Songs like Limón y Sal by Alfonso Santisteban
Based on a tempo of (+/- 10%) and a similar genre
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Echolocation Phoenix
Luminous Tides
144 bpm • E Maj • 01:04 • -9.47db
15% Popularity • 49% Danceability • 69% Energy • 80% Liveness
24% Instrumentalness • 64% Positiveness
15% Popularity • 49% Danceability • 69% Energy • 80% Liveness
24% Instrumentalness • 64% Positiveness
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Ennio Morricone
Walzer bossa nuova
144 bpm • C Maj • 02:06 • -13.01db
10% Popularity • 54% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 54% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Alfonso Santisteban
Tom y Vinicius
144 bpm • G min • 04:20 • -18.48db
4% Popularity • 51% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
4% Popularity • 51% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Los Rebeldes Del Rock
El Melón
144 bpm • F Maj • 02:05 • -5.3db
8% Popularity • 74% Danceability • 67% Energy • 10% Liveness
54% Instrumentalness • 87% Positiveness
8% Popularity • 74% Danceability • 67% Energy • 10% Liveness
54% Instrumentalness • 87% Positiveness
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Augusto Martelli
Crazy Sax
145 bpm • F Maj • 02:37 • -15.79db
10% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Francis Lai
Olimpia's Theme - Bossa Nova
145 bpm • A# min • 03:42 • -14.69db
9% Popularity • 53% Danceability • 35% Energy • 18% Liveness
86% Instrumentalness • 62% Positiveness
9% Popularity • 53% Danceability • 35% Energy • 18% Liveness
86% Instrumentalness • 62% Positiveness
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Roberto Menescal E Seu Conjunto
Tempinho Bom
143 bpm • A min • 02:50 • -10.02db
15% Popularity • 55% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 55% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Hugo Montenegro
Gua Gilone
145 bpm • C Maj • 02:51 • -13.03db
9% Popularity • 53% Danceability • 70% Energy • 7% Liveness
73% Instrumentalness • 61% Positiveness
9% Popularity • 53% Danceability • 70% Energy • 7% Liveness
73% Instrumentalness • 61% Positiveness
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Alfonso Santisteban
Limón y Sal
144 bpm • D Maj • 03:15 • -11.72db
1% Popularity • 57% Danceability • 72% Energy • 38% Liveness
67% Instrumentalness • 79% Positiveness
1% Popularity • 57% Danceability • 72% Energy • 38% Liveness
67% Instrumentalness • 79% Positiveness
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Nelson Riddle
Naomi
146 bpm • G Maj • 03:18 • -12.26db
11% Popularity • 39% Danceability • 65% Energy • 12% Liveness
41% Instrumentalness • 64% Positiveness
11% Popularity • 39% Danceability • 65% Energy • 12% Liveness
41% Instrumentalness • 64% Positiveness
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Paolo Fedreghini Marco Bianchi
You Are A Star
146 bpm • G Maj • 04:46 • -10.37db
13% Popularity • 65% Danceability • 58% Energy • 13% Liveness
2% Instrumentalness • 44% Positiveness
13% Popularity • 65% Danceability • 58% Energy • 13% Liveness
2% Instrumentalness • 44% Positiveness
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Francesco Montisano
Dadadada
142 bpm • F# min • 02:45 • -11.45db
9% Popularity • 74% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 87% Positiveness
9% Popularity • 74% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 87% Positiveness
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Al Hirt
Music to Watch Girls By
142 bpm • G min • 01:51 • -13db
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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Hugo Montenegro & His Orchestra
Meet Mr. Solo
146 bpm • E Maj • 02:26 • -17db
13% Popularity • 28% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
13% Popularity • 28% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
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Alfonso Santisteban
No Te Acuerdas de Mí
146 bpm • A Maj • 02:03 • -10.67db
2% Popularity • 53% Danceability • 79% Energy • 61% Liveness
3% Instrumentalness • 77% Positiveness
2% Popularity • 53% Danceability • 79% Energy • 61% Liveness
3% Instrumentalness • 77% Positiveness
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Piero Umiliani
Due occhi per uccidere - Bossa Nova
142 bpm • B min • 02:12 • -12.46db
9% Popularity • 75% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 93% Positiveness
9% Popularity • 75% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 93% Positiveness
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Gianni Ferrio
Azucar
142 bpm • C Maj • 02:09 • -13.86db
14% Popularity • 56% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
14% Popularity • 56% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
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Ramsey Lewis Trio
Never On Sunday
147 bpm • F min • 02:10 • -17.75db
17% Popularity • 60% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 68% Positiveness
17% Popularity • 60% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 68% Positiveness
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James Clarke
The Free Life
147 bpm • A# Maj • 03:00 • -14db
17% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
17% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
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Kenyon Hopkins
Hard Latin
141 bpm • F min • 02:11 • -10.35db
30% Popularity • 67% Danceability • 60% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
30% Popularity • 67% Danceability • 60% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
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Alfonso Santisteban
Palmarés
146 bpm • A# Maj • 02:18 • -10.2db
1% Popularity • 61% Danceability • 59% Energy • 15% Liveness
21% Instrumentalness • 86% Positiveness
1% Popularity • 61% Danceability • 59% Energy • 15% Liveness
21% Instrumentalness • 86% Positiveness
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Dave Pike
You've Got Your Troubles
141 bpm • B min • 04:09 • -10.02db
13% Popularity • 48% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 48% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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David Summerfield Orchester
Bossa di Notte
147 bpm • C Maj • 03:05 • -6.71db
26% Popularity • 30% Danceability • 66% Energy • 18% Liveness
15% Instrumentalness • 68% Positiveness
26% Popularity • 30% Danceability • 66% Energy • 18% Liveness
15% Instrumentalness • 68% Positiveness
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Dick Hyman
Cumana
147 bpm • A min • 03:12 • -15.94db
16% Popularity • 48% Danceability • 44% Energy • 32% Liveness
43% Instrumentalness • 82% Positiveness
16% Popularity • 48% Danceability • 44% Energy • 32% Liveness
43% Instrumentalness • 82% Positiveness
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Piero Umiliani
Due occhi per uccidere - Bossa Nova #2
141 bpm • B min • 01:18 • -13.66db
22% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
22% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
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Roland Kovac Rhythm & Strings
Bossa Angela
140 bpm • A min • 02:35 • -18.15db
10% Popularity • 50% Danceability • 23% Energy • 16% Liveness
93% Instrumentalness • 78% Positiveness
10% Popularity • 50% Danceability • 23% Energy • 16% Liveness
93% Instrumentalness • 78% Positiveness
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Alfonso Santisteban
Diamantes
147 bpm • C Maj • 03:48 • -11.13db
3% Popularity • 63% Danceability • 52% Energy • 18% Liveness
73% Instrumentalness • 64% Positiveness
3% Popularity • 63% Danceability • 52% Energy • 18% Liveness
73% Instrumentalness • 64% Positiveness
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The Black Fire
Display
140 bpm • A min • 03:13 • -11.04db
19% Popularity • 49% Danceability • 45% Energy • 15% Liveness
53% Instrumentalness • 73% Positiveness
19% Popularity • 49% Danceability • 45% Energy • 15% Liveness
53% Instrumentalness • 73% Positiveness
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Monark Newmen
Recharge
148 bpm • E min • 01:14 • -11.27db
12% Popularity • 72% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 86% Positiveness
12% Popularity • 72% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 86% Positiveness
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Hugo Montenegro
Quizas-Perhaps, Perhaps,Perhaps
140 bpm • A min • 02:30 • -12db
15% Popularity • 54% Danceability • 67% Energy • 26% Liveness
93% Instrumentalness • 86% Positiveness
15% Popularity • 54% Danceability • 67% Energy • 26% Liveness
93% Instrumentalness • 86% Positiveness
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Kike Fernández
When the Lights Are Low
140 bpm • G Maj • 04:06 • -10.68db
20% Popularity • 54% Danceability • 56% Energy • 38% Liveness
76% Instrumentalness • 76% Positiveness
20% Popularity • 54% Danceability • 56% Energy • 38% Liveness
76% Instrumentalness • 76% Positiveness
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Piero Piccioni
Macchina d'amore
140 bpm • F Maj • 04:04 • -17.41db
9% Popularity • 25% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 19% Positiveness
9% Popularity • 25% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 19% Positiveness
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Housecat
Untitled One
140 bpm • A# Maj • 04:35 • -11.26db
8% Popularity • 68% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 40% Positiveness
8% Popularity • 68% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 40% Positiveness
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Silvano D'Auria
Sabina #3
148 bpm • B min • 01:57 • -14.88db
9% Popularity • 62% Danceability • 31% Energy • 10% Liveness
33% Instrumentalness • 96% Positiveness
9% Popularity • 62% Danceability • 31% Energy • 10% Liveness
33% Instrumentalness • 96% Positiveness
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Alfonso Santisteban
Soledad
140 bpm • F Maj • 02:39 • -6.66db
3% Popularity • 27% Danceability • 53% Energy • 8% Liveness
51% Instrumentalness • 37% Positiveness
3% Popularity • 27% Danceability • 53% Energy • 8% Liveness
51% Instrumentalness • 37% Positiveness
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Piero Umiliani
Hooray (Versione bossa nova) - Remastere...
149 bpm • A# min • 01:33 • -12.27db
31% Popularity • 48% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
31% Popularity • 48% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Jack Dieval
Les Jardins De Cannes
149 bpm • G Maj • 02:33 • -16.95db
4% Popularity • 31% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 46% Positiveness
4% Popularity • 31% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 46% Positiveness
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Piero Piccioni
Confine d'amore
148 bpm • F Maj • 03:38 • -17.23db
12% Popularity • 47% Danceability • 40% Energy • 12% Liveness
32% Instrumentalness • 76% Positiveness
12% Popularity • 47% Danceability • 40% Energy • 12% Liveness
32% Instrumentalness • 76% Positiveness
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Joe Loss & His Orchestra
Music to Drive By - 2011 Remaster
140 bpm • F Maj • 02:52 • -13.96db
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
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Al Hirt
Más Que Nada
149 bpm • A# min • 02:49 • -12.57db
21% Popularity • 44% Danceability • 42% Energy • 50% Liveness
56% Instrumentalness • 66% Positiveness
21% Popularity • 44% Danceability • 42% Energy • 50% Liveness
56% Instrumentalness • 66% Positiveness
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Alfonso Santisteban
Delicadeza
139 bpm • F min • 02:32 • -7.98db
2% Popularity • 58% Danceability • 57% Energy • 15% Liveness
6% Instrumentalness • 63% Positiveness
2% Popularity • 58% Danceability • 57% Energy • 15% Liveness
6% Instrumentalness • 63% Positiveness
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Nora Orlandi
Il valico 1
150 bpm • F Maj • 02:30 • -22db
13% Popularity • 64% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
13% Popularity • 64% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
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Alberto Baldan Bembo
Bloodstone
138 bpm • F Maj • 02:17 • -17.64db
12% Popularity • 67% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 53% Positiveness
12% Popularity • 67% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 53% Positiveness
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Piero Piccioni
Playgirl '70 - Party Music 5
140 bpm • F Maj • 03:29 • -13db
21% Popularity • 59% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
21% Popularity • 59% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
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Xavier Cugat & His Orchestra
Daiquiri (Bossa Nova)
150 bpm • G min • 02:55 • -12db
30% Popularity • 52% Danceability • 46% Energy • 55% Liveness
80% Instrumentalness • 89% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 55% Liveness
80% Instrumentalness • 89% Positiveness
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Chien.D
Good Morning
150 bpm • D# Maj • 03:33 • -15.22db
7% Popularity • 66% Danceability • 32% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
7% Popularity • 66% Danceability • 32% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
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Alfonso Santisteban
Divagaciones
139 bpm • E min • 03:25 • -11.39db
0% Popularity • 61% Danceability • 68% Energy • 7% Liveness
31% Instrumentalness • 59% Positiveness
0% Popularity • 61% Danceability • 68% Energy • 7% Liveness
31% Instrumentalness • 59% Positiveness
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The Ipanemas
San Roque
150 bpm • F Maj • 05:11 • -12db
43% Popularity • 70% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 91% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 91% Positiveness
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Dave Pike
Melvalita
137 bpm • C Maj • 04:05 • -17.63db
16% Popularity • 68% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 56% Positiveness
16% Popularity • 68% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 56% Positiveness
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Piero Umiliani
Le Ragazze Dell'Arcipelago
137 bpm • D Maj • 03:08 • -10db
21% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Alan Hawkshaw
The Feminine Scene
137 bpm • F Maj • 01:02 • -16.47db
31% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
31% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
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Shirley Scott
Can't Get Over The Bossa Nova
152 bpm • F min • 02:41 • -19.93db
31% Popularity • 60% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 60% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Alfonso Santisteban
Samba D'amore
152 bpm • F Maj • 01:57 • -13.46db
3% Popularity • 58% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
3% Popularity • 58% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
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Stefano Torossi
Bighellonando
137 bpm • F Maj • 02:05 • -27.8db
18% Popularity • 55% Danceability • 9% Energy • 13% Liveness
31% Instrumentalness • 71% Positiveness
18% Popularity • 55% Danceability • 9% Energy • 13% Liveness
31% Instrumentalness • 71% Positiveness
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Sam Paglia
Colazione Da Tony
137 bpm • C min • 03:35 • -6.85db
10% Popularity • 77% Danceability • 75% Energy • 24% Liveness
2% Instrumentalness • 84% Positiveness
10% Popularity • 77% Danceability • 75% Energy • 24% Liveness
2% Instrumentalness • 84% Positiveness
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銀河大樂隊
相思嘆
136 bpm • G# Maj • 02:20 • -13.86db
12% Popularity • 26% Danceability • 24% Energy • 36% Liveness
89% Instrumentalness • 36% Positiveness
12% Popularity • 26% Danceability • 24% Energy • 36% Liveness
89% Instrumentalness • 36% Positiveness
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Xavier Cugat & His Orchestra
Blue Champagne
137 bpm • C min • 02:18 • -13.84db
24% Popularity • 64% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 78% Positiveness
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John Pizzarelli
Two Kites
136 bpm • G min • 04:33 • -14.36db
9% Popularity • 51% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 51% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Alfonso Santisteban
Música y Estrellas
153 bpm • A min • 01:57 • -7.12db
2% Popularity • 44% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 44% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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![Conrad's Theme (Bossa) [feat. Tatum Greenblatt] cover art](https://i.scdn.co/image/ab67616d00001e02e69b6f9ba7a283f8a1c2080f)
Jay Israelson
Conrad's Theme (Bossa)
136 bpm • G# Maj • 02:12 • -10db
37% Popularity • 88% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 86% Positiveness
37% Popularity • 88% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 86% Positiveness
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Zimbelius
Demodé
136 bpm • G# Maj • 03:04 • -13.13db
19% Popularity • 71% Danceability • 30% Energy • 8% Liveness
96% Instrumentalness • 73% Positiveness
19% Popularity • 71% Danceability • 30% Energy • 8% Liveness
96% Instrumentalness • 73% Positiveness
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Xavier Mendoza
Eu Fico Imaginando
136 bpm • F min • 02:56 • -12.68db
33% Popularity • 81% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
33% Popularity • 81% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
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Lelio Luttazzi
Il marito bello - Titoli
153 bpm • G min • 02:01 • -9.23db
8% Popularity • 46% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 46% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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George Kroy
Un Hombre y una Mujer / Et Maintenant
153 bpm • E min • 03:17 • -8.81db
15% Popularity • 46% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 46% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Alfonso Santisteban
Bagatela
153 bpm • F Maj • 03:31 • -20.16db
1% Popularity • 36% Danceability • 11% Energy • 9% Liveness
78% Instrumentalness • 17% Positiveness
1% Popularity • 36% Danceability • 11% Energy • 9% Liveness
78% Instrumentalness • 17% Positiveness
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Khalil Davis
Saturday Vibe
135 bpm • A Maj • 02:02 • -22.49db
15% Popularity • 63% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
15% Popularity • 63% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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Federico Ferrandina
Moon On Ipanema
135 bpm • A min • 02:15 • -13db
16% Popularity • 56% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 75% Positiveness
16% Popularity • 56% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 75% Positiveness
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Universal Production Music
Aisle Two
135 bpm • A min • 03:09 • -17.24db
13% Popularity • 44% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 80% Positiveness
13% Popularity • 44% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 80% Positiveness
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I Marc 4
Catherine
154 bpm • F min • 03:28 • -12db
25% Popularity • 50% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
25% Popularity • 50% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Basil Kirchin
Assignment K Track 10
154 bpm • F Maj • 03:30 • -11.68db
15% Popularity • 54% Danceability • 47% Energy • 9% Liveness
75% Instrumentalness • 64% Positiveness
15% Popularity • 54% Danceability • 47% Energy • 9% Liveness
75% Instrumentalness • 64% Positiveness
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Alfonso Santisteban
Sunday Samba
153 bpm • G Maj • 01:49 • -13.66db
11% Popularity • 58% Danceability • 44% Energy • 18% Liveness
19% Instrumentalness • 86% Positiveness
11% Popularity • 58% Danceability • 44% Energy • 18% Liveness
19% Instrumentalness • 86% Positiveness
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Khalil Davis
Afternoon Chill
135 bpm • A Maj • 02:04 • -23.58db
16% Popularity • 57% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
16% Popularity • 57% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Marco Rizo
Rio Bossa
135 bpm • E min • 02:24 • -14.4db
29% Popularity • 64% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 72% Positiveness
29% Popularity • 64% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 72% Positiveness
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Terry Snyder
Oye Negra - Remastered
134 bpm • C# Maj • 02:38 • -12db
20% Popularity • 60% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
20% Popularity • 60% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Francis Lai
The Bobo - Bossa Nova
154 bpm • D min • 02:13 • -10.78db
10% Popularity • 47% Danceability • 39% Energy • 10% Liveness
51% Instrumentalness • 79% Positiveness
10% Popularity • 47% Danceability • 39% Energy • 10% Liveness
51% Instrumentalness • 79% Positiveness
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Piero Umiliani
Luna di pieno agosto
134 bpm • F min • 02:26 • -18.55db
13% Popularity • 74% Danceability • 23% Energy • 11% Liveness
12% Instrumentalness • 68% Positiveness
13% Popularity • 74% Danceability • 23% Energy • 11% Liveness
12% Instrumentalness • 68% Positiveness
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Alfonso Santisteban
Café Ipanema
154 bpm • G# Maj • 05:36 • -15.78db
20% Popularity • 44% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 41% Positiveness
20% Popularity • 44% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 41% Positiveness
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Bob Fleming
Insensatez / Corcovado
134 bpm • D min • 02:07 • -14.56db
13% Popularity • 57% Danceability • 20% Energy • 18% Liveness
16% Instrumentalness • 40% Positiveness
13% Popularity • 57% Danceability • 20% Energy • 18% Liveness
16% Instrumentalness • 40% Positiveness
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Mop Mop
Amarcord
134 bpm • C Maj • 03:23 • -11.48db
17% Popularity • 64% Danceability • 55% Energy • 12% Liveness
21% Instrumentalness • 24% Positiveness
17% Popularity • 64% Danceability • 55% Energy • 12% Liveness
21% Instrumentalness • 24% Positiveness
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Martin Denny
Exotique Bossa Nova
134 bpm • E min • 02:18 • -28.6db
10% Popularity • 77% Danceability • 10% Energy • 4% Liveness
72% Instrumentalness • 77% Positiveness
10% Popularity • 77% Danceability • 10% Energy • 4% Liveness
72% Instrumentalness • 77% Positiveness
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Berto Pisano
Young Lady
134 bpm • B min • 01:47 • -23.23db
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
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Edda Dell'Orso
Edipeon - seq. 3
155 bpm • F Maj • 03:14 • -19db
7% Popularity • 58% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 80% Positiveness
7% Popularity • 58% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 80% Positiveness
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Alfonso Santisteban
Tristeza
134 bpm • G min • 04:05 • -11.84db
3% Popularity • 63% Danceability • 45% Energy • 69% Liveness
3% Instrumentalness • 76% Positiveness
3% Popularity • 63% Danceability • 45% Energy • 69% Liveness
3% Instrumentalness • 76% Positiveness
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John Cameron
Sunny Speed
134 bpm • D min • 02:27 • -9db
10% Popularity • 47% Danceability • 54% Energy • 10% Liveness
55% Instrumentalness • 48% Positiveness
10% Popularity • 47% Danceability • 54% Energy • 10% Liveness
55% Instrumentalness • 48% Positiveness
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Paul Mauriat
Ponteio
134 bpm • F min • 02:36 • -12.23db
1% Popularity • 40% Danceability • 51% Energy • 79% Liveness
59% Instrumentalness • 86% Positiveness
1% Popularity • 40% Danceability • 51% Energy • 79% Liveness
59% Instrumentalness • 86% Positiveness
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Ferrante & Teicher
Barbarella - Remastered
133 bpm • G# Maj • 02:21 • -13.85db
17% Popularity • 50% Danceability • 48% Energy • 12% Liveness
60% Instrumentalness • 39% Positiveness
17% Popularity • 50% Danceability • 48% Energy • 12% Liveness
60% Instrumentalness • 39% Positiveness
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Phil Lenk
Chelwood Park
133 bpm • G# Maj • 03:08 • -14.5db
19% Popularity • 56% Danceability • 37% Energy • 24% Liveness
1% Instrumentalness • 53% Positiveness
19% Popularity • 56% Danceability • 37% Energy • 24% Liveness
1% Instrumentalness • 53% Positiveness
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Syd Dale
Brazilia
133 bpm • A# min • 02:02 • -5.7db
16% Popularity • 59% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 59% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Alfonso Santisteban
Bossa Rosa
155 bpm • C Maj • 02:31 • -12.94db
9% Popularity • 41% Danceability • 43% Energy • 11% Liveness
34% Instrumentalness • 44% Positiveness
9% Popularity • 41% Danceability • 43% Energy • 11% Liveness
34% Instrumentalness • 44% Positiveness
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Franco Cerri
Kraedhacou, pt. 1
133 bpm • D min • 04:00 • -9.81db
10% Popularity • 46% Danceability • 53% Energy • 20% Liveness
68% Instrumentalness • 69% Positiveness
10% Popularity • 46% Danceability • 53% Energy • 20% Liveness
68% Instrumentalness • 69% Positiveness
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Italian Secret Service
Smell like ten spirit
156 bpm • C# Maj • 04:41 • -9.48db
25% Popularity • 61% Danceability • 66% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
25% Popularity • 61% Danceability • 66% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
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Nora Orlandi
Souvenir d'un soir
133 bpm • A# min • 02:44 • -13.28db
19% Popularity • 64% Danceability • 45% Energy • 8% Liveness
34% Instrumentalness • 86% Positiveness
19% Popularity • 64% Danceability • 45% Energy • 8% Liveness
34% Instrumentalness • 86% Positiveness
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Hildegard Mandos
I Wish You a Happy New Day
133 bpm • C min • 03:20 • -10.4db
13% Popularity • 78% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
13% Popularity • 78% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
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Il Guardiano Del Faro
Questa Sera o Mai Più
133 bpm • F Maj • 03:27 • -6.5db
13% Popularity • 67% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 51% Positiveness
13% Popularity • 67% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 51% Positiveness
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Teddy Randazzo
The Girl from U.N.C.L.E
156 bpm • E min • 02:41 • -10.21db
9% Popularity • 31% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 31% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Enoch Light & The Light Brigade
Lover's Concerto
132 bpm • C Maj • 02:56 • -17.56db
13% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
13% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
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Jazzy Boy
Maddalena
157 bpm • F min • 02:03 • -8.91db
15% Popularity • 78% Danceability • 85% Energy • 8% Liveness
93% Instrumentalness • 96% Positiveness
15% Popularity • 78% Danceability • 85% Energy • 8% Liveness
93% Instrumentalness • 96% Positiveness
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Bill Loose
South of the Border
132 bpm • D Maj • 02:17 • -13.95db
10% Popularity • 52% Danceability • 33% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
10% Popularity • 52% Danceability • 33% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
