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Like It Like That
Songs like
Like It Like That
by
Guy Sebastian
Based on a tempo of (+/- 10%) and a similar genre
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Guy Sebastian
Like It Like That
161 bpm • D Maj • 04:01 • -3db
45% Popularity • 58% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Amy Shark
Mess Her Up - Single Edit
160 bpm • G Maj • 03:25 • -4.48db
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Paces
Siren
160 bpm • C# Maj • 03:05 • -6.2db
8% Popularity • 68% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Cold Chisel
Standing On The Outside - 2011 Remastere...
160 bpm • A Maj • 02:53 • -3db
48% Popularity • 39% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Rogue Traders
We're Coming Home
160 bpm • A Maj • 03:21 • -5db
16% Popularity • 57% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Thirsty Merc
My Completeness
160 bpm • D Maj • 03:48 • -3db
27% Popularity • 41% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Guy Sebastian
Armageddon
163 bpm • C min • 03:29 • -4.08db
34% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Amy Shark
Mess Her Up
160 bpm • G Maj • 03:28 • -4.89db
47% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Evermore
Light Surrounding You
164 bpm • D# Maj • 03:50 • -7db
50% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Bachelor Girl
Permission To Shine
164 bpm • A Maj • 04:16 • -6db
33% Popularity • 47% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Cold Chisel
Khe Sanh - 2011 Remastered
164 bpm • G Maj • 04:14 • -4.21db
61% Popularity • 47% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Busby Marou
Best Part of Me
158 bpm • C Maj • 03:05 • -7.62db
37% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Guy Sebastian
Get Along
158 bpm • D Maj • 04:22 • -6.04db
36% Popularity • 45% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Kelly
To Her Door
164 bpm • G Maj • 03:16 • -7db
59% Popularity • 51% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Noiseworks
Hot Chilli Woman
157 bpm • A Maj • 03:23 • -6db
40% Popularity • 47% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Daryl Braithwaite
As The Days Go By
157 bpm • G Maj • 04:03 • -10.13db
46% Popularity • 56% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Thirsty Merc
In the Summertime - Single Version
157 bpm • A Maj • 03:48 • -4db
52% Popularity • 49% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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McFly
Star Girl
156 bpm • D# Maj • 03:27 • -3.96db
54% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Baha Men
Crocodile Rock - Film Version
166 bpm • C Maj • 03:49 • -5db
28% Popularity • 69% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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The Cockroaches
She's the One
166 bpm • C Maj • 02:32 • -14db
32% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Thirsty Merc
In the Summertime
156 bpm • A Maj • 04:00 • -4.42db
45% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Script
Superheroes
167 bpm • D# Maj • 04:05 • -4.12db
74% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Short Stack
Sway Sway Baby!
155 bpm • C# Maj • 02:50 • -4.43db
32% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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S Club
Reach
167 bpm • G Maj • 04:03 • -7db
56% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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The Angels
Am I Ever Gonna See Your Face Again
167 bpm • E Maj • 03:22 • -3.17db
57% Popularity • 30% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Powderfinger
Sunsets
167 bpm • D Maj • 03:49 • -3.59db
55% Popularity • 28% Danceability • 86% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
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Birds Of Tokyo
Lanterns - Single Version
168 bpm • C Maj • 03:56 • -6.86db
30% Popularity • 41% Danceability • 69% Energy • 17% Liveness
3% Instrumentalness • 30% Positiveness
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Bachelor Girl
I'm Just A Girl
168 bpm • G Maj • 03:54 • -6db
24% Popularity • 52% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Guy Sebastian
Never Hold You Down
168 bpm • A Maj • 03:36 • -2.71db
10% Popularity • 55% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Kelly
Dumb Things
154 bpm • C Maj • 02:31 • -5.61db
58% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Rogue Traders
Way To Go!
153 bpm • A Maj • 03:16 • -4.02db
20% Popularity • 69% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Christine Anu
Island Home
170 bpm • D Maj • 04:12 • -8db
40% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Birds Of Tokyo
Lanterns
168 bpm • C Maj • 04:22 • -8db
53% Popularity • 40% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
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SIX60
Stay Together
170 bpm • C Maj • 03:47 • -5.13db
39% Popularity • 63% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Bachelor Girl
Buses and Trains - Radio Edit
168 bpm • D Maj • 03:41 • -7.29db
44% Popularity • 46% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Sebastian
Closer To The Sun
154 bpm • D Maj • 03:52 • -7.52db
9% Popularity • 41% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Paynter
Love the Fall
152 bpm • F Maj • 03:01 • -3.4db
26% Popularity • 48% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rogue Traders
Don't You Wanna Feel
170 bpm • A Maj • 03:17 • -5.77db
21% Popularity • 41% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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McFly
Love Is Easy
152 bpm • A Maj • 03:42 • -6.95db
49% Popularity • 68% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Bella Heart
Hey Mickey
152 bpm • E Maj • 03:56 • -3.6db
45% Popularity • 68% Danceability • 98% Energy • 6% Liveness
13% Instrumentalness • 95% Positiveness
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P!nk
Leave Me Alone (I'm Lonely)
150 bpm • G Maj • 03:18 • -3.69db
56% Popularity • 48% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Guy Sebastian
Beg
154 bpm • G Maj • 04:43 • -4.18db
22% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bachelor Girl
Treat Me Good
172 bpm • C# min • 05:21 • -7.74db
26% Popularity • 52% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Flight of the Conchords
Feel Inside (And Stuff Like That)
150 bpm • C Maj • 03:57 • -5.76db
30% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Taylor Henderson
Let Her Go
150 bpm • G# Maj • 03:51 • -3.59db
17% Popularity • 36% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Travie McCoy
Billionaire - Radio Edit
174 bpm • F# min • 03:06 • -6db
37% Popularity • 47% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Goanna
Solid Rock - Remastered Version
149 bpm • A min • 04:35 • -7.39db
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Guy Sebastian
Big Bad World
149 bpm • F Maj • 04:28 • -4.74db
25% Popularity • 39% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Annabel Fay
River
174 bpm • D Maj • 03:33 • -4.92db
11% Popularity • 59% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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The Janoskians
Real Girls Eat Cake
174 bpm • G Maj • 02:51 • -3.86db
22% Popularity • 53% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Original Chin Chins
Hey Mickey You're so Fine
148 bpm • E Maj • 03:30 • -4.43db
45% Popularity • 64% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Itch
Another Man
148 bpm • B min • 03:08 • -3.53db
26% Popularity • 54% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Amy Meredith
Lying
147 bpm • D min • 03:00 • -2.29db
35% Popularity • 48% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Guy Sebastian
Never Be You
148 bpm • A Maj • 04:25 • -4.85db
11% Popularity • 75% Danceability • 69% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
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Powderfinger
(Baby I've Got You) On My Mind
147 bpm • D# Maj • 03:20 • -3.36db
56% Popularity • 37% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Cold Chisel
Bow River - 2011 Remastered
177 bpm • A min • 04:23 • -1.92db
53% Popularity • 28% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Thirsty Merc
Mozambique
146 bpm • A Maj • 03:34 • -3.77db
18% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Taylor Henderson
Some Nights
177 bpm • G# Maj • 04:04 • -5.93db
15% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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SIX60
Don’t Forget Your Roots
146 bpm • C Maj • 03:52 • -8.2db
52% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Guy Sebastian
Keeper
177 bpm • B Maj • 03:55 • -3.84db
19% Popularity • 55% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Rogue Traders
I Never Liked You
146 bpm • D Maj • 03:29 • -5.54db
27% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Amy Shark
All Loved Up
178 bpm • A Maj • 03:30 • -6.33db
45% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Short Stack
We Dance To A Different Disco, Honey
145 bpm • G# Maj • 03:21 • -3.58db
32% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Pete Murray
Free
145 bpm • C Maj • 03:35 • -6db
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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SIX60
White Lines
145 bpm • G# Maj • 03:09 • -4.22db
45% Popularity • 66% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Kelly Clarkson
My Life Would Suck Without You
145 bpm • A Maj • 03:31 • -4.01db
68% Popularity • 53% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Guy Sebastian
Believer
178 bpm • A Maj • 03:45 • -5.53db
47% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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nomad
Oh My My
144 bpm • F# Maj • 03:00 • -5.5db
36% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Thirsty Merc
Tommy and Krista
145 bpm • B Maj • 03:52 • -4.95db
48% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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These Kids Wear Crowns
Jumpstart
144 bpm • A Maj • 03:28 • -3.7db
35% Popularity • 57% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Busted
Crashed The Wedding
180 bpm • G# Maj • 02:38 • -4db
52% Popularity • 43% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
49% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Guy Sebastian
Died and Gone to Heaven
144 bpm • C Maj • 04:39 • -3.1db
15% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Kate Ceberano
Bedroom Eyes
142 bpm • C Maj • 03:54 • -14db
35% Popularity • 79% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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John Williamson
Rip Rip Woodchip
142 bpm • G Maj • 03:02 • -13db
45% Popularity • 71% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Amy Shark
Love Songs Ain't for Us
182 bpm • E Maj • 03:40 • -8db
43% Popularity • 40% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Thirsty Merc
Someday, Someday
184 bpm • G Maj • 04:29 • -7.65db
37% Popularity • 37% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Guy Sebastian
Magic - introducing Tarryn Stokes
143 bpm • G# Maj • 04:19 • -2.61db
12% Popularity • 59% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Dragon
Young Years
140 bpm • G Maj • 03:58 • -11.84db
47% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Skyhooks
Jukebox in Siberia - 2015 Remaster
184 bpm • F min • 03:52 • -4db
34% Popularity • 51% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Steps
5, 6, 7, 8
140 bpm • D Maj • 03:22 • -4.9db
59% Popularity • 71% Danceability • 99% Energy • 29% Liveness
61% Instrumentalness • 94% Positiveness
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Havana Brown
Warrior
140 bpm • B min • 03:46 • -6.63db
37% Popularity • 76% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Thirsty Merc
The Hard Way
140 bpm • G Maj • 04:22 • -5db
30% Popularity • 41% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Guy Sebastian
What a Wonderful World
142 bpm • B min • 03:24 • -5.36db
16% Popularity • 73% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Rob Thomas
This Is How a Heart Breaks
140 bpm • C Maj • 03:50 • -4.35db
49% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
50% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Meghan Trainor
Lips Are Movin
139 bpm • G Maj • 03:02 • -5.4db
70% Popularity • 78% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Missy Higgins
The Special Two
139 bpm • D Maj • 04:25 • -9.66db
49% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Callea
The Prayer
139 bpm • A# Maj • 04:15 • -5.13db
32% Popularity • 22% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Guy Sebastian
Hallelujah I Love Her So
139 bpm • A# Maj • 03:24 • -4.92db
11% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Split Enz
I See Red
187 bpm • C Maj • 04:15 • -12.77db
40% Popularity • 30% Danceability • 82% Energy • 47% Liveness
0% Instrumentalness • 39% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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P!nk
Bad Influence
138 bpm • D Maj • 03:36 • -4.14db
43% Popularity • 66% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Birds Of Tokyo
Unbreakable
138 bpm • B min • 03:14 • -3.9db
37% Popularity • 50% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Deborah Conway
Its Only the Beginning
138 bpm • E Maj • 04:41 • -10db
41% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Sebastian
Summer Love
187 bpm • C Maj • 03:47 • -3.92db
17% Popularity • 35% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Taxiride
Creepin' Up Slowly
189 bpm • C# Maj • 03:55 • -7db
47% Popularity • 40% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Like It Like That