Songs like Limewire - Original Mix [Mixed] by Brame & Hamo
Based on a tempo of (+/- 10%) and a similar genre
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Brame
Alright
122 bpm • D min • 07:05 • -8.95db
21% Popularity • 80% Danceability • 70% Energy • 3% Liveness
85% Instrumentalness • 66% Positiveness
21% Popularity • 80% Danceability • 70% Energy • 3% Liveness
85% Instrumentalness • 66% Positiveness
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Dub Striker
Mood
122 bpm • B min • 05:50 • -10db
14% Popularity • 77% Danceability • 92% Energy • 9% Liveness
88% Instrumentalness • 59% Positiveness
14% Popularity • 77% Danceability • 92% Energy • 9% Liveness
88% Instrumentalness • 59% Positiveness
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![Limewire - Original Mix [Mixed] cover art](https://i.scdn.co/image/ab67616d00001e026a507aae59ed30ceac9d7773)
Brame & Hamo
Limewire - Original Mix [Mixed]
122 bpm • G Maj • 04:13 • -11.24db
7% Popularity • 66% Danceability • 70% Energy • 5% Liveness
91% Instrumentalness • 73% Positiveness
7% Popularity • 66% Danceability • 70% Energy • 5% Liveness
91% Instrumentalness • 73% Positiveness
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Workerz
Trash of Life
122 bpm • G Maj • 06:43 • -10.55db
12% Popularity • 84% Danceability • 66% Energy • 4% Liveness
94% Instrumentalness • 64% Positiveness
12% Popularity • 84% Danceability • 66% Energy • 4% Liveness
94% Instrumentalness • 64% Positiveness
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NY's Finest
I Can't Wait Till Tonight
122 bpm • F# min • 05:37 • -8.95db
12% Popularity • 71% Danceability • 89% Energy • 22% Liveness
84% Instrumentalness • 55% Positiveness
12% Popularity • 71% Danceability • 89% Energy • 22% Liveness
84% Instrumentalness • 55% Positiveness
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Urulu
Reason with Me
122 bpm • G Maj • 05:30 • -8.57db
16% Popularity • 57% Danceability • 54% Energy • 5% Liveness
13% Instrumentalness • 50% Positiveness
16% Popularity • 57% Danceability • 54% Energy • 5% Liveness
13% Instrumentalness • 50% Positiveness
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Marc Brauner
Old School
122 bpm • F# min • 06:18 • -9db
26% Popularity • 80% Danceability • 72% Energy • 10% Liveness
70% Instrumentalness • 93% Positiveness
26% Popularity • 80% Danceability • 72% Energy • 10% Liveness
70% Instrumentalness • 93% Positiveness
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KaLK
Äkäsha - DJ Oyster Re-Edit
122 bpm • F min • 07:28 • -9.49db
8% Popularity • 76% Danceability • 82% Energy • 30% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 76% Danceability • 82% Energy • 30% Liveness
86% Instrumentalness • 22% Positiveness
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LK
Dark Days
122 bpm • C min • 06:49 • -9.54db
9% Popularity • 87% Danceability • 57% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
9% Popularity • 87% Danceability • 57% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Nachtbraker
M.m.m - Session Victim Remix
122 bpm • C# Maj • 05:24 • -9.51db
11% Popularity • 71% Danceability • 85% Energy • 11% Liveness
86% Instrumentalness • 96% Positiveness
11% Popularity • 71% Danceability • 85% Energy • 11% Liveness
86% Instrumentalness • 96% Positiveness
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Frits Wentink
Shrewd
122 bpm • C# min • 05:00 • -10db
19% Popularity • 90% Danceability • 69% Energy • 6% Liveness
21% Instrumentalness • 67% Positiveness
19% Popularity • 90% Danceability • 69% Energy • 6% Liveness
21% Instrumentalness • 67% Positiveness
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Laurence Guy
Les Mur
122 bpm • E min • 06:49 • -13db
34% Popularity • 97% Danceability • 45% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
34% Popularity • 97% Danceability • 45% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
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Soundstream
Just Around
122 bpm • G Maj • 06:56 • -9db
18% Popularity • 78% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
18% Popularity • 78% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Mood J
Moonlight Drive
122 bpm • G Maj • 05:24 • -8.69db
9% Popularity • 75% Danceability • 88% Energy • 7% Liveness
89% Instrumentalness • 82% Positiveness
9% Popularity • 75% Danceability • 88% Energy • 7% Liveness
89% Instrumentalness • 82% Positiveness
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Damiano von Erckert
Housem III
122 bpm • G Maj • 07:10 • -7.81db
21% Popularity • 65% Danceability • 91% Energy • 17% Liveness
25% Instrumentalness • 40% Positiveness
21% Popularity • 65% Danceability • 91% Energy • 17% Liveness
25% Instrumentalness • 40% Positiveness
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Skatebård
Sundays In The Sky
122 bpm • G Maj • 08:03 • -5.22db
11% Popularity • 77% Danceability • 96% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
11% Popularity • 77% Danceability • 96% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Denis Sulta
She Make Me Feel (Like I Never Sinned)
122 bpm • A Maj • 07:28 • -8.9db
8% Popularity • 74% Danceability • 91% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
8% Popularity • 74% Danceability • 91% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Fango
Admire
122 bpm • G# min • 05:02 • -7.54db
34% Popularity • 62% Danceability • 64% Energy • 22% Liveness
97% Instrumentalness • 63% Positiveness
34% Popularity • 62% Danceability • 64% Energy • 22% Liveness
97% Instrumentalness • 63% Positiveness
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DJ Different
Manhattan Drive
122 bpm • F min • 07:28 • -9.48db
17% Popularity • 69% Danceability • 84% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
17% Popularity • 69% Danceability • 84% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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Dam Swindle
Thoughts of She
122 bpm • G Maj • 06:06 • -9db
37% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Subjoi
Obsession
122 bpm • F min • 05:32 • -9.49db
24% Popularity • 80% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 31% Positiveness
24% Popularity • 80% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 31% Positiveness
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Brame & Hamo
Kebab Dreams
122 bpm • A min • 06:02 • -9.67db
5% Popularity • 86% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 51% Positiveness
5% Popularity • 86% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 51% Positiveness
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Calvera
Long Weekend
122 bpm • B Maj • 05:54 • -8.42db
14% Popularity • 90% Danceability • 88% Energy • 7% Liveness
80% Instrumentalness • 74% Positiveness
14% Popularity • 90% Danceability • 88% Energy • 7% Liveness
80% Instrumentalness • 74% Positiveness
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Rick Wade
Feels - LK Remix
122 bpm • A min • 06:22 • -8.02db
13% Popularity • 88% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
13% Popularity • 88% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Chez Damier
Chez A. Untitled - Extended Mix
122 bpm • G Maj • 05:19 • -11.78db
26% Popularity • 91% Danceability • 85% Energy • 6% Liveness
90% Instrumentalness • 63% Positiveness
26% Popularity • 91% Danceability • 85% Energy • 6% Liveness
90% Instrumentalness • 63% Positiveness
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Dam Swindle
Sometimes
122 bpm • E min • 06:23 • -11.4db
21% Popularity • 54% Danceability • 53% Energy • 7% Liveness
61% Instrumentalness • 14% Positiveness
21% Popularity • 54% Danceability • 53% Energy • 7% Liveness
61% Instrumentalness • 14% Positiveness
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DJ Aakmael
Smoothie - Norm Talley Remix
121 bpm • A min • 08:28 • -10db
12% Popularity • 81% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 70% Positiveness
12% Popularity • 81% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 70% Positiveness
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Herbert
Shuffler - Bonus Track
122 bpm • F min • 08:08 • -11.25db
10% Popularity • 81% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
10% Popularity • 81% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
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Herb LF
Von Zeit zu Zeit seh' ich den Alten gern
121 bpm • G min • 07:00 • -9.31db
7% Popularity • 85% Danceability • 66% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
7% Popularity • 85% Danceability • 66% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Brame & Hamo
Clarence (Smooth Mix - Mixed)
121 bpm • D# min • 02:22 • -8.97db
3% Popularity • 76% Danceability • 64% Energy • 6% Liveness
83% Instrumentalness • 53% Positiveness
3% Popularity • 76% Danceability • 64% Energy • 6% Liveness
83% Instrumentalness • 53% Positiveness
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Jovonn
Pianos of Gold
123 bpm • B Maj • 06:24 • -7.66db
21% Popularity • 82% Danceability • 80% Energy • 7% Liveness
87% Instrumentalness • 55% Positiveness
21% Popularity • 82% Danceability • 80% Energy • 7% Liveness
87% Instrumentalness • 55% Positiveness
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Paul Cut
Should Bruxelles
123 bpm • A# Maj • 08:22 • -11.66db
10% Popularity • 80% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 42% Positiveness
10% Popularity • 80% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 42% Positiveness
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Borrowed Identity
Feel Like Makin'Love - Original Mix
121 bpm • C Maj • 05:33 • -10db
21% Popularity • 68% Danceability • 75% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
21% Popularity • 68% Danceability • 75% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
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Herbert
Got To Be Movin' (On The Dancefloor)
123 bpm • C# Maj • 08:38 • -9.28db
15% Popularity • 76% Danceability • 71% Energy • 10% Liveness
81% Instrumentalness • 42% Positiveness
15% Popularity • 76% Danceability • 71% Energy • 10% Liveness
81% Instrumentalness • 42% Positiveness
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Danilo Plessow
Send a Prayer - Pt.2
121 bpm • G Maj • 05:37 • -7db
33% Popularity • 87% Danceability • 91% Energy • 94% Liveness
34% Instrumentalness • 71% Positiveness
33% Popularity • 87% Danceability • 91% Energy • 94% Liveness
34% Instrumentalness • 71% Positiveness
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Amir Alexander
Blessed Are The Meek
123 bpm • C# Maj • 03:23 • -9.21db
11% Popularity • 76% Danceability • 64% Energy • 11% Liveness
55% Instrumentalness • 73% Positiveness
11% Popularity • 76% Danceability • 64% Energy • 11% Liveness
55% Instrumentalness • 73% Positiveness
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Catz 'n Dogz
Fine Feeling
123 bpm • E min • 04:11 • -7.68db
19% Popularity • 97% Danceability • 88% Energy • 10% Liveness
8% Instrumentalness • 73% Positiveness
19% Popularity • 97% Danceability • 88% Energy • 10% Liveness
8% Instrumentalness • 73% Positiveness
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Mark Hawkins
The Basement Is Burning
123 bpm • B Maj • 08:55 • -6.63db
30% Popularity • 80% Danceability • 80% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
30% Popularity • 80% Danceability • 80% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Andy Hart
Hermano
121 bpm • C# Maj • 07:10 • -10db
9% Popularity • 76% Danceability • 75% Energy • 9% Liveness
67% Instrumentalness • 38% Positiveness
9% Popularity • 76% Danceability • 75% Energy • 9% Liveness
67% Instrumentalness • 38% Positiveness
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Roman Flügel
Juke City
123 bpm • A# Maj • 03:58 • -9.02db
18% Popularity • 61% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
18% Popularity • 61% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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lelú
do bap
123 bpm • C# min • 07:38 • -8.69db
8% Popularity • 73% Danceability • 90% Energy • 4% Liveness
15% Instrumentalness • 28% Positiveness
8% Popularity • 73% Danceability • 90% Energy • 4% Liveness
15% Instrumentalness • 28% Positiveness
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Brame & Hamo
Triple Treat
123 bpm • C# Maj • 05:33 • -8.67db
1% Popularity • 75% Danceability • 71% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
1% Popularity • 75% Danceability • 71% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
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Rick Wade
I Feel Good
123 bpm • E min • 05:59 • -10.38db
13% Popularity • 86% Danceability • 66% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
13% Popularity • 86% Danceability • 66% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
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Bruce Trail
Bridgework
123 bpm • C min • 07:15 • -7.68db
31% Popularity • 80% Danceability • 68% Energy • 14% Liveness
87% Instrumentalness • 30% Positiveness
31% Popularity • 80% Danceability • 68% Energy • 14% Liveness
87% Instrumentalness • 30% Positiveness
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Talaboman
Brutal Chugga Chugga - L.B. Dub Corp Rem...
123 bpm • A# min • 06:55 • -11db
17% Popularity • 63% Danceability • 68% Energy • 9% Liveness
75% Instrumentalness • 46% Positiveness
17% Popularity • 63% Danceability • 68% Energy • 9% Liveness
75% Instrumentalness • 46% Positiveness
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Hammer
Ozone
121 bpm • B Maj • 06:42 • -10.31db
24% Popularity • 81% Danceability • 74% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
24% Popularity • 81% Danceability • 74% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
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Big Miz
Good Thing
123 bpm • E min • 06:45 • -6.6db
13% Popularity • 80% Danceability • 85% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
13% Popularity • 80% Danceability • 85% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
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Kyodai
What You Give
121 bpm • C Maj • 07:11 • -10.56db
13% Popularity • 68% Danceability • 79% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
13% Popularity • 68% Danceability • 79% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Urulu
Train to Nagoya
121 bpm • E min • 05:53 • -12db
22% Popularity • 80% Danceability • 83% Energy • 5% Liveness
80% Instrumentalness • 47% Positiveness
22% Popularity • 80% Danceability • 83% Energy • 5% Liveness
80% Instrumentalness • 47% Positiveness
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QUASAR
Take You II
123 bpm • B min • 06:17 • -6.12db
16% Popularity • 71% Danceability • 83% Energy • 11% Liveness
23% Instrumentalness • 52% Positiveness
16% Popularity • 71% Danceability • 83% Energy • 11% Liveness
23% Instrumentalness • 52% Positiveness
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Smallpeople
Magic Interference
121 bpm • A Maj • 06:16 • -12db
13% Popularity • 82% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 79% Positiveness
13% Popularity • 82% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 79% Positiveness
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Mr Bobbyjazz
The Make Up
123 bpm • C min • 07:37 • -10.64db
17% Popularity • 80% Danceability • 86% Energy • 33% Liveness
72% Instrumentalness • 32% Positiveness
17% Popularity • 80% Danceability • 86% Energy • 33% Liveness
72% Instrumentalness • 32% Positiveness
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Borrowed Identity
Addictive
123 bpm • G# min • 05:17 • -11.08db
21% Popularity • 82% Danceability • 75% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
21% Popularity • 82% Danceability • 75% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
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Omar S
Thank U 4 Letting Me Be Myself
123 bpm • F# Maj • 07:39 • -9.31db
32% Popularity • 81% Danceability • 52% Energy • 11% Liveness
79% Instrumentalness • 94% Positiveness
32% Popularity • 81% Danceability • 52% Energy • 11% Liveness
79% Instrumentalness • 94% Positiveness
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Cassio Kohl
Broken
123 bpm • B min • 07:48 • -12db
30% Popularity • 83% Danceability • 62% Energy • 5% Liveness
83% Instrumentalness • 79% Positiveness
30% Popularity • 83% Danceability • 62% Energy • 5% Liveness
83% Instrumentalness • 79% Positiveness
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Voyeur
Patron Saint
121 bpm • C# Maj • 06:21 • -7db
11% Popularity • 78% Danceability • 86% Energy • 17% Liveness
85% Instrumentalness • 25% Positiveness
11% Popularity • 78% Danceability • 86% Energy • 17% Liveness
85% Instrumentalness • 25% Positiveness
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Rick Wade
Passion Play
123 bpm • F# min • 06:30 • -10.52db
18% Popularity • 88% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
18% Popularity • 88% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
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Mark Hawkins
I'm So Glad - Paul Woolford Rework
123 bpm • F# Maj • 06:46 • -9.62db
24% Popularity • 79% Danceability • 72% Energy • 7% Liveness
88% Instrumentalness • 71% Positiveness
24% Popularity • 79% Danceability • 72% Energy • 7% Liveness
88% Instrumentalness • 71% Positiveness
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Delano Smith
Nebula - Original Mix
123 bpm • B min • 07:26 • -11db
22% Popularity • 71% Danceability • 58% Energy • 7% Liveness
89% Instrumentalness • 42% Positiveness
22% Popularity • 71% Danceability • 58% Energy • 7% Liveness
89% Instrumentalness • 42% Positiveness
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Brame & Hamo
Lamaj (Andy Hart Remix)
121 bpm • C# Maj • 06:35 • -10.48db
4% Popularity • 80% Danceability • 62% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
4% Popularity • 80% Danceability • 62% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Palms Trax
People of Tusk
123 bpm • C min • 05:49 • -8.88db
10% Popularity • 72% Danceability • 76% Energy • 19% Liveness
62% Instrumentalness • 68% Positiveness
10% Popularity • 72% Danceability • 76% Energy • 19% Liveness
62% Instrumentalness • 68% Positiveness
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Denis Sulta
Nein Fortiate
121 bpm • C min • 06:21 • -9.2db
23% Popularity • 76% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
23% Popularity • 76% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Lee Webster
All Night Vibes - Original Mix
123 bpm • A min • 05:23 • -9.57db
15% Popularity • 83% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
15% Popularity • 83% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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Nachtbraker
Backstabber
121 bpm • F Maj • 06:47 • -11.77db
28% Popularity • 87% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 45% Positiveness
28% Popularity • 87% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 45% Positiveness
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Rick Wade
Feels (LK Remix) / Loubar's Stars - Acc...
123 bpm • A min • 04:02 • -6db
15% Popularity • 81% Danceability • 78% Energy • 6% Liveness
32% Instrumentalness • 46% Positiveness
15% Popularity • 81% Danceability • 78% Energy • 6% Liveness
32% Instrumentalness • 46% Positiveness
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Kassian
The Premise
123 bpm • G Maj • 06:21 • -10db
15% Popularity • 67% Danceability • 86% Energy • 21% Liveness
4% Instrumentalness • 34% Positiveness
15% Popularity • 67% Danceability • 86% Energy • 21% Liveness
4% Instrumentalness • 34% Positiveness
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Johannes Albert
Beach Reach
121 bpm • B min • 05:48 • -8.55db
20% Popularity • 83% Danceability • 77% Energy • 16% Liveness
83% Instrumentalness • 89% Positiveness
20% Popularity • 83% Danceability • 77% Energy • 16% Liveness
83% Instrumentalness • 89% Positiveness
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Urulu
1991
123 bpm • F# min • 05:12 • -10.87db
19% Popularity • 78% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
19% Popularity • 78% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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Omar S
Romancing the Stone
121 bpm • F# Maj • 06:09 • -9.58db
19% Popularity • 82% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 96% Positiveness
19% Popularity • 82% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 96% Positiveness
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Brame & Hamo
Clockwerk - Session Victim Remix
121 bpm • F# min • 07:07 • -8.64db
2% Popularity • 78% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 69% Positiveness
2% Popularity • 78% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 69% Positiveness
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Cassio Kohl
Legendary
123 bpm • C min • 06:14 • -10.26db
19% Popularity • 84% Danceability • 94% Energy • 12% Liveness
69% Instrumentalness • 88% Positiveness
19% Popularity • 84% Danceability • 94% Energy • 12% Liveness
69% Instrumentalness • 88% Positiveness
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Kassian
System
123 bpm • B min • 07:08 • -9.42db
10% Popularity • 81% Danceability • 82% Energy • 12% Liveness
11% Instrumentalness • 49% Positiveness
10% Popularity • 81% Danceability • 82% Energy • 12% Liveness
11% Instrumentalness • 49% Positiveness
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Danilo Plessow
Raw Cuts #4
123 bpm • A# min • 05:45 • -7db
24% Popularity • 76% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
24% Popularity • 76% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
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Tal M. Klein
House On The Left - Bicep Remix
121 bpm • G Maj • 06:05 • -7.74db
8% Popularity • 70% Danceability • 71% Energy • 12% Liveness
82% Instrumentalness • 11% Positiveness
8% Popularity • 70% Danceability • 71% Energy • 12% Liveness
82% Instrumentalness • 11% Positiveness
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Folamour
Mad King in My Own Kingdom
123 bpm • C# min • 09:37 • -10.87db
25% Popularity • 78% Danceability • 72% Energy • 8% Liveness
83% Instrumentalness • 96% Positiveness
25% Popularity • 78% Danceability • 72% Energy • 8% Liveness
83% Instrumentalness • 96% Positiveness
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Harry Wolfman
Uncle Buck - Brame & Hamo Remix
123 bpm • F min • 05:58 • -9.46db
5% Popularity • 76% Danceability • 81% Energy • 10% Liveness
73% Instrumentalness • 34% Positiveness
5% Popularity • 76% Danceability • 81% Energy • 10% Liveness
73% Instrumentalness • 34% Positiveness
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DJ BORING
Exotic Feelin'
123 bpm • G min • 08:19 • -10.39db
24% Popularity • 77% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
24% Popularity • 77% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
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Rimbaudian
Let Me Beat U
123 bpm • B min • 05:06 • -10.09db
14% Popularity • 81% Danceability • 74% Energy • 4% Liveness
80% Instrumentalness • 16% Positiveness
14% Popularity • 81% Danceability • 74% Energy • 4% Liveness
80% Instrumentalness • 16% Positiveness
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Andy Hart
Sorayama's Mistress
121 bpm • C# min • 06:12 • -9.99db
18% Popularity • 68% Danceability • 94% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
18% Popularity • 68% Danceability • 94% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
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Bobby Analog
When Will the Day Come
121 bpm • G Maj • 06:37 • -6.43db
29% Popularity • 70% Danceability • 92% Energy • 9% Liveness
87% Instrumentalness • 37% Positiveness
29% Popularity • 70% Danceability • 92% Energy • 9% Liveness
87% Instrumentalness • 37% Positiveness
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Ben Hauke
The Way They Rep
123 bpm • C# Maj • 05:55 • -9.05db
22% Popularity • 84% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 84% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Rick Wade
Forgotten Track
123 bpm • B Maj • 05:18 • -7.13db
14% Popularity • 85% Danceability • 82% Energy • 9% Liveness
62% Instrumentalness • 17% Positiveness
14% Popularity • 85% Danceability • 82% Energy • 9% Liveness
62% Instrumentalness • 17% Positiveness
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Terrence Parker
Love's Got Me High - Original Vocal Mix
123 bpm • G Maj • 07:16 • -12.97db
29% Popularity • 80% Danceability • 57% Energy • 8% Liveness
37% Instrumentalness • 69% Positiveness
29% Popularity • 80% Danceability • 57% Energy • 8% Liveness
37% Instrumentalness • 69% Positiveness
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Mara Lakour
Timecode
123 bpm • C Maj • 08:03 • -9.2db
10% Popularity • 78% Danceability • 71% Energy • 5% Liveness
67% Instrumentalness • 18% Positiveness
10% Popularity • 78% Danceability • 71% Energy • 5% Liveness
67% Instrumentalness • 18% Positiveness
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Pierre Moritz
Fewnolder
121 bpm • C Maj • 06:07 • -8db
14% Popularity • 78% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
14% Popularity • 78% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
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CTEPEO '57
Kackwursthouse
120 bpm • B min • 05:50 • -12.88db
21% Popularity • 98% Danceability • 45% Energy • 8% Liveness
52% Instrumentalness • 42% Positiveness
21% Popularity • 98% Danceability • 45% Energy • 8% Liveness
52% Instrumentalness • 42% Positiveness
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Brame & Hamo
Retch Wretchedness
121 bpm • G# Maj • 05:25 • -10.67db
5% Popularity • 81% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
5% Popularity • 81% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Tell
Y'all Feel That Honey - Paradise Mix
124 bpm • B min • 06:42 • -7db
25% Popularity • 78% Danceability • 80% Energy • 11% Liveness
88% Instrumentalness • 46% Positiveness
25% Popularity • 78% Danceability • 80% Energy • 11% Liveness
88% Instrumentalness • 46% Positiveness
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Herbert
People That Make The Music - Bonus Track
124 bpm • B min • 08:26 • -9.44db
12% Popularity • 85% Danceability • 72% Energy • 16% Liveness
67% Instrumentalness • 24% Positiveness
12% Popularity • 85% Danceability • 72% Energy • 16% Liveness
67% Instrumentalness • 24% Positiveness
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Tightshirt
Rampage Funk
120 bpm • A# min • 06:43 • -8.95db
29% Popularity • 76% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
29% Popularity • 76% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Mark Blair
It's The Outside That Counts
124 bpm • E Maj • 05:56 • -9.04db
13% Popularity • 82% Danceability • 98% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
13% Popularity • 82% Danceability • 98% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
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Kapote
Uhh Baby - Brame & Hamo Remix
120 bpm • F# min • 05:56 • -8.38db
20% Popularity • 84% Danceability • 81% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
20% Popularity • 84% Danceability • 81% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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Brame & Hamo
Retro Active
124 bpm • A# min • 04:32 • -8.11db
8% Popularity • 66% Danceability • 81% Energy • 6% Liveness
91% Instrumentalness • 48% Positiveness
8% Popularity • 66% Danceability • 81% Energy • 6% Liveness
91% Instrumentalness • 48% Positiveness
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Borrowed Identity
One Nation Under a Groove
124 bpm • F# min • 06:14 • -12.33db
15% Popularity • 86% Danceability • 62% Energy • 20% Liveness
74% Instrumentalness • 64% Positiveness
15% Popularity • 86% Danceability • 62% Energy • 20% Liveness
74% Instrumentalness • 64% Positiveness
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Sammy Bananas
Non-Stop
124 bpm • D# min • 06:15 • -11.54db
9% Popularity • 80% Danceability • 73% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
9% Popularity • 80% Danceability • 73% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
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Demi RiquÃsimo
Certified
124 bpm • A# min • 04:27 • -8.4db
17% Popularity • 80% Danceability • 88% Energy • 36% Liveness
84% Instrumentalness • 93% Positiveness
17% Popularity • 80% Danceability • 88% Energy • 36% Liveness
84% Instrumentalness • 93% Positiveness
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Mr. G
Mac (Daddy)R.I.P - Mango Boys Hurting Du...
124 bpm • G# min • 06:53 • -11.14db
16% Popularity • 88% Danceability • 74% Energy • 9% Liveness
12% Instrumentalness • 64% Positiveness
16% Popularity • 88% Danceability • 74% Energy • 9% Liveness
12% Instrumentalness • 64% Positiveness
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Yann Polewka
La French Touch - Cody Currie Remix
124 bpm • F# min • 05:19 • -11.57db
13% Popularity • 76% Danceability • 70% Energy • 23% Liveness
68% Instrumentalness • 63% Positiveness
13% Popularity • 76% Danceability • 70% Energy • 23% Liveness
68% Instrumentalness • 63% Positiveness
