Songs like Lila Lied by Mischa Spoliansky
Based on a tempo of (+/- 10%) and a similar genre
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Lizzi Waldmüller
Das macht die Berliner Luft
76 bpm • D# Maj • 02:29 • -9db
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Jack Buchanan
Goodnight Vienna
76 bpm • D Maj • 03:20 • -14.9db
10% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hanns Eisler
Das Lied von der Moldau
76 bpm • G min • 01:55 • -20db
15% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Hindu-Lied, "Chant Hindou"
76 bpm • F# Maj • 03:13 • -18.34db
0% Popularity • 35% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 35% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Ensemble "Theater Des Westens"
La Cage Aux Folles: Ouvertüre
76 bpm • C# Maj • 03:26 • -13.68db
11% Popularity • 30% Danceability • 26% Energy • 15% Liveness
69% Instrumentalness • 26% Positiveness
11% Popularity • 30% Danceability • 26% Energy • 15% Liveness
69% Instrumentalness • 26% Positiveness
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Mischa Spoliansky
Lila Lied
76 bpm • G Maj • 03:39 • -19.4db
0% Popularity • 36% Danceability • 20% Energy • 19% Liveness
91% Instrumentalness • 50% Positiveness
0% Popularity • 36% Danceability • 20% Energy • 19% Liveness
91% Instrumentalness • 50% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 5. Der ...
75 bpm • G# Maj • 02:57 • -15.35db
0% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Georg Kreisler
Zwei Alte Tanten tanzen Tango
75 bpm • C Maj • 05:13 • -14.06db
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Richard Strauss
5 Lieder, Op. 48, TrV 202: No. 1, Freund...
75 bpm • A Maj • 03:08 • -17.39db
0% Popularity • 20% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 20% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Enrico Toselli
Serenata, "Toselli-Serenade"
75 bpm • A# min • 03:12 • -15.47db
0% Popularity • 27% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
0% Popularity • 27% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
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Mischa Spoliansky
Vielleicht wartet irgendwo ein kleines M...
75 bpm • C Maj • 02:56 • -18.74db
0% Popularity • 43% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 43% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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The Society Syncopators (performers)
By the Beautiful Sea
75 bpm • G Maj • 01:21 • -10.5db
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
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Andrea Riseborough
Let Me Call You Sweetheart
77 bpm • G Maj • 01:47 • -17.6db
8% Popularity • 31% Danceability • 16% Energy • 13% Liveness
8% Instrumentalness • 17% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 13% Liveness
8% Instrumentalness • 17% Positiveness
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Laurel and Hardy
Lazy Moon
75 bpm • C min • 03:08 • -11.29db
8% Popularity • 46% Danceability • 20% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 46% Danceability • 20% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Wilhelm Strienz
Heimat, Deine Sterne
78 bpm • F Maj • 03:16 • -16db
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Mischa Spoliansky
Dedication
77 bpm • D# Maj • 04:11 • -13.48db
0% Popularity • 29% Danceability • 30% Energy • 24% Liveness
91% Instrumentalness • 28% Positiveness
0% Popularity • 29% Danceability • 30% Energy • 24% Liveness
91% Instrumentalness • 28% Positiveness
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George V Hobart
Alma
74 bpm • C min • 02:20 • -13.2db
7% Popularity • 29% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 29% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 25% Positiveness
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The Bryan Ferry Orchestra
Dance Away
78 bpm • G# Maj • 02:47 • -7.82db
35% Popularity • 53% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
35% Popularity • 53% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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WEA
Christ Went Up Into The Hills Alone
78 bpm • D# min • 03:39 • -17.57db
1% Popularity • 12% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
1% Popularity • 12% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Karin Hubner
Ich hätt’ getanzt heut’ Nacht
78 bpm • C Maj • 03:28 • -16.98db
13% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Willi Forst
Du hast Glück bei den Frau'n Bel Ami
78 bpm • D# Maj • 02:45 • -14db
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Mischa Spoliansky
Morphium
77 bpm • A min • 03:15 • -20.85db
2% Popularity • 13% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
2% Popularity • 13% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Horst Winter
Zwei in einer grossen Stadt
78 bpm • C min • 02:46 • -9db
12% Popularity • 58% Danceability • 36% Energy • 8% Liveness
64% Instrumentalness • 76% Positiveness
12% Popularity • 58% Danceability • 36% Energy • 8% Liveness
64% Instrumentalness • 76% Positiveness
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Heinrich Werner
Heidenroslein (Sah ein Knab' ein Roslein...
79 bpm • A min • 02:31 • -18.97db
0% Popularity • 34% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 34% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Lizzi Waldmoeller
Du hast Gluck bei den Frau'n Bel Ami
74 bpm • D# Maj • 03:09 • -8.62db
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Leo Monosson
Mir ist so nach dir
79 bpm • C Maj • 03:19 • -14db
8% Popularity • 60% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Mischa Spoliansky
Leben ohne Liebe kannst du nicht
74 bpm • C# Maj • 03:51 • -14.24db
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Society Syncopators (performers)
Down Among The Sheltering Palms
73 bpm • G Maj • 01:57 • -11.05db
15% Popularity • 30% Danceability • 42% Energy • 15% Liveness
6% Instrumentalness • 84% Positiveness
15% Popularity • 30% Danceability • 42% Energy • 15% Liveness
6% Instrumentalness • 84% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 24. Der...
73 bpm • C# min • 03:01 • -18.06db
0% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alfred Schieske
My Fair Lady: Ouvertüre (Orchester)
80 bpm • C Maj • 02:41 • -13db
11% Popularity • 27% Danceability • 30% Energy • 68% Liveness
92% Instrumentalness • 54% Positiveness
11% Popularity • 27% Danceability • 30% Energy • 68% Liveness
92% Instrumentalness • 54% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Dinah Shore
Yes, my darling daughter
80 bpm • E min • 02:21 • -7.74db
2% Popularity • 66% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 66% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Mischa Spoliansky
Wanted for Murder / A Voice in the Night
79 bpm • G# Maj • 04:18 • -13.87db
0% Popularity • 22% Danceability • 16% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 16% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Richard Strauss
3 Lieder, Op. 29, TrV 172: No. 1, Träum...
80 bpm • B Maj • 02:50 • -17.81db
0% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Friedrich Gluck
Das zerbrochene Ringlein
80 bpm • G# min • 03:01 • -17.45db
0% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Édith Piaf
Les trois cloches - avec les Compagnons ...
81 bpm • A Maj • 04:12 • -6.96db
22% Popularity • 42% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 42% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bertolt Brecht
Ballade von der unzulanglichkeit menschl...
72 bpm • B Maj • 02:53 • -14db
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Barry Sisters
Abi Gezunt
72 bpm • B min • 02:40 • -18.46db
16% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Mischa Spoliansky
Mir ist so nach dir
79 bpm • C Maj • 03:15 • -11.73db
16% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 11. Fru...
81 bpm • G# Maj • 03:13 • -20.19db
0% Popularity • 45% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 45% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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George Thalben-Ball
Toccatina
71 bpm • A min • 05:44 • -17.31db
0% Popularity • 14% Danceability • 7% Energy • 21% Liveness
91% Instrumentalness • 8% Positiveness
0% Popularity • 14% Danceability • 7% Energy • 21% Liveness
91% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 50: No. 2. Der Jager Absch...
81 bpm • C Maj • 03:10 • -18.05db
0% Popularity • 36% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Mimi Thoma
Mamatschi
82 bpm • D Maj • 03:08 • -20.41db
9% Popularity • 47% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 46% Positiveness
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Al Jolson
Dirty Hands! Dirty Face! - Film: "The Ja...
70 bpm • A Maj • 02:56 • -13.16db
8% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
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Mischa Spoliansky
A Voice In The Night
79 bpm • G# Maj • 04:21 • -11.74db
0% Popularity • 20% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21. Das...
81 bpm • E Maj • 03:02 • -17.28db
0% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Seymour Rechtzeit
Jtsikl klezmer
82 bpm • G min • 02:59 • -16.11db
9% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Hans Albers
La Paloma
82 bpm • G Maj • 03:20 • -13db
29% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Sadko: Hindulied
70 bpm • C Maj • 03:12 • -18.58db
0% Popularity • 35% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 35% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
83 bpm • C min • 02:46 • -12db
11% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Mischa Spoliansky
Der Mensch muss eine Heimat haben (Arr. ...
73 bpm • G Maj • 03:00 • -24.17db
1% Popularity • 32% Danceability • 3% Energy • 12% Liveness
27% Instrumentalness • 13% Positiveness
1% Popularity • 32% Danceability • 3% Energy • 12% Liveness
27% Instrumentalness • 13% Positiveness
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Johnny Klimek
Babylon Berlin
83 bpm • C Maj • 01:00 • -16.68db
29% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Erik Meyer-Helmund
Unter Orangenblüten
70 bpm • A# Maj • 03:47 • -15.29db
0% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Sonja Ziemann
Es grünt so grün
83 bpm • F Maj • 02:32 • -15.92db
14% Popularity • 45% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 45% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
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Cissy Kraner
Der Novak lässt mich nicht verkommen
83 bpm • F min • 03:22 • -14db
14% Popularity • 78% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 78% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Romy Schneider
Merci Monpti - Remastered
83 bpm • D Maj • 02:33 • -11.79db
8% Popularity • 36% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 36% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Mischa Spoliansky
Nie wieder Liebe: Leben ohne Liebe kanns...
80 bpm • D# Maj • 03:21 • -11.6db
1% Popularity • 29% Danceability • 30% Energy • 14% Liveness
16% Instrumentalness • 22% Positiveness
1% Popularity • 29% Danceability • 30% Energy • 14% Liveness
16% Instrumentalness • 22% Positiveness
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Claire Waldoff
Wegen Emil seine unanstaendg e Lust
69 bpm • D Maj • 02:50 • -11.95db
18% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
9% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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The Bryan Ferry Orchestra
Avalon
84 bpm • C Maj • 02:23 • -10.95db
8% Popularity • 60% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 94% Positiveness
8% Popularity • 60% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 94% Positiveness
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Greta Keller
In einem kleinen Nachtlokal
84 bpm • G min • 03:31 • -14db
10% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Georg Kreisler
Barbara
84 bpm • A# Maj • 03:03 • -15.56db
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Mischa Spoliansky
Romantic Illusion
80 bpm • D Maj • 02:59 • -14.52db
0% Popularity • 19% Danceability • 32% Energy • 17% Liveness
33% Instrumentalness • 16% Positiveness
0% Popularity • 19% Danceability • 32% Energy • 17% Liveness
33% Instrumentalness • 16% Positiveness
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Alfred Schieske
My Fair Lady: Ich Bin Gewöhnt An Ihr Ge...
85 bpm • C Maj • 04:54 • -17.99db
7% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bertolt Brecht
Die moritat von mackie messer
85 bpm • G# min • 02:55 • -14db
21% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
21% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
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Helmut Qualtinger
Krügel vor´m G´sicht
68 bpm • F Maj • 05:09 • -12.08db
4% Popularity • 37% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 37% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Richard Tauber
Dein ist mein ganzes Herz
68 bpm • C# Maj • 03:16 • -11db
17% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
17% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
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Georg Kreisler
Tauben vergiften
68 bpm • F Maj • 03:33 • -12.02db
29% Popularity • 68% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 68% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Mischa Spoliansky
Harlem Blues
68 bpm • G Maj • 02:14 • -24.74db
0% Popularity • 37% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
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Al Jolson
Brother, Can You Spare A Dime?
86 bpm • G# Maj • 03:15 • -20.91db
11% Popularity • 42% Danceability • 19% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 42% Danceability • 19% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Rudolf Katscher
Schwarz ist dein Auge
86 bpm • F# Maj • 04:10 • -16.32db
0% Popularity • 24% Danceability • 15% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
0% Popularity • 24% Danceability • 15% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
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Greta Keller
These Foolish Things
86 bpm • D# Maj • 03:42 • -16db
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Pola Negri
Tango notturno
87 bpm • A Maj • 03:00 • -23.96db
9% Popularity • 37% Danceability • 7% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
9% Popularity • 37% Danceability • 7% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Mischa Spoliansky
Sehnsucht
80 bpm • A min • 04:09 • -22.49db
2% Popularity • 17% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 17% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Lotte Lenya
Seerauber-Jenny
87 bpm • F# min • 04:02 • -15.12db
7% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Alfred Schieske
My Fair Lady: Bin Ein Mann Wie Jeder Man...
88 bpm • A# Maj • 03:39 • -17.68db
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Inge Brandenburg
Das Riesenrad
88 bpm • G min • 02:07 • -8.45db
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Georg Kreisler
Wien ohne Wiener
87 bpm • C Maj • 04:55 • -14.48db
12% Popularity • 61% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 61% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Friedrich Wilhelm Kücken
Ach, wie ist's moglich dann
88 bpm • F Maj • 02:50 • -17.65db
0% Popularity • 35% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 35% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Mischa Spoliansky
Das Lila Lied - Arr. by Daniël Capellet...
72 bpm • G Maj • 02:31 • -14.68db
0% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Anton Karas
The "Harry Lime" Theme, Pt. 1
88 bpm • F# Maj • 02:13 • -17.99db
11% Popularity • 47% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 84% Positiveness
11% Popularity • 47% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 84% Positiveness
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Édith Piaf
Notre Dame de Paris
89 bpm • A# Maj • 03:07 • -7.91db
33% Popularity • 48% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 48% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Robert Stolz
Im weißen Rössl: Es ist einmal im Lebe...
65 bpm • A Maj • 01:06 • -22db
22% Popularity • 41% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 41% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Kim Novak
My Funny Valentine - Single
89 bpm • F min • 02:01 • -19.83db
10% Popularity • 25% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Tanzorchester Géza Komor
Wenn der weisse Flieder wieder blüht
89 bpm • G Maj • 02:46 • -15.37db
12% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
12% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
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Mischa Spoliansky
Romantic Illusion
81 bpm • B min • 02:57 • -15.4db
0% Popularity • 15% Danceability • 27% Energy • 18% Liveness
60% Instrumentalness • 8% Positiveness
0% Popularity • 15% Danceability • 27% Energy • 18% Liveness
60% Instrumentalness • 8% Positiveness
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Willi Forst
Ja, wenn das Wörtchen "wenn" nicht wär
90 bpm • E Maj • 03:04 • -14.79db
9% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Henry Hall & The BBC Dance Orchestra
I'm Putting All My Eggs In One Basket
90 bpm • C# Maj • 02:56 • -11.75db
20% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
20% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
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Robert Stolz
Der Favorit, Op. 122: Du sollst der Kais...
89 bpm • A Maj • 02:51 • -10.31db
13% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Anton Karas
The Third Man Theme (The Harry Lime Them...
90 bpm • F# Maj • 02:13 • -7.4db
31% Popularity • 49% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
31% Popularity • 49% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
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Joséphine Baker
Besame Mucho
90 bpm • F min • 03:20 • -17.85db
11% Popularity • 33% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Mischa Spoliansky
Zwei Krawatten: Alles ist Geschäft
71 bpm • D Maj • 01:28 • -12.09db
0% Popularity • 59% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 59% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Rudi Schuricke
Dreh dich noch einmal um
90 bpm • C Maj • 03:28 • -10.42db
6% Popularity • 36% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 36% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
