Songs like Like Dust I May Rise (To Shiraz) by Dhafer Youssef
Based on a tempo of (+/- 10%) and a similar genre
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Jon Balke
Ya Andalucin
72 bpm • A Maj • 02:25 • -18.43db
14% Popularity • 12% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 12% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Amina Alaoui
Fado Al-Mu'tamid
73 bpm • E min • 05:30 • -20.02db
26% Popularity • 40% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
26% Popularity • 40% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Renaud Garcia-Fons
Silk Moon
73 bpm • D min • 03:39 • -11.68db
35% Popularity • 44% Danceability • 23% Energy • 11% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 44% Danceability • 23% Energy • 11% Liveness
98% Instrumentalness • 26% Positiveness
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Amine Bouhafa
The Spiritual Dance
73 bpm • D min • 02:39 • -15.2db
27% Popularity • 25% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Trio Chermirani
Dar bâzé
71 bpm • D# Maj • 01:13 • -15.36db
27% Popularity • 47% Danceability • 34% Energy • 12% Liveness
83% Instrumentalness • 22% Positiveness
27% Popularity • 47% Danceability • 34% Energy • 12% Liveness
83% Instrumentalness • 22% Positiveness
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Dhafer Youssef
Khira "Indicium Divinum" Elegy for My Mo...
74 bpm • C# min • 03:55 • -14db
18% Popularity • 19% Danceability • 6% Energy • 9% Liveness
52% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 6% Energy • 9% Liveness
52% Instrumentalness • 11% Positiveness
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Lévon Minassian
Delé Yaman (Love Song)
70 bpm • B min • 05:57 • -22.67db
30% Popularity • 18% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Armen Stepanyan
The death of brave son
70 bpm • B Maj • 06:50 • -14.77db
30% Popularity • 12% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Paolo Fresu
Teardrop / Ya Habibi
70 bpm • D min • 07:25 • -13.36db
28% Popularity • 26% Danceability • 29% Energy • 7% Liveness
2% Instrumentalness • 11% Positiveness
28% Popularity • 26% Danceability • 29% Energy • 7% Liveness
2% Instrumentalness • 11% Positiveness
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Hadouk Trio
Nambaraï Gate
69 bpm • G min • 01:03 • -17.51db
46% Popularity • 32% Danceability • 2% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
46% Popularity • 32% Danceability • 2% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
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Stephan Micus
Part 5: In The High Valleys
69 bpm • C Maj • 05:12 • -23.4db
17% Popularity • 31% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
17% Popularity • 31% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
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Dhafer Youssef
Wind & Shadows
74 bpm • D# min • 07:38 • -13.4db
31% Popularity • 69% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 69% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
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Arto Tunçboyacıyan
Camomille
75 bpm • G# min • 02:24 • -25.69db
35% Popularity • 36% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 56% Positiveness
35% Popularity • 36% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 56% Positiveness
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Renaud Garcia-Fons
Reng-é shotor
75 bpm • F min • 03:48 • -11.9db
36% Popularity • 72% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
36% Popularity • 72% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
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Khaled Mouzanar
Zaghloul el Hamam
75 bpm • G min • 02:13 • -16.36db
36% Popularity • 42% Danceability • 11% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
36% Popularity • 42% Danceability • 11% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
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Nils Petter Molvær
Moute Cave
76 bpm • D# Maj • 01:58 • -21.39db
30% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Stephan Micus
Part 1 Nomad Song
75 bpm • F# min • 08:58 • -26.36db
14% Popularity • 22% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
14% Popularity • 22% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Dhafer Youssef
Ruby Like Wine (To Sheikh Muhammed Omran...
69 bpm • A min • 06:02 • -13.74db
20% Popularity • 25% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 13% Positiveness
20% Popularity • 25% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 13% Positiveness
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Nguyên Lê
Safina
76 bpm • E min • 03:27 • -9.61db
0% Popularity • 19% Danceability • 18% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 18% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
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Toufic Farroukh
Fayrouz Blues
76 bpm • D min • 03:35 • -12db
31% Popularity • 65% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
31% Popularity • 65% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Tunde Jegede
Jairaby Lé
76 bpm • A min • 05:31 • -20.54db
32% Popularity • 24% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
32% Popularity • 24% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Jan Garbarek
Joron
76 bpm • D min • 06:26 • -21.44db
14% Popularity • 40% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
14% Popularity • 40% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Ballaké Sissoko
Mako Mady
76 bpm • F Maj • 06:05 • -18.74db
23% Popularity • 40% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 12% Positiveness
23% Popularity • 40% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 12% Positiveness
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Dhafer Youssef
Like Dust I May Rise (To Shiraz)
74 bpm • D min • 04:58 • -27db
19% Popularity • 23% Danceability • 1% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 1% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
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Avi Avital
Hijazain
76 bpm • C Maj • 06:32 • -19.16db
13% Popularity • 39% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 39% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Hadouk Trio
Parasol blanc, pt. 2
76 bpm • E min • 03:33 • -11.51db
28% Popularity • 52% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
28% Popularity • 52% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Yom
Everywhere Home
77 bpm • C Maj • 04:22 • -9.42db
44% Popularity • 56% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
44% Popularity • 56% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Karim Baggili
Kalimaat - Instrumentale
76 bpm • G# min • 03:13 • -13.09db
12% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tùng Dương
Bà i Ca Trên Núi
67 bpm • A min • 07:28 • -11.19db
0% Popularity • 32% Danceability • 30% Energy • 83% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 83% Liveness
0% Instrumentalness • 42% Positiveness
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Dhafer Youssef
Diving in the Air
69 bpm • A# min • 04:17 • -17.17db
29% Popularity • 36% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
29% Popularity • 36% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Anouar Brahem
Halfaouine
77 bpm • G min • 02:06 • -23.24db
48% Popularity • 49% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
48% Popularity • 49% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Omer Avital
Middle Eastern Sunset
68 bpm • G min • 02:06 • -22.64db
20% Popularity • 54% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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John Surman
At First Sight
77 bpm • G# Maj • 02:33 • -16.19db
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Arto Tunçboyacıyan
One Moment of Silence
67 bpm • A# min • 03:46 • -18.65db
32% Popularity • 20% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Renaud Garcia-Fons
Dirouz
78 bpm • A min • 01:57 • -17.75db
18% Popularity • 48% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
18% Popularity • 48% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Dhafer Youssef
Ya Hobb (In the Name of Love)
69 bpm • C# min • 04:07 • -15.02db
21% Popularity • 19% Danceability • 7% Energy • 8% Liveness
60% Instrumentalness • 8% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 8% Liveness
60% Instrumentalness • 8% Positiveness
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Charbel Rouhana
Nara
78 bpm • D Maj • 02:15 • -15.21db
34% Popularity • 38% Danceability • 32% Energy • 30% Liveness
84% Instrumentalness • 30% Positiveness
34% Popularity • 38% Danceability • 32% Energy • 30% Liveness
84% Instrumentalness • 30% Positiveness
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Joseph Tawadros
Distant Soulmate
78 bpm • D min • 01:46 • -21.03db
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Ballaké Sissoko
Houdesti
78 bpm • D min • 08:51 • -20.6db
20% Popularity • 49% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
20% Popularity • 49% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
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Arto Tunçboyacıyan
Sun up Sun Down
78 bpm • F Maj • 05:26 • -12.58db
14% Popularity • 49% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 32% Positiveness
14% Popularity • 49% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 32% Positiveness
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Renaud Garcia-Fons
Légende persane
78 bpm • A Maj • 04:47 • -13.49db
17% Popularity • 34% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
17% Popularity • 34% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
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Dhafer Youssef
Satya ("Satyagraha" Suite)
68 bpm • B min • 04:54 • -20.39db
24% Popularity • 28% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Quentin Dujardin
Transatlantic
78 bpm • D Maj • 08:07 • -15.68db
9% Popularity • 42% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 43% Positiveness
9% Popularity • 42% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 43% Positiveness
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Djivan Gasparyan
7th December 1988
79 bpm • F# min • 04:05 • -21.82db
19% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Touré-Raichel Collective
Alem
79 bpm • D# min • 08:15 • -9.56db
24% Popularity • 30% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
24% Popularity • 30% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Joseph Tawadros
The Hour
79 bpm • D min • 04:32 • -18.16db
18% Popularity • 46% Danceability • 31% Energy • 8% Liveness
92% Instrumentalness • 56% Positiveness
18% Popularity • 46% Danceability • 31% Energy • 8% Liveness
92% Instrumentalness • 56% Positiveness
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Aarif Jaman
Rast
79 bpm • G min • 03:12 • -16.68db
35% Popularity • 45% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 53% Positiveness
35% Popularity • 45% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 53% Positiveness
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Dhafer Youssef
Birds Canticum "Birds Requiem" Suite
76 bpm • B min • 03:16 • -13.65db
42% Popularity • 21% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
42% Popularity • 21% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Rabih Abou-Khalil
La Ladra Di Cuori
79 bpm • G min • 02:53 • -19.66db
22% Popularity • 59% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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John Surman
Another Reflection
66 bpm • D# Maj • 01:33 • -14db
44% Popularity • 29% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
44% Popularity • 29% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
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Stephan Micus
Part 3: Violeta
79 bpm • G min • 06:47 • -20db
27% Popularity • 18% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 8% Positiveness
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Constantinople
Le pas de l'eau - Cheshmeh
79 bpm • C Maj • 05:36 • -13.51db
31% Popularity • 48% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
31% Popularity • 48% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
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Ablaye Cissoko
Domain Domain
79 bpm • G min • 03:22 • -17.15db
30% Popularity • 41% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
30% Popularity • 41% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
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Dhafer Youssef
Blending Souls & Shades (To Shiraz)
67 bpm • G min • 09:29 • -11.69db
24% Popularity • 24% Danceability • 38% Energy • 20% Liveness
87% Instrumentalness • 12% Positiveness
24% Popularity • 24% Danceability • 38% Energy • 20% Liveness
87% Instrumentalness • 12% Positiveness
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Kader Fahem
The Road to Sahara
79 bpm • A Maj • 04:29 • -15.08db
21% Popularity • 56% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 28% Positiveness
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Matthieu Saglio
Atman
80 bpm • G Maj • 06:31 • -14.56db
14% Popularity • 18% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 9% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 9% Positiveness
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Faraj Suleiman
Love
80 bpm • G# Maj • 05:59 • -12.36db
30% Popularity • 56% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 28% Positiveness
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Amine Bouhafa
The Lake
80 bpm • B min • 02:03 • -18db
33% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Adnan Joubran
My Way Home
80 bpm • G Maj • 05:58 • -12.81db
18% Popularity • 61% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
18% Popularity • 61% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
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Dhafer Youssef
Fly Shadow Fly
78 bpm • A# min • 05:15 • -14.39db
30% Popularity • 34% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
30% Popularity • 34% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Arto Tunçboyacıyan
Hoonk
80 bpm • G min • 02:32 • -19.45db
40% Popularity • 13% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Basel Rajoub
Helvetica
81 bpm • E min • 05:40 • -14.5db
13% Popularity • 37% Danceability • 10% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
13% Popularity • 37% Danceability • 10% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
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Michel Godard
Su l'onda d'amore
81 bpm • F min • 07:02 • -19.54db
10% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
10% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Seckou Keita
Abdou N'diaye
81 bpm • E Maj • 02:48 • -15.8db
41% Popularity • 33% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 45% Positiveness
41% Popularity • 33% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 45% Positiveness
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Lévon Minassian
Im Yariss (For My Love)
81 bpm • C Maj • 05:16 • -24.44db
25% Popularity • 11% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
25% Popularity • 11% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Dhafer Youssef
Good Morning Mumbai (To Zakir)
65 bpm • G Maj • 06:27 • -15.65db
16% Popularity • 19% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
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Ablaye Cissoko
Sira
81 bpm • G min • 07:39 • -16.75db
33% Popularity • 36% Danceability • 12% Energy • 22% Liveness
25% Instrumentalness • 39% Positiveness
33% Popularity • 36% Danceability • 12% Energy • 22% Liveness
25% Instrumentalness • 39% Positiveness
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Joseph Tawadros
Miss A
81 bpm • C min • 01:05 • -17.02db
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
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Airelle Besson
Time to Say Goodbye
82 bpm • G Maj • 03:20 • -19.34db
36% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
36% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
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Derek Gripper
Ana
82 bpm • F Maj • 02:23 • -22.19db
29% Popularity • 47% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 32% Positiveness
29% Popularity • 47% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 32% Positiveness
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Sufi Music Ensemble
Anatolia
82 bpm • B min • 08:07 • -12.04db
33% Popularity • 27% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 27% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Dhafer Youssef
Un soupir éternel
81 bpm • C# min • 07:47 • -22db
30% Popularity • 22% Danceability • 1% Energy • 16% Liveness
74% Instrumentalness • 8% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 16% Liveness
74% Instrumentalness • 8% Positiveness
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Djivan Gasparyan
Sayat Nova
82 bpm • D# Maj • 04:38 • -23db
28% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Titi Robin
La fille du boxeur
63 bpm • A min • 02:04 • -13.07db
43% Popularity • 48% Danceability • 20% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
43% Popularity • 48% Danceability • 20% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Nguyên Lê
Muqqam
82 bpm • G min • 02:43 • -10.53db
1% Popularity • 50% Danceability • 14% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
1% Popularity • 50% Danceability • 14% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
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Renaud Garcia-Fons
Tocsin de palmyre
63 bpm • G Maj • 02:29 • -14.83db
32% Popularity • 47% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 47% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Lévon Minassian
Hol Ara Yéze (Call of the Earth)
83 bpm • E min • 06:20 • -24.55db
32% Popularity • 18% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Dhafer Youssef
Sacré (The Wine Ode Suite)
63 bpm • A# min • 04:54 • -17.25db
18% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Constantinople
Synapses
83 bpm • D Maj • 02:04 • -15.2db
34% Popularity • 48% Danceability • 53% Energy • 13% Liveness
97% Instrumentalness • 66% Positiveness
34% Popularity • 48% Danceability • 53% Energy • 13% Liveness
97% Instrumentalness • 66% Positiveness
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Anouar Brahem
Le pas du chat noir
83 bpm • C min • 08:01 • -22.89db
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
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Rabih Abou-Khalil
The Passage Of Life
83 bpm • C Maj • 04:07 • -22.4db
8% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Myriam Alter
Come With Me
83 bpm • C# Maj • 07:23 • -18db
27% Popularity • 42% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Wolfgang Puschnig
Hanullim Project
83 bpm • D Maj • 05:30 • -16.51db
1% Popularity • 58% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
1% Popularity • 58% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Dhafer Youssef
Postludium
83 bpm • F Maj • 03:14 • -17.93db
22% Popularity • 47% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
22% Popularity • 47% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Amina Alaoui
Búscate en mÃ
84 bpm • F Maj • 06:31 • -22.48db
11% Popularity • 26% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
11% Popularity • 26% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
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Joseph Tawadros
Little Bird
62 bpm • C min • 01:45 • -15.32db
33% Popularity • 47% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
33% Popularity • 47% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
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Renaud Garcia-Fons
La demoiselle de Ceret
84 bpm • D min • 01:38 • -13db
44% Popularity • 32% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 39% Positiveness
44% Popularity • 32% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 39% Positiveness
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Ahmad Al Khatib
Ghurbeh (Diaspora)
84 bpm • D# min • 07:10 • -19.91db
16% Popularity • 42% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
16% Popularity • 42% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Hadouk Trio
Théâtre des singes
84 bpm • F# Maj • 05:26 • -13.1db
23% Popularity • 69% Danceability • 33% Energy • 11% Liveness
40% Instrumentalness • 21% Positiveness
23% Popularity • 69% Danceability • 33% Energy • 11% Liveness
40% Instrumentalness • 21% Positiveness
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Alaa Zouiten
Oud'n'bass
84 bpm • D Maj • 06:48 • -10.32db
25% Popularity • 64% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
25% Popularity • 64% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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Dhafer Youssef
Ascetic Mood
84 bpm • E min • 05:40 • -16.37db
20% Popularity • 19% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Joseph Tawadros
Exile
62 bpm • D min • 02:46 • -15.67db
31% Popularity • 34% Danceability • 23% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
31% Popularity • 34% Danceability • 23% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Arto Tunçboyacıyan
Dancing Hands
85 bpm • D Maj • 04:37 • -18.2db
26% Popularity • 32% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
26% Popularity • 32% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Kayhan Kalhor
Dawn: I. Introduction
85 bpm • G Maj • 04:46 • -18.14db
16% Popularity • 23% Danceability • 19% Energy • 60% Liveness
61% Instrumentalness • 8% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 60% Liveness
61% Instrumentalness • 8% Positiveness
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Sainkho Namtchylak
Nomadic Mood
86 bpm • F min • 04:27 • -9db
29% Popularity • 39% Danceability • 35% Energy • 11% Liveness
37% Instrumentalness • 52% Positiveness
29% Popularity • 39% Danceability • 35% Energy • 11% Liveness
37% Instrumentalness • 52% Positiveness
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Anouar Brahem
Conte De L'Incroyable Amour
86 bpm • A# Maj • 10:48 • -24db
31% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
31% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Dhafer Youssef
Ode "Melancholia"
85 bpm • B min • 03:33 • -22.88db
25% Popularity • 41% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 41% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Khaled Mouzanar
Kanun el Parking
86 bpm • G min • 01:05 • -15.82db
41% Popularity • 39% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
