Songs like Little Brown Jug by Glenn Miller
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Fred Astaire (performer), The MGM Studio Chorus
The Ritz Roll and Rock
171 bpm • F Maj • 03:35 • -11.7db
23% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Bunny Berigan
Sweet Madness
172 bpm • F min • 02:54 • -12db
20% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
20% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
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Jack Shaindlin
I'm Tickled Pink
169 bpm • F min • 01:53 • -15.4db
54% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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The Mills Brothers
Paper Doll
168 bpm • C# Maj • 02:31 • -13.78db
46% Popularity • 63% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 63% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Benny Goodman Quartet
Sweet Georgia Brown - 1996 Remastered
173 bpm • F min • 03:04 • -11.87db
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
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Members Of The Glenn Miller Orchestra
Swingin' At the Ritz
173 bpm • G# Maj • 02:44 • -20.46db
24% Popularity • 41% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 41% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Lee Wiley
Here's Love In Your Eyes
167 bpm • A min • 01:41 • -17.75db
46% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
46% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
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Art Tatum
Tea for Two
167 bpm • C# Maj • 03:13 • -13db
50% Popularity • 36% Danceability • 45% Energy • 14% Liveness
86% Instrumentalness • 52% Positiveness
50% Popularity • 36% Danceability • 45% Energy • 14% Liveness
86% Instrumentalness • 52% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
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Bob Crosby & The Bob Cats
Down Argentina Way - Remastered
166 bpm • G Maj • 02:35 • -4.71db
27% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
33% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
33% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Ruth Etting
Ten Cents a Dance
174 bpm • C Maj • 03:15 • -13.6db
24% Popularity • 54% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 54% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Bert Ambrose
Swing Is in the Air
174 bpm • F# min • 03:05 • -14.23db
14% Popularity • 54% Danceability • 34% Energy • 15% Liveness
11% Instrumentalness • 90% Positiveness
14% Popularity • 54% Danceability • 34% Energy • 15% Liveness
11% Instrumentalness • 90% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy Dorsey
Song of India
174 bpm • F Maj • 03:06 • -13db
34% Popularity • 41% Danceability • 23% Energy • 43% Liveness
89% Instrumentalness • 63% Positiveness
34% Popularity • 41% Danceability • 23% Energy • 43% Liveness
89% Instrumentalness • 63% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
42% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
42% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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The Dave Brubeck Quartet
Take Five
174 bpm • G# min • 05:24 • -13.19db
69% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Glenn Miller
In the Mood - Live
175 bpm • G# Maj • 03:29 • -9.72db
61% Popularity • 46% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 59% Positiveness
61% Popularity • 46% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 59% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schoen - 1937 Single Ver...
164 bpm • C Maj • 03:06 • -9.79db
39% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
35% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
35% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
5% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
5% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Johnny Dodds
Potato Head Blues
178 bpm • D min • 03:01 • -11.34db
32% Popularity • 60% Danceability • 29% Energy • 9% Liveness
78% Instrumentalness • 88% Positiveness
32% Popularity • 60% Danceability • 29% Energy • 9% Liveness
78% Instrumentalness • 88% Positiveness
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Benny Goodman
All The Cats Join In
178 bpm • C# Maj • 04:22 • -9.46db
40% Popularity • 61% Danceability • 40% Energy • 6% Liveness
23% Instrumentalness • 31% Positiveness
40% Popularity • 61% Danceability • 40% Energy • 6% Liveness
23% Instrumentalness • 31% Positiveness
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Glenn Miller
One O'Clock Jump
178 bpm • F# Maj • 03:26 • -12db
30% Popularity • 45% Danceability • 57% Energy • 89% Liveness
84% Instrumentalness • 63% Positiveness
30% Popularity • 45% Danceability • 57% Energy • 89% Liveness
84% Instrumentalness • 63% Positiveness
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Ambrose
Tip-Toe Through the Tulips With Me
178 bpm • G# Maj • 02:59 • -14.12db
18% Popularity • 73% Danceability • 26% Energy • 28% Liveness
90% Instrumentalness • 89% Positiveness
18% Popularity • 73% Danceability • 26% Energy • 28% Liveness
90% Instrumentalness • 89% Positiveness
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Bunny Berigan
Ain't She Sweet
177 bpm • C min • 02:39 • -10.28db
21% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
21% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Tex Beneke
In the Mood
178 bpm • G# Maj • 03:16 • -11.18db
12% Popularity • 53% Danceability • 35% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
12% Popularity • 53% Danceability • 35% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
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Bob Crosby
Rag Mop
162 bpm • G# Maj • 02:15 • -10.33db
25% Popularity • 74% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
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Glenn Miller
Juke Box Saturday Night - Remastered 200...
162 bpm • B min • 03:03 • -10.61db
26% Popularity • 50% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 50% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Crosby & The Bob Cats
Cecilia
178 bpm • C min • 03:15 • -9db
28% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
28% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
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Allan Gray
Swing Doors
179 bpm • G min • 03:02 • -8.94db
50% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
50% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
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Lester Lanin
Just In Time - Moderate Society
162 bpm • F Maj • 02:06 • -14.87db
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
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Carroll Gibbons
Isn't It Romantic
162 bpm • F min • 02:58 • -17.69db
41% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
41% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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The Fabulous Equinox Orchestra
Come Fly with Me (Live)
162 bpm • C Maj • 03:06 • -5.03db
25% Popularity • 35% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 35% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 61% Positiveness
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Glenn Miller
Let's Have Another Cup Of Coffee - 2002...
161 bpm • D# Maj • 03:03 • -9.24db
37% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Benny Goodman
Chicago
161 bpm • G# Maj • 02:59 • -11.22db
41% Popularity • 59% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 78% Positiveness
41% Popularity • 59% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 78% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
21% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
21% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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Benny Goodman Trio
At Sundown
161 bpm • A# Maj • 02:27 • -13.63db
32% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
32% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Vic Damone
Little Girl
180 bpm • F# Maj • 02:04 • -8.03db
31% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
45% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
45% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Benny Goodman Trio
Blue (And Broken Hearted)
180 bpm • A# Maj • 02:58 • -16.57db
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
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Artie Shaw
It Had To Be You
158 bpm • G Maj • 02:28 • -10.77db
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
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Bob Crosby & The Bob Cats
Coquette
183 bpm • D# Maj • 03:08 • -10.13db
33% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
33% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
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Members Of The Glenn Miller Orchestra
Lovers Serenade
181 bpm • G min • 02:34 • -21.34db
41% Popularity • 32% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 71% Positiveness
41% Popularity • 32% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 71% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
20% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Glenn Miller
Jeep Jockey Jump - Remastered
183 bpm • C min • 03:07 • -14.31db
3% Popularity • 62% Danceability • 40% Energy • 7% Liveness
76% Instrumentalness • 49% Positiveness
3% Popularity • 62% Danceability • 40% Energy • 7% Liveness
76% Instrumentalness • 49% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Sid Phillips
Boogie Man
184 bpm • F Maj • 02:26 • -11db
41% Popularity • 47% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
41% Popularity • 47% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
23% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
23% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
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Bob Crosby
Dear Hearts and Gentle People
185 bpm • D# Maj • 02:13 • -10.11db
47% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Benny Goodman
Stompin At The Savoy
156 bpm • A# min • 03:15 • -11db
55% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness
55% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Dorsey & His Orchestra
Slap That Bass
186 bpm • G# Maj • 03:06 • -15.18db
17% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
17% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
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Percy Faith & His Orchestra
The Theme from "A Summer Place"
186 bpm • C Maj • 02:22 • -15.14db
60% Popularity • 33% Danceability • 33% Energy • 49% Liveness
92% Instrumentalness • 87% Positiveness
60% Popularity • 33% Danceability • 33% Energy • 49% Liveness
92% Instrumentalness • 87% Positiveness
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Sarah Vaughan
Misty
185 bpm • F Maj • 03:02 • -14db
56% Popularity • 20% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 20% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Louis Jordan
Keep a Knockin' (But You Can't Come In)
155 bpm • C# Maj • 02:32 • -10.52db
48% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
48% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
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Kay Starr
C'est Magnifique - Remastered
155 bpm • F# min • 02:19 • -10.03db
47% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Goodman Quartet
Bei Mir Bist Du Schoen, Part 1 - 1996 Re...
188 bpm • E min • 03:21 • -12db
17% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
The Freedom Train
154 bpm • C# Maj • 03:12 • -11.13db
13% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Artie Shaw
Softly, As In A Morning Sunrise
154 bpm • F Maj • 03:12 • -9.95db
34% Popularity • 68% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 62% Positiveness
34% Popularity • 68% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 62% Positiveness
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Benny Goodman Trio
Stompin' At The Savoy - Instrumental
189 bpm • C# Maj • 02:51 • -16.4db
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
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Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
41% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
41% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
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Sid Phillips
Mr Charles
190 bpm • F Maj • 02:26 • -8.78db
35% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
35% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
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Glenn Miller & The Army Forces Training Command Orchestra
I've Got A Heart Filled With Love (For Y...
152 bpm • A# Maj • 03:32 • -8.46db
6% Popularity • 49% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 49% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Cab Calloway & His Orchestra
Everybody Eats When They Come to My Hous...
152 bpm • C Maj • 02:44 • -7.94db
22% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Benny Goodman Trio
Someday, Sweetheart - 1996 Remastered
153 bpm • D min • 02:47 • -14.55db
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
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Kay Starr
It's a Good Day
151 bpm • C Maj • 01:59 • -8db
30% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
30% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
30% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Herb Alpert & The Tijuana Brass
Whipped Cream
150 bpm • C# Maj • 02:34 • -9db
33% Popularity • 75% Danceability • 55% Energy • 7% Liveness
79% Instrumentalness • 97% Positiveness
33% Popularity • 75% Danceability • 55% Energy • 7% Liveness
79% Instrumentalness • 97% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
57% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Glenn Miller
Pennsylvania 6-5000
146 bpm • C# Maj • 03:12 • -12.74db
42% Popularity • 71% Danceability • 28% Energy • 15% Liveness
39% Instrumentalness • 52% Positiveness
42% Popularity • 71% Danceability • 28% Energy • 15% Liveness
39% Instrumentalness • 52% Positiveness
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Glenn Miller & The Army Air Force Band
Peggy, The Pin-up Girl - Remastered 2001
198 bpm • G# Maj • 03:21 • -10.98db
22% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Cab Calloway
Boo-Wah Boo-Wah
198 bpm • D# Maj • 02:46 • -8.64db
24% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
25% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Lester Lanin
This Could Be The Start Of Something - S...
199 bpm • D# Maj • 02:12 • -14.13db
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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Betty Hutton
It's a Man (Alternate Take)
145 bpm • D Maj • 02:23 • -6.98db
23% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
