Songs like Little Bit of Feel Good by Jamie Lidell
Based on a tempo of (+/- 10%) and a similar genre
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Doctor Lilt
Little Bit Of Feel Good - Remix
101 bpm • F min • 04:15 • -8.11db
0% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Captain Planet
Get You Some
101 bpm • F# Maj • 04:00 • -5.31db
22% Popularity • 74% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 74% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jamie Lidell
Little Bit of Feel Good
101 bpm • G min • 04:02 • -7.28db
38% Popularity • 67% Danceability • 71% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 67% Danceability • 71% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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The Jivers
Do What
101 bpm • D Maj • 03:40 • -6.93db
14% Popularity • 60% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 60% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 65% Positiveness
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Diplomats of Solid Sound
Come In My Kitchen
101 bpm • C# min • 03:24 • -5.49db
31% Popularity • 57% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 57% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Mark Ronson
She's Got Me
101 bpm • D Maj • 03:49 • -3.77db
28% Popularity • 82% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 82% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Daniel Merriweather
Still Got Me
101 bpm • A Maj • 03:49 • -6.84db
12% Popularity • 87% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 87% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Belleruche
Minor Swing
101 bpm • F# Maj • 04:09 • -5db
40% Popularity • 76% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 76% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kylie Auldist
Made of Stone
101 bpm • C# Maj • 04:17 • -7.58db
19% Popularity • 76% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 76% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Sharon Jones & The Dap-Kings
Something's Changed
101 bpm • A min • 02:56 • -7.74db
42% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Waldeck
Why did we fire the gun ?
101 bpm • F min • 04:58 • -9.14db
48% Popularity • 74% Danceability • 49% Energy • 12% Liveness
75% Instrumentalness • 64% Positiveness
48% Popularity • 74% Danceability • 49% Energy • 12% Liveness
75% Instrumentalness • 64% Positiveness
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Cookin' On 3 Burners
Seen Through Your Disguise
100 bpm • C Maj • 03:25 • -3.03db
12% Popularity • 70% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 70% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Shaolin Temple Defenders
Let Your Love Shine On Me
102 bpm • F# min • 02:46 • -6.68db
27% Popularity • 79% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 79% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jamie Lidell
Green Light
102 bpm • A# min • 03:48 • -8db
25% Popularity • 76% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 76% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
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Avery*Sunshine
I Got Sunshine
100 bpm • G Maj • 03:14 • -7.37db
52% Popularity • 69% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 69% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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The Brand New Heavies
Have A Good Time
100 bpm • C# Maj • 03:12 • -10db
40% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
68% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Kinny
Back Street Lust
100 bpm • A# min • 03:36 • -7.42db
25% Popularity • 78% Danceability • 86% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
25% Popularity • 78% Danceability • 86% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Aldo Vanucci
Get a Hold on This
100 bpm • G# Maj • 03:43 • -7.8db
30% Popularity • 76% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 76% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Bernhoft
Shout
100 bpm • C min • 03:54 • -8.66db
19% Popularity • 93% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 93% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Myles Sanko
Rainbow in Your Cloud
102 bpm • A# min • 04:10 • -7.7db
23% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Elizabeth Shepherd
Seven Bucks
100 bpm • G min • 03:15 • -3.81db
20% Popularity • 80% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 80% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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FM LAETI
Ping Pong
100 bpm • C min • 03:11 • -8.63db
33% Popularity • 84% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 84% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Kinny
Queen of Boredness
100 bpm • G# min • 03:25 • -8.72db
32% Popularity • 93% Danceability • 27% Energy • 10% Liveness
15% Instrumentalness • 30% Positiveness
32% Popularity • 93% Danceability • 27% Energy • 10% Liveness
15% Instrumentalness • 30% Positiveness
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Guiddo
Walked Out
100 bpm • A# min • 03:56 • -9.41db
1% Popularity • 71% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 71% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Diesler
Welcome to Hellmouth
100 bpm • F min • 03:09 • -9.85db
10% Popularity • 89% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 89% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Canon Blue
Onyx - Jamie Lidell Remix
100 bpm • E min • 03:49 • -10.99db
0% Popularity • 62% Danceability • 57% Energy • 14% Liveness
36% Instrumentalness • 27% Positiveness
0% Popularity • 62% Danceability • 57% Energy • 14% Liveness
36% Instrumentalness • 27% Positiveness
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Selah Sue
Alone
100 bpm • C# Maj • 03:27 • -5.13db
48% Popularity • 77% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 77% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Kylie Auldist
Gotsta Get Me Some
102 bpm • F# min • 03:00 • -5.58db
24% Popularity • 76% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 76% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Brandt Brauer Frick
Broken Pieces - Mouse on Mars Technoprom...
102 bpm • C# min • 04:16 • -9.39db
2% Popularity • 71% Danceability • 57% Energy • 10% Liveness
19% Instrumentalness • 31% Positiveness
2% Popularity • 71% Danceability • 57% Energy • 10% Liveness
19% Instrumentalness • 31% Positiveness
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Cookin' On 3 Burners
This Girl
102 bpm • D# Maj • 03:44 • -4db
49% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Withers
Who Is He (And What Is He to You)?
99 bpm • C# min • 03:14 • -12.54db
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Breakestra
Hiding
103 bpm • D Maj • 04:31 • -4db
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Ben Harper
Bring The Funk
99 bpm • A# min • 04:07 • -6.36db
28% Popularity • 82% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 82% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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FM Einheit
Together
99 bpm • G# Maj • 04:30 • -18.25db
0% Popularity • 79% Danceability • 45% Energy • 12% Liveness
13% Instrumentalness • 68% Positiveness
0% Popularity • 79% Danceability • 45% Energy • 12% Liveness
13% Instrumentalness • 68% Positiveness
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Diplomats of Solid Sound
Lights Out
99 bpm • C min • 03:58 • -6db
11% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Room Eleven
One Of These Days
103 bpm • G Maj • 03:47 • -10db
29% Popularity • 68% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Trombone Shorty
Here Come The Girls
103 bpm • F min • 04:00 • -5db
35% Popularity • 73% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 73% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Mocky
In The Meantime
103 bpm • F min • 03:06 • -9.73db
8% Popularity • 95% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 95% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Benji Hughes
Freaky Feedback Blues
103 bpm • E Maj • 03:44 • -10db
51% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Speedometer
Am I Your Woman? featuring Ria Currie
103 bpm • E min • 03:12 • -4db
36% Popularity • 77% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 77% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Hamel
In Between
99 bpm • G# min • 03:21 • -6.99db
24% Popularity • 74% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 74% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Cody Chesnutt
That's Still Mama
99 bpm • C min • 04:15 • -4.28db
14% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Donavon Frankenreiter
Move By Yourself
103 bpm • E min • 05:16 • -6.83db
27% Popularity • 63% Danceability • 77% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
27% Popularity • 63% Danceability • 77% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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MY BABY
Money Man (Album Version)
103 bpm • D min • 04:19 • -8db
21% Popularity • 92% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 92% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Ruby Velle & The Soulphonics
The Man Says
99 bpm • F min • 04:04 • -3.78db
22% Popularity • 64% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 64% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Kiwanuka
Black Man In A White World
103 bpm • G Maj • 04:18 • -7.86db
50% Popularity • 62% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 62% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie Lidell
What Is It This Time?
99 bpm • D Maj • 03:05 • -8.55db
15% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lady Wray
Money
98 bpm • C Maj • 03:43 • -6db
31% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Tibbs
Cleaned Out
98 bpm • A min • 03:07 • -6.32db
54% Popularity • 79% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
54% Popularity • 79% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Kylie Auldist
Counting On You
104 bpm • C# min • 03:27 • -5.32db
13% Popularity • 62% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 62% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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The James Hunter Six
Minute By Minute
104 bpm • G# min • 03:39 • -7db
29% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
66% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
66% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Joss Stone
Some Kind Of Wonderful
104 bpm • C Maj • 03:56 • -5db
41% Popularity • 84% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 84% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Thievery Corporation
The Numbers Game
104 bpm • D Maj • 03:03 • -5.51db
42% Popularity • 76% Danceability • 87% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
42% Popularity • 76% Danceability • 87% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Van Hunt
Hot Stage Lights
104 bpm • F min • 04:37 • -5.06db
13% Popularity • 88% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 88% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Ephemerals
Life Is Good
104 bpm • C min • 04:11 • -7.77db
35% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jamie Lidell
Figured Me Out
104 bpm • D min • 04:27 • -4.14db
18% Popularity • 82% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 82% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Liam Bailey
Please Love Me
98 bpm • G min • 02:57 • -7.2db
34% Popularity • 72% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 72% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Joss Stone
Big 'Ol Game
104 bpm • F Maj • 04:29 • -6.02db
17% Popularity • 73% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 73% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Eli "Paperboy" Reed
Young Girl
98 bpm • C Maj • 03:06 • -4.66db
18% Popularity • 65% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 65% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Raul Midón
Pick Somebody Up
98 bpm • B min • 03:32 • -9.63db
35% Popularity • 77% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 77% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Jamie Woon
Sharpness
98 bpm • F# min • 03:27 • -7.87db
52% Popularity • 85% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
52% Popularity • 85% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
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Bo Saris
Little Bit More
98 bpm • C Maj • 03:19 • -3.26db
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Club des Belugas
Save a Little Love for Me
98 bpm • G min • 03:32 • -9db
48% Popularity • 90% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 77% Positiveness
48% Popularity • 90% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 77% Positiveness
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Hawa
So Wrong
98 bpm • E min • 04:01 • -7.47db
9% Popularity • 76% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 76% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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June Noa
Suspicious
98 bpm • F min • 06:00 • -5.97db
19% Popularity • 85% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 85% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Cody Chesnutt
I've Been Life
104 bpm • A# min • 04:39 • -4.72db
12% Popularity • 66% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 66% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Nikka Costa
Everybody Got Their Something
104 bpm • A Maj • 04:20 • -9.5db
43% Popularity • 93% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 93% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Shaolin Temple Defenders
It's So Easy
98 bpm • E Maj • 04:08 • -7.83db
27% Popularity • 77% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 77% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Breakestra
Come On Over Afrodyete
98 bpm • F min • 04:26 • -4db
38% Popularity • 68% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 68% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Kiwanuka
Tell Me A Tale
98 bpm • G Maj • 04:09 • -8.78db
45% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Merriweather
Chainsaw
98 bpm • C# Maj • 04:04 • -6.19db
9% Popularity • 62% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 62% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Joss Stone
4 And 20
105 bpm • A# Maj • 05:06 • -8.84db
51% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Snugs
Strugglin' (Original)
98 bpm • B min • 03:49 • -7db
11% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Sharon Jones & The Dap-Kings
Better Things
97 bpm • F# Maj • 03:39 • -8db
56% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Diplomats of Solid Sound
Hurt Me So
105 bpm • B min • 03:38 • -7.84db
11% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Us3
I Got It Goin' On
97 bpm • B min • 05:18 • -13db
38% Popularity • 88% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
38% Popularity • 88% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
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Gene Harris
As
105 bpm • E Maj • 07:37 • -12.34db
34% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Hardkandy
Elevation
105 bpm • B min • 04:53 • -5.6db
13% Popularity • 73% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
13% Popularity • 73% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
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The Limp Twins
Moving Closer to the Sofa
105 bpm • G min • 04:00 • -7.04db
31% Popularity • 79% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 79% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The Brand New Heavies
Boogie
97 bpm • F# min • 03:52 • -5.88db
24% Popularity • 78% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 78% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Aloe Blacc
Love Is The Answer
105 bpm • A min • 03:44 • -5.7db
40% Popularity • 72% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 72% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Cody Chesnutt
What Kind Of Cool (Will We Think of Next...
97 bpm • F# Maj • 05:08 • -6.72db
24% Popularity • 68% Danceability • 61% Energy • 8% Liveness
6% Instrumentalness • 74% Positiveness
24% Popularity • 68% Danceability • 61% Energy • 8% Liveness
6% Instrumentalness • 74% Positiveness
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Sola Rosa
Turn Around
97 bpm • D Maj • 04:01 • -5.67db
40% Popularity • 76% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 76% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Breakestra
Need A Little Love
97 bpm • C Maj • 04:53 • -3.73db
28% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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K-OS
The Rain
97 bpm • A min • 03:51 • -7.03db
28% Popularity • 74% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 74% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Paolo Nutini
Let Me Down Easy
105 bpm • B min • 03:32 • -8db
53% Popularity • 72% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 72% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Kris Berry
Crystal Ball (In the Cupboard)
106 bpm • A# Maj • 03:12 • -7.88db
36% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Cody Chesnutt
'Till I Met Thee - Radio Edit
97 bpm • G# min • 03:16 • -4.96db
9% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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DJ Shadow
This Time (I'm Gonna Try It My Way)
97 bpm • F Maj • 03:05 • -5.95db
40% Popularity • 58% Danceability • 91% Energy • 8% Liveness
16% Instrumentalness • 73% Positiveness
40% Popularity • 58% Danceability • 91% Energy • 8% Liveness
16% Instrumentalness • 73% Positiveness
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Trombone Shorty
Long Weekend
106 bpm • D Maj • 04:07 • -5.31db
30% Popularity • 74% Danceability • 74% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
30% Popularity • 74% Danceability • 74% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
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Har Mar Superstar
Prisoner
106 bpm • A min • 03:23 • -5.58db
38% Popularity • 60% Danceability • 87% Energy • 18% Liveness
37% Instrumentalness • 60% Positiveness
38% Popularity • 60% Danceability • 87% Energy • 18% Liveness
37% Instrumentalness • 60% Positiveness
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The Haggis Horns
Hot Damn!
106 bpm • F min • 04:32 • -8db
28% Popularity • 67% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 67% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Laura Mvula
Green Garden
106 bpm • C# min • 04:09 • -7db
44% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lady Wray
Do It Again
96 bpm • B min • 03:59 • -8db
37% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jamie Lidell
What's The Use?
96 bpm • F# min • 04:29 • -7.33db
26% Popularity • 75% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 75% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
