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Like Me
Songs like
Like Me
by
Jonathan Coffey
Based on a tempo of (+/- 10%) and a similar genre
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Quinn MacKenzie
Turning Back
138 bpm • G# Maj • 02:12 • -27.17db
7% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
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Jonathan Coffey
Like Me
138 bpm • A min • 03:34 • -24db
2% Popularity • 66% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Ivy Rue
Perspective
138 bpm • G Maj • 03:29 • -22.72db
21% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Jesse Wilkens
Footsteps
138 bpm • A min • 03:07 • -24.63db
20% Popularity • 53% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 42% Positiveness
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Henrietta Kuipers
Salvatore
138 bpm • D Maj • 02:16 • -25db
37% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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James DiResta
Juniper
138 bpm • D min • 03:40 • -33db
43% Popularity • 36% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Nima de Bekker
Late Tuesday
139 bpm • A# Maj • 01:34 • -26.69db
31% Popularity • 55% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 62% Positiveness
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Olai Ruud
Henningsvær
137 bpm • E Maj • 02:19 • -27.6db
25% Popularity • 41% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Con Alma
Sensibilities
139 bpm • G# Maj • 02:06 • -25.57db
39% Popularity • 46% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Morten Lidahl
Promise
139 bpm • C Maj • 02:11 • -29db
39% Popularity • 32% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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August D. Valentine
Lullaby for Doris
139 bpm • B Maj • 02:23 • -21.83db
17% Popularity • 66% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
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Robin Bennich
Mirage
137 bpm • A Maj • 02:56 • -21db
25% Popularity • 26% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Jonny Southard
As She Drifts
135 bpm • B Maj • 02:20 • -32.73db
21% Popularity • 49% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Nicola Conti
Chi cerca trova
136 bpm • D# Maj • 02:29 • -25.2db
38% Popularity • 41% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Rory Whitford
The Kimberley
135 bpm • F Maj • 01:48 • -25.11db
24% Popularity • 55% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 40% Positiveness
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Jonas Oskar
In Her Heart
135 bpm • C Maj • 02:30 • -28.36db
20% Popularity • 50% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 53% Positiveness
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Charles Bolt
Moments In A Minor
134 bpm • C Maj • 02:48 • -29db
19% Popularity • 61% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 45% Positiveness
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Larry McDavid
If You Must Go
134 bpm • A Maj • 02:07 • -25.93db
40% Popularity • 45% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Jani Lechleiter
Družina
142 bpm • G# Maj • 01:54 • -22.84db
21% Popularity • 44% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
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Henrik Janson
Chopin's House
142 bpm • A min • 02:18 • -23.69db
27% Popularity • 50% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Matilda Charpie
Fermez vos yeux
134 bpm • G Maj • 02:34 • -31db
46% Popularity • 24% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 7% Positiveness
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Jonathan Coffey
Myriads
134 bpm • D min • 03:53 • -34.46db
10% Popularity • 41% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Dilaz
Thoughts
134 bpm • A min • 03:21 • -30.09db
31% Popularity • 35% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Edward Elysseus
Hymn To Spring
134 bpm • E Maj • 02:53 • -26.34db
26% Popularity • 41% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Lorraine J. Kovach
Loquacious
143 bpm • B min • 01:29 • -21.31db
31% Popularity • 30% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Mavis Marchena
Desalniettemin
133 bpm • F# Maj • 02:52 • -24.97db
36% Popularity • 44% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Como Mio
Juliet is the Sun
133 bpm • C min • 02:08 • -35.04db
24% Popularity • 36% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 15% Positiveness
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Jonathan Coffey
Aloe Vera
133 bpm • D# Maj • 03:21 • -33.52db
10% Popularity • 38% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Mellancolia
Falling too Far
133 bpm • D min • 03:20 • -24.03db
16% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Zinna Blanc
Home For Someone
133 bpm • C Maj • 03:40 • -23.63db
25% Popularity • 45% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Jose Carcavelos
Camera Obscura
133 bpm • C min • 02:11 • -20.31db
29% Popularity • 38% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Joni Bernier
A Gift To Share
133 bpm • A# Maj • 02:19 • -30.01db
43% Popularity • 41% Danceability • 7% Energy • 16% Liveness
96% Instrumentalness • 25% Positiveness
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Aleisha Millar
As we grow older
132 bpm • D Maj • 02:37 • -24.79db
29% Popularity • 45% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 53% Positiveness
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Jonathan Coffey
Empirical Good Above
133 bpm • A min • 02:02 • -28.7db
2% Popularity • 67% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 71% Positiveness
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Miso Miso
Tired Eyes
132 bpm • F Maj • 04:22 • -25.37db
33% Popularity • 54% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Marcia Barlow
Relationships
132 bpm • A Maj • 03:08 • -24.76db
19% Popularity • 39% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 41% Positiveness
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Albie Monroy
Trail of Light
132 bpm • D# Maj • 03:18 • -22.73db
42% Popularity • 57% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Pavel Antonov Manev
Recluse
132 bpm • C min • 02:22 • -25.01db
33% Popularity • 42% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Atoka
Belleza
132 bpm • A# min • 01:44 • -21.58db
20% Popularity • 47% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 48% Positiveness
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Jonathan Coffey
Searchers Questions
143 bpm • G Maj • 03:02 • -26.04db
0% Popularity • 63% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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Eliza Kloppers
Heart of Hearts
132 bpm • C min • 02:05 • -26.93db
8% Popularity • 58% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 39% Positiveness
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Josh Kramer
Akogare
131 bpm • D# Maj • 04:13 • -21.36db
13% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Sonja Lexis
Dusk in Prague
131 bpm • C Maj • 02:09 • -24.57db
24% Popularity • 45% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Verney Pépin
Fidélité
146 bpm • F# min • 02:45 • -29db
22% Popularity • 51% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
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Ruben Galloway
Origins
146 bpm • G min • 04:36 • -22.65db
8% Popularity • 44% Danceability • 9% Energy • 6% Liveness
95% Instrumentalness • 23% Positiveness
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Jonathan Coffey
Intensity Beams
132 bpm • D min • 02:59 • -31.29db
2% Popularity • 50% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Edward Elysseus
Clear Blue Skies
131 bpm • A# Maj • 03:17 • -23.09db
35% Popularity • 58% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Shane Dillard
Song for Marianne
146 bpm • B min • 02:13 • -27.98db
30% Popularity • 66% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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S.J Morgan
Lullaby
130 bpm • F# Maj • 02:28 • -29.51db
26% Popularity • 52% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Christopher Dicker
A Time For Conscience
130 bpm • A min • 04:03 • -26.99db
32% Popularity • 27% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Ossie Woods
Le Beau
130 bpm • F Maj • 03:25 • -24.13db
43% Popularity • 40% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
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Jonathan Coffey
Hymn
144 bpm • G# Maj • 02:47 • -35.05db
0% Popularity • 45% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Tomasz Wielechowski
First Visit
130 bpm • G Maj • 03:11 • -26.63db
10% Popularity • 48% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
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Norman Dück
Calm Waters
129 bpm • C# Maj • 01:57 • -29.89db
33% Popularity • 47% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Signe Bratlie
follow me home
129 bpm • F Maj • 03:16 • -24.27db
39% Popularity • 55% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Ron Dahlgreen
Morning Glory
129 bpm • G Maj • 02:14 • -24.91db
28% Popularity • 50% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
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Fiona Astier
Potomac
129 bpm • C Maj • 02:10 • -31.75db
37% Popularity • 43% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 40% Positiveness
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Reversible
Stray Horses
128 bpm • D# min • 03:36 • -26.91db
32% Popularity • 42% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Garreth Broke
Flakes Unwatched And Improvised
129 bpm • F min • 02:41 • -19.8db
25% Popularity • 41% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Domenik Kalinsky
Lullaby to Ruth
128 bpm • G Maj • 02:22 • -26.86db
28% Popularity • 46% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Wilmer Norman
Age Of The Farmer
128 bpm • C Maj • 03:28 • -27.98db
10% Popularity • 51% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Isabelle Taylor
Higher Powers
127 bpm • E min • 02:55 • -22.53db
19% Popularity • 45% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
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S.J Morgan
Hummelviken
150 bpm • G# Maj • 01:51 • -29db
29% Popularity • 37% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Robin Bennich
Free Fall
126 bpm • B Maj • 01:41 • -19.22db
48% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Martin Lindgaarden
Rest Until Tomorrow
126 bpm • C min • 02:13 • -25.23db
19% Popularity • 53% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Caroline Collette
Rues de Flavigny
126 bpm • C Maj • 02:57 • -19.23db
14% Popularity • 57% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Lôrinc Tzigane
Hiányérzet
125 bpm • B Maj • 02:30 • -24.15db
29% Popularity • 31% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Karim Blau
Answers
125 bpm • D Maj • 03:43 • -25.97db
11% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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James Keer
Something Like Love
125 bpm • C Maj • 02:42 • -31db
39% Popularity • 45% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Eagle Lake
Peaceful Lullaby
152 bpm • C# Maj • 01:44 • -20.41db
37% Popularity • 53% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
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Blissful Radiance
Future Self
125 bpm • E Maj • 01:51 • -26.61db
37% Popularity • 66% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
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Zoe Carmel
Hidden Depths
124 bpm • A# min • 03:12 • -20.88db
7% Popularity • 57% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
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Clara Nishimoto
Pioggia Eterna
124 bpm • G Maj • 02:50 • -32.4db
24% Popularity • 45% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Muriël Bostdorp
Whatever Begins, Also Ends
124 bpm • C min • 02:43 • -29.94db
31% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Bryn Williams
Undisturbed
123 bpm • G Maj • 02:34 • -29.23db
55% Popularity • 49% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 30% Positiveness
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Jacob David
By the Swings
124 bpm • F# Maj • 03:38 • -27.92db
21% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
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Álvaro Da Silva
Sol Da Manhã
122 bpm • A# Maj • 02:38 • -23.33db
21% Popularity • 29% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Little Symphony
Listening Inwards
122 bpm • C# Maj • 03:29 • -33.1db
20% Popularity • 19% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 5% Positiveness
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Alfred Mizzi
Sinkadus
121 bpm • D# Maj • 02:32 • -29.57db
25% Popularity • 40% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 37% Positiveness
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Larissa Banks
What Lies Beneath
120 bpm • G min • 02:40 • -25.89db
18% Popularity • 74% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 55% Positiveness
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Lionel Scardino
Megaclite
159 bpm • C Maj • 02:26 • -27.13db
19% Popularity • 22% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Dominique Charpentier
La calade
120 bpm • C Maj • 02:37 • -26.85db
20% Popularity • 56% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Jamie Bendrodt
If Only
159 bpm • D# Maj • 02:04 • -27.88db
31% Popularity • 30% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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John Hayes
Carry
119 bpm • G# min • 03:40 • -30.17db
23% Popularity • 34% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Gabriel Auer
Sailing Across the Sky
119 bpm • A min • 03:04 • -29.24db
37% Popularity • 38% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Luis Álvarez
Refusing
161 bpm • B Maj • 02:26 • -34.78db
17% Popularity • 27% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Manuel Zito
On Hold
119 bpm • G min • 02:14 • -25.96db
32% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Ingemar Aberg
Ballerina Light
118 bpm • C min • 02:38 • -29.92db
29% Popularity • 42% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 33% Positiveness
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Antoine Minot
Parc Fermé
118 bpm • C Maj • 02:32 • -24.64db
16% Popularity • 43% Danceability • 2% Energy • 18% Liveness
96% Instrumentalness • 20% Positiveness
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Lily Valley
Emotions
117 bpm • C Maj • 01:55 • -28.09db
28% Popularity • 54% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Jonathan Coffey
Cliffside
164 bpm • B min • 03:04 • -35.18db
0% Popularity • 38% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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Henrik Janson
Calm
164 bpm • D# Maj • 01:49 • -25.09db
40% Popularity • 28% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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Gjermund
Shy Paws
166 bpm • C Maj • 02:30 • -32.27db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Annebelle Coenraad
Zomer
166 bpm • C# Maj • 01:59 • -22.19db
31% Popularity • 28% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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S.A. Karl
Cassiopeia
167 bpm • B Maj • 02:48 • -29db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Fioretta Rizzo
Ci vediamo domani
168 bpm • C# Maj • 02:33 • -28.84db
28% Popularity • 37% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
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Agni Bjark
Leaves
167 bpm • F Maj • 02:17 • -22.92db
38% Popularity • 26% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Nansen Christoffersen
Snart min ven
168 bpm • D# Maj • 02:07 • -25.5db
30% Popularity • 27% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Enrico Parente
Stelle Scure
169 bpm • G min • 02:17 • -28.58db
34% Popularity • 20% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
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Thomas Erwin
Finding Warmth
169 bpm • D Maj • 02:20 • -32.87db
19% Popularity • 29% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 13% Positiveness
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Like Me