiveness
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Keeper
Happy to Be Sad
144 bpm • F min • 04:36 • -5db
14% Popularity • 75% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
14% Popularity • 75% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
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Isaiah Rashad
4r Da Squaw
144 bpm • A# min • 03:52 • -9.48db
61% Popularity • 67% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 67% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Kendrick Lamar
P&P 1.5
146 bpm • F# min • 06:01 • -7.44db
51% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The O'My's
Waking Up
144 bpm • D min • 02:28 • -7.83db
12% Popularity • 76% Danceability • 37% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
12% Popularity • 76% Danceability • 37% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
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Ivy Sole
All Mine
147 bpm • D Maj • 03:45 • -6.7db
29% Popularity • 60% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 60% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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James Blake
To Care (Like You)
146 bpm • C# Maj • 03:52 • -16.4db
28% Popularity • 60% Danceability • 29% Energy • 27% Liveness
30% Instrumentalness • 4% Positiveness
28% Popularity • 60% Danceability • 29% Energy • 27% Liveness
30% Instrumentalness • 4% Positiveness
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OverDoz.
Lauren London
147 bpm • F# Maj • 04:21 • -3.66db
19% Popularity • 58% Danceability • 91% Energy • 31% Liveness
1% Instrumentalness • 80% Positiveness
19% Popularity • 58% Danceability • 91% Energy • 31% Liveness
1% Instrumentalness • 80% Positiveness
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EARTHGANG
Meditate
148 bpm • A# min • 04:38 • -8.3db
52% Popularity • 74% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 74% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Dessa
Fighting Fish - The Hood Internet Remix
148 bpm • A Maj • 04:28 • -6.49db
13% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Run The Jewels
Down
147 bpm • A# Maj • 03:29 • -8.12db
46% Popularity • 60% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 60% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Giraffage
Undress U
142 bpm • B Maj • 04:45 • -18.04db
19% Popularity • 71% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 71% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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James Blake
Can't Believe The Way We Flow
144 bpm • G# Maj • 04:27 • -10.31db
41% Popularity • 26% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 26% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
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Chance the Rapper
D.R.A.M. Sings Special
148 bpm • D# Maj • 01:41 • -12.84db
44% Popularity • 40% Danceability • 21% Energy • 14% Liveness
8% Instrumentalness • 21% Positiveness
44% Popularity • 40% Danceability • 21% Energy • 14% Liveness
8% Instrumentalness • 21% Positiveness
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GoldLink
Herside Story
148 bpm • G Maj • 03:03 • -5.49db
57% Popularity • 88% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
57% Popularity • 88% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Ryan Hemsworth
Against A Wall
142 bpm • D Maj • 04:33 • -3.54db
9% Popularity • 64% Danceability • 76% Energy • 50% Liveness
5% Instrumentalness • 32% Positiveness
9% Popularity • 64% Danceability • 76% Energy • 50% Liveness
5% Instrumentalness • 32% Positiveness
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Shirt
Phantom (Redux)
142 bpm • G Maj • 02:34 • -9db
42% Popularity • 83% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 83% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Fat Tony
BKNY
142 bpm • A Maj • 04:21 • -3.81db
30% Popularity • 41% Danceability • 84% Energy • 25% Liveness
17% Instrumentalness • 46% Positiveness
30% Popularity • 41% Danceability • 84% Energy • 25% Liveness
17% Instrumentalness • 46% Positiveness
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![II. Zealots of Stockholm [Free Information] cover art](https://i.scdn.co/image/ab67616d00001e0226d64b6150aa3d9b6b67d857)
Childish Gambino
II. Zealots of Stockholm [Free Informati...
148 bpm • C# Maj • 04:50 • -11.77db
49% Popularity • 30% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 30% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
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Giraffage
Close 2 Me
142 bpm • F Maj • 04:05 • -14.33db
20% Popularity • 74% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
20% Popularity • 74% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Drake
Too Much
140 bpm • F# Maj • 04:21 • -5.88db
59% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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James Blake
You're Too Precious
150 bpm • C# Maj • 03:43 • -9.46db
49% Popularity • 68% Danceability • 48% Energy • 10% Liveness
37% Instrumentalness • 30% Positiveness
49% Popularity • 68% Danceability • 48% Energy • 10% Liveness
37% Instrumentalness • 30% Positiveness
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Nico Segal
SmthnthtIwnt
141 bpm • G# Maj • 01:51 • -12.25db
29% Popularity • 53% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 53% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Big Grams
Fell In the Sun
150 bpm • A min • 03:47 • -5db
37% Popularity • 68% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
37% Popularity • 68% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
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Childish Gambino
California
149 bpm • D# Maj • 02:45 • -11.01db
52% Popularity • 88% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 88% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Cashmere Cat
Wedding Bells
150 bpm • D min • 05:02 • -6.17db
22% Popularity • 55% Danceability • 74% Energy • 6% Liveness
7% Instrumentalness • 19% Positiveness
22% Popularity • 55% Danceability • 74% Energy • 6% Liveness
7% Instrumentalness • 19% Positiveness
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Fyfe
For You
140 bpm • B min • 03:45 • -5.22db
23% Popularity • 57% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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James Blake
We Might Feel Unsound
150 bpm • A# min • 04:00 • -11.4db
22% Popularity • 43% Danceability • 56% Energy • 12% Liveness
31% Instrumentalness • 9% Positiveness
22% Popularity • 43% Danceability • 56% Energy • 12% Liveness
31% Instrumentalness • 9% Positiveness
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Nico Segal
Just Wait
140 bpm • G Maj • 03:47 • -11.86db
25% Popularity • 60% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
25% Popularity • 60% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Danny Brown
Dip
140 bpm • C# Maj • 03:31 • -5.61db
38% Popularity • 75% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 75% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Tame Impala
Backwards
150 bpm • G Maj • 03:54 • -4db
36% Popularity • 53% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 53% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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BenZel
Four
140 bpm • G# min • 03:36 • -7.12db
14% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Chet Faker
Talk Is Cheap
140 bpm • C min • 03:38 • -7.89db
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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James Blake
I Am Sold
140 bpm • B min • 04:04 • -9.59db
39% Popularity • 54% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
39% Popularity • 54% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Portugal. The Man
Evil Friends - Jake One Remix
140 bpm • C min • 03:52 • -6.64db
31% Popularity • 79% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Oddisee
First Choice
140 bpm • B min • 03:47 • -5db
24% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kilo Kish
Locket - RRReymundo Remix
140 bpm • A min • 04:34 • -8.73db
14% Popularity • 79% Danceability • 53% Energy • 44% Liveness
68% Instrumentalness • 40% Positiveness
14% Popularity • 79% Danceability • 53% Energy • 44% Liveness
68% Instrumentalness • 40% Positiveness
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Nico Segal
Pass the Vibes
140 bpm • G Maj • 02:30 • -9.74db
37% Popularity • 80% Danceability • 45% Energy • 9% Liveness
54% Instrumentalness • 30% Positiveness
37% Popularity • 80% Danceability • 45% Energy • 9% Liveness
54% Instrumentalness • 30% Positiveness
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A.CHAL
Round Whippin'
140 bpm • B min • 03:29 • -4db
39% Popularity • 62% Danceability • 77% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 77% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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James Blake
To The Last
140 bpm • B min • 04:19 • -12db
36% Popularity • 54% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
36% Popularity • 54% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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Kid Cudi
Just What I Am
140 bpm • C# Maj • 03:48 • -3.16db
66% Popularity • 65% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 65% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Chet Faker
Gold (Flume Re-work)
140 bpm • C# Maj • 04:27 • -6.9db
28% Popularity • 33% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 33% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Short Stories
On the Way
140 bpm • G min • 05:02 • -12.31db
9% Popularity • 81% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 36% Positiveness
9% Popularity • 81% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 36% Positiveness
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BROCKHAMPTON
TOKYO
140 bpm • D Maj • 03:12 • -5.78db
50% Popularity • 63% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 63% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 54% Positiveness
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The Hics
All We'll Know
140 bpm • F# min • 05:06 • -9db
22% Popularity • 55% Danceability • 68% Energy • 26% Liveness
11% Instrumentalness • 21% Positiveness
22% Popularity • 55% Danceability • 68% Energy • 26% Liveness
11% Instrumentalness • 21% Positiveness
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James Blake
Unluck
140 bpm • D# Maj • 03:00 • -11db
33% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Kid Cudi
King Wizard
140 bpm • G# Maj • 04:16 • -7.5db
48% Popularity • 72% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
48% Popularity • 72% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Kilo Kish
Locket
140 bpm • A min • 03:01 • -8db
27% Popularity • 55% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
27% Popularity • 55% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
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J. Cole
H.Y.B.
140 bpm • C# min • 03:54 • -7.4db
76% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
76% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ab-Soul
The Law
140 bpm • C# min • 05:29 • -7.3db
50% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Childish Gambino
II. Earth: The Oldest Computer (The Last...
140 bpm • D Maj • 04:42 • -7db
51% Popularity • 51% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 51% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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James Blake
Curbside
140 bpm • B min • 04:18 • -4.6db
10% Popularity • 79% Danceability • 96% Energy • 16% Liveness
24% Instrumentalness • 53% Positiveness
10% Popularity • 79% Danceability • 96% Energy • 16% Liveness
24% Instrumentalness • 53% Positiveness
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Kid Cudi
Rose Golden
140 bpm • A min • 04:37 • -7.95db
56% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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STS
420
150 bpm • G# Maj • 04:38 • -4.65db
15% Popularity • 62% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
15% Popularity • 62% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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ProbCause
Lsd
140 bpm • A min • 04:23 • -4.72db
19% Popularity • 49% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 49% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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SBTRKT
Wildfire
140 bpm • C min • 03:21 • -7.19db
54% Popularity • 84% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 84% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cashmere Cat
Aurora
140 bpm • A# min • 03:33 • -6.67db
14% Popularity • 46% Danceability • 45% Energy • 29% Liveness
5% Instrumentalness • 33% Positiveness
14% Popularity • 46% Danceability • 45% Energy • 29% Liveness
5% Instrumentalness • 33% Positiveness
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James Blake
Postpone
140 bpm • G min • 03:40 • -12.57db
18% Popularity • 63% Danceability • 29% Energy • 12% Liveness
4% Instrumentalness • 18% Positiveness
18% Popularity • 63% Danceability • 29% Energy • 12% Liveness
4% Instrumentalness • 18% Positiveness
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Sampha
Timmy's Prayer
139 bpm • C# Maj • 04:23 • -9.65db
42% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ari Lennox
Backseat
139 bpm • A# min • 03:39 • -5.61db
44% Popularity • 72% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 72% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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AlunaGeorge
We Are Chosen
139 bpm • B min • 03:31 • -9.72db
13% Popularity • 58% Danceability • 54% Energy • 10% Liveness
3% Instrumentalness • 57% Positiveness
13% Popularity • 58% Danceability • 54% Energy • 10% Liveness
3% Instrumentalness • 57% Positiveness
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Little Simz
Mandarin Oranges Part 2
139 bpm • G Maj • 03:18 • -11.85db
16% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Mala
Changes - James Blake Harmonimix
139 bpm • G Maj • 05:24 • -7db
27% Popularity • 22% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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James Blake
Lock in the Lion
140 bpm • B Maj • 02:27 • -9.54db
13% Popularity • 88% Danceability • 28% Energy • 9% Liveness
73% Instrumentalness • 37% Positiveness
13% Popularity • 88% Danceability • 28% Energy • 9% Liveness
73% Instrumentalness • 37% Positiveness
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Odd Future
Rella
139 bpm • E min • 03:10 • -6db
43% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Santigold
Disparate Youth
152 bpm • C# Maj • 04:44 • -4.14db
61% Popularity • 64% Danceability • 93% Energy • 22% Liveness
82% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 93% Energy • 22% Liveness
82% Instrumentalness • 55% Positiveness
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Mac Miller
Matches
138 bpm • A# min • 02:58 • -6.24db
45% Popularity • 71% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 71% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Oddisee
Counter-Clockwise
138 bpm • C# min • 03:56 • -4db
22% Popularity • 69% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 69% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Octave Minds
Tap Dance
138 bpm • D# Maj • 03:49 • -5.67db
31% Popularity • 68% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
31% Popularity • 68% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
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James Blake
Timeless
140 bpm • B min • 04:22 • -11db
35% Popularity • 68% Danceability • 32% Energy • 12% Liveness
18% Instrumentalness • 49% Positiveness
35% Popularity • 68% Danceability • 32% Energy • 12% Liveness
18% Instrumentalness • 49% Positiveness
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Anna Wise
Precious Possession
138 bpm • A min • 03:46 • -9.53db
31% Popularity • 81% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 81% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Big Grams
Born to Shine
153 bpm • G min • 04:12 • -7db
32% Popularity • 36% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 36% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jay Rock
King's Dead
137 bpm • C# Maj • 03:49 • -5.01db
70% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
70% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Earl Sweatshirt
Chum
154 bpm • A# min • 04:03 • -8.76db
59% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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J. Cole
Pi
154 bpm • F Maj • 05:54 • -6.87db
73% Popularity • 51% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
73% Popularity • 51% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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James Blake
Love What Happened Here
140 bpm • D Maj • 05:34 • -6.41db
25% Popularity • 83% Danceability • 54% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
25% Popularity • 83% Danceability • 54% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Toro y Moi
Day One
154 bpm • F min • 04:17 • -9.78db
29% Popularity • 76% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
29% Popularity • 76% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
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Isaiah Rashad
Ronnie Drake
154 bpm • G# min • 03:18 • -4.88db
57% Popularity • 48% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 48% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Rome Fortune
Tropical
136 bpm • F min • 03:17 • -6.52db
19% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Earl Sweatshirt
Sunday
137 bpm • D Maj • 03:25 • -8.9db
61% Popularity • 72% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 72% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Duckwrth
Indica La Roux
155 bpm • C# min • 03:47 • -9db
18% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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James Blake
Limit To Your Love
140 bpm • A# min • 04:36 • -10.22db
52% Popularity • 78% Danceability • 28% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
52% Popularity • 78% Danceability • 28% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Ginger & The Ghost
One Type of Dark - Ta-ku Remix
135 bpm • A# Maj • 03:00 • -10db
28% Popularity • 88% Danceability • 47% Energy • 15% Liveness
23% Instrumentalness • 35% Positiveness
28% Popularity • 88% Danceability • 47% Energy • 15% Liveness
23% Instrumentalness • 35% Positiveness
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Ryan Hemsworth
Day / Night / Sleep System
135 bpm • E min • 05:51 • -5.88db
7% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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GoldLink
Dance On Me
135 bpm • C# Maj • 03:06 • -8.8db
33% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Raleigh Ritchie
The Chased
135 bpm • C Maj • 04:11 • -4.96db
23% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Cashmere Cat
Pearls
135 bpm • F min • 04:33 • -5.01db
18% Popularity • 80% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
18% Popularity • 80% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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James Blake
I Never Learnt To Share
140 bpm • D Maj • 04:51 • -11.38db
32% Popularity • 41% Danceability • 30% Energy • 19% Liveness
5% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 30% Energy • 19% Liveness
5% Instrumentalness • 14% Positiveness
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Kingdom
Bank Head
135 bpm • A Maj • 04:20 • -6.91db
16% Popularity • 71% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
16% Popularity • 71% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
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Bonzai
Where Are U Now
135 bpm • E min • 03:52 • -9.69db
23% Popularity • 52% Danceability • 53% Energy • 15% Liveness
64% Instrumentalness • 24% Positiveness
23% Popularity • 52% Danceability • 53% Energy • 15% Liveness
64% Instrumentalness • 24% Positiveness
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Sampha
Beneath the Tree
156 bpm • C# min • 04:00 • -14.79db
33% Popularity • 44% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 44% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
