Songs like Life's a Bitch (But I Like it So Much) by The Mysterines
Based on a tempo of (+/- 10%) and a similar genre
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The Ruby Tuesdays
She's Got You
162 bpm • E min • 03:03 • -4.89db
19% Popularity • 40% Danceability • 86% Energy • 51% Liveness
78% Instrumentalness • 43% Positiveness
19% Popularity • 40% Danceability • 86% Energy • 51% Liveness
78% Instrumentalness • 43% Positiveness
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The Mysterines
Life's a Bitch (But I Like it So Much)
162 bpm • D min • 02:50 • -4db
41% Popularity • 28% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 28% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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STONE
Radio Ready
162 bpm • A Maj • 01:56 • -4.9db
19% Popularity • 15% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 15% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Estrons
I'm Not Your Girl
162 bpm • E Maj • 02:49 • -4.68db
27% Popularity • 43% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 43% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Dead Freights
Sufferin' Safari
161 bpm • B min • 03:21 • -6.87db
15% Popularity • 66% Danceability • 74% Energy • 9% Liveness
60% Instrumentalness • 70% Positiveness
15% Popularity • 66% Danceability • 74% Energy • 9% Liveness
60% Instrumentalness • 70% Positiveness
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James and the Cold Gun
Long Way Home
160 bpm • E min • 03:39 • -3.68db
9% Popularity • 46% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 46% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Dead Pony
Sharp Tongues
160 bpm • C# Maj • 02:43 • -6.59db
27% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Mysterines
The Bad Thing
161 bpm • D Maj • 04:24 • -4.95db
24% Popularity • 21% Danceability • 89% Energy • 9% Liveness
15% Instrumentalness • 38% Positiveness
24% Popularity • 21% Danceability • 89% Energy • 9% Liveness
15% Instrumentalness • 38% Positiveness
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The Afghan Whigs
I'll Make You See God
164 bpm • E Maj • 04:52 • -1.63db
28% Popularity • 21% Danceability • 97% Energy • 28% Liveness
13% Instrumentalness • 22% Positiveness
28% Popularity • 21% Danceability • 97% Energy • 28% Liveness
13% Instrumentalness • 22% Positiveness
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STONE
Keep Running
162 bpm • B min • 03:54 • -4.14db
24% Popularity • 36% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 36% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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SNAYX
Buck
160 bpm • F# min • 03:59 • -6.94db
20% Popularity • 38% Danceability • 95% Energy • 33% Liveness
46% Instrumentalness • 25% Positiveness
20% Popularity • 38% Danceability • 95% Energy • 33% Liveness
46% Instrumentalness • 25% Positiveness
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Kasabian
CHEMICALS
160 bpm • G# min • 03:31 • -6db
38% Popularity • 39% Danceability • 81% Energy • 39% Liveness
31% Instrumentalness • 40% Positiveness
38% Popularity • 39% Danceability • 81% Energy • 39% Liveness
31% Instrumentalness • 40% Positiveness
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SPRINTS
Swimming
160 bpm • E min • 03:21 • -6.36db
17% Popularity • 22% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 22% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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The Mysterines
I Win Every Time
161 bpm • F Maj • 02:52 • -3.93db
27% Popularity • 40% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 40% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
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Beach Riot
B.A.D.
160 bpm • E min • 02:52 • -4.62db
17% Popularity • 35% Danceability • 95% Energy • 39% Liveness
2% Instrumentalness • 34% Positiveness
17% Popularity • 35% Danceability • 95% Energy • 39% Liveness
2% Instrumentalness • 34% Positiveness
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Gallus
Moderation
165 bpm • E Maj • 02:52 • -4.48db
18% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Courting
Tennis
165 bpm • A Maj • 04:01 • -5.19db
28% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Frank Carter & The Rattlesnakes
Parasite
165 bpm • G# min • 03:02 • -3.02db
37% Popularity • 46% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 46% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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STONE
Fuse
165 bpm • B min • 03:05 • -4.81db
20% Popularity • 24% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 24% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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The Mysterines
Who's Ur Girl?
164 bpm • B Maj • 02:12 • -4db
34% Popularity • 39% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 39% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Beach Riot
Tune in, Drop Out
165 bpm • C# Maj • 02:50 • -6.35db
38% Popularity • 37% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 37% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Tigercub
I.W.G.F.U.
159 bpm • A# min • 03:36 • -6.52db
31% Popularity • 52% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
31% Popularity • 52% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Pabst
Mercy Stroke
165 bpm • A# min • 02:45 • -8.81db
15% Popularity • 26% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 26% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Egyptian Blue
Salt
159 bpm • B min • 03:24 • -4.58db
18% Popularity • 27% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 47% Positiveness
18% Popularity • 27% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 47% Positiveness
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STONE
I Let Go
165 bpm • F min • 02:21 • -1.54db
30% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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PROJECTOR
Zero
158 bpm • C# Maj • 02:45 • -10.61db
17% Popularity • 37% Danceability • 93% Energy • 47% Liveness
60% Instrumentalness • 22% Positiveness
17% Popularity • 37% Danceability • 93% Energy • 47% Liveness
60% Instrumentalness • 22% Positiveness
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HIMALAYAS
From Hell to Here
166 bpm • C Maj • 02:56 • -4.63db
51% Popularity • 17% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 17% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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The Murder Capital
Return My Head
166 bpm • A min • 02:45 • -8db
38% Popularity • 35% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 35% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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THE GOA EXPRESS
Overpass
158 bpm • D Maj • 02:54 • -4.07db
17% Popularity • 27% Danceability • 95% Energy • 19% Liveness
7% Instrumentalness • 84% Positiveness
17% Popularity • 27% Danceability • 95% Energy • 19% Liveness
7% Instrumentalness • 84% Positiveness
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The Sheratons
Bravo
158 bpm • A# min • 02:44 • -5.48db
14% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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STONE
Leave It Out
165 bpm • A min • 03:25 • -4.12db
36% Popularity • 25% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 25% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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Coach Party
What's The Point In Life
166 bpm • G Maj • 02:18 • -4.21db
35% Popularity • 30% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 30% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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False Advertising
Personal Space
158 bpm • C# Maj • 03:40 • -7.05db
13% Popularity • 50% Danceability • 66% Energy • 21% Liveness
2% Instrumentalness • 53% Positiveness
13% Popularity • 50% Danceability • 66% Energy • 21% Liveness
2% Instrumentalness • 53% Positiveness
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Dream Wife
Hot (Don't Date A Musician)
158 bpm • B min • 03:35 • -3.37db
24% Popularity • 48% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 48% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Airways
Out of Control
166 bpm • C# Maj • 03:20 • -5.1db
28% Popularity • 45% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 50% Positiveness
28% Popularity • 45% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 50% Positiveness
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The Pale White
Never Enough
166 bpm • A Maj • 02:52 • -3db
24% Popularity • 29% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 29% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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Dead Pony
War Boys
166 bpm • A Maj • 03:09 • -7.18db
18% Popularity • 44% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 43% Positiveness
18% Popularity • 44% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 43% Positiveness
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Coach Party
Weird Me Out
166 bpm • C# min • 03:01 • -3.33db
17% Popularity • 36% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 36% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Gallus
Breathless
158 bpm • F# min • 02:40 • -3.03db
15% Popularity • 46% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 46% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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STONE
Let's Dance To The Real Thing
158 bpm • A Maj • 02:47 • -4db
37% Popularity • 37% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 37% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Beach Riot
Wrong Impression
158 bpm • D Maj • 03:03 • -5.02db
21% Popularity • 49% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
21% Popularity • 49% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Kid Kapichi
Death Dips
166 bpm • B Maj • 03:30 • -4.59db
40% Popularity • 20% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 20% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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snake eyes
no one is truly cool
158 bpm • E min • 02:16 • -4.57db
27% Popularity • 37% Danceability • 100% Energy • 11% Liveness
75% Instrumentalness • 35% Positiveness
27% Popularity • 37% Danceability • 100% Energy • 11% Liveness
75% Instrumentalness • 35% Positiveness
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Frank Carter & The Rattlesnakes
Cupid's Arrow
167 bpm • A# min • 03:33 • -3db
38% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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swim school
See Red - from Studio 456
157 bpm • A Maj • 04:06 • -5.07db
25% Popularity • 34% Danceability • 86% Energy • 35% Liveness
76% Instrumentalness • 14% Positiveness
25% Popularity • 34% Danceability • 86% Energy • 35% Liveness
76% Instrumentalness • 14% Positiveness
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Gaffa Tape Sandy
Kill the Chord
157 bpm • A Maj • 03:25 • -4.65db
25% Popularity • 36% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 36% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Priestgate
By The Door
157 bpm • B Maj • 02:51 • -4.65db
2% Popularity • 39% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
2% Popularity • 39% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Enola Gay
Sofa Surfing
156 bpm • D Maj • 03:16 • -7db
29% Popularity • 25% Danceability • 77% Energy • 18% Liveness
72% Instrumentalness • 21% Positiveness
29% Popularity • 25% Danceability • 77% Energy • 18% Liveness
72% Instrumentalness • 21% Positiveness
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Lambrini Girls
Boys in the Band
168 bpm • A Maj • 02:35 • -4.61db
39% Popularity • 45% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 45% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Frank Carter & The Rattlesnakes
Off With His Head
168 bpm • E min • 02:37 • -2.9db
32% Popularity • 48% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 48% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Sick Joy
Dissolve Me
156 bpm • A min • 02:40 • -7.04db
35% Popularity • 39% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 39% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Spyres
Otherside
168 bpm • D Maj • 03:42 • -5db
37% Popularity • 42% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 42% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Headshrinkers
Monocle
168 bpm • C# Maj • 03:23 • -5.9db
11% Popularity • 43% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 43% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Dead Pony
Zero
156 bpm • D# min • 03:19 • -6.48db
27% Popularity • 45% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 45% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
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LIFE
Big Moon Lake
168 bpm • C# min • 03:14 • -4db
19% Popularity • 31% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 31% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Frank Carter & The Rattlesnakes
The Drugs
168 bpm • C# min • 01:58 • -2.3db
34% Popularity • 36% Danceability • 97% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 36% Danceability • 97% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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SNAYX
I'm Deranged
156 bpm • G# min • 02:14 • -6.51db
36% Popularity • 60% Danceability • 76% Energy • 2% Liveness
62% Instrumentalness • 92% Positiveness
36% Popularity • 60% Danceability • 76% Energy • 2% Liveness
62% Instrumentalness • 92% Positiveness
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Coach Party
Shit TV
156 bpm • D Maj • 03:07 • -5.51db
17% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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SPRINTS
Manifesto
156 bpm • G Maj • 02:48 • -8.78db
21% Popularity • 49% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
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Dead Pony
23, Never Me
156 bpm • F# min • 02:55 • -6db
39% Popularity • 49% Danceability • 80% Energy • 25% Liveness
8% Instrumentalness • 45% Positiveness
39% Popularity • 49% Danceability • 80% Energy • 25% Liveness
8% Instrumentalness • 45% Positiveness
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Gallus
Perfect Ending
169 bpm • G# Maj • 03:11 • -6.46db
11% Popularity • 42% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 42% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Carter & The Rattlesnakes
Kitty Sucker
156 bpm • F# Maj • 03:44 • -6.29db
50% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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DEADLETTER
Hero
169 bpm • B min • 03:22 • -7.09db
21% Popularity • 40% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 40% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Gaffa Tape Sandy
Meat Head
155 bpm • D Maj • 02:52 • -4.41db
24% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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SPRINTS
Delia Smith
155 bpm • C# Maj • 03:39 • -8.27db
27% Popularity • 27% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 27% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Beach Riot
Good to Know (That I'm Still on Your Min...
155 bpm • E min • 03:00 • -4.4db
15% Popularity • 46% Danceability • 95% Energy • 15% Liveness
24% Instrumentalness • 90% Positiveness
15% Popularity • 46% Danceability • 95% Energy • 15% Liveness
24% Instrumentalness • 90% Positiveness
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Dead Pony
MANA
156 bpm • A min • 03:15 • -3.16db
28% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Frank Carter & The Rattlesnakes
Original Sin
155 bpm • B min • 03:20 • -3.87db
20% Popularity • 53% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 53% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Shelf Lives
All The Problems
155 bpm • G Maj • 02:56 • -6.36db
37% Popularity • 61% Danceability • 78% Energy • 13% Liveness
23% Instrumentalness • 83% Positiveness
37% Popularity • 61% Danceability • 78% Energy • 13% Liveness
23% Instrumentalness • 83% Positiveness
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Youth Sector
No Fanfare
170 bpm • F# Maj • 03:03 • -4.14db
30% Popularity • 54% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 54% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Baby Strange
Under The Surface
170 bpm • C Maj • 03:15 • -4.53db
8% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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SNAYX
Work
170 bpm • G# Maj • 02:24 • -5.3db
35% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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BlackWaters
In the Sun
170 bpm • A Maj • 02:35 • -6.09db
11% Popularity • 33% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 33% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Carter & The Rattlesnakes
Go Get A Tattoo
170 bpm • C# Maj • 02:38 • -3db
40% Popularity • 60% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 60% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Shelf Lives
Bite
170 bpm • C# Maj • 03:10 • -6.95db
28% Popularity • 59% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 59% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 59% Positiveness
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Declan Welsh and The Decadent West
No Fun
170 bpm • E min • 02:52 • -5.97db
35% Popularity • 38% Danceability • 93% Energy • 12% Liveness
27% Instrumentalness • 66% Positiveness
35% Popularity • 38% Danceability • 93% Energy • 12% Liveness
27% Instrumentalness • 66% Positiveness
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Gallus
Are You Finished
170 bpm • C Maj • 03:27 • -5.83db
17% Popularity • 34% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 34% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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STONE
Disrupter
170 bpm • B min • 02:10 • -5.7db
19% Popularity • 44% Danceability • 90% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 44% Danceability • 90% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
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IDLES
Meydei
154 bpm • B min • 04:35 • -5.29db
45% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Frank Carter & The Rattlesnakes
Sticky
170 bpm • A# min • 02:34 • -3db
38% Popularity • 55% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 55% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Calva Louise
Outrageous
154 bpm • C# min • 02:33 • -4.82db
28% Popularity • 40% Danceability • 93% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 40% Danceability • 93% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Pabst
Dead Ahead
171 bpm • C# min • 02:23 • -8.8db
12% Popularity • 25% Danceability • 93% Energy • 23% Liveness
9% Instrumentalness • 28% Positiveness
12% Popularity • 25% Danceability • 93% Energy • 23% Liveness
9% Instrumentalness • 28% Positiveness
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Teen Jesus and the Jean Teasers
AHHHH!
154 bpm • F min • 02:28 • -4.78db
39% Popularity • 43% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 43% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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SPRINTS
Modern Job
154 bpm • C Maj • 03:22 • -8.04db
26% Popularity • 26% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 26% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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IDLES
Damaged Goods
171 bpm • E min • 02:40 • -6db
56% Popularity • 47% Danceability • 79% Energy • 82% Liveness
40% Instrumentalness • 60% Positiveness
56% Popularity • 47% Danceability • 79% Energy • 82% Liveness
40% Instrumentalness • 60% Positiveness
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Frank Carter & The Rattlesnakes
Rat Race
170 bpm • F# min • 02:24 • -3.17db
19% Popularity • 53% Danceability • 91% Energy • 16% Liveness
36% Instrumentalness • 52% Positiveness
19% Popularity • 53% Danceability • 91% Energy • 16% Liveness
36% Instrumentalness • 52% Positiveness
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James and the Cold Gun
Chewing Glass
153 bpm • C# Maj • 03:01 • -4.89db
29% Popularity • 39% Danceability • 97% Energy • 29% Liveness
9% Instrumentalness • 18% Positiveness
29% Popularity • 39% Danceability • 97% Energy • 29% Liveness
9% Instrumentalness • 18% Positiveness
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Demob Happy
Sympathy Boy
153 bpm • B min • 03:35 • -8db
33% Popularity • 41% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 41% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Coach Party
Can't Talk, Won't
153 bpm • F# min • 03:11 • -5.23db
18% Popularity • 45% Danceability • 96% Energy • 19% Liveness
4% Instrumentalness • 66% Positiveness
18% Popularity • 45% Danceability • 96% Energy • 19% Liveness
4% Instrumentalness • 66% Positiveness
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SNAYX
Body Language (She Could Read My)
172 bpm • G Maj • 03:07 • -6.45db
26% Popularity • 54% Danceability • 74% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
26% Popularity • 54% Danceability • 74% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Beach Riot
Medicate for Success
172 bpm • E Maj • 03:01 • -4.44db
18% Popularity • 44% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 44% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Carter & The Rattlesnakes
Cobra Queen
154 bpm • F# Maj • 03:15 • -2.41db
24% Popularity • 50% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 50% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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swim school
see red
152 bpm • B min • 03:27 • -6.72db
32% Popularity • 43% Danceability • 87% Energy • 23% Liveness
1% Instrumentalness • 41% Positiveness
32% Popularity • 43% Danceability • 87% Energy • 23% Liveness
1% Instrumentalness • 41% Positiveness
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Baby Strange
Pathetic Fuck
152 bpm • C Maj • 01:45 • -12.02db
8% Popularity • 48% Danceability • 76% Energy • 24% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 48% Danceability • 76% Energy • 24% Liveness
1% Instrumentalness • 90% Positiveness
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The Mysterines
Take Control
152 bpm • E Maj • 03:27 • -5db
43% Popularity • 46% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 46% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Sherlocks
No Retreat, No Surrender
152 bpm • E min • 01:47 • -4.07db
24% Popularity • 29% Danceability • 92% Energy • 36% Liveness
46% Instrumentalness • 26% Positiveness
24% Popularity • 29% Danceability • 92% Energy • 36% Liveness
46% Instrumentalness • 26% Positiveness
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Heavy Rapids
Going Down
173 bpm • B min • 02:26 • -5.95db
19% Popularity • 30% Danceability • 88% Energy • 38% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 30% Danceability • 88% Energy • 38% Liveness
1% Instrumentalness • 56% Positiveness
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Pretty Vicious
These Four Walls
152 bpm • B Maj • 03:47 • -2db
39% Popularity • 37% Danceability • 100% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
39% Popularity • 37% Danceability • 100% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
