Songs like Little Brown Jug by Rhys Jones, Jeff Miller And Jim Nelson
Based on a tempo of (+/- 10%) and a similar genre
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Lonesome Ace Stringband
Hold Your Lying Tongue
124 bpm • G Maj • 03:12 • -11.42db
16% Popularity • 65% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 68% Positiveness
16% Popularity • 65% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 68% Positiveness
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Dan Menzone
Deck Speed
124 bpm • D Maj • 03:33 • -12db
10% Popularity • 61% Danceability • 57% Energy • 23% Liveness
91% Instrumentalness • 95% Positiveness
10% Popularity • 61% Danceability • 57% Energy • 23% Liveness
91% Instrumentalness • 95% Positiveness
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Gaither Carlton
Apple Blossom
124 bpm • G Maj • 00:50 • -12.85db
18% Popularity • 63% Danceability • 38% Energy • 26% Liveness
95% Instrumentalness • 99% Positiveness
18% Popularity • 63% Danceability • 38% Energy • 26% Liveness
95% Instrumentalness • 99% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Chicken Reel
124 bpm • D Maj • 02:29 • -7.75db
2% Popularity • 71% Danceability • 69% Energy • 16% Liveness
27% Instrumentalness • 98% Positiveness
2% Popularity • 71% Danceability • 69% Energy • 16% Liveness
27% Instrumentalness • 98% Positiveness
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The Water Tower String Band
Tennessee Mountain Fox Chase
124 bpm • C Maj • 02:15 • -5.18db
8% Popularity • 62% Danceability • 72% Energy • 20% Liveness
78% Instrumentalness • 96% Positiveness
8% Popularity • 62% Danceability • 72% Energy • 20% Liveness
78% Instrumentalness • 96% Positiveness
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The Morgantown Rounders
Big Scioty
124 bpm • G Maj • 03:13 • -6.91db
10% Popularity • 62% Danceability • 72% Energy • 16% Liveness
46% Instrumentalness • 88% Positiveness
10% Popularity • 62% Danceability • 72% Energy • 16% Liveness
46% Instrumentalness • 88% Positiveness
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Lonesome Ace Stringband
Waynesboro/Wolf Creek
124 bpm • D Maj • 03:32 • -13.43db
16% Popularity • 48% Danceability • 44% Energy • 13% Liveness
9% Instrumentalness • 55% Positiveness
16% Popularity • 48% Danceability • 44% Energy • 13% Liveness
9% Instrumentalness • 55% Positiveness
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Georgia Mudcats
Banging on the Hood
124 bpm • G Maj • 02:37 • -10.25db
16% Popularity • 59% Danceability • 60% Energy • 30% Liveness
97% Instrumentalness • 96% Positiveness
16% Popularity • 59% Danceability • 60% Energy • 30% Liveness
97% Instrumentalness • 96% Positiveness
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Dan Menzone
Restless
124 bpm • D min • 03:55 • -10.79db
10% Popularity • 64% Danceability • 49% Energy • 22% Liveness
92% Instrumentalness • 93% Positiveness
10% Popularity • 64% Danceability • 49% Energy • 22% Liveness
92% Instrumentalness • 93% Positiveness
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Pine Tree String Band
Cripple Creek
124 bpm • A Maj • 02:28 • -14db
10% Popularity • 63% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Foghorn Stringband
Indian Ate the Woodchuck
124 bpm • G Maj • 02:51 • -8.75db
10% Popularity • 66% Danceability • 58% Energy • 10% Liveness
80% Instrumentalness • 97% Positiveness
10% Popularity • 66% Danceability • 58% Energy • 10% Liveness
80% Instrumentalness • 97% Positiveness
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John Lurie
Lighter Dervish
124 bpm • C Maj • 00:52 • -12.96db
17% Popularity • 70% Danceability • 35% Energy • 9% Liveness
98% Instrumentalness • 91% Positiveness
17% Popularity • 70% Danceability • 35% Energy • 9% Liveness
98% Instrumentalness • 91% Positiveness
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Oscar Wright
Salt River
124 bpm • A# Maj • 02:01 • -12.32db
7% Popularity • 56% Danceability • 34% Energy • 15% Liveness
73% Instrumentalness • 96% Positiveness
7% Popularity • 56% Danceability • 34% Energy • 15% Liveness
73% Instrumentalness • 96% Positiveness
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Corn Potato String Band
Big Scioty
124 bpm • A Maj • 02:42 • -6.06db
10% Popularity • 66% Danceability • 63% Energy • 29% Liveness
84% Instrumentalness • 88% Positiveness
10% Popularity • 66% Danceability • 63% Energy • 29% Liveness
84% Instrumentalness • 88% Positiveness
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Any Old Time String Band
Falls of Richmond / Camp Chase
124 bpm • D Maj • 02:59 • -10.48db
13% Popularity • 43% Danceability • 64% Energy • 27% Liveness
90% Instrumentalness • 65% Positiveness
13% Popularity • 43% Danceability • 64% Energy • 27% Liveness
90% Instrumentalness • 65% Positiveness
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Madeline Dierauf
Rattletrap
124 bpm • A Maj • 02:28 • -8.14db
8% Popularity • 61% Danceability • 57% Energy • 33% Liveness
45% Instrumentalness • 90% Positiveness
8% Popularity • 61% Danceability • 57% Energy • 33% Liveness
45% Instrumentalness • 90% Positiveness
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Foghorn Stringband
Grigsby's Hornpipe
124 bpm • E Maj • 02:41 • -6db
9% Popularity • 52% Danceability • 76% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
9% Popularity • 52% Danceability • 76% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Rye Straw
124 bpm • G Maj • 02:14 • -7.68db
2% Popularity • 56% Danceability • 66% Energy • 18% Liveness
94% Instrumentalness • 97% Positiveness
2% Popularity • 56% Danceability • 66% Energy • 18% Liveness
94% Instrumentalness • 97% Positiveness
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The Price Sisters
Tuel's Landing
124 bpm • G Maj • 03:00 • -6.44db
10% Popularity • 60% Danceability • 75% Energy • 24% Liveness
82% Instrumentalness • 92% Positiveness
10% Popularity • 60% Danceability • 75% Energy • 24% Liveness
82% Instrumentalness • 92% Positiveness
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Sidna Myers
Forkey Deer
124 bpm • F# Maj • 02:05 • -16.19db
12% Popularity • 59% Danceability • 31% Energy • 9% Liveness
59% Instrumentalness • 93% Positiveness
12% Popularity • 59% Danceability • 31% Energy • 9% Liveness
59% Instrumentalness • 93% Positiveness
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Jake Blount
Rolling River
124 bpm • D Maj • 03:27 • -14.88db
9% Popularity • 63% Danceability • 41% Energy • 21% Liveness
87% Instrumentalness • 96% Positiveness
9% Popularity • 63% Danceability • 41% Energy • 21% Liveness
87% Instrumentalness • 96% Positiveness
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The Lucky Ones
Two-Step Medley
125 bpm • G Maj • 02:36 • -9.82db
10% Popularity • 53% Danceability • 69% Energy • 30% Liveness
7% Instrumentalness • 96% Positiveness
10% Popularity • 53% Danceability • 69% Energy • 30% Liveness
7% Instrumentalness • 96% Positiveness
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Bigfoot
Chase the Squirrel
125 bpm • D Maj • 02:44 • -5.98db
5% Popularity • 69% Danceability • 78% Energy • 12% Liveness
4% Instrumentalness • 97% Positiveness
5% Popularity • 69% Danceability • 78% Energy • 12% Liveness
4% Instrumentalness • 97% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Half Past Four
124 bpm • A Maj • 02:10 • -6.78db
3% Popularity • 60% Danceability • 74% Energy • 24% Liveness
74% Instrumentalness • 98% Positiveness
3% Popularity • 60% Danceability • 74% Energy • 24% Liveness
74% Instrumentalness • 98% Positiveness
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Wyatt Ellis
Wildwood
125 bpm • C Maj • 02:43 • -10.78db
12% Popularity • 50% Danceability • 65% Energy • 27% Liveness
94% Instrumentalness • 84% Positiveness
12% Popularity • 50% Danceability • 65% Energy • 27% Liveness
94% Instrumentalness • 84% Positiveness
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Uncle Earl
Old Bunch Of Keys
123 bpm • A Maj • 02:07 • -9.2db
14% Popularity • 60% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Jake Blount
John Henry
123 bpm • B min • 04:45 • -15.36db
8% Popularity • 59% Danceability • 31% Energy • 34% Liveness
4% Instrumentalness • 68% Positiveness
8% Popularity • 59% Danceability • 31% Energy • 34% Liveness
4% Instrumentalness • 68% Positiveness
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John Balch with Jack Pearson
Cotton Chop
125 bpm • D min • 02:48 • -12.19db
9% Popularity • 61% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 73% Positiveness
9% Popularity • 61% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 73% Positiveness
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Mountain Highway
Big Spike Hammer
125 bpm • F min • 02:59 • -10.61db
11% Popularity • 63% Danceability • 63% Energy • 31% Liveness
3% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 63% Energy • 31% Liveness
3% Instrumentalness • 85% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Salt River
123 bpm • D Maj • 02:14 • -6.07db
1% Popularity • 61% Danceability • 76% Energy • 7% Liveness
75% Instrumentalness • 97% Positiveness
1% Popularity • 61% Danceability • 76% Energy • 7% Liveness
75% Instrumentalness • 97% Positiveness
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Chance McCoy & The Appalachian String Band
Shelvin Rock
125 bpm • A Maj • 03:08 • -7.98db
15% Popularity • 59% Danceability • 67% Energy • 35% Liveness
95% Instrumentalness • 92% Positiveness
15% Popularity • 59% Danceability • 67% Energy • 35% Liveness
95% Instrumentalness • 92% Positiveness
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Bigfoot
Hooker's Hornpipe
123 bpm • G Maj • 03:47 • -8.05db
4% Popularity • 63% Danceability • 65% Energy • 30% Liveness
17% Instrumentalness • 96% Positiveness
4% Popularity • 63% Danceability • 65% Energy • 30% Liveness
17% Instrumentalness • 96% Positiveness
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Blaine Sprouse
Angelina Baker - Instrumental
123 bpm • D Maj • 02:43 • -10db
14% Popularity • 64% Danceability • 63% Energy • 10% Liveness
63% Instrumentalness • 97% Positiveness
14% Popularity • 64% Danceability • 63% Energy • 10% Liveness
63% Instrumentalness • 97% Positiveness
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Rik Barron
The Foggy Dew, Sally In The Garden
123 bpm • G min • 02:49 • -17.31db
12% Popularity • 35% Danceability • 50% Energy • 17% Liveness
96% Instrumentalness • 93% Positiveness
12% Popularity • 35% Danceability • 50% Energy • 17% Liveness
96% Instrumentalness • 93% Positiveness
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George Jackson
Policeman
123 bpm • A Maj • 02:17 • -6.82db
11% Popularity • 51% Danceability • 77% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
11% Popularity • 51% Danceability • 77% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Little Brown Jug
124 bpm • D Maj • 02:58 • -6.57db
1% Popularity • 64% Danceability • 62% Energy • 11% Liveness
21% Instrumentalness • 96% Positiveness
1% Popularity • 64% Danceability • 62% Energy • 11% Liveness
21% Instrumentalness • 96% Positiveness
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Lonesome Ace Stringband
Skipping in the Mississippi Dew
123 bpm • D Maj • 03:12 • -12.31db
10% Popularity • 62% Danceability • 58% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
10% Popularity • 62% Danceability • 58% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
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Riley Baugus
Shady Grove
125 bpm • G Maj • 02:19 • -14.66db
13% Popularity • 59% Danceability • 36% Energy • 18% Liveness
86% Instrumentalness • 98% Positiveness
13% Popularity • 59% Danceability • 36% Energy • 18% Liveness
86% Instrumentalness • 98% Positiveness
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Brad Leftwich and the Hogwire Stringband
Sally Johnson
125 bpm • G Maj • 02:45 • -11.04db
14% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Bigfoot
Hell On the Wabash
123 bpm • G Maj • 04:27 • -8.41db
2% Popularity • 61% Danceability • 63% Energy • 17% Liveness
85% Instrumentalness • 96% Positiveness
2% Popularity • 61% Danceability • 63% Energy • 17% Liveness
85% Instrumentalness • 96% Positiveness
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Wyatt Ellis
Sandy Gap
126 bpm • C Maj • 03:31 • -9.78db
13% Popularity • 43% Danceability • 74% Energy • 6% Liveness
92% Instrumentalness • 96% Positiveness
13% Popularity • 43% Danceability • 74% Energy • 6% Liveness
92% Instrumentalness • 96% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Silver Lake
125 bpm • D Maj • 03:04 • -7.38db
1% Popularity • 53% Danceability • 67% Energy • 18% Liveness
83% Instrumentalness • 87% Positiveness
1% Popularity • 53% Danceability • 67% Energy • 18% Liveness
83% Instrumentalness • 87% Positiveness
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April Verch
Big Eyed Rabbit
122 bpm • A Maj • 03:34 • -6.87db
13% Popularity • 58% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 74% Positiveness
13% Popularity • 58% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 74% Positiveness
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Allison de Groot & Tatiana Hargreaves
Cuckoo's Nest
122 bpm • D Maj • 02:14 • -9.01db
7% Popularity • 63% Danceability • 64% Energy • 16% Liveness
95% Instrumentalness • 97% Positiveness
7% Popularity • 63% Danceability • 64% Energy • 16% Liveness
95% Instrumentalness • 97% Positiveness
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The Onlies
Troubles
126 bpm • G Maj • 02:35 • -5.53db
15% Popularity • 43% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 43% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Blount
We're Gonna Hunt the Buffalo
122 bpm • B min • 03:16 • -17.32db
8% Popularity • 48% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 88% Positiveness
8% Popularity • 48% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 88% Positiveness
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John Showman
Casitas Polka
122 bpm • G Maj • 02:25 • -10.21db
10% Popularity • 66% Danceability • 61% Energy • 22% Liveness
87% Instrumentalness • 97% Positiveness
10% Popularity • 66% Danceability • 61% Energy • 22% Liveness
87% Instrumentalness • 97% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
One Eyed Riley
123 bpm • D Maj • 03:15 • -7.47db
2% Popularity • 64% Danceability • 59% Energy • 9% Liveness
75% Instrumentalness • 97% Positiveness
2% Popularity • 64% Danceability • 59% Energy • 9% Liveness
75% Instrumentalness • 97% Positiveness
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Tom, Brad & Alice
Five Miles from Town
126 bpm • D Maj • 03:06 • -10.15db
13% Popularity • 62% Danceability • 44% Energy • 16% Liveness
19% Instrumentalness • 74% Positiveness
13% Popularity • 62% Danceability • 44% Energy • 16% Liveness
19% Instrumentalness • 74% Positiveness
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Lonesome Ace Stringband
Lonesome Ace #1
126 bpm • G Maj • 02:52 • -7.96db
17% Popularity • 68% Danceability • 71% Energy • 10% Liveness
14% Instrumentalness • 79% Positiveness
17% Popularity • 68% Danceability • 71% Energy • 10% Liveness
14% Instrumentalness • 79% Positiveness
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Sami Braman
The Riveter
122 bpm • A Maj • 03:41 • -11.57db
14% Popularity • 40% Danceability • 48% Energy • 6% Liveness
23% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 48% Energy • 6% Liveness
23% Instrumentalness • 53% Positiveness
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Tony Trischka
The Only Way
126 bpm • F Maj • 04:17 • -11.61db
8% Popularity • 46% Danceability • 70% Energy • 34% Liveness
97% Instrumentalness • 75% Positiveness
8% Popularity • 46% Danceability • 70% Energy • 34% Liveness
97% Instrumentalness • 75% Positiveness
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Nathan Sefalden
China Collapse
126 bpm • B Maj • 04:08 • -7.03db
26% Popularity • 59% Danceability • 56% Energy • 21% Liveness
70% Instrumentalness • 86% Positiveness
26% Popularity • 59% Danceability • 56% Energy • 21% Liveness
70% Instrumentalness • 86% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Bob Wills Tune
125 bpm • G Maj • 03:19 • -7.23db
1% Popularity • 54% Danceability • 64% Energy • 22% Liveness
88% Instrumentalness • 90% Positiveness
1% Popularity • 54% Danceability • 64% Energy • 22% Liveness
88% Instrumentalness • 90% Positiveness
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Mr. Sun
A Little Heart's Ease
122 bpm • G Maj • 04:29 • -9.16db
12% Popularity • 66% Danceability • 32% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
12% Popularity • 66% Danceability • 32% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
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Noah Cline
Last Chance
126 bpm • E min • 02:09 • -8.11db
7% Popularity • 60% Danceability • 57% Energy • 9% Liveness
84% Instrumentalness • 90% Positiveness
7% Popularity • 60% Danceability • 57% Energy • 9% Liveness
84% Instrumentalness • 90% Positiveness
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Sami Braman
Rogue River
126 bpm • F Maj • 03:54 • -10.46db
11% Popularity • 56% Danceability • 64% Energy • 12% Liveness
39% Instrumentalness • 91% Positiveness
11% Popularity • 56% Danceability • 64% Energy • 12% Liveness
39% Instrumentalness • 91% Positiveness
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Bob Carlin
Needlecase
122 bpm • A Maj • 02:48 • -10.5db
10% Popularity • 71% Danceability • 42% Energy • 25% Liveness
42% Instrumentalness • 94% Positiveness
10% Popularity • 71% Danceability • 42% Energy • 25% Liveness
42% Instrumentalness • 94% Positiveness
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Bigfoot
Speed the Plough
122 bpm • F Maj • 06:59 • -9.74db
2% Popularity • 56% Danceability • 46% Energy • 12% Liveness
88% Instrumentalness • 77% Positiveness
2% Popularity • 56% Danceability • 46% Energy • 12% Liveness
88% Instrumentalness • 77% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Brushy Run
125 bpm • G Maj • 02:26 • -8.21db
2% Popularity • 68% Danceability • 64% Energy • 21% Liveness
92% Instrumentalness • 96% Positiveness
2% Popularity • 68% Danceability • 64% Energy • 21% Liveness
92% Instrumentalness • 96% Positiveness
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Dan Levenson
Billy in the Low Ground
122 bpm • F Maj • 03:16 • -19.48db
9% Popularity • 56% Danceability • 23% Energy • 11% Liveness
76% Instrumentalness • 86% Positiveness
9% Popularity • 56% Danceability • 23% Energy • 11% Liveness
76% Instrumentalness • 86% Positiveness
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Roger Netherton
Tippin' Back the Corn
122 bpm • A Maj • 03:18 • -8.2db
5% Popularity • 53% Danceability • 71% Energy • 18% Liveness
78% Instrumentalness • 90% Positiveness
5% Popularity • 53% Danceability • 71% Energy • 18% Liveness
78% Instrumentalness • 90% Positiveness
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Horseshoes & Hand Grenades
Squash Blossoms
126 bpm • A Maj • 02:02 • -6.13db
11% Popularity • 38% Danceability • 60% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
11% Popularity • 38% Danceability • 60% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
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Allison de Groot & Tatiana Hargreaves
Farewell Whiskey
122 bpm • A Maj • 02:56 • -10.1db
10% Popularity • 62% Danceability • 37% Energy • 8% Liveness
11% Instrumentalness • 78% Positiveness
10% Popularity • 62% Danceability • 37% Energy • 8% Liveness
11% Instrumentalness • 78% Positiveness
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Billy C. Hurt Jr.
Sixteen Days in Georgia
126 bpm • C Maj • 02:07 • -9.71db
8% Popularity • 63% Danceability • 39% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
8% Popularity • 63% Danceability • 39% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Old Dan Tucker
125 bpm • D Maj • 02:42 • -6.58db
2% Popularity • 69% Danceability • 62% Energy • 14% Liveness
87% Instrumentalness • 96% Positiveness
2% Popularity • 69% Danceability • 62% Energy • 14% Liveness
87% Instrumentalness • 96% Positiveness
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Joseph Decosimo
florrie stewart's fox chase
127 bpm • A# Maj • 02:11 • -8.91db
11% Popularity • 50% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
11% Popularity • 50% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
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The Black Twig Pickers
Horseshoe
127 bpm • D Maj • 02:29 • -14.62db
14% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 96% Positiveness
14% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 96% Positiveness
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Brad Leftwich & The Humdingers
Indian Ate a Woodchuck
127 bpm • D Maj • 03:20 • -10.28db
8% Popularity • 68% Danceability • 60% Energy • 52% Liveness
98% Instrumentalness • 97% Positiveness
8% Popularity • 68% Danceability • 60% Energy • 52% Liveness
98% Instrumentalness • 97% Positiveness
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Lonesome Ace Stringband
Country Mile
127 bpm • F Maj • 03:00 • -7.06db
17% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Brodie Buttons
Liza Jane
121 bpm • E Maj • 03:30 • -8.81db
11% Popularity • 72% Danceability • 56% Energy • 10% Liveness
55% Instrumentalness • 78% Positiveness
11% Popularity • 72% Danceability • 56% Energy • 10% Liveness
55% Instrumentalness • 78% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Mississippi Square Dance
126 bpm • A Maj • 02:10 • -7.52db
2% Popularity • 71% Danceability • 62% Energy • 10% Liveness
95% Instrumentalness • 97% Positiveness
2% Popularity • 71% Danceability • 62% Energy • 10% Liveness
95% Instrumentalness • 97% Positiveness
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Uncle Earl
Backstep Cindy
121 bpm • D Maj • 02:05 • -12.91db
8% Popularity • 45% Danceability • 35% Energy • 12% Liveness
98% Instrumentalness • 60% Positiveness
8% Popularity • 45% Danceability • 35% Energy • 12% Liveness
98% Instrumentalness • 60% Positiveness
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Wyatt Ellis
Johnson Mountain Blues
127 bpm • C Maj • 05:23 • -11.07db
13% Popularity • 48% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 58% Positiveness
13% Popularity • 48% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 58% Positiveness
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The Water Tower String Band
Sally Ann
121 bpm • C Maj • 03:03 • -4.2db
10% Popularity • 56% Danceability • 65% Energy • 17% Liveness
81% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 65% Energy • 17% Liveness
81% Instrumentalness • 68% Positiveness
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Mary Z. Cox
Dixie
121 bpm • D Maj • 02:13 • -22.28db
12% Popularity • 69% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 67% Positiveness
12% Popularity • 69% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 67% Positiveness
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Chance McCoy & The Appalachian String Band
Indian Ate A Woodchuck
121 bpm • C Maj • 03:04 • -8db
13% Popularity • 69% Danceability • 70% Energy • 34% Liveness
94% Instrumentalness • 72% Positiveness
13% Popularity • 69% Danceability • 70% Energy • 34% Liveness
94% Instrumentalness • 72% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Indian Ate A Woodchuck
126 bpm • D Maj • 04:00 • -6.75db
3% Popularity • 59% Danceability • 72% Energy • 9% Liveness
66% Instrumentalness • 93% Positiveness
3% Popularity • 59% Danceability • 72% Energy • 9% Liveness
66% Instrumentalness • 93% Positiveness
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Bigfoot
I've Got a Bulldog
121 bpm • G Maj • 03:42 • -7.9db
3% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Reeltime Travellers
Flippin Jenny
127 bpm • E Maj • 02:10 • -9.39db
15% Popularity • 64% Danceability • 46% Energy • 16% Liveness
92% Instrumentalness • 93% Positiveness
15% Popularity • 64% Danceability • 46% Energy • 16% Liveness
92% Instrumentalness • 93% Positiveness
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Nathan Sefalden
This Is It
121 bpm • F# min • 03:22 • -6.62db
26% Popularity • 66% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
26% Popularity • 66% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
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Fireside Collective
Code Switch
127 bpm • F# min • 03:55 • -10.61db
8% Popularity • 57% Danceability • 57% Energy • 14% Liveness
91% Instrumentalness • 84% Positiveness
8% Popularity • 57% Danceability • 57% Energy • 14% Liveness
91% Instrumentalness • 84% Positiveness
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Seth Mulder & Midnight Run
Ruby Ann
121 bpm • F Maj • 03:07 • -7.13db
9% Popularity • 66% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Little Boy, Where'd You Get Your Britche...
126 bpm • G Maj • 02:04 • -7.74db
1% Popularity • 60% Danceability • 66% Energy • 19% Liveness
93% Instrumentalness • 97% Positiveness
1% Popularity • 60% Danceability • 66% Energy • 19% Liveness
93% Instrumentalness • 97% Positiveness
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Robin Kessinger
Campground Medley
121 bpm • D Maj • 05:28 • -14.18db
7% Popularity • 59% Danceability • 52% Energy • 18% Liveness
90% Instrumentalness • 96% Positiveness
7% Popularity • 59% Danceability • 52% Energy • 18% Liveness
90% Instrumentalness • 96% Positiveness
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Reeltime Travellers
Sally Goodin
127 bpm • D Maj • 02:49 • -8.76db
11% Popularity • 55% Danceability • 56% Energy • 22% Liveness
90% Instrumentalness • 84% Positiveness
11% Popularity • 55% Danceability • 56% Energy • 22% Liveness
90% Instrumentalness • 84% Positiveness
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Nathan Sefalden
Cumberland Gorge
121 bpm • D# Maj • 02:40 • -5.57db
26% Popularity • 56% Danceability • 77% Energy • 26% Liveness
9% Instrumentalness • 91% Positiveness
26% Popularity • 56% Danceability • 77% Energy • 26% Liveness
9% Instrumentalness • 91% Positiveness
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The Black Twig Pickers
Warming by the Devil's Fire
127 bpm • G Maj • 02:54 • -13.41db
8% Popularity • 42% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 97% Positiveness
8% Popularity • 42% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 97% Positiveness
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Allison de Groot & Tatiana Hargreaves
Eighth of January
127 bpm • A Maj • 02:48 • -10.96db
12% Popularity • 62% Danceability • 59% Energy • 20% Liveness
93% Instrumentalness • 94% Positiveness
12% Popularity • 62% Danceability • 59% Energy • 20% Liveness
93% Instrumentalness • 94% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Little Black Mustache
126 bpm • C Maj • 02:22 • -8.01db
1% Popularity • 56% Danceability • 49% Energy • 26% Liveness
44% Instrumentalness • 94% Positiveness
1% Popularity • 56% Danceability • 49% Energy • 26% Liveness
44% Instrumentalness • 94% Positiveness
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Bruce Molsky
Wandering Boy
128 bpm • D Maj • 02:50 • -9.75db
11% Popularity • 58% Danceability • 50% Energy • 12% Liveness
81% Instrumentalness • 97% Positiveness
11% Popularity • 58% Danceability • 50% Energy • 12% Liveness
81% Instrumentalness • 97% Positiveness
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Chance McCoy & The Appalachian String Band
Twin Sisters
120 bpm • D Maj • 02:49 • -8.13db
12% Popularity • 56% Danceability • 74% Energy • 29% Liveness
94% Instrumentalness • 96% Positiveness
12% Popularity • 56% Danceability • 74% Energy • 29% Liveness
94% Instrumentalness • 96% Positiveness
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Nathan Sefalden
Black & White
121 bpm • E Maj • 02:58 • -7.13db
26% Popularity • 66% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
26% Popularity • 66% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
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George Jackson
Lost Indian
120 bpm • D Maj • 02:47 • -6.9db
10% Popularity • 61% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
10% Popularity • 61% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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Ken & Brad Kolodner
Tippin' Back The Corn
128 bpm • A Maj • 02:38 • -11.17db
14% Popularity • 59% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 76% Positiveness
14% Popularity • 59% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 76% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Indian Squaw
122 bpm • G Maj • 03:04 • -5.86db
1% Popularity • 68% Danceability • 72% Energy • 18% Liveness
70% Instrumentalness • 97% Positiveness
1% Popularity • 68% Danceability • 72% Energy • 18% Liveness
70% Instrumentalness • 97% Positiveness
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Foghorn Stringband
Lost Girl
128 bpm • G Maj • 03:06 • -11db
22% Popularity • 61% Danceability • 63% Energy • 30% Liveness
93% Instrumentalness • 51% Positiveness
22% Popularity • 61% Danceability • 63% Energy • 30% Liveness
93% Instrumentalness • 51% Positiveness
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Bob Carlin
Davy Davy
120 bpm • F# min • 01:28 • -9.63db
23% Popularity • 61% Danceability • 72% Energy • 12% Liveness
92% Instrumentalness • 97% Positiveness
23% Popularity • 61% Danceability • 72% Energy • 12% Liveness
92% Instrumentalness • 97% Positiveness
