Songs like Light Ascending by Luke Howard
Based on a tempo of (+/- 10%) and a similar genre
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Luke Howard
The Closing of the Gates
66 bpm • G min • 06:02 • -16.6db
12% Popularity • 6% Danceability • 19% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 19% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Gustafsson
Dormiveglia
66 bpm • C# Maj • 02:41 • -31.92db
42% Popularity • 33% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 38% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 38% Positiveness
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Thomas Otten
Qualitate Umane
66 bpm • A min • 02:01 • -18.33db
32% Popularity • 22% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
32% Popularity • 22% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Peter Ross Gregson
The Day Before
65 bpm • C min • 03:32 • -22.2db
11% Popularity • 20% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Bernat Vivancos
Aeternam
65 bpm • B min • 09:25 • -24db
26% Popularity • 6% Danceability • 6% Energy • 31% Liveness
91% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 6% Energy • 31% Liveness
91% Instrumentalness • 3% Positiveness
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Trevor Kowalski
The Garden's Light
67 bpm • F Maj • 03:13 • -33.44db
47% Popularity • 35% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
47% Popularity • 35% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Luke Howard
Lake Torrens
66 bpm • A Maj • 01:15 • -33.26db
17% Popularity • 26% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
17% Popularity • 26% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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They Dream By Day
Selah
67 bpm • A# min • 06:52 • -25.63db
28% Popularity • 8% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Georgy Sviridov
3 Khora (3 Choruses): No. 2. Lyubov Svya...
65 bpm • A# min • 03:19 • -30db
31% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Slow Meadow
Crown of Amber Canopy
65 bpm • E Maj • 05:56 • -17.88db
29% Popularity • 7% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
29% Popularity • 7% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Stevie Wishart
O Beata Infantia Alio Modo
67 bpm • E min • 03:25 • -15.82db
21% Popularity • 19% Danceability • 26% Energy • 9% Liveness
65% Instrumentalness • 10% Positiveness
21% Popularity • 19% Danceability • 26% Energy • 9% Liveness
65% Instrumentalness • 10% Positiveness
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Maneesh de Moor
Arcana of Orion
67 bpm • C min • 03:31 • -27.42db
37% Popularity • 32% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 5% Positiveness
37% Popularity • 32% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 5% Positiveness
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Luke Howard
Light Ascending
66 bpm • E Maj • 02:47 • -23db
34% Popularity • 25% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 25% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Kjartan Sveinsson
Teil IV
65 bpm • G Maj • 11:40 • -17.64db
28% Popularity • 17% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
momentary - choir version
67 bpm • F# min • 02:51 • -23.56db
42% Popularity • 19% Danceability • 7% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 7% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Lisa Gerrard
I Asked For Love
67 bpm • F# Maj • 05:00 • -17.64db
32% Popularity • 6% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 6% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Erland Cooper
Music For Growing Flowers - Edit
65 bpm • C Maj • 06:08 • -20.49db
32% Popularity • 10% Danceability • 21% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 10% Danceability • 21% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Yehezkel Raz
Corals Under the Sun
67 bpm • D Maj • 02:07 • -26.04db
48% Popularity • 24% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 24% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Luke Howard
Bear Story II
67 bpm • A# min • 04:03 • -12.34db
33% Popularity • 6% Danceability • 30% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 30% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Václav Slezák
Snesl bych ti modré z nebe
67 bpm • D min • 04:19 • -30.82db
40% Popularity • 12% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
40% Popularity • 12% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Snorri HallgrÃmsson
Lacuna
67 bpm • A# min • 01:23 • -35db
45% Popularity • 35% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
45% Popularity • 35% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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Essie Jain
The Blessing
65 bpm • D Maj • 07:56 • -28db
41% Popularity • 13% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 13% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Herskedal
The Lighthouse
64 bpm • C Maj • 05:33 • -26db
32% Popularity • 6% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 6% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Library Tapes
A Summer By The Sea I
68 bpm • D Maj • 02:04 • -16db
39% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Nat Bartsch
Breathing in and Out
68 bpm • E Maj • 01:22 • -39db
35% Popularity • 27% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 27% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Neil Cowley
Tramlines
68 bpm • D min • 03:46 • -29.4db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Dustin O'Halloran
Contreaux n 2
64 bpm • F# Maj • 04:22 • -15.42db
28% Popularity • 46% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 21% Positiveness
28% Popularity • 46% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 21% Positiveness
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Johannes Motschmann
Papillon
68 bpm • C# min • 02:06 • -25.41db
39% Popularity • 20% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
39% Popularity • 20% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Arvo Pärt
Für Alina
68 bpm • B min • 10:47 • -36.61db
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Novo Talos
Aura
68 bpm • C# Maj • 02:07 • -29.16db
43% Popularity • 17% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
43% Popularity • 17% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Luke Howard
Kitchen Table
68 bpm • G# min • 02:25 • -24.19db
9% Popularity • 12% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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EydÃs Evensen
Brotin
68 bpm • B min • 03:15 • -25.42db
37% Popularity • 37% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
37% Popularity • 37% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Library Tapes
The Return
64 bpm • D# Maj • 02:18 • -33.14db
45% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Ann McDonald
A Calling Home
69 bpm • C# Maj • 09:07 • -22.51db
48% Popularity • 12% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
48% Popularity • 12% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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KEYNVOR
Bedruthan Steps (50.480868, -5.031929)
68 bpm • D min • 04:30 • -20.42db
32% Popularity • 18% Danceability • 18% Energy • 62% Liveness
83% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 18% Energy • 62% Liveness
83% Instrumentalness • 3% Positiveness
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Roger Eno
Still Day
69 bpm • D min • 02:22 • -22.31db
30% Popularity • 22% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Gyða Valtýsdóttir
Cute Kittens Lick Cream
64 bpm • A min • 03:57 • -19db
40% Popularity • 20% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
40% Popularity • 20% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
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Erland Cooper
Tullimentan
69 bpm • D min • 02:55 • -14.59db
2% Popularity • 12% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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Slow Meadow
Grey Cloud Lullaby
63 bpm • D Maj • 04:34 • -17.14db
44% Popularity • 9% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
69 bpm • D min • 02:44 • -28.56db
40% Popularity • 8% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Chad Lawson
Stay
69 bpm • D# Maj • 03:21 • -24db
44% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
44% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Price
Fountains
63 bpm • F Maj • 07:31 • -25.19db
0% Popularity • 6% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
0% Popularity • 6% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Luke Howard
Spare
63 bpm • C# min • 03:20 • -18db
15% Popularity • 12% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
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Lisa Gerrard
Abwoon (Our Father)
63 bpm • G# Maj • 04:12 • -21.17db
35% Popularity • 11% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
35% Popularity • 11% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Patrick Lenk
Lo Boier
63 bpm • G min • 08:46 • -16.21db
29% Popularity • 8% Danceability • 22% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
29% Popularity • 8% Danceability • 22% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
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Max Richter
Dream 13 - Short Edit
69 bpm • F# Maj • 03:22 • -28.69db
42% Popularity • 14% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
42% Popularity • 14% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Roger Eno
Clearly
63 bpm • D# Maj • 02:29 • -25.36db
42% Popularity • 34% Danceability • 5% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 34% Danceability • 5% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Our Lord Debussy
70 bpm • C Maj • 09:52 • -19db
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Luke Howard
In Metaphor, Solace - Nadje Noordhuis Re...
63 bpm • A# min • 03:24 • -20.82db
12% Popularity • 29% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Angus MacRae
Inari
70 bpm • D# min • 05:19 • -16.95db
12% Popularity • 10% Danceability • 22% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 22% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
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Calum Martin
Martyrdom (Movement 1)
70 bpm • G Maj • 02:08 • -23.85db
37% Popularity • 15% Danceability • 10% Energy • 32% Liveness
9% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 10% Energy • 32% Liveness
9% Instrumentalness • 5% Positiveness
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Erland Cooper
Mallimack - Hayden Thorpe Rework
62 bpm • C# min • 01:47 • -30.61db
52% Popularity • 36% Danceability • 1% Energy • 21% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 36% Danceability • 1% Energy • 21% Liveness
88% Instrumentalness • 8% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
71 bpm • F Maj • 02:00 • -23.6db
40% Popularity • 16% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
40% Popularity • 16% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Luke Howard
Passion / Sleep
63 bpm • C# Maj • 05:17 • -16.74db
28% Popularity • 19% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
28% Popularity • 19% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Josin
Traveller - Lambert rework
70 bpm • A# min • 03:20 • -21.56db
32% Popularity • 39% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 39% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Riley Lee
Dance of the Tea Leaves
71 bpm • C Maj • 05:33 • -20.11db
14% Popularity • 21% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 21% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Zeb Samuels
Night Wave - Julien Marchal Remix
71 bpm • C Maj • 04:43 • -37.55db
35% Popularity • 29% Danceability • 0% Energy • 15% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 29% Danceability • 0% Energy • 15% Liveness
93% Instrumentalness • 16% Positiveness
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Steven Vrancken
Anchoring Sky
71 bpm • F Maj • 08:05 • -21.87db
15% Popularity • 6% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
71 bpm • F Maj • 03:37 • -26.75db
39% Popularity • 21% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Luke Howard
Dinner Dance
70 bpm • C# min • 02:46 • -31.16db
13% Popularity • 7% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 7% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Slow Meadow
Boy in a Water Globe
71 bpm • C# Maj • 05:42 • -18db
36% Popularity • 9% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Sandberg
Borrowed Peace
71 bpm • G# Maj • 01:45 • -24.33db
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Jon Hopkins
Feel First Life
71 bpm • C# Maj • 05:33 • -22db
49% Popularity • 18% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Mike Lazarev
Unhinged
71 bpm • E min • 02:04 • -19.24db
52% Popularity • 49% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 19% Positiveness
52% Popularity • 49% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 19% Positiveness
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Snorri HallgrÃmsson
Illusion
71 bpm • F min • 01:25 • -41.39db
33% Popularity • 35% Danceability • 0% Energy • 13% Liveness
74% Instrumentalness • 23% Positiveness
33% Popularity • 35% Danceability • 0% Energy • 13% Liveness
74% Instrumentalness • 23% Positiveness
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Luke Howard
Casino
70 bpm • C# min • 03:08 • -32.18db
21% Popularity • 39% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
21% Popularity • 39% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Slow Meadow
Lamellophone and the Gulf of Mexico
71 bpm • B Maj • 06:25 • -16.94db
28% Popularity • 25% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Nils Frahm
Ambre
71 bpm • C# Maj • 03:47 • -24.97db
2% Popularity • 35% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
2% Popularity • 35% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Max Richter
Cumulonimbus - Pt. 1
71 bpm • C# Maj • 03:20 • -41.9db
44% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
44% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Sebastian Plano
Abeyance
71 bpm • B min • 03:59 • -24.48db
30% Popularity • 13% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jacob Mühlrad
Kaddish - Excerpt
71 bpm • A min • 03:53 • -25db
13% Popularity • 15% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Luke Howard
All Around Us Is Dirt
71 bpm • C# min • 01:25 • -33.74db
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Hugi Guðmundsson
HvÃld
72 bpm • A min • 03:34 • -28.38db
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Jane Winther
Voice of Eternity
72 bpm • D min • 04:22 • -23db
49% Popularity • 13% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
49% Popularity • 13% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
► Preview
Michael Hoppé
A Thousand Whispers
61 bpm • F min • 03:44 • -17.89db
36% Popularity • 18% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
► Preview
Dustin O'Halloran
Sundoor - 196 Hz - Short Edit
72 bpm • G min • 05:04 • -17.47db
25% Popularity • 12% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Angus MacRae
Mirror Lake
61 bpm • G# Maj • 04:34 • -19.92db
45% Popularity • 33% Danceability • 12% Energy • 36% Liveness
93% Instrumentalness • 13% Positiveness
45% Popularity • 33% Danceability • 12% Energy • 36% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Danny Norbury
Love Woke Me Up
72 bpm • G Maj • 03:32 • -13.24db
24% Popularity • 17% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 17% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Max Richter
Dream 1 (before the wind blows it all aw...
72 bpm • F# Maj • 02:33 • -40db
56% Popularity • 21% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
56% Popularity • 21% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Zbigniew Preisner
Valley of Shadows - Wake Up
72 bpm • C min • 01:19 • -21.71db
36% Popularity • 27% Danceability • 7% Energy • 9% Liveness
15% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 7% Energy • 9% Liveness
15% Instrumentalness • 4% Positiveness
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Carly Paradis
Me Mam’s Slippers
72 bpm • D# min • 00:54 • -21.37db
0% Popularity • 37% Danceability • 18% Energy • 7% Liveness
57% Instrumentalness • 49% Positiveness
0% Popularity • 37% Danceability • 18% Energy • 7% Liveness
57% Instrumentalness • 49% Positiveness
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Snorri HallgrÃmsson
Haustar
60 bpm • C# Maj • 03:28 • -30.74db
26% Popularity • 46% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
26% Popularity • 46% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Luke Howard
Bower
73 bpm • F# Maj • 05:38 • -29.17db
19% Popularity • 34% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
19% Popularity • 34% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
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Niklas Paschburg
Duvet
73 bpm • F# Maj • 03:24 • -22.78db
52% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
52% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Pieter de Graaf
Dew Drops
60 bpm • B min • 05:34 • -24.27db
30% Popularity • 47% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 47% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Sophie Hutchings
Grace
73 bpm • C# min • 02:11 • -22.87db
39% Popularity • 36% Danceability • 2% Energy • 14% Liveness
97% Instrumentalness • 24% Positiveness
39% Popularity • 36% Danceability • 2% Energy • 14% Liveness
97% Instrumentalness • 24% Positiveness
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Carly Paradis
A and B Roads
72 bpm • C Maj • 00:52 • -14.62db
0% Popularity • 41% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
0% Popularity • 41% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Snorri HallgrÃmsson
Bliss
73 bpm • F min • 03:40 • -37.1db
25% Popularity • 7% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Max Richter
Dream 13 (minus even)
73 bpm • F# Maj • 08:52 • -30db
37% Popularity • 8% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
37% Popularity • 8% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Traditional
Aboriginal Lullaby
73 bpm • A# Maj • 01:53 • -29db
46% Popularity • 28% Danceability • 0% Energy • 10% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 28% Danceability • 0% Energy • 10% Liveness
67% Instrumentalness • 45% Positiveness
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Luke Howard
Hymn - Piano Version
73 bpm • C# Maj • 04:39 • -25.45db
21% Popularity • 47% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 21% Positiveness
21% Popularity • 47% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 21% Positiveness
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Laurent Ferlet
Prostration to the Buddha
73 bpm • A# Maj • 00:50 • -17.21db
38% Popularity • 26% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
38% Popularity • 26% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
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PÄ“teris Vasks
The Fruit of Silence
73 bpm • D# Maj • 07:27 • -32.51db
27% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Slow Meadow
Lonesome Summer - Bonus Track
74 bpm • D Maj • 05:14 • -21.38db
33% Popularity • 9% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Antonymes
A Feeling of Being Closer
74 bpm • D Maj • 09:26 • -32db
37% Popularity • 15% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 15% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Beautiful Chorus
Solar Plexus Chakra
74 bpm • E Maj • 04:12 • -37.27db
47% Popularity • 6% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
47% Popularity • 6% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
