Songs like Like This Or Like That by Ben Lee
Based on a tempo of (+/- 10%) and a similar genre
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Ben Lee
Like This Or Like That
123 bpm • F# Maj • 03:57 • -5.97db
9% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Noise Addict
Chris Martin's Frown
123 bpm • B Maj • 01:16 • -12.41db
3% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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You Am I
How Much Is Enough
123 bpm • D# Maj • 03:41 • -7.65db
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Go-Betweens
Finding You
124 bpm • C Maj • 04:02 • -4.05db
24% Popularity • 53% Danceability • 79% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
24% Popularity • 53% Danceability • 79% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
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Faker
This Heart Attack
122 bpm • C# min • 03:47 • -4db
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Panics
Confess
123 bpm • A# min • 03:59 • -5.83db
9% Popularity • 55% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 42% Positiveness
9% Popularity • 55% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 42% Positiveness
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Oh Mercy
Seemed Like A Good Idea
122 bpm • G Maj • 02:41 • -5db
8% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Noise Addict
I Heart Your Band
123 bpm • A Maj • 03:16 • -5.78db
2% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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You Am I
Hourly Daily
123 bpm • D Maj • 04:22 • -10db
18% Popularity • 40% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 40% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Lee
Begin
124 bpm • G Maj • 04:12 • -8.95db
10% Popularity • 70% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 70% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Clare Bowditch
I Love The Way You Talk
124 bpm • E Maj • 03:16 • -7.46db
8% Popularity • 58% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 58% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
Black Sheep
122 bpm • C Maj • 02:17 • -7.51db
16% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Noise Addict
Faster Side of Normal
124 bpm • C Maj • 02:13 • -11.84db
6% Popularity • 71% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 71% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Sarah Blasko
Always On This Line
122 bpm • F min • 04:11 • -8.49db
26% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Deadstar
Run Baby Run
122 bpm • C Maj • 03:30 • -5db
29% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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You Am I
Kick A Hole In The Sky
125 bpm • A Maj • 03:54 • -4.02db
19% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
19% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
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Ben Lee
How To Survive A Broken Heart
125 bpm • D Maj • 02:48 • -6.69db
17% Popularity • 70% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 70% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Noise Addict
Meat
122 bpm • E min • 02:33 • -4.78db
2% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
2% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
21% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bluejuice
The Recession
121 bpm • A# Maj • 03:02 • -3.14db
15% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Ben Lee
Ship My Body Home
125 bpm • E Maj • 03:43 • -7.72db
9% Popularity • 59% Danceability • 91% Energy • 26% Liveness
87% Instrumentalness • 89% Positiveness
9% Popularity • 59% Danceability • 91% Energy • 26% Liveness
87% Instrumentalness • 89% Positiveness
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Noise Addict
Hey Baby
121 bpm • F# Maj • 02:39 • -8.92db
3% Popularity • 53% Danceability • 51% Energy • 21% Liveness
2% Instrumentalness • 68% Positiveness
3% Popularity • 53% Danceability • 51% Energy • 21% Liveness
2% Instrumentalness • 68% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
19% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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Jebediah
Please Leave
121 bpm • G# min • 03:36 • -6.25db
26% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
26% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
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Ben Kweller
Sundress
125 bpm • D Maj • 04:06 • -8db
31% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Lee
What Would Jay-Z Do?
125 bpm • C Maj • 02:55 • -4.64db
4% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Noise Addict
Get Well
120 bpm • C Maj • 02:09 • -9.65db
3% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
3% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Panics
My Best Mistake
126 bpm • E Maj • 03:13 • -5.8db
24% Popularity • 45% Danceability • 67% Energy • 26% Liveness
10% Instrumentalness • 46% Positiveness
24% Popularity • 45% Danceability • 67% Energy • 26% Liveness
10% Instrumentalness • 46% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Things Of Stone and Wood
Share This Wine
126 bpm • G Maj • 04:00 • -8db
20% Popularity • 55% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 55% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Sparkadia
Morning Light
126 bpm • F Maj • 03:43 • -5.72db
14% Popularity • 67% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 67% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Ben Lee
Pop Queen
120 bpm • C Maj • 03:29 • -6.71db
11% Popularity • 74% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 74% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Oh Mercy
Keith St.
120 bpm • A Maj • 04:00 • -8.81db
12% Popularity • 81% Danceability • 56% Energy • 9% Liveness
32% Instrumentalness • 95% Positiveness
12% Popularity • 81% Danceability • 56% Energy • 9% Liveness
32% Instrumentalness • 95% Positiveness
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End Of Fashion
Oh Strain
126 bpm • D Maj • 03:08 • -7.89db
11% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Regurgitator
Superstraight
120 bpm • E Maj • 04:04 • -3.2db
21% Popularity • 69% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 69% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Evermore
Hey My Love
120 bpm • C Maj • 03:42 • -3.67db
16% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sparkadia
Talking Like I'm Falling Down Stairs
120 bpm • E Maj • 04:07 • -6db
29% Popularity • 62% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 62% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Lee
Love Me Like The World Is Ending
126 bpm • A Maj • 03:46 • -5.28db
16% Popularity • 68% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 68% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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The Gin Club
Drug Flowers
126 bpm • D Maj • 03:13 • -6.2db
12% Popularity • 29% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 29% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Motor Ace
Tomorrow's Gone
120 bpm • D Maj • 04:07 • -4.65db
14% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Evermore
Morning Star
120 bpm • C Maj • 03:15 • -12.21db
13% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
13% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
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Noise Addict
Back in Your Life
127 bpm • F# Maj • 02:13 • -6.28db
4% Popularity • 48% Danceability • 89% Energy • 10% Liveness
83% Instrumentalness • 70% Positiveness
4% Popularity • 48% Danceability • 89% Energy • 10% Liveness
83% Instrumentalness • 70% Positiveness
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Ben Lee
Into The Dark
126 bpm • G Maj • 02:46 • -7db
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Powderfinger
Burn Your Name
127 bpm • C Maj • 03:51 • -2.92db
49% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Weddings Parties Anything
Monday's Experts
127 bpm • G Maj • 02:52 • -9db
26% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Mavis's
Cry
127 bpm • A Maj • 04:13 • -5db
36% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Faker
Love For Sale
127 bpm • G Maj • 03:54 • -4.08db
13% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Noise Addict
Lasagne
127 bpm • F Maj • 01:24 • -7.62db
3% Popularity • 68% Danceability • 79% Energy • 75% Liveness
0% Instrumentalness • 95% Positiveness
3% Popularity • 68% Danceability • 79% Energy • 75% Liveness
0% Instrumentalness • 95% Positiveness
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Ben Lee
Sleepwalking
119 bpm • A Maj • 03:45 • -21.14db
7% Popularity • 57% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 57% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Bernard Fanning
Believe
119 bpm • A Maj • 03:07 • -8db
36% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Darren Hanlon
Hiccups
119 bpm • D Maj • 04:00 • -10.32db
8% Popularity • 64% Danceability • 53% Energy • 10% Liveness
61% Instrumentalness • 53% Positiveness
8% Popularity • 64% Danceability • 53% Energy • 10% Liveness
61% Instrumentalness • 53% Positiveness
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You Am I
If We Can't Get It Together
127 bpm • G# Maj • 02:33 • -4.82db
21% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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The Panics
Get Us Home
119 bpm • D min • 04:16 • -5.77db
23% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
23% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Ben Lee
Birds And Bees
120 bpm • G Maj • 03:10 • -4.42db
4% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Silverchair
Straight Lines
127 bpm • C# Maj • 04:18 • -6.39db
56% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Augie March
Pennywhistle
127 bpm • A Maj • 04:16 • -7.14db
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Darren Hanlon
All These Things
118 bpm • C Maj • 04:33 • -9.01db
18% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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You Am I
Soldiers
128 bpm • C# Maj • 02:31 • -5db
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Boy & Bear
Southern Sun
118 bpm • C Maj • 04:40 • -5.95db
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Lee
Ten Feet Tall
120 bpm • D Maj • 02:20 • -8.86db
11% Popularity • 69% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 69% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Little Red
Witchdoctor
128 bpm • C Maj • 02:09 • -5.19db
10% Popularity • 60% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 60% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Augie March
Lupus
128 bpm • B min • 04:14 • -7.12db
7% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Basement Birds
Waiting for You
128 bpm • C# Maj • 03:26 • -7.94db
13% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Evermore
Unbreakable
128 bpm • C# Maj • 03:28 • -5.51db
19% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Meg Washington
Welcome Stranger
118 bpm • D Maj • 03:58 • -9db
11% Popularity • 64% Danceability • 41% Energy • 18% Liveness
4% Instrumentalness • 56% Positiveness
11% Popularity • 64% Danceability • 41% Energy • 18% Liveness
4% Instrumentalness • 56% Positiveness
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Ben Lee
Coming Soon
120 bpm • B Maj • 01:13 • -9.72db
7% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Holly Throsby
Things Between People
118 bpm • G# Maj • 04:05 • -9db
11% Popularity • 37% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 37% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Sleepy Jackson
God Lead Your Soul
118 bpm • E Maj • 03:29 • -6.48db
15% Popularity • 55% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 55% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Evermore
Real Life
128 bpm • D# Maj • 04:36 • -6.3db
17% Popularity • 25% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
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Faker
Sleepwalking
118 bpm • A min • 05:01 • -4.85db
25% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Ben Lee
Nothing Much Happens
120 bpm • C# Maj • 03:38 • -5.99db
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Newton Faulkner
Dream Catch Me
118 bpm • D Maj • 03:56 • -5.69db
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lisa Mitchell
Spiritus
118 bpm • G Maj • 03:09 • -5.99db
20% Popularity • 63% Danceability • 65% Energy • 8% Liveness
8% Instrumentalness • 40% Positiveness
20% Popularity • 63% Danceability • 65% Energy • 8% Liveness
8% Instrumentalness • 40% Positiveness
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Noise Addict
Body Scrabs & Bizzos
129 bpm • G Maj • 01:28 • -7.29db
4% Popularity • 54% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 54% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Evermore
Hey Boys and Girls (Truth of the World, ...
128 bpm • E min • 05:48 • -4db
42% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Thao
When We Swam
117 bpm • C Maj • 02:58 • -5db
32% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Ben Lee
Americans Tie Their Shoes Too Tight
119 bpm • C Maj • 03:48 • -3.68db
1% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Deadstar
Deeper Water
129 bpm • G Maj • 04:24 • -6.05db
41% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Sparkadia
Jealousy
129 bpm • A# min • 04:36 • -6.45db
20% Popularity • 53% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 53% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Machine Gun Fellatio
My Ex Girlfriend's Boyfriend
117 bpm • C Maj • 03:02 • -10.14db
20% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Augie March
Bottle Baby
117 bpm • C Maj • 04:28 • -9.5db
12% Popularity • 46% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Grinspoon
Hard Act To Follow
117 bpm • A Maj • 03:27 • -5db
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Weddings Parties Anything
For a Short Time
130 bpm • D Maj • 05:11 • -8.37db
19% Popularity • 33% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 33% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Epicure
Tightrope Walker
130 bpm • A Maj • 04:33 • -9.2db
14% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Darren Hanlon
Happiness Is A Chemical
117 bpm • D Maj • 05:12 • -8.85db
10% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
