Songs like Lightnin' Hopkins by R.E.M.
Based on a tempo of (+/- 10%) and a similar genre
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Lou Reed
Romeo Had Juliette
131 bpm • A Maj • 03:10 • -13.07db
44% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
44% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
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The Pursuit Of Happiness
Killed By Love
131 bpm • D Maj • 04:05 • -9.83db
9% Popularity • 40% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 40% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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R.E.M.
Departure
131 bpm • D Maj • 03:29 • -4.45db
26% Popularity • 29% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
26% Popularity • 29% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Guadalcanal Diary
Always Saturday
131 bpm • A Maj • 04:14 • -15db
22% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Cult
Nirvana
131 bpm • A Maj • 05:26 • -7db
41% Popularity • 50% Danceability • 72% Energy • 13% Liveness
57% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 72% Energy • 13% Liveness
57% Instrumentalness • 55% Positiveness
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The Lemonheads
It's a Shame About Ray - Remastered
131 bpm • A Maj • 03:07 • -9db
47% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Jam
Man In The Corner Shop
130 bpm • B min • 03:11 • -9.39db
40% Popularity • 64% Danceability • 82% Energy • 5% Liveness
42% Instrumentalness • 96% Positiveness
40% Popularity • 64% Danceability • 82% Energy • 5% Liveness
42% Instrumentalness • 96% Positiveness
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Sidewinders
We Don't Do That Anymore
130 bpm • D Maj • 04:01 • -9db
13% Popularity • 48% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 48% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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R.E.M.
Disturbance At The Heron House
131 bpm • G Maj • 03:34 • -9.27db
33% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Jackson
Look Sharp!
130 bpm • D Maj • 03:22 • -7db
40% Popularity • 70% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 70% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Guadalcanal Diary
Ghosts on the Road
131 bpm • E Maj • 02:56 • -10.26db
14% Popularity • 32% Danceability • 65% Energy • 37% Liveness
71% Instrumentalness • 59% Positiveness
14% Popularity • 32% Danceability • 65% Energy • 37% Liveness
71% Instrumentalness • 59% Positiveness
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Stone Temple Pilots
Still Remains - 2019 Remaster
132 bpm • D Maj • 03:33 • -6db
50% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Waterboys
Don't Bang the Drum - 2004 Remaster
132 bpm • E min • 06:46 • -8db
42% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Judybats
Saturday
130 bpm • D Maj • 03:29 • -10db
10% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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R.E.M.
Lightnin' Hopkins
131 bpm • C# min • 03:21 • -9.98db
29% Popularity • 56% Danceability • 74% Energy • 5% Liveness
18% Instrumentalness • 70% Positiveness
29% Popularity • 56% Danceability • 74% Energy • 5% Liveness
18% Instrumentalness • 70% Positiveness
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Cracker
I'm A Little Rocket Ship
132 bpm • C Maj • 03:25 • -4.62db
13% Popularity • 59% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 59% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Elvis Costello
...This Town...
130 bpm • G Maj • 04:30 • -7.76db
22% Popularity • 71% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 71% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Robyn Hitchcock & The Egyptians
Oceanside
132 bpm • A Maj • 03:47 • -8.72db
10% Popularity • 48% Danceability • 96% Energy • 31% Liveness
34% Instrumentalness • 55% Positiveness
10% Popularity • 48% Danceability • 96% Energy • 31% Liveness
34% Instrumentalness • 55% Positiveness
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Bob Mould
Out Of Your Life
132 bpm • C Maj • 03:33 • -11.14db
14% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Pulp
I Spy
130 bpm • G# Maj • 05:55 • -8.14db
42% Popularity • 51% Danceability • 86% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
42% Popularity • 51% Danceability • 86% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
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10,000 Maniacs
A Campfire Song
132 bpm • D Maj • 03:13 • -15.23db
31% Popularity • 64% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 64% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Cracker
Another Song About The Rain
132 bpm • G Maj • 05:50 • -12.08db
22% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Hoodoo Gurus
Another World
132 bpm • C Maj • 03:14 • -2.82db
31% Popularity • 53% Danceability • 89% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
31% Popularity • 53% Danceability • 89% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
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Elvis Costello
Coal-Train Robberies
130 bpm • D min • 03:16 • -6.79db
13% Popularity • 67% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 67% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Lloyd Cole and the Commotions
Charlotte Street
130 bpm • A Maj • 03:50 • -8.95db
33% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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The Lemonheads
It's About Time
130 bpm • D Maj • 02:41 • -12db
33% Popularity • 66% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 66% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Manic Street Preachers
From Despair to Where
132 bpm • G Maj • 03:34 • -8.48db
35% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Judybats
Native Son
132 bpm • C# min • 03:18 • -10.84db
19% Popularity • 51% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 51% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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School Of Fish
Under The Microscope
132 bpm • D Maj • 04:34 • -9.29db
14% Popularity • 55% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 55% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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The Pursuit Of Happiness
Two Girls In One
132 bpm • G Maj • 02:35 • -9.39db
11% Popularity • 49% Danceability • 82% Energy • 32% Liveness
19% Instrumentalness • 86% Positiveness
11% Popularity • 49% Danceability • 82% Energy • 32% Liveness
19% Instrumentalness • 86% Positiveness
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Live
Iris
132 bpm • G# Maj • 03:59 • -7.23db
43% Popularity • 42% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 42% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Westerberg
World Class Fad
129 bpm • F Maj • 03:30 • -3db
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Ned's Atomic Dustbin
Nothing Like
129 bpm • D Maj • 02:40 • -11.26db
18% Popularity • 44% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
18% Popularity • 44% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
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Gin Blossoms
Cajun Song
133 bpm • A Maj • 02:56 • -8.52db
30% Popularity • 53% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 53% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Michael Penn
Big House
129 bpm • G Maj • 02:57 • -12.82db
8% Popularity • 52% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 52% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Urge Overkill
Bottle Of Fur
129 bpm • C Maj • 04:13 • -6.89db
20% Popularity • 52% Danceability • 95% Energy • 32% Liveness
3% Instrumentalness • 57% Positiveness
20% Popularity • 52% Danceability • 95% Energy • 32% Liveness
3% Instrumentalness • 57% Positiveness
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The Cult
Electric Ocean
129 bpm • D Maj • 02:49 • -8.93db
39% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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10,000 Maniacs
Don't Talk
133 bpm • D Maj • 04:59 • -16db
33% Popularity • 50% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
33% Popularity • 50% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Guadalcanal Diary
The Likes of You
133 bpm • E Maj • 03:06 • -13.63db
11% Popularity • 48% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 48% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Cracker
Nostalgia
133 bpm • A min • 03:34 • -8.92db
21% Popularity • 46% Danceability • 76% Energy • 11% Liveness
56% Instrumentalness • 57% Positiveness
21% Popularity • 46% Danceability • 76% Energy • 11% Liveness
56% Instrumentalness • 57% Positiveness
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Elvis Costello & The Attractions
I Hope You're Happy Now
133 bpm • A Maj • 03:07 • -5.98db
26% Popularity • 39% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 39% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Robyn Hitchcock & The Egyptians
So You Think You're In Love
129 bpm • E Maj • 02:34 • -8.67db
28% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Live
The Beauty Of Gray
129 bpm • A# min • 04:12 • -10db
41% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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10,000 Maniacs
Eden
129 bpm • B Maj • 04:08 • -7.45db
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
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Paul Westerberg
Ain't Got Me
129 bpm • C Maj • 03:25 • -5db
16% Popularity • 66% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 66% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 81% Positiveness
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R.E.M.
Green Grow The Rushes - 2010 Remaster
129 bpm • D Maj • 03:46 • -4.86db
26% Popularity • 52% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
26% Popularity • 52% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Big Audio Dynamite
Green Grass
129 bpm • A Maj • 05:24 • -13.58db
14% Popularity • 66% Danceability • 49% Energy • 57% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 66% Danceability • 49% Energy • 57% Liveness
0% Instrumentalness • 34% Positiveness
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Ned's Atomic Dustbin
Selfish
133 bpm • B Maj • 03:49 • -11.49db
22% Popularity • 27% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 27% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
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Toad The Wet Sprocket
Come Back Down
134 bpm • G Maj • 03:17 • -10.44db
15% Popularity • 48% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 48% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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The Connells
Another Souvenir
129 bpm • G Maj • 04:20 • -11.33db
7% Popularity • 33% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 33% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Gabriel
Not One Of Us
128 bpm • E Maj • 05:22 • -8.47db
24% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Soul Asylum
Endless Farewell
134 bpm • C Maj • 04:21 • -15.4db
13% Popularity • 38% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 38% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Lloyd Cole and the Commotions
Mister Malcontent
128 bpm • C Maj • 04:49 • -13.93db
28% Popularity • 58% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
28% Popularity • 58% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
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Frank Black
White Noise Maker
134 bpm • F# Maj • 02:42 • -6.72db
15% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Gigolo Aunts
Cope
128 bpm • E min • 03:49 • -7.85db
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Lemonheads
Li'l Seed
128 bpm • D Maj • 03:22 • -11.2db
10% Popularity • 48% Danceability • 73% Energy • 5% Liveness
14% Instrumentalness • 44% Positiveness
10% Popularity • 48% Danceability • 73% Energy • 5% Liveness
14% Instrumentalness • 44% Positiveness
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Bob Mould
Sinners And Their Repentances
128 bpm • F# Maj • 04:06 • -14.84db
18% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Cult
Big Neon Glitter
128 bpm • G Maj • 04:51 • -6.91db
38% Popularity • 57% Danceability • 86% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
38% Popularity • 57% Danceability • 86% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
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Soul Asylum
Twiddly Dee
134 bpm • G Maj • 03:00 • -16.5db
13% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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R.E.M.
Strange
128 bpm • B min • 02:33 • -8.64db
32% Popularity • 56% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 56% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Pursuit Of Happiness
When The Sky Comes Falling Down
134 bpm • G Maj • 03:29 • -10.47db
11% Popularity • 42% Danceability • 73% Energy • 31% Liveness
74% Instrumentalness • 88% Positiveness
11% Popularity • 42% Danceability • 73% Energy • 31% Liveness
74% Instrumentalness • 88% Positiveness
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Guadalcanal Diary
Lonley Street
128 bpm • G Maj • 02:36 • -10.71db
8% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Mould
It's Too Late
128 bpm • E Maj • 04:03 • -11.24db
25% Popularity • 52% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 52% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Petty
Depending On You
128 bpm • D Maj • 02:48 • -10.37db
46% Popularity • 66% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 66% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Urge Overkill
Positive Bleeding
128 bpm • E Maj • 03:42 • -7.44db
30% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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The Stranglers
Longships
134 bpm • D Maj • 01:10 • -9.85db
36% Popularity • 52% Danceability • 66% Energy • 8% Liveness
85% Instrumentalness • 86% Positiveness
36% Popularity • 52% Danceability • 66% Energy • 8% Liveness
85% Instrumentalness • 86% Positiveness
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David Bowie
The Pretty Things Are Going to Hell
128 bpm • C# Maj • 04:41 • -5.67db
25% Popularity • 58% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 36% Positiveness
25% Popularity • 58% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 36% Positiveness
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Elvis Costello
(The Angels Wanna Wear My) Red Shoes
135 bpm • E Maj • 02:47 • -10db
42% Popularity • 58% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 58% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Freedy Johnston
On the Way Out
135 bpm • F min • 02:48 • -6db
21% Popularity • 51% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 51% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Tom Petty
Feel A Whole Lot Better
135 bpm • A Maj • 02:49 • -10.55db
48% Popularity • 58% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 58% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Urge Overkill
Tequila Sundae
135 bpm • B min • 04:19 • -8.18db
23% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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R.E.M.
Circus Envy - Remastered
135 bpm • D Maj • 04:15 • -4.78db
28% Popularity • 33% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
28% Popularity • 33% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Crash Test Dummies
Here I Stand Before Me
127 bpm • D Maj • 03:06 • -5.41db
31% Popularity • 65% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
31% Popularity • 65% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Live
Operation Spirit (The Tyranny Of Traditi...
127 bpm • A# min • 03:18 • -10db
44% Popularity • 50% Danceability • 82% Energy • 4% Liveness
1% Instrumentalness • 47% Positiveness
44% Popularity • 50% Danceability • 82% Energy • 4% Liveness
1% Instrumentalness • 47% Positiveness
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The Posies
Flavor Of The Month
135 bpm • E Maj • 02:36 • -6db
32% Popularity • 43% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 43% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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The Lemonheads
Dawn Can't Decide
135 bpm • D Maj • 02:23 • -10.59db
22% Popularity • 42% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 42% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Ric Ocasek
The Next Right Moment
135 bpm • C Maj • 04:21 • -2.97db
8% Popularity • 48% Danceability • 99% Energy • 17% Liveness
2% Instrumentalness • 29% Positiveness
8% Popularity • 48% Danceability • 99% Energy • 17% Liveness
2% Instrumentalness • 29% Positiveness
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Toad The Wet Sprocket
Liars Everywhere
127 bpm • E Maj • 02:18 • -9.88db
12% Popularity • 33% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 33% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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R.E.M.
What If We Give It Away?
127 bpm • D Maj • 03:34 • -10.64db
27% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Guadalcanal Diary
Fear of God
127 bpm • E min • 03:21 • -12.89db
16% Popularity • 58% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 58% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Neil Young
F*!#in' Up - 2023 Remaster
127 bpm • G Maj • 05:54 • -10.49db
23% Popularity • 34% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 34% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Wonder Stuff
Can't Shape Up
136 bpm • C# min • 03:03 • -10.01db
22% Popularity • 49% Danceability • 88% Energy • 6% Liveness
17% Instrumentalness • 83% Positiveness
22% Popularity • 49% Danceability • 88% Energy • 6% Liveness
17% Instrumentalness • 83% Positiveness
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Cracker
Satisfy You
126 bpm • A Maj • 03:29 • -7.64db
17% Popularity • 56% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 56% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Lloyd Cole
Tell Your Sister
126 bpm • G Maj • 03:30 • -10.67db
14% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Lemonheads
Rudderless - Remastered
136 bpm • A Maj • 03:19 • -7.41db
34% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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R.E.M.
Kohoutek
126 bpm • D Maj • 03:17 • -14.13db
25% Popularity • 43% Danceability • 60% Energy • 28% Liveness
81% Instrumentalness • 82% Positiveness
25% Popularity • 43% Danceability • 60% Energy • 28% Liveness
81% Instrumentalness • 82% Positiveness
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Paul Westerberg
Lookin' Out Forever
137 bpm • E min • 03:43 • -4db
20% Popularity • 39% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 39% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Lloyd Cole and the Commotions
Down On Mission Street
125 bpm • D Maj • 03:45 • -11db
31% Popularity • 58% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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Squeeze
The Truth
137 bpm • D Maj • 04:12 • -12.13db
17% Popularity • 62% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 62% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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John Wesley Harding
The Devil in Me
125 bpm • B Maj • 04:42 • -9db
10% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Posies
20 Questions
125 bpm • A Maj • 03:56 • -6.63db
13% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Connells
Something To Say
125 bpm • D Maj • 03:40 • -9.4db
25% Popularity • 63% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 63% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Jackson
Happy Loving Couples
137 bpm • G Maj • 03:07 • -4.89db
33% Popularity • 78% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 78% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Redd Kross
The Faith Healer - Remastered Version
137 bpm • D Maj • 03:52 • -10.39db
11% Popularity • 62% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 62% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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The The
The Violence Of Truth
125 bpm • F# min • 05:40 • -16.16db
24% Popularity • 66% Danceability • 52% Energy • 11% Liveness
46% Instrumentalness • 76% Positiveness
24% Popularity • 66% Danceability • 52% Energy • 11% Liveness
46% Instrumentalness • 76% Positiveness
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R.E.M.
Begin The Begin
125 bpm • A Maj • 03:28 • -11.32db
41% Popularity • 48% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
41% Popularity • 48% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Jesus Jones
Trust Me
137 bpm • A Maj • 02:10 • -9db
22% Popularity • 38% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 38% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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School Of Fish
King Of The Dollar
137 bpm • A Maj • 02:47 • -10db
18% Popularity • 46% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
18% Popularity • 46% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
