Songs like like a feather or a pawprint by Field Medic
Based on a tempo of (+/- 10%) and a similar genre
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Sadurn
lunch
90 bpm • B Maj • 04:21 • -15.15db
24% Popularity • 62% Danceability • 22% Energy • 8% Liveness
17% Instrumentalness • 10% Positiveness
24% Popularity • 62% Danceability • 22% Energy • 8% Liveness
17% Instrumentalness • 10% Positiveness
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Runnner
Housekeys
90 bpm • E min • 03:44 • -9.32db
20% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Tyler Burkhart
Marianne
90 bpm • G Maj • 03:06 • -10.75db
24% Popularity • 46% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
24% Popularity • 46% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Field Medic
i will not mourn who i was that has gone...
90 bpm • F# Maj • 03:29 • -4.84db
21% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Smidley
The Fairest of the Seasons
90 bpm • F# Maj • 04:21 • -11.54db
11% Popularity • 48% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 48% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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the booyah! kids
Julian 19
90 bpm • G Maj • 01:59 • -10.59db
27% Popularity • 61% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 61% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Bendigo Fletcher
Green Murder
90 bpm • D# Maj • 05:09 • -14.53db
25% Popularity • 52% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 52% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Moses Campbell
And It's Over 2
89 bpm • F Maj • 02:58 • -9.77db
23% Popularity • 40% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 40% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Brazen Youth
Birds Inside My Attic
89 bpm • B Maj • 02:58 • -9.26db
17% Popularity • 34% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 34% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Field Medic
p e g a s u s t h o t z
90 bpm • E Maj • 01:49 • -4db
38% Popularity • 61% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 61% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Iron & Wine
Naked as We Came - Demo
88 bpm • G Maj • 02:37 • -16.95db
28% Popularity • 47% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
28% Popularity • 47% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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For Your Health
I Slept with Wes Eisold and All I Got Wa...
88 bpm • B Maj • 01:02 • -9.07db
8% Popularity • 44% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 44% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jeffrey Lewis
Heavy Heart
92 bpm • C Maj • 01:44 • -18.65db
23% Popularity • 46% Danceability • 14% Energy • 25% Liveness
4% Instrumentalness • 61% Positiveness
23% Popularity • 46% Danceability • 14% Energy • 25% Liveness
4% Instrumentalness • 61% Positiveness
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Right Away, Great Captain!
Oh No, I Tried
92 bpm • A Maj • 03:03 • -7.51db
34% Popularity • 77% Danceability • 47% Energy • 9% Liveness
51% Instrumentalness • 71% Positiveness
34% Popularity • 77% Danceability • 47% Energy • 9% Liveness
51% Instrumentalness • 71% Positiveness
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Florist
Cool and Refreshing
88 bpm • G Maj • 02:31 • -15.85db
46% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Field Medic
like a feather or a pawprint
90 bpm • G Maj • 02:01 • -3.28db
22% Popularity • 41% Danceability • 73% Energy • 16% Liveness
8% Instrumentalness • 68% Positiveness
22% Popularity • 41% Danceability • 73% Energy • 16% Liveness
8% Instrumentalness • 68% Positiveness
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Runnner
Eggshell
87 bpm • G Maj • 03:24 • -9db
39% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Valley Maker
The Mission
88 bpm • C# Maj • 03:40 • -7.42db
20% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Dodos
Bob
87 bpm • D# Maj • 03:44 • -15db
29% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Fog Lake
Goldmine
87 bpm • G Maj • 02:19 • -8.24db
41% Popularity • 59% Danceability • 54% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
41% Popularity • 59% Danceability • 54% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
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Taylor Vick
A World So Full Of Love
93 bpm • F Maj • 02:53 • -11.07db
19% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Field Medic
prowler
92 bpm • F Maj • 02:16 • -10.83db
17% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Fox Academy
Nascar
93 bpm • E Maj • 02:06 • -12.22db
26% Popularity • 58% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 58% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Moses Campbell
New Country
93 bpm • G Maj • 03:51 • -9.34db
17% Popularity • 45% Danceability • 40% Energy • 15% Liveness
36% Instrumentalness • 44% Positiveness
17% Popularity • 45% Danceability • 40% Energy • 15% Liveness
36% Instrumentalness • 44% Positiveness
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Tony Molina
Old Enough to Know
93 bpm • A Maj • 01:07 • -18.73db
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
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Buck Meek
Pocketknife
87 bpm • F Maj • 02:23 • -7.78db
19% Popularity • 43% Danceability • 49% Energy • 34% Liveness
4% Instrumentalness • 13% Positiveness
19% Popularity • 43% Danceability • 49% Energy • 34% Liveness
4% Instrumentalness • 13% Positiveness
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German Error Message
Reaching Out
94 bpm • B min • 03:30 • -12.18db
23% Popularity • 45% Danceability • 42% Energy • 20% Liveness
32% Instrumentalness • 53% Positiveness
23% Popularity • 45% Danceability • 42% Energy • 20% Liveness
32% Instrumentalness • 53% Positiveness
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Field Medic
TRANQUILIZED
87 bpm • E Maj • 04:51 • -13.08db
12% Popularity • 37% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 37% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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wished bone
spring time lover
86 bpm • F Maj • 03:13 • -10.43db
20% Popularity • 49% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 49% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Saintseneca
Moon Barks at the Dog
94 bpm • B min • 03:16 • -7.07db
23% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Palehound
Dry Food
94 bpm • C Maj • 04:28 • -15.37db
31% Popularity • 66% Danceability • 26% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
31% Popularity • 66% Danceability • 26% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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100%
All Dressed up in Dreams
94 bpm • G Maj • 03:48 • -28db
28% Popularity • 55% Danceability • 3% Energy • 15% Liveness
58% Instrumentalness • 37% Positiveness
28% Popularity • 55% Danceability • 3% Energy • 15% Liveness
58% Instrumentalness • 37% Positiveness
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Tomberlin
Sin
94 bpm • D Maj • 04:31 • -8.62db
34% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Field Medic
chamomile
94 bpm • A Maj • 03:53 • -12.48db
29% Popularity • 49% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
29% Popularity • 49% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Dear Nora
Girl from the North Country
86 bpm • G Maj • 03:39 • -17db
31% Popularity • 46% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
31% Popularity • 46% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Jodi
Remember
94 bpm • D Maj • 02:57 • -10.91db
27% Popularity • 68% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 68% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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TOLEDO
Knot - Demo
94 bpm • A Maj • 04:32 • -9db
34% Popularity • 56% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 56% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Elvis Depressedly
Visiting Angels
86 bpm • F Maj • 01:33 • -9.27db
29% Popularity • 48% Danceability • 47% Energy • 21% Liveness
80% Instrumentalness • 69% Positiveness
29% Popularity • 48% Danceability • 47% Energy • 21% Liveness
80% Instrumentalness • 69% Positiveness
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Michael Cera
Ruth
86 bpm • C Maj • 05:16 • -24.94db
47% Popularity • 46% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
47% Popularity • 46% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Field Medic
not a normal boy
86 bpm • D# Maj • 04:00 • -3.18db
18% Popularity • 51% Danceability • 72% Energy • 12% Liveness
31% Instrumentalness • 17% Positiveness
18% Popularity • 51% Danceability • 72% Energy • 12% Liveness
31% Instrumentalness • 17% Positiveness
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Worst Party Ever
3:67 AM
86 bpm • E Maj • 01:58 • -21.16db
28% Popularity • 58% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 34% Positiveness
28% Popularity • 58% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 34% Positiveness
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Odie Leigh
Double Shift
95 bpm • D# Maj • 05:00 • -14.04db
31% Popularity • 46% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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LVL UP
Alabama West
95 bpm • G Maj • 01:18 • -7.54db
26% Popularity • 40% Danceability • 52% Energy • 32% Liveness
16% Instrumentalness • 28% Positiveness
26% Popularity • 40% Danceability • 52% Energy • 32% Liveness
16% Instrumentalness • 28% Positiveness
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The Slaps
Being Around
95 bpm • B Maj • 02:40 • -15.55db
41% Popularity • 65% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 65% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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CBMC
Real Slow
85 bpm • F# min • 01:54 • -17db
31% Popularity • 64% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
31% Popularity • 64% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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Moses Campbell
And It's Over 3
85 bpm • G# min • 03:17 • -13db
12% Popularity • 40% Danceability • 22% Energy • 48% Liveness
1% Instrumentalness • 17% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 48% Liveness
1% Instrumentalness • 17% Positiveness
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Hello Shark
Fishing For Bats
95 bpm • G Maj • 02:56 • -8.61db
19% Popularity • 75% Danceability • 55% Energy • 24% Liveness
47% Instrumentalness • 27% Positiveness
19% Popularity • 75% Danceability • 55% Energy • 24% Liveness
47% Instrumentalness • 27% Positiveness
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Odie Leigh
Take Back
95 bpm • G Maj • 04:09 • -8.96db
33% Popularity • 56% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 56% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Runnner
Vines to Make It All Worth It
95 bpm • A Maj • 01:36 • -11.5db
45% Popularity • 57% Danceability • 63% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
45% Popularity • 57% Danceability • 63% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
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Angelo De Augustine
Old Hope
95 bpm • D# Maj • 01:58 • -15.92db
45% Popularity • 48% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
45% Popularity • 48% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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The Brazen Youth
I've Never Killed Anything That Lived
85 bpm • E Maj • 01:54 • -13.65db
32% Popularity • 63% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 63% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Jeffrey Lewis
Alphabet
96 bpm • G Maj • 02:21 • -15.68db
23% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Frat Mouse
ghosts
85 bpm • C min • 02:09 • -14.97db
23% Popularity • 42% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 42% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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The World Is A Beautiful Place & I Am No Longer Afraid To Die
To the Janitor, To the King
84 bpm • F Maj • 02:32 • -10db
27% Popularity • 50% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 50% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tomberlin
Floor
96 bpm • A# Maj • 04:33 • -9.07db
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Pleasure Systems
When I Picture You Now
84 bpm • D Maj • 02:07 • -16.25db
31% Popularity • 51% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
31% Popularity • 51% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Told Slant
Delicate
96 bpm • G Maj • 03:50 • -10.74db
12% Popularity • 42% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 42% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Dolly Valentine
Michigan, 1997
96 bpm • D Maj • 04:19 • -9.91db
9% Popularity • 64% Danceability • 52% Energy • 10% Liveness
49% Instrumentalness • 53% Positiveness
9% Popularity • 64% Danceability • 52% Energy • 10% Liveness
49% Instrumentalness • 53% Positiveness
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Petite League
Raspberry Seeds
84 bpm • A Maj • 03:07 • -7db
28% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Skullcrusher
Trace
96 bpm • F# Maj • 03:19 • -11.09db
33% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Mothé
Ignore Me
84 bpm • G Maj • 02:15 • -9.72db
35% Popularity • 38% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 38% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Adrianne Lenker
Yuki Onna
84 bpm • D Maj • 03:04 • -15db
40% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Better Oblivion Community Center
Service Road
84 bpm • C Maj • 03:44 • -10db
40% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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German Error Message
Everything Is Scary
96 bpm • G Maj • 01:52 • -16.37db
54% Popularity • 65% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Jeffrey Lewis
I Saw a Hippie Girl on 8th Ave
97 bpm • G Maj • 02:02 • -20.07db
29% Popularity • 43% Danceability • 18% Energy • 23% Liveness
63% Instrumentalness • 58% Positiveness
29% Popularity • 43% Danceability • 18% Energy • 23% Liveness
63% Instrumentalness • 58% Positiveness
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Fog Lake
Roswell
84 bpm • C Maj • 02:33 • -9db
34% Popularity • 45% Danceability • 71% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
34% Popularity • 45% Danceability • 71% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
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Christian Lee Hutson
Single For The Summer
97 bpm • D# Maj • 03:57 • -9.44db
25% Popularity • 48% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
25% Popularity • 48% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Twain
Are We in Heaven?
84 bpm • G# Maj • 02:57 • -13.31db
24% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Nana Grizol
Window
97 bpm • E Maj • 03:47 • -9.14db
28% Popularity • 54% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 54% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Brazen Youth
Reassess Me
97 bpm • C# Maj • 05:00 • -10.34db
14% Popularity • 47% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 47% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Florist
Only A Prayer, Nothing More
97 bpm • A Maj • 04:41 • -13.34db
25% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jack M. Senff
Strange Feeling
97 bpm • B Maj • 02:01 • -14.72db
29% Popularity • 74% Danceability • 23% Energy • 10% Liveness
15% Instrumentalness • 18% Positiveness
29% Popularity • 74% Danceability • 23% Energy • 10% Liveness
15% Instrumentalness • 18% Positiveness
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Adrianne Lenker
Miss Misty
97 bpm • A# Maj • 02:47 • -13.58db
49% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Shakey Graves
To Cure What Ails
83 bpm • F# Maj • 04:00 • -15.76db
29% Popularity • 53% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 53% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Nana Grizol
Photos from When We Were Young
84 bpm • G Maj • 03:25 • -8db
36% Popularity • 60% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Better Oblivion Community Center
Forest Lawn
83 bpm • D Maj • 03:46 • -14db
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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CBMC
Pile Cans Up
83 bpm • C min • 02:10 • -13.92db
26% Popularity • 59% Danceability • 36% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
26% Popularity • 59% Danceability • 36% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
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Field Medic
older now (it hurts)
83 bpm • D Maj • 03:24 • -11db
20% Popularity • 52% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 52% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Adrianne Lenker
A Love of Some Kind
98 bpm • A Maj • 02:53 • -13.01db
51% Popularity • 71% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 71% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Kevin Devine
I Was Alive Back Then
98 bpm • F# Maj • 05:09 • -10.53db
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Free Cake For Every Creature
In Your Car
98 bpm • D Maj • 02:03 • -9db
49% Popularity • 61% Danceability • 48% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
49% Popularity • 61% Danceability • 48% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
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Sadurn
moses kill
82 bpm • C Maj • 02:59 • -16.81db
30% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Runnner
Heliotrope
83 bpm • A Maj • 03:07 • -10db
31% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Whatever, Dad
Bandit
98 bpm • C Maj • 01:44 • -24.23db
31% Popularity • 54% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
31% Popularity • 54% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
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Field Medic
i wish you'd met me back when i was cute
82 bpm • C Maj • 00:57 • -13.33db
18% Popularity • 52% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 43% Positiveness
18% Popularity • 52% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 43% Positiveness
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Adrianne Lenker
Wallet
98 bpm • A Maj • 03:42 • -13.94db
35% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
35% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Nana Grizol
Explained Away
82 bpm • C Maj • 02:46 • -11.47db
19% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Harrison Whitford
Afraid of Nothing
82 bpm • C Maj • 04:21 • -12.51db
18% Popularity • 67% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 67% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Jeffrey Lewis
The Chelsea Hotel Oral Sex Song
82 bpm • C Maj • 07:03 • -15db
28% Popularity • 45% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
28% Popularity • 45% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
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Wyatt Smith
Elated
82 bpm • B Maj • 03:48 • -10.73db
29% Popularity • 62% Danceability • 47% Energy • 19% Liveness
56% Instrumentalness • 54% Positiveness
29% Popularity • 62% Danceability • 47% Energy • 19% Liveness
56% Instrumentalness • 54% Positiveness
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Field Medic
talkin johnny & june (your arms around m...
99 bpm • F# Maj • 02:42 • -5.68db
33% Popularity • 67% Danceability • 46% Energy • 19% Liveness
43% Instrumentalness • 49% Positiveness
33% Popularity • 67% Danceability • 46% Energy • 19% Liveness
43% Instrumentalness • 49% Positiveness
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Attic Abasement
Problems Getting Numb
99 bpm • G Maj • 03:15 • -8.8db
22% Popularity • 43% Danceability • 53% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
22% Popularity • 43% Danceability • 53% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Free Cake For Every Creature
Be Home Soon
99 bpm • B Maj • 03:40 • -14.71db
28% Popularity • 61% Danceability • 48% Energy • 9% Liveness
33% Instrumentalness • 49% Positiveness
28% Popularity • 61% Danceability • 48% Energy • 9% Liveness
33% Instrumentalness • 49% Positiveness
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Hello Shark
New Jersey
82 bpm • G Maj • 02:03 • -9.53db
24% Popularity • 68% Danceability • 45% Energy • 8% Liveness
8% Instrumentalness • 67% Positiveness
24% Popularity • 68% Danceability • 45% Energy • 8% Liveness
8% Instrumentalness • 67% Positiveness
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Moses Campbell
And It's Over 1
82 bpm • G Maj • 02:39 • -7.39db
28% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Haley Heynderickx
Little Wind
99 bpm • D Maj • 02:02 • -12.34db
40% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Field Medic
M.M.G.A.T.M
81 bpm • E Maj • 02:05 • -14.08db
20% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
