Songs like Lipstick Traces (On A Cigarette) - 2002 Remaster by Benny Spellman
Based on a tempo of (+/- 10%) and a similar genre
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Benny Spellman
Lipstick Traces (On a Cigarette)
133 bpm • D# Maj • 02:25 • -7.46db
24% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Jackie Lee
The Duck
133 bpm • C# Maj • 02:22 • -7db
16% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Peppermint Harris
Wait Until It Happens to You
133 bpm • F min • 02:06 • -9db
12% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Part 1
133 bpm • A Maj • 02:21 • -11.46db
29% Popularity • 72% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 72% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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The Mar-Keys
Morning After
133 bpm • C Maj • 02:14 • -7.64db
23% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
23% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
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Don & Dewey
Farmer John
133 bpm • C Maj • 02:29 • -11.02db
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Benny Spellman
Lipstick Traces (On A Cigarette)
133 bpm • D# Maj • 02:26 • -17.43db
0% Popularity • 59% Danceability • 30% Energy • 17% Liveness
19% Instrumentalness • 91% Positiveness
0% Popularity • 59% Danceability • 30% Energy • 17% Liveness
19% Instrumentalness • 91% Positiveness
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Barrett Strong
You Knows What To Do - Single Version
132 bpm • C Maj • 02:42 • -7db
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Vincent
Poor Man's Prison
132 bpm • F Maj • 02:30 • -9.5db
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
10% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
13% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Sherri Taylor
Oh Lover - Single Version
132 bpm • F min • 02:55 • -4db
9% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
133 bpm • A# Maj • 02:21 • -7.97db
4% Popularity • 61% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 61% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Sugar Pie DeSanto
Use What You Got
132 bpm • F Maj • 02:40 • -8.02db
28% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Garnet Mimms
There Goes My Baby
132 bpm • F# min • 02:24 • -10.9db
10% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
18% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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J. J. Jackson and The Jackaels
Oo-Ma-Liddi
132 bpm • C min • 02:29 • -9.89db
12% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ernie K-Doe
Te-Ta-Te-Ta-Ta - Remastered
134 bpm • F Maj • 02:37 • -9.08db
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette) - Remas...
133 bpm • D# Maj • 02:27 • -7db
9% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Nat Kendrick & The Swans
Mashed Potatoes, Pt. 1
134 bpm • G Maj • 01:45 • -9db
21% Popularity • 69% Danceability • 85% Energy • 21% Liveness
18% Instrumentalness • 96% Positiveness
21% Popularity • 69% Danceability • 85% Energy • 21% Liveness
18% Instrumentalness • 96% Positiveness
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Garnet Mimms
A Little Bit Of Soap
134 bpm • D# Maj • 02:22 • -11db
15% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Jessie Hill
Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster
132 bpm • B min • 02:19 • -10db
31% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Sugar Pie DeSanto
Wish That You Were Mine
131 bpm • F# Maj • 02:28 • -10.51db
14% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Claudine Clark
Party Lights
135 bpm • C Maj • 02:21 • 0.26db
19% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
132 bpm • A# Maj • 02:23 • -4.57db
0% Popularity • 50% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 50% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Homer Banks
Aint That A Lot Of Love
131 bpm • A# Maj • 02:37 • -6.62db
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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The Olympics
Big Boy Pete '65
131 bpm • A# Maj • 02:29 • -9.16db
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Arthur Alexander
A Shot of Rhythm and Blues
135 bpm • G# Maj • 01:59 • -5db
22% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Barrett Strong
Sugar Daddy
131 bpm • F# Maj • 02:43 • -6.23db
10% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
21% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Spellman
Lipstick Traces
132 bpm • D# Maj • 02:23 • -12db
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Etta James
Mellow Fellow
131 bpm • C Maj • 02:59 • -6.49db
13% Popularity • 45% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 45% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 23% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
12% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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The Valentinos
Lookin' For A Love
135 bpm • D min • 02:32 • -8db
30% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Willie Mitchell
That Driving Beat
131 bpm • C min • 02:10 • -6.21db
15% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
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Jimmy Hughes
It Ain't What You Got
135 bpm • G# Maj • 02:13 • -5db
26% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
132 bpm • A# Maj • 02:24 • -8.94db
0% Popularity • 56% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 56% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Pts. 1 & 2
131 bpm • A Maj • 04:25 • -13db
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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The Orioles
Hey Little Woman
131 bpm • E min • 02:21 • -11.95db
9% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Williams
Bad Boy
136 bpm • A# Maj • 02:20 • -12.73db
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
132 bpm • A# Maj • 02:26 • -11.09db
0% Popularity • 58% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 58% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Jessie Hill
Scoop Scoobie Doobie
136 bpm • A Maj • 02:53 • -5.84db
7% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Ernie K-Doe
Mother-In-Law - Remastered
130 bpm • D# Maj • 02:31 • -9.72db
34% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Don Covay
See Saw
136 bpm • D Maj • 03:00 • -11db
27% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Lee Dorsey
Gotta Find a Job
130 bpm • A# Maj • 02:27 • -8.18db
9% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Arthur Alexander
Hey! Baby!
136 bpm • C Maj • 02:13 • -11db
12% Popularity • 58% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Major Lance
Delilah
130 bpm • F# Maj • 02:21 • -10db
17% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Ann Cole
Got My Mo-Jo Working (But It Just Won't ...
130 bpm • D# Maj • 02:37 • -7.59db
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Bettye Swann
The Heartache is Gone
130 bpm • G# Maj • 02:26 • -7db
14% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Doris Troy
Trust in Me
129 bpm • C Maj • 02:08 • -12.55db
15% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Benny Spellman
Every Now and Then
137 bpm • G Maj • 02:52 • -7.37db
0% Popularity • 53% Danceability • 51% Energy • 19% Liveness
10% Instrumentalness • 88% Positiveness
0% Popularity • 53% Danceability • 51% Energy • 19% Liveness
10% Instrumentalness • 88% Positiveness
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Jimmy Hughes
A Shot of Rhythm And Blues
137 bpm • G# Maj • 02:20 • -5.09db
17% Popularity • 78% Danceability • 83% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 78% Danceability • 83% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
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Mack Rice
Baby I'm Coming Home
137 bpm • G min • 02:30 • -14db
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
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Baby Washington
Let Love Go By
129 bpm • D Maj • 01:54 • -9.07db
16% Popularity • 63% Danceability • 60% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 63% Danceability • 60% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
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Sugar Pie DeSanto
Do I Make Myself Clear
129 bpm • D# Maj • 02:56 • -7.21db
33% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Garnet Mimms & The Enchanters
Nobody But You
129 bpm • A# Maj • 02:15 • -11.55db
26% Popularity • 62% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 62% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Etta James
Tighten Up Your Own Thing
137 bpm • B Maj • 02:45 • -8.68db
13% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Part 2
129 bpm • A Maj • 02:17 • -13.74db
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Valentinos
Sweeter Than The Day Before
137 bpm • D Maj • 02:38 • -9db
17% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
16% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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The Veltones
Fool In Love
129 bpm • C# min • 01:57 • -11.55db
17% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Smiley Lewis
Caldonia's Party
138 bpm • C# Maj • 02:10 • -8db
11% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Ad Libs
He Ain't No Angel
137 bpm • E min • 02:40 • -6db
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy "Preacher" Ellis
I'm Gonna Do It by Myself
129 bpm • B min • 01:56 • -4.96db
11% Popularity • 56% Danceability • 83% Energy • 63% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 56% Danceability • 83% Energy • 63% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
There's A Difference
128 bpm • G min • 02:25 • -12db
20% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Ernie K-Doe
Mother-in-Law
128 bpm • G min • 02:34 • -11db
10% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Nash
Love Ain't Nothing (But A Monkey On Your...
128 bpm • A# Maj • 02:16 • -9db
36% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Hank Ballard
Let's Go Let's Go Let's Go
128 bpm • G# Maj • 02:26 • -7db
31% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The "5" Royales
Catch That Teardrop
138 bpm • G Maj • 02:25 • -6db
15% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:09 • -14db
30% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Rich
Midnite Blues
128 bpm • G Maj • 02:40 • -11db
28% Popularity • 77% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
28% Popularity • 77% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
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Willie Mitchell
20-75
128 bpm • A# Maj • 02:11 • -6.22db
10% Popularity • 89% Danceability • 80% Energy • 16% Liveness
84% Instrumentalness • 97% Positiveness
10% Popularity • 89% Danceability • 80% Energy • 16% Liveness
84% Instrumentalness • 97% Positiveness
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The Contours
Whole Lotta Woman
138 bpm • G# Maj • 02:49 • -10.85db
29% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Eugene Church
Pretty Girls Everywhere
138 bpm • G Maj • 02:57 • -12.91db
12% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Ovations
They Say
138 bpm • D# min • 02:08 • -8.62db
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
21% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Art Neville
What's Going On
138 bpm • B min • 02:00 • -9db
26% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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The Valentinos
I've Got A Girl
128 bpm • A# Maj • 02:15 • -5.77db
10% Popularity • 58% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 58% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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The Chips
You Make Me Feel So Good
128 bpm • F# Maj • 02:11 • -11.92db
14% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Barbara Lynn
Oh! Baby
139 bpm • A Maj • 02:05 • -5db
8% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Young Jessie
Mary Lou (Alternate Take)
139 bpm • B min • 03:04 • -8db
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Benny Spellman
I'm Stickin' Whicha, Baby - Remastered
127 bpm • D# Maj • 02:48 • -7.88db
1% Popularity • 58% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 58% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Ronnie Hawkins
Southern Love
139 bpm • B min • 02:45 • -9db
15% Popularity • 52% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 52% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Little Willie John
My Nerves
127 bpm • G# min • 02:33 • -7db
19% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Barrett Strong
What Is Love
127 bpm • F Maj • 02:29 • -7.82db
8% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Rays
Daddy Cool
139 bpm • F min • 02:40 • -9db
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
I Like It Like That
139 bpm • F Maj • 02:52 • -7.81db
9% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Kenner
Land of a 1,000 Dances
139 bpm • G# Maj • 02:29 • -12.14db
11% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Chuck Jackson
The Silencer
139 bpm • D Maj • 01:45 • -10db
17% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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J.J. Barnes
Chains Of Love
140 bpm • D Maj • 02:27 • -12.63db
16% Popularity • 72% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 72% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Dee Clark
That's My Girl
127 bpm • D# min • 02:36 • -8db
16% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness