Songs like Lights Are On by Tom Rosenthal
Based on a tempo of (+/- 10%) and a similar genre
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Tom Rosenthal
About The Weather
136 bpm • A# min • 03:15 • -16.85db
35% Popularity • 55% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 55% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Edith Whiskers
Lights Are On - Instrumental
136 bpm • D# Maj • 03:12 • -20.37db
65% Popularity • 27% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
65% Popularity • 27% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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TV Girl
Blue Hair
136 bpm • E Maj • 03:37 • -6.38db
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
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The Neighbourhood
The Beach
136 bpm • D min • 04:15 • -7.43db
74% Popularity • 24% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
74% Popularity • 24% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Edith Whiskers
Lights Are On - Acapella
135 bpm • D# Maj • 02:58 • -12.53db
46% Popularity • 41% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 41% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Tom Rosenthal
You Only Need You
136 bpm • E Maj • 03:46 • -11db
23% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rachel Chinouriri
So My Darling - Acoustic
138 bpm • A Maj • 03:48 • -11.11db
62% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Coldplay
Fix You
138 bpm • D# Maj • 04:55 • -8.74db
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tom Odell
Flying :))
134 bpm • F# Maj • 02:59 • -15.06db
60% Popularity • 52% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
60% Popularity • 52% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Tom Rosenthal
Morning O
137 bpm • D Maj • 02:41 • -15.2db
40% Popularity • 55% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 55% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Eyedress
Something About You
133 bpm • A min • 02:33 • -8.74db
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
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Sky McCreery
i looked into your eyes
134 bpm • A# Maj • 02:28 • -9.55db
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Guti
Girl of My Dreams
139 bpm • A# Maj • 03:42 • -16.15db
72% Popularity • 57% Danceability • 33% Energy • 9% Liveness
40% Instrumentalness • 5% Positiveness
72% Popularity • 57% Danceability • 33% Energy • 9% Liveness
40% Instrumentalness • 5% Positiveness
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Tom Rosenthal
This Little Life
134 bpm • C# Maj • 03:18 • -7.92db
41% Popularity • 63% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 63% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Sparky Deathcap
September
140 bpm • G# Maj • 03:09 • -10.83db
67% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
67% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Rosenthal
Call You in the Morning
138 bpm • G Maj • 02:12 • -9.72db
44% Popularity • 73% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
44% Popularity • 73% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
76% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
76% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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XXXTENTACION
Revenge
140 bpm • B min • 02:00 • -16.17db
86% Popularity • 75% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 75% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Lissom
Daylight
140 bpm • E Maj • 03:16 • -18db
50% Popularity • 37% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
50% Popularity • 37% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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d4vd
Romantic Homicide
132 bpm • F# Maj • 02:12 • -10.61db
87% Popularity • 57% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
87% Popularity • 57% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
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Tom Rosenthal
Now You Know
134 bpm • A Maj • 03:33 • -15.09db
37% Popularity • 52% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 52% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Kxllswxtch
WASTE
132 bpm • G Maj • 02:00 • -14.41db
78% Popularity • 63% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
78% Popularity • 63% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Labrinth
I’m Tired - Bonus Track
132 bpm • C min • 03:07 • -10.62db
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Edith Whiskers
It's Ok - Slowed
132 bpm • F# min • 03:34 • -13.6db
62% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Mitski
I Want You
132 bpm • D# Maj • 03:03 • -11.29db
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Cigarettes After Sex
Falling In Love
141 bpm • G Maj • 04:05 • -11.65db
73% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
73% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Mac DeMarco
Chamber Of Reflection
131 bpm • B Maj • 03:51 • -8.67db
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Tom Rosenthal
Woes
140 bpm • A Maj • 03:25 • -16.91db
42% Popularity • 39% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
42% Popularity • 39% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
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Edith Whiskers
I Want You In My Dreams
131 bpm • A Maj • 02:02 • -17.64db
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
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JVKE
this is what sadness feels like
141 bpm • A# min • 03:11 • -10.4db
62% Popularity • 48% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 48% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Labrinth
All For Us
142 bpm • D# Maj • 03:11 • -6.64db
71% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
71% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Isak Danielson
Broken
142 bpm • F min • 03:36 • -6.85db
69% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
69% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Conan Gray
The Story
142 bpm • C Maj • 04:05 • -10.38db
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sleeping At Last
Hearing
142 bpm • G Maj • 04:08 • -11.64db
63% Popularity • 21% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
63% Popularity • 21% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Cavetown
This Is Home
130 bpm • G Maj • 03:46 • -12.48db
69% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
69% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Rosenthal
Forests on the Way There
130 bpm • D# Maj • 01:57 • -9.78db
32% Popularity • 66% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
32% Popularity • 66% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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The Cinematic Orchestra
To Build A Home - Album Edit
143 bpm • A Maj • 02:56 • -14.11db
57% Popularity • 30% Danceability • 19% Energy • 9% Liveness
30% Instrumentalness • 14% Positiveness
57% Popularity • 30% Danceability • 19% Energy • 9% Liveness
30% Instrumentalness • 14% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Seafret
Oceans
129 bpm • A min • 03:35 • -9.1db
61% Popularity • 37% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 37% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hozier
Take Me To Church
129 bpm • E min • 04:01 • -5.3db
84% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
84% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Beach Bunny
Prom Queen
144 bpm • E Maj • 02:16 • -7.49db
80% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
80% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Bondex
Freaks but Slowed Muffled Echo
144 bpm • F Maj • 02:56 • -16.35db
63% Popularity • 26% Danceability • 57% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
63% Popularity • 26% Danceability • 57% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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mehro
the same
144 bpm • F min • 03:24 • -11db
51% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
51% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.64db
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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SYML
Meant to Stay Hid
128 bpm • E Maj • 03:43 • -14.1db
56% Popularity • 60% Danceability • 18% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
56% Popularity • 60% Danceability • 18% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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mehro
chance with you
144 bpm • E min • 03:35 • -8.13db
64% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
64% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
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blackbear
idfc
145 bpm • E min • 03:27 • -9.12db
74% Popularity • 72% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 72% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Patrick Watson
Sit Down Beside Me
145 bpm • D# min • 04:32 • -13.01db
36% Popularity • 31% Danceability • 33% Energy • 27% Liveness
58% Instrumentalness • 27% Positiveness
36% Popularity • 31% Danceability • 33% Energy • 27% Liveness
58% Instrumentalness • 27% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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Coldplay
The Scientist
146 bpm • F Maj • 05:09 • -7.22db
85% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
85% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Joji
worldstar money (interlude)
147 bpm • G Maj • 02:06 • -8.61db
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
