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Lifesong
Songs like
Lifesong
by
Andi Alhadeff
Based on a tempo of (+/- 10%) and a similar genre
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Original West End Cast of Only Fools and Horses
West End Wendy
138 bpm • C# Maj • 02:23 • -10.95db
9% Popularity • 66% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Kennedy
I Can't Imagine
138 bpm • A# Maj • 03:42 • -8db
8% Popularity • 71% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jenny Lee Stern
Insane
138 bpm • C Maj • 04:34 • -4db
10% Popularity • 60% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Fra Fee
Spindlewood
138 bpm • E Maj • 06:23 • -11.3db
16% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Carl Danielsen
I Never Really Listened to Me
137 bpm • A min • 02:16 • -9.19db
11% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Emily Padgett
Typical Girls Next Door
139 bpm • C# Maj • 02:05 • -7.67db
9% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Michael John La Chuisa
How Many Women In The World? - Original ...
137 bpm • F min • 02:37 • -14.86db
12% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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A.J. Holmes
There's a Bubble Around My Heart
139 bpm • D min • 04:04 • -10.9db
7% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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'Brigadoon' 2017 New York City Center Ensemble
Brigadoon / Vendors' Calls / MacConnachy...
136 bpm • G# Maj • 05:30 • -6.95db
10% Popularity • 41% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Hannah Waddingham
Fear & Whispers
140 bpm • D# min • 03:23 • -10.44db
15% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
8% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Adele Simms
Where There's a Will
140 bpm • D Maj • 03:37 • -6.6db
7% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nunsense 30th Anniversary Cast
Benedicite / Morning At the Convent
140 bpm • G Maj • 02:14 • -18.61db
10% Popularity • 62% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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"Dreamland" Studio Cast
New Dawn
136 bpm • C Maj • 02:24 • -6db
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Holden William Hagelberger, Ava Briglia, Ellie Kim, Sally Wilfert
My Imagination
136 bpm • C Maj • 02:13 • -7.61db
7% Popularity • 52% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Hunter Bell
More Life
136 bpm • G Maj • 02:58 • -6db
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Ellie Fishman
Twenty
141 bpm • C Maj • 03:34 • -5.02db
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Nunsense 30th Anniversary Cast
I Could've Gone to Nashville
135 bpm • G# min • 03:53 • -14.94db
9% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Holden William Hagelberger
Everyday
141 bpm • D Maj • 00:57 • -8.69db
8% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Benjamin Lewis
Take a Stand
141 bpm • C min • 05:33 • -10.39db
7% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sydney Farley
Life In Hate Nation
141 bpm • C Maj • 05:12 • -6.09db
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Sydney Shepherd
Living Dead
142 bpm • E Maj • 04:38 • -5.24db
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Kim Maresca
Tina's Mother
134 bpm • C Maj • 02:24 • -9db
7% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Micah Sandt
White Cliffs of Dover
142 bpm • D# Maj • 02:03 • -19.07db
12% Popularity • 46% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Will Reynolds
Walk Me Around
134 bpm • A Maj • 02:25 • -10.96db
16% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
19% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Holden William Hagelberger
One, Two
133 bpm • G Maj • 03:55 • -6.58db
8% Popularity • 68% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Guettel
ACT I the Cave, the Call:, Pt. I: The Ca...
143 bpm • E Maj • 07:40 • -11.43db
10% Popularity • 39% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Jay Armstrong Johnson
Caralee
133 bpm • B Maj • 02:28 • -7.68db
26% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Joy
Come Look at the Freaks
144 bpm • B Maj • 06:47 • -9.16db
13% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Steven Pasquale
Steal with Style
143 bpm • D Maj • 03:10 • -6.15db
10% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Michael John La Chuisa
The Lights Of Broadway - Original Broadw...
144 bpm • C Maj • 01:23 • -13.59db
11% Popularity • 54% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
29% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Working: A Musical (Original London Cast)
Cleanin' Women
144 bpm • C# Maj • 03:11 • -10.86db
12% Popularity • 70% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Mia Pak
Light Undercover
144 bpm • D# Maj • 02:28 • -13.24db
11% Popularity • 56% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Liam Pearce
Waves and Wires
144 bpm • F Maj • 04:00 • -8.36db
21% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew Hydzik
Stuck with You / Leave Me Alone
144 bpm • G Maj • 04:29 • -7.91db
9% Popularity • 60% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Carmen Cusack
How?
144 bpm • C# Maj • 03:52 • -11.55db
7% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Clockmaker's Daughter Studio Cast
Finale Act I - Raise A Glass
132 bpm • C Maj • 08:37 • -10.34db
17% Popularity • 40% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Cast Recording
Role of A Lifetime
144 bpm • D min • 03:33 • -12.13db
30% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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F. Michael Haynie
Beat and Broken Spirits
132 bpm • F min • 03:59 • -6.5db
7% Popularity • 62% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Brightman
Horrible Seders
132 bpm • D min • 05:30 • -10db
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Will Reynolds
Moment to Moment
145 bpm • D Maj • 02:25 • -10.23db
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Clockmaker's Daughter Studio Cast
Keep It To Yourself
145 bpm • F# Maj • 04:18 • -10.97db
15% Popularity • 71% Danceability • 44% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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'Pinkalicious' Original Cast
When Dreams Come True (Reprise) / Pinkit...
131 bpm • G Maj • 02:56 • -5.76db
10% Popularity • 55% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ryan Silverman
Very Well-Connected
131 bpm • C Maj • 02:11 • -10.81db
9% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
30% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Rebecca Naomi Jones
When I'm Your Wife
145 bpm • A# min • 03:06 • -9.7db
13% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Rachael Duddy
Light Undercover / In The Green Reprise
145 bpm • G min • 01:32 • -12.92db
10% Popularity • 64% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Emily Padgett
Ready to Play
131 bpm • G Maj • 04:00 • -7.48db
8% Popularity • 58% Danceability • 47% Energy • 2% Liveness
0% Instrumentalness • 44% Positiveness
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Anthony Warlow
Possessed
131 bpm • G Maj • 01:43 • -15.5db
29% Popularity • 47% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Michael John La Chuisa
Love Ain't Nothin'/ Welcome To Her Party...
146 bpm • F min • 02:31 • -13.61db
8% Popularity • 65% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Chip Zien
Threnody
130 bpm • C min • 04:23 • -7.7db
15% Popularity • 54% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Andi Alhadeff
Mark This!
130 bpm • B min • 00:47 • -6.8db
5% Popularity • 34% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 9% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Padgett
What Brought Him Here?
130 bpm • G min • 01:20 • -9.72db
7% Popularity • 61% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Selena Ingersoll
The Friendly Pirates
130 bpm • C# Maj • 03:08 • -12.94db
29% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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David Hull
We're the Man!
129 bpm • C# min • 05:22 • -9.19db
8% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Kerry Butler
What's Wrong With Me? (Reprise)
129 bpm • C Maj • 01:50 • -8.37db
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Frankenstein World Premiere Cast
The Music of Love
130 bpm • E Maj • 02:45 • -9.52db
17% Popularity • 36% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Cast Recording
Epiphany
147 bpm • F# Maj • 06:28 • -10.54db
24% Popularity • 43% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Scott Wakefield
Hands on a Hardbody
129 bpm • G# Maj • 02:39 • -8.06db
8% Popularity • 76% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Benjamin Lewis
Another Year
148 bpm • D Maj • 04:48 • -11.35db
7% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Hannah Whitney
Burial
148 bpm • F min • 03:16 • -9.55db
14% Popularity • 75% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Shindle
A Nice Little Walk
128 bpm • G# Maj • 02:26 • -11.96db
21% Popularity • 55% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Cast Recording
Portrait Of A Girl
129 bpm • D Maj • 02:14 • -13.23db
23% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ashley Wool
So Much in Common
128 bpm • C Maj • 04:19 • -6.78db
19% Popularity • 53% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Lifesong