Songs like Ligeti: Requiem: II. Kyrie. Molto espressivo by György Ligeti
Based on a tempo of (+/- 10%) and a similar genre
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Arvo Pärt
Cantus In Memory Of Benjamin Britten
67 bpm • A min • 05:00 • -19.17db
33% Popularity • 21% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Glass
Prophecies
67 bpm • D min • 08:11 • -26.59db
43% Popularity • 7% Danceability • 5% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
43% Popularity • 7% Danceability • 5% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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Richard Wagner
Gotterdammerung (Twilight of the Gods): ...
67 bpm • B Maj • 02:09 • -24.41db
23% Popularity • 11% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Requiem: II. Kyrie. Molto espres...
67 bpm • G min • 06:35 • -19db
33% Popularity • 6% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 6% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Gustav Holst
The Planets, Op. 32: VII. Neptune, the M...
67 bpm • E Maj • 06:30 • -37db
15% Popularity • 6% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Caroline Shaw
Partita for 8 Singers: 4. Passacaglia
68 bpm • D Maj • 05:55 • -13.18db
21% Popularity • 25% Danceability • 32% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
21% Popularity • 25% Danceability • 32% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
68 bpm • C min • 06:39 • -17db
26% Popularity • 10% Danceability • 25% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
26% Popularity • 10% Danceability • 25% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
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Armen Ra
Somewhere over the Rainbow
66 bpm • D# Maj • 02:43 • -24.95db
11% Popularity • 11% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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György Ligeti
Lux Aeterna
66 bpm • A min • 07:57 • -30.17db
12% Popularity • 6% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 2% Positiveness
12% Popularity • 6% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 2% Positiveness
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Frédéric Chopin
Chopin: Piano Sonata No. 2 in B-Flat Min...
66 bpm • C# Maj • 08:24 • -24.98db
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Ingram Marshall
Prelude - The Bay
68 bpm • C min • 06:24 • -39.18db
10% Popularity • 7% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Le rossignol (The Nightingale): Scene 1 ...
66 bpm • F# Maj • 03:00 • -25db
13% Popularity • 27% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Glass
Koyaanisqatsi
66 bpm • D min • 03:27 • -29db
33% Popularity • 14% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Prelude
68 bpm • G# Maj • 04:35 • -27.49db
24% Popularity • 15% Danceability • 0% Energy • 24% Liveness
97% Instrumentalness • 2% Positiveness
24% Popularity • 15% Danceability • 0% Energy • 24% Liveness
97% Instrumentalness • 2% Positiveness
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Jocelyn Pook
Naval Officer
68 bpm • G min • 04:51 • -17.82db
22% Popularity • 20% Danceability • 13% Energy • 38% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 13% Energy • 38% Liveness
77% Instrumentalness • 4% Positiveness
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Claude Debussy
La mer, L. 109: I. From Dawn Till Noon o...
68 bpm • F# min • 08:59 • -26db
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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The Red Army Choir
Symphony No.9 in D Minor, Op.125, "Chora...
66 bpm • D Maj • 03:29 • -20.82db
25% Popularity • 27% Danceability • 32% Energy • 19% Liveness
1% Instrumentalness • 31% Positiveness
25% Popularity • 27% Danceability • 32% Energy • 19% Liveness
1% Instrumentalness • 31% Positiveness
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Bobby Krlic
Fire Temple
66 bpm • F# Maj • 09:34 • -10.98db
35% Popularity • 6% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 6% Danceability • 26% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: V. Spectra
68 bpm • E Maj • 02:32 • -22db
7% Popularity • 17% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Homin Lviv Municipal Choir
Vichnaya Pamyat
66 bpm • A# min • 04:07 • -20.33db
41% Popularity • 16% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Prospectors Arrive
66 bpm • F min • 04:34 • -18.17db
20% Popularity • 14% Danceability • 18% Energy • 17% Liveness
78% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 18% Energy • 17% Liveness
78% Instrumentalness • 3% Positiveness
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Charles Ives
The Unanswered Question
68 bpm • C Maj • 05:55 • -31.37db
19% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Iannis Xenakis
Metastaseis
68 bpm • A min • 07:40 • -21db
20% Popularity • 13% Danceability • 19% Energy • 4% Liveness
16% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 19% Energy • 4% Liveness
16% Instrumentalness • 4% Positiveness
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Caroline Shaw
Partita for 8 Singers: 3. Courante
69 bpm • G Maj • 08:59 • -16.07db
31% Popularity • 23% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
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György Ligeti
Requiem For Soprano, Mezzo Soprano, Two ...
69 bpm • G min • 06:33 • -18.97db
14% Popularity • 19% Danceability • 30% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 30% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Mica Levi
Drift
65 bpm • A# min • 06:58 • -16.75db
21% Popularity • 22% Danceability • 48% Energy • 37% Liveness
72% Instrumentalness • 5% Positiveness
21% Popularity • 22% Danceability • 48% Energy • 37% Liveness
72% Instrumentalness • 5% Positiveness
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Krzysztof Penderecki
The Dream of Jacob - 1994 Remastered Ver...
65 bpm • A min • 07:31 • -19db
13% Popularity • 7% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Rite of Spring, K15, Pt. 1: I. Intro...
69 bpm • G Maj • 03:18 • -27.41db
30% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Arvo Pärt
De Profundis (Psalm 129)
65 bpm • E min • 08:19 • -29.24db
24% Popularity • 13% Danceability • 2% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 2% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
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Henryk Górecki
Concerto-Cantata, Op. 65: II. Arioso: Le...
69 bpm • F min • 04:35 • -35db
16% Popularity • 16% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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György Ligeti
Overture Atmospheres
69 bpm • G# min • 02:51 • -20.77db
11% Popularity • 14% Danceability • 14% Energy • 13% Liveness
99% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 14% Energy • 13% Liveness
99% Instrumentalness • 3% Positiveness
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The City of Prague Philharmonic Orchestra
Intermezzo, Pt. 2 - Tristan and Isolde
69 bpm • C Maj • 03:33 • -18.61db
14% Popularity • 11% Danceability • 4% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 4% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 5
69 bpm • A min • 02:52 • -40db
35% Popularity • 17% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Passacaglia - Allegro mo...
69 bpm • G Maj • 06:46 • -17.81db
31% Popularity • 12% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Henry Purcell
Burial Service: March, Z. 860A
65 bpm • C min • 01:25 • -26db
38% Popularity • 22% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Philip Glass
Prophecies
70 bpm • D min • 10:34 • -27.75db
30% Popularity • 13% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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György Ligeti
Sonata For Solo Cello: I. Dialogo: Adagi...
69 bpm • G Maj • 03:59 • -22.27db
22% Popularity • 10% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
22% Popularity • 10% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
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Henryk Górecki
Symphony No. 3, Op. 36: II. Lento e Larg...
70 bpm • A# min • 09:27 • -19.79db
41% Popularity • 6% Danceability • 8% Energy • 11% Liveness
47% Instrumentalness • 3% Positiveness
41% Popularity • 6% Danceability • 8% Energy • 11% Liveness
47% Instrumentalness • 3% Positiveness
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Karlheinz Stockhausen
Stockhausen: Tierkreis, for Trumpet und ...
70 bpm • D Maj • 02:29 • -37.33db
22% Popularity • 18% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
22% Popularity • 18% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Krzysztof Penderecki
Zmartwychwstanie: II. Stichíra
70 bpm • D# Maj • 07:13 • -11.97db
9% Popularity • 13% Danceability • 56% Energy • 45% Liveness
10% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 56% Energy • 45% Liveness
10% Instrumentalness • 4% Positiveness
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Arvo Pärt
Fratres (Version for Strings & Percussio...
64 bpm • D min • 10:14 • -25db
19% Popularity • 6% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
19% Popularity • 6% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Edgard Varèse
Poème Electronique
70 bpm • G# Maj • 08:02 • -40.26db
22% Popularity • 20% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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György Ligeti
Requiem: II. Kyrie
65 bpm • F min • 06:52 • -19.61db
6% Popularity • 6% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 2% Positiveness
6% Popularity • 6% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 2% Positiveness
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Charles-Valentin Alkan
25 Preludes dans tous les tons majeurs e...
70 bpm • G# Maj • 04:42 • -30db
22% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Apparition de l'Église éternelle
64 bpm • F Maj • 09:45 • -18db
15% Popularity • 6% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Tsurumaru's Flute / Azusa Castle in Ruin...
70 bpm • C Maj • 01:31 • -23.96db
10% Popularity • 25% Danceability • 4% Energy • 14% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 4% Energy • 14% Liveness
83% Instrumentalness • 7% Positiveness
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Charles Ives
The Unanswered Question
64 bpm • C Maj • 06:22 • -29.54db
12% Popularity • 10% Danceability • 6% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 6% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Luigi Russolo
Awakening of a City
64 bpm • C# Maj • 03:49 • -23.38db
11% Popularity • 34% Danceability • 32% Energy • 68% Liveness
86% Instrumentalness • 9% Positiveness
11% Popularity • 34% Danceability • 32% Energy • 68% Liveness
86% Instrumentalness • 9% Positiveness
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György Ligeti
Requiem: IV. Lacrimosa
69 bpm • C# Maj • 05:13 • -39.6db
2% Popularity • 16% Danceability • 0% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 0% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Concerto for Choir: II. I, an Expert in ...
71 bpm • C min • 08:33 • -18.15db
9% Popularity • 8% Danceability • 29% Energy • 10% Liveness
17% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 29% Energy • 10% Liveness
17% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 8, Zweiter Teil: XV. Alles ...
64 bpm • F min • 05:31 • -17.04db
24% Popularity • 6% Danceability • 24% Energy • 7% Liveness
71% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 24% Energy • 7% Liveness
71% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Waltz (Face of Another)
71 bpm • F min • 02:18 • -22.61db
17% Popularity • 14% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
17% Popularity • 14% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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Lili Boulanger
Vieille priere bouddhique
71 bpm • F min • 07:48 • -24db
10% Popularity • 7% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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György Ligeti
Études, Book 3: No. 16, Pour Irina
64 bpm • A# min • 04:28 • -32.14db
3% Popularity • 67% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 0% Positiveness
3% Popularity • 67% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 0% Positiveness
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Puy du Fou
Las Campanas
71 bpm • C Maj • 01:29 • -18.97db
13% Popularity • 15% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Wagner
Parsifal: Prelude
71 bpm • G# Maj • 14:17 • -22.23db
33% Popularity • 16% Danceability • 5% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 5% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Messa da Requiem: 2. Dies irae
71 bpm • C min • 02:39 • -13.81db
24% Popularity • 21% Danceability • 26% Energy • 8% Liveness
72% Instrumentalness • 21% Positiveness
24% Popularity • 21% Danceability • 26% Energy • 8% Liveness
72% Instrumentalness • 21% Positiveness
► Preview
Charles Ives
The Unanswered Question
63 bpm • C Maj • 04:36 • -37.35db
9% Popularity • 18% Danceability • 1% Energy • 4% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 1% Energy • 4% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Olga Neuwirth
Goodnight Mommy - Ich seh Ich Seh: Into ...
72 bpm • D Maj • 01:35 • -35db
14% Popularity • 27% Danceability • 4% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
14% Popularity • 27% Danceability • 4% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
György Ligeti
Kammerkonzert pour treize instrumentiste...
71 bpm • G min • 05:57 • -21.5db
7% Popularity • 9% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Krzysztof Penderecki
Utrenja, Part II, "The Resurrection of C...
72 bpm • A# Maj • 02:49 • -14.84db
10% Popularity • 14% Danceability • 51% Energy • 22% Liveness
16% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 51% Energy • 22% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
6 Morceaux, Op. 51, No. 6. Valse sentime...
72 bpm • E min • 02:11 • -30.05db
20% Popularity • 18% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
20% Popularity • 18% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Various Artists
Leonard
73 bpm • A min • 05:58 • -33.34db
22% Popularity • 16% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Barber: Adagio for Strings
73 bpm • A# min • 08:57 • -24db
49% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
49% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Jonny Greenwood
Baton Sparks
62 bpm • G# Maj • 02:19 • -15.62db
14% Popularity • 15% Danceability • 20% Energy • 33% Liveness
93% Instrumentalness • 13% Positiveness
14% Popularity • 15% Danceability • 20% Energy • 33% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
György Ligeti
Ligeti: Double Concerto: II. Allegro cor...
71 bpm • D min • 07:48 • -26.32db
6% Popularity • 18% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
6% Popularity • 18% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Eduard Artemyev
Слушая Баха (Земля) - И�...
73 bpm • F min • 03:10 • -11.32db
21% Popularity • 18% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C minor - "Resurrectio...
61 bpm • D# Maj • 02:22 • -9.81db
34% Popularity • 6% Danceability • 49% Energy • 27% Liveness
54% Instrumentalness • 9% Positiveness
34% Popularity • 6% Danceability • 49% Energy • 27% Liveness
54% Instrumentalness • 9% Positiveness
► Preview
Joanna Forbes L'Estrange
Magnificat - King's College Service
73 bpm • F Maj • 03:52 • -23.52db
6% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georgy Sviridov
Cantata 'Snow Is Falling'
73 bpm • E min • 09:35 • -21.11db
11% Popularity • 18% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Luciano Berio
Sinfonia: I. Sinfonia
74 bpm • C# Maj • 06:00 • -25db
8% Popularity • 22% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
György Ligeti
Ligeti: Lux æterna
73 bpm • G Maj • 07:48 • -30.28db
6% Popularity • 7% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 2% Positiveness
6% Popularity • 7% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 2% Positiveness
► Preview
Morton Feldman
Rothko Chapel 3
74 bpm • C# Maj • 02:56 • -46db
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 9 In D Minor, Op. 125 - "Ch...
74 bpm • D Maj • 06:07 • -19.2db
43% Popularity • 12% Danceability • 6% Energy • 52% Liveness
84% Instrumentalness • 9% Positiveness
43% Popularity • 12% Danceability • 6% Energy • 52% Liveness
84% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Kaija Saariaho
7 Papillons: No. 5. —
61 bpm • D Maj • 01:31 • -28db
32% Popularity • 34% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
32% Popularity • 34% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
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Popol Vuh
Wehe Khorazin
74 bpm • D min • 05:32 • -11.21db
9% Popularity • 22% Danceability • 41% Energy • 15% Liveness
26% Instrumentalness • 16% Positiveness
9% Popularity • 22% Danceability • 41% Energy • 15% Liveness
26% Instrumentalness • 16% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: VII. Hymnus
61 bpm • E Maj • 01:18 • -25db
8% Popularity • 19% Danceability • 3% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 3% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
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Morton Feldman
Rohtko Chapel 1
74 bpm • C# Maj • 09:06 • -37db
22% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
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Richard Wagner
Götterdämmerung, Prologue: Introductio...
60 bpm • B Maj • 02:08 • -26.61db
22% Popularity • 6% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Wojciech Kilar
Bram Stoker's Dracula: Vampire Hunters
60 bpm • A# Maj • 03:05 • -19.61db
21% Popularity • 33% Danceability • 16% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
21% Popularity • 33% Danceability • 16% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
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Fumio Hayasaka
To the Little Watermill
75 bpm • C# Maj • 01:00 • -24.37db
18% Popularity • 20% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
18% Popularity • 20% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
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Caroline Shaw
Partita for 8 Singers: 2. Sarabande
75 bpm • C# min • 04:49 • -17db
23% Popularity • 7% Danceability • 15% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
23% Popularity • 7% Danceability • 15% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Lontano
74 bpm • C# Maj • 11:37 • -27.9db
17% Popularity • 14% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 2% Positiveness
17% Popularity • 14% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 2% Positiveness
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M.S.
A Clockwork Orange: Music for the Funera...
75 bpm • C# min • 02:20 • -14db
26% Popularity • 31% Danceability • 23% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
26% Popularity • 31% Danceability • 23% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Massimo Scalieri
Music for the Funeral March of Queen Mar...
75 bpm • C# min • 02:19 • -14db
18% Popularity • 32% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 11% Positiveness
18% Popularity • 32% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 11% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Maschinenhalle -...
75 bpm • C min • 05:19 • -12.9db
12% Popularity • 22% Danceability • 39% Energy • 59% Liveness
94% Instrumentalness • 15% Positiveness
12% Popularity • 22% Danceability • 39% Energy • 59% Liveness
94% Instrumentalness • 15% Positiveness
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Krzysztof Penderecki
De Natura Sonoris No. 2 - 1994 Remastere...
60 bpm • E Maj • 09:10 • -18db
10% Popularity • 8% Danceability • 8% Energy • 16% Liveness
76% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 8% Energy • 16% Liveness
76% Instrumentalness • 3% Positiveness
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Popol Vuh
Brüder Des Schattens
75 bpm • F# min • 05:43 • -19.82db
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
György Ligeti
Ligeti: Hamburg Concerto: I. Praeludium
75 bpm • C min • 02:45 • -24db
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: III. Andant...
75 bpm • D min • 01:17 • -40db
28% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
28% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
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Jocelyn Pook
Backwards Priests
76 bpm • D min • 03:37 • -16db
34% Popularity • 18% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 7% Positiveness
► Preview
Dominic Harlan
Musica Ricercata, II - Mesto, rigido e c...
76 bpm • G min • 04:17 • -18.47db
32% Popularity • 47% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 47% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Louis Andriessen
M is for Man, Music, Mozart: The Eisenst...
59 bpm • A# min • 03:37 • -35db
18% Popularity • 15% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Coriolan, Op. 62: Overture
76 bpm • F min • 08:57 • -17.06db
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
György Ligeti
Ligeti: Hamburg Concerto: II. Signale, T...
75 bpm • C Maj • 01:35 • -26db
11% Popularity • 22% Danceability • 1% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 1% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
