Songs like Lily's Eyes by Robert Westenberg
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Westenberg
Lily's Eyes
90 bpm • E min • 03:09 • -13.56db
31% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Laura Michelle Kelly
All That Matters - Original Broadway Cas...
90 bpm • G# Maj • 03:12 • -6.91db
35% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
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Marvin Hamlisch
Nothing
89 bpm • B Maj • 04:19 • -10.02db
30% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Kay Walbye
Final Storm
90 bpm • C Maj • 02:14 • -13.89db
19% Popularity • 28% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Matt Cavenaugh
Maria
89 bpm • D# Maj • 03:02 • -13.31db
32% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Roger Allam
Stars
91 bpm • E Maj • 03:24 • -11.7db
39% Popularity • 37% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Daisy Eagan
Show Me the Key
90 bpm • A Maj • 03:35 • -21.14db
20% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
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Carolee Carmello
Once Upon a Dream - Lisa
92 bpm • B Maj • 02:50 • -18.08db
25% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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Jeff Edgerton
Prologue: The Old Red Hills Of Home
92 bpm • A# Maj • 06:33 • -11.13db
22% Popularity • 37% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 37% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Mary Beth Peil
Close the Door
88 bpm • G min • 03:11 • -11.19db
36% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Bernadette Peters
We Do Not Belong Together
88 bpm • C Maj • 03:55 • -14.02db
28% Popularity • 32% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 32% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Maury Yeston
The Launching: Godspeed Titanic
88 bpm • F Maj • 02:03 • -12.7db
25% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Mandy Patinkin
Scene: Archibald's Library / A Bit of Ea...
92 bpm • A Maj • 03:46 • -18.59db
21% Popularity • 33% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 33% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Osnes
Goodbye, Little Dream, Goodbye
92 bpm • F Maj • 02:23 • -14.26db
25% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
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Kelsey Grammer
All Of London Is Here Tonight - Original...
92 bpm • B min • 02:22 • -4.59db
28% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Alison Fraser
Scene: Mary's Sitting Room / If I Had a ...
92 bpm • G Maj • 02:35 • -17.53db
21% Popularity • 51% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 51% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Margo Seibert
Raining - Rocky Broadway Cast Recording
92 bpm • G Maj • 04:06 • -11db
26% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Mandy Patinkin
A Girl in the Valley
88 bpm • G Maj • 02:38 • -14.57db
23% Popularity • 29% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 29% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ramin Karimloo
The Neva Flows
93 bpm • A# Maj • 02:53 • -11.85db
41% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Jonathan Groff
Left Behind - Original Broadway Cast Rec...
93 bpm • G Maj • 04:16 • -10.59db
36% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Rosario Dawson
Goodbye Love
87 bpm • C min • 06:24 • -7db
41% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Gavin Creel
I Turned the Corner / I'm Falling in Lov...
87 bpm • F# Maj • 04:11 • -14.05db
23% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Dakin Matthews
Take It from an Old Man
87 bpm • C# min • 02:37 • -10.89db
41% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Katrina Lenk
Something Different
87 bpm • B min • 03:19 • -8db
26% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Santino Fontana
"Loneliness Of Evening"
93 bpm • D# Maj • 01:53 • -6.63db
29% Popularity • 39% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 39% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Mandy Patinkin
Race You to the Top of the Morning
93 bpm • D# Maj • 04:02 • -21.89db
20% Popularity • 46% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 46% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Marvin Hamlisch
At the Ballet
94 bpm • G Maj • 05:54 • -9.93db
27% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Pascal
Written In The Stars
94 bpm • C# Maj • 03:17 • -9.44db
32% Popularity • 41% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Stephanie J. Block, Megan Hilty and Allison Janney
I Just Might
94 bpm • A Maj • 03:56 • -9.86db
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Redmayne
Little Fall Of Rain
86 bpm • F# Maj • 02:32 • -28.05db
39% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Robert Westenberg
Scene: The Library at Misselthwaite Mano...
86 bpm • C Maj • 00:32 • -31.07db
20% Popularity • 63% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 63% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Maury Yeston
Overture / Prologue: In Every Age
94 bpm • D Maj • 03:25 • -23.49db
24% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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Soundtrack/Cast Album
Somewhere That's Green
86 bpm • G Maj • 04:10 • -13.63db
40% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Mindi Dickstein
Days of Plenty
95 bpm • G# Maj • 03:26 • -9.12db
25% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sutton Foster
Show Off
86 bpm • F Maj • 04:41 • -5.97db
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Joel Grey
Friendship
95 bpm • A# Maj • 03:29 • -8.21db
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
26% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Beth Fowler
Beauty and the Beast
85 bpm • A Maj • 03:34 • -22db
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Damian Perkins
How I Know You
85 bpm • F Maj • 02:35 • -11.81db
30% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Kelsey Fowler
Picture Show
95 bpm • C# Maj • 04:35 • -10.05db
38% Popularity • 55% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 55% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy
Sympathy, Tenderness
85 bpm • E min • 01:34 • -19.6db
27% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
24% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
17% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Chad Kimball
Prayer
96 bpm • D Maj • 03:25 • -10db
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
37% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Mandy Patinkin
Soliloquy
84 bpm • G Maj • 07:13 • -16.3db
6% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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John Cameron Mitchell
Wick
96 bpm • F Maj • 04:11 • -13.67db
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Ross Lekites
I'll Go Home with Bonnie Jean
84 bpm • G Maj • 02:19 • -8.76db
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Songs for a New World Ensemble
Hear My Song
84 bpm • G Maj • 05:41 • -11.72db
16% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Mary Elizabeth Mastrantonio
What Does He Want of Me?
96 bpm • F Maj • 02:22 • -14.81db
22% Popularity • 46% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Sherman Edwards
1776: Cool, Cool, Considerate Men
96 bpm • C min • 04:29 • -11.86db
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Hunter Parrish
Save the People
84 bpm • G Maj • 03:36 • -8.65db
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Carolee Carmello
In His Eyes
84 bpm • A# Maj • 04:13 • -11.52db
28% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lisa O'Hare
I Don't Know What I'd Do
97 bpm • G Maj • 02:02 • -12db
27% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
21% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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William Finn
Sailing
83 bpm • C# Maj • 03:06 • -12.02db
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Maury Yeston
Epilogue: In Every Age (Reprise) / Final...
97 bpm • C Maj • 04:37 • -17.81db
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
