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by
John Surman
Based on a tempo of (+/- 10%) and a similar genre
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Bobo Stenson Trio
Stilla
120 bpm • A# Maj • 04:27 • -21.31db
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
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Paul Motian Band
Mesmer
120 bpm • G# Maj • 04:35 • -12.38db
8% Popularity • 40% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Tomasz Stanko Quartet
Sweet Thing
120 bpm • C# Maj • 06:50 • -19db
8% Popularity • 41% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Dave Douglas
Supplication
120 bpm • A min • 03:02 • -20.24db
15% Popularity • 41% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Doctor 3
Doctor 01
120 bpm • C# Maj • 01:01 • -14.2db
39% Popularity • 60% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Bobo Stenson Trio
Kalimba Impressions
120 bpm • A Maj • 03:12 • -22db
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Nicole Glover
The A-Side
120 bpm • E Maj • 05:01 • -15.53db
8% Popularity • 41% Danceability • 13% Energy • 12% Liveness
62% Instrumentalness • 11% Positiveness
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Flash Pig
Angkor Wat Theme I
121 bpm • D# Maj • 04:01 • -19.89db
15% Popularity • 34% Danceability • 15% Energy • 10% Liveness
27% Instrumentalness • 9% Positiveness
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The Magic Breeze
The Magic Breeze
119 bpm • A Maj • 01:40 • -10.82db
16% Popularity • 29% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Oded Tzur
Noam
121 bpm • A# Maj • 06:37 • -17.47db
19% Popularity • 29% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
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Marcin Wasilewski
Night Train To You
121 bpm • G min • 10:41 • -21.14db
16% Popularity • 36% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
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David Friedman
3 + 1 = 5
121 bpm • F min • 05:51 • -13.68db
10% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
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AGE
Ballage
119 bpm • D Maj • 03:43 • -14.47db
8% Popularity • 60% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 21% Positiveness
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Walter Smith III
freefive
119 bpm • D min • 01:14 • -11.7db
24% Popularity • 52% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 38% Positiveness
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John Abercrombie Quartet
Arcade
119 bpm • F min • 09:37 • -18db
9% Popularity • 43% Danceability • 38% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
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Anat Fort Trio
Nu
119 bpm • B min • 02:50 • -16db
24% Popularity • 39% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 60% Positiveness
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Marcin Wasilewski
Trio Conversation (The End)
118 bpm • C Maj • 02:01 • -27db
22% Popularity • 46% Danceability • 3% Energy • 16% Liveness
4% Instrumentalness • 17% Positiveness
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Wolfgang Muthspiel
Amelia
122 bpm • D Maj • 07:02 • -24.31db
26% Popularity • 45% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Peter Erskine
New Old Age
122 bpm • A# min • 09:25 • -23.15db
13% Popularity • 39% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Surman
Winter Elegy
118 bpm • D min • 08:17 • -13.43db
7% Popularity • 32% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Oded Tzur
Miniature 2
118 bpm • G Maj • 01:44 • -40.16db
39% Popularity • 40% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
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Jon Balke
Flying Thing
123 bpm • A min • 04:55 • -22.34db
2% Popularity • 41% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 46% Positiveness
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Bobo Stenson
There Comes A Time
117 bpm • A Maj • 06:37 • -20.75db
9% Popularity • 42% Danceability • 9% Energy • 8% Liveness
52% Instrumentalness • 4% Positiveness
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Misha Alperin
Overture
117 bpm • E Maj • 06:41 • -19.65db
1% Popularity • 41% Danceability • 5% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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John Surman
Roundelay
123 bpm • G# Maj • 05:10 • -18.15db
8% Popularity • 38% Danceability • 8% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Søren Bebe Trio
The Path to Somewhere
123 bpm • D Maj • 03:22 • -22.29db
33% Popularity • 34% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Colin Vallon
L'onde
117 bpm • G min • 05:41 • -18.51db
8% Popularity • 29% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 5% Positiveness
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Gard Nilssen Acoustic Unity
Altaret
123 bpm • G# Maj • 03:49 • -22.13db
12% Popularity • 40% Danceability • 9% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Nino Rota
La Strada - La Partenza Del Convento
117 bpm • F min • 02:34 • -14.01db
3% Popularity • 36% Danceability • 34% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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Tord Gustavsen Quartet
Eg Veit I Himmerik Ei Borg
124 bpm • A min • 05:39 • -13db
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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John Surman
Prelude And Rustic Dance
117 bpm • A# Maj • 05:13 • -15.27db
7% Popularity • 64% Danceability • 10% Energy • 17% Liveness
61% Instrumentalness • 34% Positiveness
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Noah Haidu
Obsesión
116 bpm • D min • 08:42 • -16.88db
7% Popularity • 60% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
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Frank Rosaly
Adolescents
124 bpm • C# Maj • 02:48 • -26db
9% Popularity • 58% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
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Terje Gewelt
Evening waltz
124 bpm • D min • 06:03 • -15.77db
3% Popularity • 49% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Arild Andersen
Bygone
124 bpm • G Maj • 06:35 • -20.14db
11% Popularity • 55% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Espen Eriksen Trio
In The Mountains
124 bpm • G# Maj • 09:26 • -14.34db
9% Popularity • 47% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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John Dowland
Flow My Tears
116 bpm • A min • 05:15 • -21.83db
4% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Lorenzo Cimino
Electric Trumpet 4
116 bpm • F min • 02:36 • -24.47db
7% Popularity • 48% Danceability • 8% Energy • 8% Liveness
9% Instrumentalness • 42% Positiveness
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Avishai Cohen
Naked Truth - Pt. 1
116 bpm • C Maj • 01:51 • -24.45db
33% Popularity • 41% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 11% Positiveness
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Edson Ensemble
Heal Spell
116 bpm • A# Maj • 03:33 • -21.95db
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
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Dayna Stephens
Placate
124 bpm • F Maj • 04:12 • -16.03db
9% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Manu Katché
November 99
124 bpm • F Maj • 05:58 • -19.66db
28% Popularity • 57% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 17% Positiveness
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Barre Phillips
Longview
116 bpm • G Maj • 07:37 • -13.8db
3% Popularity • 36% Danceability • 39% Energy • 8% Liveness
9% Instrumentalness • 26% Positiveness
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Joel Lyssarides
Stay Now
124 bpm • B Maj • 02:49 • -22.51db
46% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Terje Gewelt
New moon
125 bpm • D min • 05:53 • -16.6db
5% Popularity • 48% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Nino Rota
La Dolce Vita - Temi
115 bpm • C# Maj • 04:26 • -13.98db
3% Popularity • 35% Danceability • 19% Energy • 15% Liveness
76% Instrumentalness • 15% Positiveness
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Flash Pig
Yumeji's Theme
115 bpm • C min • 03:35 • -15.22db
17% Popularity • 59% Danceability • 16% Energy • 15% Liveness
6% Instrumentalness • 19% Positiveness
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Prism Quartet
Reflections: II. El Atardecer by Pablo N...
115 bpm • A# Maj • 03:31 • -15.48db
13% Popularity • 42% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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John Surman
Within The Clouds
125 bpm • F min • 04:48 • -19.11db
16% Popularity • 39% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 8% Positiveness
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Oilly Wallace
Christina
115 bpm • C Maj • 02:21 • -12.48db
10% Popularity • 42% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 15% Positiveness
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Gianluigi Trovesi
Baghèt
115 bpm • G min • 05:54 • -12.04db
21% Popularity • 44% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
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Phi-Psonics
Drum Talk
125 bpm • F min • 03:32 • -18.61db
11% Popularity • 29% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Louis Sclavis
L'heure Pasolini
114 bpm • A# Maj • 09:43 • -19.71db
9% Popularity • 42% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Melissa Aldana
Unconscious Whispers
114 bpm • A Maj • 06:49 • -15.27db
37% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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John Surman
Wihio The Wanderer
115 bpm • C# Maj • 04:25 • -14.46db
24% Popularity • 25% Danceability • 72% Energy • 69% Liveness
53% Instrumentalness • 31% Positiveness
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Wolfgang Muthspiel
Rising Grace
126 bpm • C Maj • 05:56 • -18.31db
16% Popularity • 40% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Terje Gewelt
Night watch
114 bpm • C min • 06:14 • -17db
2% Popularity • 45% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Markus Stockhausen
Joyosa
114 bpm • D min • 05:21 • -13db
20% Popularity • 56% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Nils Petter Molvær
Framework 2
127 bpm • E min • 03:20 • -17.27db
18% Popularity • 31% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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John Surman
Gathering - Remastered 1985
114 bpm • D Maj • 05:57 • -11.07db
25% Popularity • 24% Danceability • 88% Energy • 14% Liveness
21% Instrumentalness • 7% Positiveness
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Nino Rota
I Vitelloni - Temi
127 bpm • F# Maj • 05:43 • -16.39db
5% Popularity • 42% Danceability • 13% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
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Ivo Neame
That Syncing Feeling
113 bpm • F# min • 03:55 • -15.72db
9% Popularity • 51% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 20% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
22% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Mu Quintet
IV
127 bpm • D Maj • 01:23 • -39db
28% Popularity • 35% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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John Surman
With Terry's Help, Pt. 2
127 bpm • G# Maj • 02:29 • -14.88db
29% Popularity • 28% Danceability • 58% Energy • 34% Liveness
89% Instrumentalness • 47% Positiveness
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Jazz instrumental clásico
Zingaro (Retrato En Blanco Y Negro)
127 bpm • A# min • 05:26 • -24.25db
12% Popularity • 56% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
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Roisel Suà rez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
12% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Wolfgang Muthspiel
Liebeslied
128 bpm • C# min • 07:40 • -24.71db
15% Popularity • 43% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Jacob Young
Therese's Gate
113 bpm • B min • 06:44 • -17.98db
9% Popularity • 43% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Anat Fort Trio
Inner Voices
128 bpm • F min • 02:13 • -28.09db
31% Popularity • 36% Danceability • 0% Energy • 9% Liveness
56% Instrumentalness • 22% Positiveness
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John Surman
With Terry's Help, Pt. 1
127 bpm • C# min • 03:22 • -16.06db
34% Popularity • 23% Danceability • 48% Energy • 11% Liveness
7% Instrumentalness • 32% Positiveness
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Carla Bley
Five Banana
128 bpm • A min • 07:51 • -11.06db
7% Popularity • 45% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
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Fred Nardin Trio
Prelude to Memory of T.
128 bpm • F# Maj • 01:17 • -21.23db
44% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Bobo Stenson
Olivia
112 bpm • G Maj • 06:38 • -21.48db
11% Popularity • 43% Danceability • 16% Energy • 31% Liveness
89% Instrumentalness • 22% Positiveness
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Henry Threadgill
In for a penny, in for a pound (opening)
112 bpm • C# Maj • 04:35 • -12.56db
10% Popularity • 47% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 62% Positiveness
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Anat Fort Trio
Jumpin' In
112 bpm • F min • 06:08 • -19.22db
7% Popularity • 43% Danceability • 24% Energy • 8% Liveness
60% Instrumentalness • 10% Positiveness
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Nils Petter Molvær
Gilimanuk
112 bpm • F min • 03:48 • -19.63db
27% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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John Surman
Pitanga Pitomba
127 bpm • C# Maj • 07:06 • -14.71db
10% Popularity • 49% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Dave Douglas
If There Are Mountains
112 bpm • F Maj • 04:32 • -13.35db
8% Popularity • 60% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Nino Rota
Giulietta Degli Spiriti (Rosa Avrata)
129 bpm • G Maj • 05:48 • -13.74db
2% Popularity • 41% Danceability • 28% Energy • 24% Liveness
86% Instrumentalness • 27% Positiveness
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Tomasz Stanko Quartet
Cyrhla
129 bpm • C min • 07:04 • -19.23db
10% Popularity • 36% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Giuffre Zone
Cains
111 bpm • C# Maj • 05:05 • -13.49db
9% Popularity • 53% Danceability • 26% Energy • 47% Liveness
65% Instrumentalness • 28% Positiveness
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Lucian Ban
Up There
129 bpm • C min • 06:07 • -19.24db
5% Popularity • 45% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 43% Positiveness
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John Surman
Belay That
112 bpm • D Maj • 07:22 • -19.5db
16% Popularity • 42% Danceability • 10% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Kham Meslien
Kar kar kar
129 bpm • G Maj • 02:59 • -20.37db
24% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Jack Bruce
Clearway - Live, BBC Radio Three, Jazz I...
129 bpm • G Maj • 05:34 • -14.94db
6% Popularity • 42% Danceability • 74% Energy • 32% Liveness
76% Instrumentalness • 30% Positiveness
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Zac Carson
Final Move
130 bpm • A Maj • 01:26 • -30.35db
21% Popularity • 49% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Michel Bisceglia
Dance of Hope
111 bpm • C min • 03:22 • -20.64db
12% Popularity • 40% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 33% Positiveness
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Manu Katché
Out Take Number 9
111 bpm • C min • 02:08 • -22db
39% Popularity • 58% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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John Surman
Cloudless Sky - Remastered
112 bpm • E Maj • 08:14 • -16.36db
2% Popularity • 44% Danceability • 41% Energy • 10% Liveness
62% Instrumentalness • 15% Positiveness
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Arild Andersen
Reparate
130 bpm • D min • 08:33 • -19.93db
9% Popularity • 39% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 17% Positiveness
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John Dowland
The Lowest Trees Have Tops
130 bpm • D min • 04:20 • -20.7db
2% Popularity • 33% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 16% Positiveness
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Mark Turner Quartet
Lathe Of Heaven
111 bpm • F# min • 06:40 • -19db
13% Popularity • 36% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
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Carsten Dahl, Arild Andersen, Jon Christensen
Sing, Sing Loud
130 bpm • G Maj • 03:44 • -13.89db
11% Popularity • 43% Danceability • 42% Energy • 8% Liveness
82% Instrumentalness • 42% Positiveness
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Joel Lyssarides
As Night Let Down Its Curtain
110 bpm • F# min • 01:32 • -25.06db
48% Popularity • 33% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Kit Downes
Sister, Sister
131 bpm • C# Maj • 04:21 • -28db
22% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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