Songs like Linda di Chamonix: O luce di quest' anima by Gaetano Donizetti
Based on a tempo of (+/- 10%) and a similar genre
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Charles Gounod
Faust, CG 4 / Act 3: "Salut! demeure cha...
109 bpm • G# Maj • 04:33 • -17db
12% Popularity • 23% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Anna Bolena - Tragedia lirica in due att...
109 bpm • C Maj • 07:13 • -17.17db
1% Popularity • 35% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 35% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Tu qui, Santuzza?...
109 bpm • F Maj • 03:20 • -13.96db
22% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
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Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Ah! Tardai troppo… O luce di quest ani...
109 bpm • C Maj • 06:13 • -18.65db
17% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
17% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
32% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Jerónimo Giménez
"La tarántula e un bicho"
108 bpm • C Maj • 01:32 • -19.52db
24% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
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Gaetano Donizetti
Don Pasquale - original version / Act 3:...
109 bpm • A min • 05:22 • -25.9db
2% Popularity • 37% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 37% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Ave Maria
109 bpm • E Maj • 03:49 • -23.34db
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
Norma / Act 2: Mira, o Norma
108 bpm • D# Maj • 05:13 • -23db
18% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen / Act II: Chanson: "Les tringles ...
111 bpm • C Maj • 04:46 • -19.58db
15% Popularity • 40% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
15% Popularity • 40% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
27% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
27% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
19% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Come sen va ...
108 bpm • C Maj • 01:04 • -29db
6% Popularity • 62% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 62% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
107 bpm • F Maj • 01:13 • -14.64db
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Ecco, ridente i...
113 bpm • C Maj • 04:24 • -19.44db
5% Popularity • 34% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
5% Popularity • 34% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "Ah! l...
106 bpm • A# Maj • 02:57 • -14.99db
16% Popularity • 24% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 24% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act II: "Il segreto pe...
110 bpm • C Maj • 02:45 • -20.17db
11% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
115 bpm • A# Maj • 02:55 • -19db
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "Votre toas...
111 bpm • F Maj • 05:02 • -17.98db
11% Popularity • 39% Danceability • 22% Energy • 16% Liveness
3% Instrumentalness • 49% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 16% Liveness
3% Instrumentalness • 49% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act 2: Era desso il fi...
108 bpm • D# min • 05:23 • -18db
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: "Porg...
103 bpm • D# Maj • 03:57 • -21.41db
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
34% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
34% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Offenbach: Les contes d'Hoffmann, Act 2:...
103 bpm • G# Maj • 05:05 • -18db
4% Popularity • 46% Danceability • 6% Energy • 22% Liveness
31% Instrumentalness • 17% Positiveness
4% Popularity • 46% Danceability • 6% Energy • 22% Liveness
31% Instrumentalness • 17% Positiveness
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Georges Bizet
Carmen / Act II: Toreador Song: "Votre t...
112 bpm • A# min • 03:49 • -12.54db
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
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Gioacchino Rossini
Rossini: Il turco in Italia, Act 1: "Vog...
102 bpm • E min • 01:45 • -19.72db
26% Popularity • 24% Danceability • 12% Energy • 12% Liveness
14% Instrumentalness • 15% Positiveness
26% Popularity • 24% Danceability • 12% Energy • 12% Liveness
14% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Maria Stuarda / Act 2: "O nube che lieve...
110 bpm • C# Maj • 07:52 • -17.61db
1% Popularity • 36% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
1% Popularity • 36% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Pa-Pa-...
117 bpm • G Maj • 02:25 • -17.01db
28% Popularity • 55% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 64% Positiveness
28% Popularity • 55% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 64% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Ne permettrez-vo...
117 bpm • D Maj • 03:56 • -20db
10% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
36% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Sur la place" (Ch...
105 bpm • A# Maj • 07:22 • -21db
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act 2: Il segreto per ...
107 bpm • C Maj • 01:47 • -17.25db
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
101 bpm • E Maj • 05:03 • -18db
22% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Franco Corelli
Adriana Lecouvreur: Act Ii L'anima Ho St...
101 bpm • B min • 01:38 • -10db
25% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
100 bpm • E Maj • 05:18 • -19.76db
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Don Pasquale, Act I Prima scena: Son nov...
111 bpm • C Maj • 03:06 • -24.39db
14% Popularity • 38% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 38% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Act I: Piano, p...
100 bpm • G Maj • 02:57 • -28db
14% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Il re pastore, K. 208, Act I Scene 3: Si...
121 bpm • D Maj • 04:41 • -7.82db
30% Popularity • 37% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 37% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
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Gioacchino Rossini
Rossini: La Cenerentola, Act 2: "Nacqui ...
122 bpm • E Maj • 06:22 • -15.82db
9% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Voglio dire, ...
107 bpm • G Maj • 07:04 • -18.82db
11% Popularity • 47% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 47% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Gioachino Rossini
L'italiana in Algeri / Act 1: "Cruda sor...
123 bpm • F Maj • 04:57 • -23.17db
9% Popularity • 41% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 41% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
35% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Quanto amore!...
107 bpm • E Maj • 03:56 • -22db
8% Popularity • 51% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 51% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jacques Offenbach
Offenbach: Robinson Crusoë, Act 2: Vals...
100 bpm • A Maj • 03:57 • -18.64db
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 2: Scène et légen...
124 bpm • A Maj • 08:26 • -22.14db
14% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Là ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Gaetano Donizetti
Poliuto (1997 Digital Remaster), ATTO PR...
107 bpm • C Maj • 01:23 • -24.44db
2% Popularity • 27% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 27% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Prologue: "Va po...
97 bpm • A min • 05:31 • -14.45db
14% Popularity • 37% Danceability • 32% Energy • 63% Liveness
20% Instrumentalness • 12% Positiveness
14% Popularity • 37% Danceability • 32% Energy • 63% Liveness
20% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Canzonetta spagnuola
126 bpm • D min • 02:08 • -15.72db
27% Popularity • 48% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 48% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Elisabetta al castello di Ken...
112 bpm • D Maj • 07:33 • -18db
2% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
► Preview
Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Richard Strauss
Strauss, R: Der Rosenkavalier, Op. 59, A...
94 bpm • C# Maj • 04:39 • -16.39db
28% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Voglio dire, ...
112 bpm • G Maj • 07:38 • -14.56db
17% Popularity • 42% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 42% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
95 bpm • E min • 05:16 • -18db
7% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
17% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Francesco Cilea
L'Arlesiana / Act 2: "È la solita stori...
93 bpm • A min • 04:59 • -18.06db
13% Popularity • 18% Danceability • 13% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "E S...
126 bpm • C Maj • 07:31 • -24db
9% Popularity • 33% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 33% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
26% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
26% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Gaetano Donizetti
Poliuto (1997 Digital Remaster), ATTO PR...
105 bpm • F min • 02:13 • -17.46db
0% Popularity • 36% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 36% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
129 bpm • D Maj • 04:14 • -15db
22% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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George Frideric Handel
Alcina, HWV 34 / Act 1: Tornami a vagheg...
131 bpm • A Maj • 04:41 • -14.91db
19% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "La mia...
128 bpm • G Maj • 01:52 • -22.15db
27% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
27% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una tenera o...
113 bpm • E Maj • 02:30 • -18.94db
9% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
133 bpm • F Maj • 05:49 • -18db
17% Popularity • 40% Danceability • 16% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
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Georges Bizet
Vasco da Gama: La Marguerite a fermé sa...
130 bpm • E Maj • 02:22 • -17db
16% Popularity • 36% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
133 bpm • C# Maj • 03:17 • -21.14db
20% Popularity • 27% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 27% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Poliuto (1997 Digital Remaster), ATTO TE...
105 bpm • E Maj • 01:51 • -12.08db
1% Popularity • 29% Danceability • 52% Energy • 89% Liveness
60% Instrumentalness • 27% Positiveness
1% Popularity • 29% Danceability • 52% Energy • 89% Liveness
60% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
13% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: Cavatina...
136 bpm • G Maj • 07:29 • -17.89db
10% Popularity • 45% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 29% Positiveness
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Victoria de los Ángeles
Op 34, N. 2: "Auf Flügeln des Gesanges"
138 bpm • G# Maj • 02:42 • -16db
16% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Les tringles des ...
138 bpm • C Maj • 04:23 • -14.29db
27% Popularity • 39% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 39% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Una parola, A...
114 bpm • A# Maj • 01:39 • -30.24db
26% Popularity • 56% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 56% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
