Songs like Light Cavalry Overture by Franz von Suppé
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
1812 Festival Overture, Op. 49: 1812 Ove...
85 bpm • D# Maj • 03:49 • -13db
33% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Royal Philharmonic Orchestra
Go The Distance
85 bpm • D Maj • 04:22 • -13.84db
40% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
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Thomas Arne
Rule Britannia
85 bpm • A# Maj • 04:47 • -9.62db
26% Popularity • 21% Danceability • 44% Energy • 31% Liveness
6% Instrumentalness • 48% Positiveness
26% Popularity • 21% Danceability • 44% Energy • 31% Liveness
6% Instrumentalness • 48% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
85 bpm • C min • 06:35 • -14.24db
22% Popularity • 35% Danceability • 25% Energy • 18% Liveness
82% Instrumentalness • 18% Positiveness
22% Popularity • 35% Danceability • 25% Energy • 18% Liveness
82% Instrumentalness • 18% Positiveness
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Franz von Suppé
Light Cavalry Overture
85 bpm • A Maj • 06:45 • -16.9db
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
86 bpm • A Maj • 04:33 • -26db
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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John Barry
Dances with Wolves: The John Dunbar Them...
86 bpm • F Maj • 03:51 • -15.32db
21% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Hans Christian Lumbye
Otto Allins Tromme-Polka (1864)
86 bpm • G Maj • 02:15 • -17.55db
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Franz von Suppé
Leichte Kavallerie: Ouvertüre
86 bpm • A Maj • 06:58 • -15.07db
13% Popularity • 24% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 24% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II, Polovtsian...
84 bpm • A Maj • 01:33 • -20db
20% Popularity • 14% Danceability • 28% Energy • 31% Liveness
37% Instrumentalness • 29% Positiveness
20% Popularity • 14% Danceability • 28% Energy • 31% Liveness
37% Instrumentalness • 29% Positiveness
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Royal Philharmonic Orchestra
How Far I'll Go
84 bpm • E Maj • 02:48 • -14.8db
47% Popularity • 18% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 18% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 10% Positiveness
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Joseph Hellmesberger, Jr.
Kleiner Anzeiger, Galopp, Op. 4
86 bpm • D# Maj • 02:26 • -16.37db
15% Popularity • 47% Danceability • 58% Energy • 19% Liveness
91% Instrumentalness • 84% Positiveness
15% Popularity • 47% Danceability • 58% Energy • 19% Liveness
91% Instrumentalness • 84% Positiveness
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Franz Liszt
Hungarian Rhapsody, S. 244: No. 2 in C M...
86 bpm • C Maj • 10:46 • -16.72db
6% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
6% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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Franz von Suppé
The Peasant and The Poet
86 bpm • D Maj • 09:06 • -15db
13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Eduard Strauss
Mit Extrapost, Polka schnell, Op. 259
87 bpm • D Maj • 02:03 • -16.35db
16% Popularity • 59% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
16% Popularity • 59% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
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The Ayoub Sisters
Requiem: 5. Pie Jesu
87 bpm • A Maj • 03:18 • -19.74db
40% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
40% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
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Edvard Grieg
Peer Gynt, Suite No. 1, Op. 46: Morning
87 bpm • E Maj • 03:47 • -18.84db
28% Popularity • 15% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Sir Henry Wood
Wood: Fantasia on British Sea Songs: V. ...
87 bpm • A Maj • 02:11 • -17.64db
7% Popularity • 41% Danceability • 23% Energy • 6% Liveness
30% Instrumentalness • 94% Positiveness
7% Popularity • 41% Danceability • 23% Energy • 6% Liveness
30% Instrumentalness • 94% Positiveness
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Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
87 bpm • A Maj • 04:43 • -13.79db
9% Popularity • 13% Danceability • 27% Energy • 32% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 13% Danceability • 27% Energy • 32% Liveness
89% Instrumentalness • 11% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Hans Christian Lumbye
Britta Polka (1864)
87 bpm • A Maj • 02:34 • -19.56db
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
87 bpm • B min • 02:16 • -18db
16% Popularity • 35% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
16% Popularity • 35% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Johann Strauss I
Quadrille ohne Titel, Op. 248
87 bpm • A# Maj • 05:06 • -15.58db
11% Popularity • 45% Danceability • 18% Energy • 18% Liveness
70% Instrumentalness • 32% Positiveness
11% Popularity • 45% Danceability • 18% Energy • 18% Liveness
70% Instrumentalness • 32% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor
83 bpm • G Maj • 02:07 • -16.11db
11% Popularity • 32% Danceability • 20% Energy • 60% Liveness
68% Instrumentalness • 46% Positiveness
11% Popularity • 32% Danceability • 20% Energy • 60% Liveness
68% Instrumentalness • 46% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Eduard Strauss
Wer tanzt mit? Polka schnell, Op. 251
83 bpm • D Maj • 02:08 • -17.03db
21% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 68% Positiveness
21% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 68% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Gioachino Rossini
William Tell: Overture
88 bpm • E Maj • 11:06 • -21.49db
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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Joe Hisaishi
A Journey (A Kingdom of Dreams) - from '...
83 bpm • D Maj • 03:18 • -16.29db
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Edward Elgar
Pomp And Circumstance March No 1
88 bpm • D Maj • 05:34 • -17.6db
37% Popularity • 20% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 20% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 31% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Hans Christian Lumbye
Champagner-Galopp
82 bpm • E Maj • 02:23 • -18db
15% Popularity • 41% Danceability • 41% Energy • 82% Liveness
41% Instrumentalness • 64% Positiveness
15% Popularity • 41% Danceability • 41% Energy • 82% Liveness
41% Instrumentalness • 64% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
21% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
21% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: 1812 Overture in E-Flat Maj...
89 bpm • D# Maj • 03:42 • -17db
17% Popularity • 23% Danceability • 42% Energy • 6% Liveness
63% Instrumentalness • 12% Positiveness
17% Popularity • 23% Danceability • 42% Energy • 6% Liveness
63% Instrumentalness • 12% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
27% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
27% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Franz von Suppé
Pique Dame: Overture
82 bpm • D Maj • 07:51 • -14db
15% Popularity • 30% Danceability • 24% Energy • 68% Liveness
83% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 24% Energy • 68% Liveness
83% Instrumentalness • 12% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
34% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
34% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • A# min • 04:05 • -8.21db
34% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
34% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Edward Elgar
Chanson de Matin, Op. 15 No. 2 (Arr. Cul...
89 bpm • G Maj • 03:05 • -22.24db
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Sabre Dance
89 bpm • C Maj • 02:26 • -14db
1% Popularity • 46% Danceability • 67% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
1% Popularity • 46% Danceability • 67% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
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Christopher Tin
Flocks a Mile Wide
89 bpm • A Maj • 05:16 • -18.35db
32% Popularity • 10% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Richard Strauss
Wiener Philharmoniker Fanfare
89 bpm • D# Maj • 02:35 • -17db
12% Popularity • 30% Danceability • 28% Energy • 68% Liveness
90% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 28% Energy • 68% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Royal Philharmonic Orchestra
The Lord of The Rings: The Fellowship of...
81 bpm • D Maj • 05:29 • -15.53db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Pablo de Sarasate
Sarasate: Carmen Fantasy, Op. 25
89 bpm • A min • 11:34 • -23db
14% Popularity • 37% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Gioachino Rossini
The Thieving Magpie
89 bpm • E Maj • 05:07 • -19.88db
36% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
36% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
► Preview
Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
► Preview
Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
30% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
90 bpm • E Maj • 03:44 • -14.95db
23% Popularity • 42% Danceability • 17% Energy • 15% Liveness
60% Instrumentalness • 22% Positiveness
23% Popularity • 42% Danceability • 17% Energy • 15% Liveness
60% Instrumentalness • 22% Positiveness
► Preview
Pablo de Sarasate
Zigeunerweisen, Op. 20
81 bpm • G min • 09:07 • -25.39db
26% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
► Preview
Traditional
Fantasia On British Sea Songs - Jacks Th...
81 bpm • A Maj • 02:12 • -14db
14% Popularity • 32% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 76% Positiveness
14% Popularity • 32% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 76% Positiveness
► Preview
Dmitri Shostakovich
Festive Overture Op.96
80 bpm • A Maj • 05:48 • -14.49db
13% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Sir Henry Wood
Fantasia On British Sea Songs
80 bpm • C Maj • 17:52 • -19.63db
23% Popularity • 20% Danceability • 9% Energy • 18% Liveness
69% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 9% Energy • 18% Liveness
69% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 - Transcripti...
80 bpm • G min • 01:57 • -17db
24% Popularity • 31% Danceability • 13% Energy • 26% Liveness
18% Instrumentalness • 54% Positiveness
24% Popularity • 31% Danceability • 13% Energy • 26% Liveness
18% Instrumentalness • 54% Positiveness
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Léo Delibes
Coppélia, Act I: Valse Lente
90 bpm • D# Maj • 00:56 • -12.93db
40% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
40% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
36% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
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Royal Philharmonic Orchestra
Can Can (Orfeo en los infiernos-Can can ...
90 bpm • D Maj • 01:56 • -13.67db
23% Popularity • 35% Danceability • 61% Energy • 29% Liveness
96% Instrumentalness • 62% Positiveness
23% Popularity • 35% Danceability • 61% Energy • 29% Liveness
96% Instrumentalness • 62% Positiveness
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
52% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Christian Sinding
Sinding / Arr Sitt : Rustle of Spring
90 bpm • F min • 02:38 • -15.07db
18% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
18% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
22% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Gayane: Sabre Dance
90 bpm • C Maj • 02:28 • -14db
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620: Overture
90 bpm • D# Maj • 06:41 • -20db
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
34% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
34% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Richard Wagner
Die Walküre, 3. Akt: Walkürenritt (Apo...
91 bpm • G Maj • 05:28 • -17.09db
26% Popularity • 20% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
26% Popularity • 20% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Edvard Grieg
Morning Mood
80 bpm • E Maj • 01:44 • -30db
32% Popularity • 13% Danceability • 2% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 2% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Joe Hisaishi
Mother’s Broom - from 'Kiki's Delivery...
80 bpm • C Maj • 03:49 • -15.85db
47% Popularity • 18% Danceability • 20% Energy • 13% Liveness
9% Instrumentalness • 8% Positiveness
47% Popularity • 18% Danceability • 20% Energy • 13% Liveness
9% Instrumentalness • 8% Positiveness
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Philharmonic Wind Orchestra
Hungarian March, Op. 24 (Arranged by Joh...
91 bpm • F Maj • 04:57 • -8db
5% Popularity • 58% Danceability • 44% Energy • 5% Liveness
83% Instrumentalness • 52% Positiveness
5% Popularity • 58% Danceability • 44% Energy • 5% Liveness
83% Instrumentalness • 52% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
34% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
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Aram Khachaturian
Gayane Suite No. 2: VI. Sabre Dance
91 bpm • D# Maj • 02:26 • -15.58db
34% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
34% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
20% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
20% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B - Concert version ...
91 bpm • G Maj • 03:03 • -13.86db
44% Popularity • 24% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 13% Positiveness
44% Popularity • 24% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 13% Positiveness
