Songs like L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 4: Quanta roba! (Chorus of Corsairs, Haly) by Gioachino Rossini

165 bpm • F Maj • 00:55 • -16.32db

23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness

164 bpm • D# Maj • 03:49 • -23db

31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness

168 bpm • E min • 03:38 • -17.19db

31% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness

171 bpm • D Maj • 03:43 • -23db

38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness

169 bpm • D Maj • 02:58 • -18.35db

24% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness

173 bpm • G Maj • 03:54 • -18.53db

29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness

168 bpm • D Maj • 02:19 • -20.99db

1% Popularity • 59% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness

172 bpm • E min • 03:41 • -13.09db

23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness

157 bpm • G Maj • 01:28 • -21db

26% Popularity • 44% Danceability • 20% Energy • 6% Liveness
79% Instrumentalness • 64% Positiveness

172 bpm • D Maj • 02:12 • -17db

33% Popularity • 40% Danceability • 64% Energy • 71% Liveness
32% Instrumentalness • 44% Positiveness

156 bpm • F# min • 05:40 • -17.03db

42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness

175 bpm • F min • 06:40 • -20db

43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness

168 bpm • C min • 06:53 • -23.69db

7% Popularity • 14% Danceability • 6% Energy • 12% Liveness
28% Instrumentalness • 7% Positiveness

176 bpm • F Maj • 06:30 • -20.45db

35% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness

176 bpm • B Maj • 02:02 • -21db

25% Popularity • 36% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness

154 bpm • E min • 05:16 • -24db

26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness

153 bpm • D Maj • 03:06 • -15.46db

35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness

178 bpm • A Maj • 07:26 • -22db

25% Popularity • 21% Danceability • 8% Energy • 35% Liveness
85% Instrumentalness • 16% Positiveness

171 bpm • E Maj • 09:53 • -23.2db

18% Popularity • 29% Danceability • 9% Energy • 39% Liveness
10% Instrumentalness • 21% Positiveness

152 bpm • D Maj • 02:41 • -17.97db

39% Popularity • 37% Danceability • 57% Energy • 66% Liveness
1% Instrumentalness • 54% Positiveness

182 bpm • A Maj • 01:13 • -20db

43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness

149 bpm • A Maj • 04:35 • -18.83db

20% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness

149 bpm • G min • 02:53 • -15.39db

58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness

148 bpm • A# Maj • 07:11 • -17.76db

43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness

171 bpm • E min • 02:55 • -20.71db

7% Popularity • 29% Danceability • 7% Energy • 41% Liveness
0% Instrumentalness • 10% Positiveness

184 bpm • A Maj • 01:09 • -20.39db

27% Popularity • 29% Danceability • 24% Energy • 76% Liveness
1% Instrumentalness • 27% Positiveness

146 bpm • G Maj • 05:17 • -16db

15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness

146 bpm • C Maj • 10:16 • -17.61db

5% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness

145 bpm • D# Maj • 04:25 • -17.45db

39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness

145 bpm • F Maj • 06:35 • -19.47db

27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness

171 bpm • E Maj • 07:46 • -24.15db

38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness

187 bpm • D min • 01:19 • -31.78db

30% Popularity • 15% Danceability • 4% Energy • 30% Liveness
88% Instrumentalness • 56% Positiveness

144 bpm • G Maj • 05:32 • -16db

9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness

145 bpm • G min • 02:18 • -16db

63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness

144 bpm • D Maj • 01:23 • -22.33db

43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness

144 bpm • E Maj • 01:19 • -21db

34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness

174 bpm • F Maj • 04:42 • -19.49db

11% Popularity • 35% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness

143 bpm • C min • 01:50 • -37db

21% Popularity • 41% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness

141 bpm • F Maj • 01:58 • -15db

32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness

142 bpm • G min • 02:55 • -18.66db

48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness

140 bpm • E Maj • 05:54 • -23db

35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness

140 bpm • G Maj • 06:08 • -17.53db

13% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness

156 bpm • G Maj • 04:15 • -16.8db

16% Popularity • 36% Danceability • 18% Energy • 92% Liveness
0% Instrumentalness • 12% Positiveness

203 bpm • G Maj • 04:50 • -13.71db

25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness

208 bpm • A# min • 02:53 • -18db

12% Popularity • 28% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 5% Positiveness

154 bpm • C Maj • 07:52 • -21.4db

10% Popularity • 33% Danceability • 14% Energy • 9% Liveness
36% Instrumentalness • 22% Positiveness

154 bpm • C Maj • 07:44 • -19db

24% Popularity • 34% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 37% Positiveness

151 bpm • A Maj • 11:52 • -19.19db

22% Popularity • 34% Danceability • 13% Energy • 27% Liveness
74% Instrumentalness • 18% Positiveness

180 bpm • G Maj • 04:33 • -23db

7% Popularity • 25% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness

148 bpm • C Maj • 07:59 • -21db

18% Popularity • 40% Danceability • 20% Energy • 8% Liveness
28% Instrumentalness • 36% Positiveness

148 bpm • C Maj • 04:58 • -15.22db

28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness

185 bpm • E Maj • 09:34 • -22db

9% Popularity • 29% Danceability • 16% Energy • 82% Liveness
85% Instrumentalness • 29% Positiveness

146 bpm • D Maj • 05:35 • -21db

16% Popularity • 29% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness

145 bpm • G Maj • 03:06 • -15.21db

5% Popularity • 46% Danceability • 28% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness

143 bpm • G# Maj • 07:49 • -16db

8% Popularity • 35% Danceability • 21% Energy • 32% Liveness
69% Instrumentalness • 20% Positiveness

142 bpm • C Maj • 04:39 • -14.33db

26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness

142 bpm • F Maj • 01:21 • -19.83db

22% Popularity • 53% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness

140 bpm • F Maj • 07:00 • -20db

26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness