Songs like Little Darlin' (2021 Fred Falke Remix) - Edit by Sheila
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Dutronc
Les cactus
124 bpm • E Maj • 02:42 • -6.71db
42% Popularity • 56% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 56% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Goût de Luxe
Les yeux de Laura
124 bpm • A Maj • 03:52 • -8.41db
25% Popularity • 64% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 64% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Sheila
Tangue au
124 bpm • A# min • 03:41 • -7.6db
11% Popularity • 83% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 83% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Lio
Mona Lisa
124 bpm • E Maj • 02:55 • -7.22db
11% Popularity • 59% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 59% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Agathe & Regrets
Je ne veux pas rentrer chez moi seule - ...
124 bpm • A Maj • 03:17 • -6.41db
40% Popularity • 83% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
40% Popularity • 83% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Julien Clerc
Mangos
124 bpm • D min • 05:39 • -8.62db
9% Popularity • 73% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 97% Positiveness
9% Popularity • 73% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 97% Positiveness
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Marie Laforêt
Les vendanges de l'amour
124 bpm • G Maj • 02:32 • -8.86db
36% Popularity • 67% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 67% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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Julie Pietri
Je veux croire
124 bpm • F min • 03:14 • -7.99db
13% Popularity • 69% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 69% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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La Compagnie Créole
A.I.E. (A Moun'La)
124 bpm • D min • 04:01 • -5db
28% Popularity • 67% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 67% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Étienne Daho
Le grand sommeil - 2014 Remaster
125 bpm • C Maj • 04:03 • -5db
40% Popularity • 84% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
40% Popularity • 84% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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Agathe & Regrets
Je ne veux pas rentrer chez moi seule - ...
124 bpm • A Maj • 05:44 • -6db
18% Popularity • 85% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 85% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Serge Gainsbourg
Sea, Sex And Sun
124 bpm • F Maj • 03:40 • -14.45db
43% Popularity • 61% Danceability • 65% Energy • 5% Liveness
3% Instrumentalness • 79% Positiveness
43% Popularity • 61% Danceability • 65% Energy • 5% Liveness
3% Instrumentalness • 79% Positiveness
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Patrick Juvet
Lady Night
123 bpm • A Maj • 05:11 • -5.27db
24% Popularity • 65% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 65% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
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Ottawan
Haut les mains (Donne-moi ton cœur) - V...
125 bpm • F min • 03:26 • -4db
36% Popularity • 88% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 98% Positiveness
36% Popularity • 88% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 98% Positiveness
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Louis Chedid
Ainsi soit-il
125 bpm • F min • 03:10 • -15db
35% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Sylvie Vartan
Tape Tape
125 bpm • D Maj • 04:18 • -11.44db
15% Popularity • 88% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 88% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Richard Gotainer
Le Mambo Du Décalco
125 bpm • B min • 03:34 • -6db
41% Popularity • 85% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 85% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Gérard Lenorman
La ballade des gens heureux
125 bpm • F Maj • 03:17 • -10.5db
38% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Daniel Balavoine
Le chanteur
125 bpm • A Maj • 03:54 • -10.44db
60% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Ottawan
Haut les mains
125 bpm • C min • 04:57 • -3.93db
15% Popularity • 86% Danceability • 93% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 86% Danceability • 93% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
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Véronique Jannot
J'ai fait l'amour avec la mer - Version ...
125 bpm • C# Maj • 02:42 • -9db
27% Popularity • 54% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
27% Popularity • 54% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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Louis Chedid
Hold-Up
123 bpm • E min • 04:14 • -15.48db
10% Popularity • 78% Danceability • 59% Energy • 14% Liveness
9% Instrumentalness • 32% Positiveness
10% Popularity • 78% Danceability • 59% Energy • 14% Liveness
9% Instrumentalness • 32% Positiveness
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Jakie Quartz
A la vie, Ã l'amour
125 bpm • C min • 04:54 • -10.4db
25% Popularity • 62% Danceability • 81% Energy • 6% Liveness
2% Instrumentalness • 95% Positiveness
25% Popularity • 62% Danceability • 81% Energy • 6% Liveness
2% Instrumentalness • 95% Positiveness
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Lova Moor
Et je danse - Version originale 1988
123 bpm • A# Maj • 03:55 • -6db
25% Popularity • 73% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 73% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jean-Pierre Mader
En résumé en conclusion
125 bpm • A min • 04:16 • -11.74db
14% Popularity • 67% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 67% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Ottawan
T'es OK, T'es Bath, T'es In - Version si...
125 bpm • C min • 03:22 • -6db
44% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Gérard Palaprat
Pour La Fin Du Monde
125 bpm • C Maj • 03:19 • -15db
30% Popularity • 63% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 63% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Sylvie Vartan
L'amour c'est comme une cigarette
123 bpm • D# Maj • 03:22 • -11.58db
48% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Dave
Pour que tu me comprennes
125 bpm • F Maj • 02:53 • -10.89db
25% Popularity • 58% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 58% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Patrick Juvet
I Love America
123 bpm • A min • 03:47 • -6.53db
31% Popularity • 44% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 44% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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Jean-Pierre Mader
Disparue
125 bpm • D min • 03:09 • -9db
43% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Laroche Valmont
T'as le look coco - Version originale 19...
125 bpm • F# Maj • 03:24 • -7.52db
38% Popularity • 95% Danceability • 75% Energy • 6% Liveness
26% Instrumentalness • 96% Positiveness
38% Popularity • 95% Danceability • 75% Energy • 6% Liveness
26% Instrumentalness • 96% Positiveness
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Ottawan
D.I.S.C.O. (Version française) - Versio...
123 bpm • G min • 03:19 • -5.39db
40% Popularity • 71% Danceability • 86% Energy • 57% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 71% Danceability • 86% Energy • 57% Liveness
0% Instrumentalness • 95% Positiveness
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Lio
La reine des pommes
122 bpm • B min • 03:36 • -3.62db
17% Popularity • 80% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 80% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Claude Barzotti
Le rital
122 bpm • D Maj • 03:33 • -12.56db
49% Popularity • 52% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 52% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Patrick Juvet
La Musica
126 bpm • F Maj • 03:03 • -10db
36% Popularity • 60% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 60% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Début De Soirée
Nuit de folie - Version longue
123 bpm • D# min • 06:21 • -11db
21% Popularity • 76% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 76% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Jean-Pierre Mader
Disparue (Version longue)
125 bpm • D min • 05:33 • -9db
15% Popularity • 85% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 85% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Nicolas Peyrac
Je pars - Le vol de nuit s'en va
126 bpm • C# Maj • 03:36 • -13db
48% Popularity • 80% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 80% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Ottawan
D.I.S.C.O. (Version française)
123 bpm • A# Maj • 05:02 • -5db
17% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Gérard Lenorman
Voici les clés
122 bpm • D Maj • 03:45 • -9db
47% Popularity • 55% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 55% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Patrick Juvet
Où sont les femmes
122 bpm • C Maj • 06:16 • -10.93db
39% Popularity • 53% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 89% Positiveness
39% Popularity • 53% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 89% Positiveness
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Sheila
L'école est finie - Version stéréo
122 bpm • C Maj • 02:39 • -3.55db
35% Popularity • 68% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 68% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Mylène Farmer
Désenchantée
126 bpm • A# min • 05:22 • -11.74db
61% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
61% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
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The Michael Zager Band
Let's All Chant
122 bpm • E min • 03:04 • -8.65db
52% Popularity • 85% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
52% Popularity • 85% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Début De Soirée
Nuit de folie
122 bpm • D# min • 04:14 • -10.09db
57% Popularity • 77% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 77% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Jeane Manson
Fais moi danser
122 bpm • G Maj • 04:33 • -6.14db
21% Popularity • 60% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Lio
Les brunes comptent pas pour des prunes
126 bpm • G Maj • 03:09 • -5.44db
40% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Sheila
Tu es le soleil - Remasterisé en 2006
126 bpm • G# Maj • 03:30 • -3.74db
19% Popularity • 72% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 72% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ottawan
Qui va garder mon crocodile cet été ?
126 bpm • F# Maj • 02:32 • -4db
23% Popularity • 82% Danceability • 96% Energy • 45% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 82% Danceability • 96% Energy • 45% Liveness
0% Instrumentalness • 98% Positiveness
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Sylvie Vartan
Petit rainbow
126 bpm • G Maj • 03:36 • -12.52db
19% Popularity • 62% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 62% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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C. Jérôme
C'est moi
122 bpm • F# Maj • 02:52 • -10db
45% Popularity • 46% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 46% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Gilbert Montagné
Les sunlights des tropiques
126 bpm • A# Maj • 03:57 • -6.84db
58% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Donna Summer
Could It Be Magic
126 bpm • F min • 05:15 • -12.31db
44% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Sheila
Les gondoles à Venise (avec Ringo)
126 bpm • G Maj • 03:45 • -6db
27% Popularity • 57% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 57% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Carlos
Big bisou, Pt. 1
122 bpm • A# min • 03:44 • -12.24db
14% Popularity • 83% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
14% Popularity • 83% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
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Jennifer
Do It for Me
126 bpm • E min • 03:02 • -8.21db
29% Popularity • 68% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 68% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Vanessa Paradis
Marilyn & John - Version Longue
122 bpm • A# min • 05:46 • -12.97db
43% Popularity • 70% Danceability • 50% Energy • 27% Liveness
2% Instrumentalness • 71% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 27% Liveness
2% Instrumentalness • 71% Positiveness
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Catherine Ferry
Bonjour, Bonjour
122 bpm • F min • 03:57 • -5.77db
21% Popularity • 76% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 76% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Étienne Daho
Tombé pour la France
127 bpm • A Maj • 04:16 • -11.93db
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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Sheila
Psychodrame
122 bpm • C min • 04:30 • -8.29db
9% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Christine Roques
Premiers frissons d'amour
127 bpm • A min • 04:02 • -8.25db
25% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jacques Dutronc
J'aime les filles
121 bpm • A Maj • 02:57 • -6.41db
51% Popularity • 62% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 62% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Ryan Paris
Dolce Vita
121 bpm • C# Maj • 03:49 • -6.72db
50% Popularity • 87% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
50% Popularity • 87% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Arnold Turboust
Adélaïde
121 bpm • F Maj • 03:54 • -5.98db
25% Popularity • 66% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
25% Popularity • 66% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
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Sheila & B. Devotion
Love Me Baby
127 bpm • B Maj • 03:36 • -4.97db
22% Popularity • 75% Danceability • 93% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 75% Danceability • 93% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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Line Renaud
Copacabana
127 bpm • D min • 04:11 • -8.43db
26% Popularity • 76% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 76% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Patrick Juvet
Les bleus au coeur
127 bpm • C Maj • 03:45 • -10.35db
31% Popularity • 42% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 42% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Les Rita Mitsouko
Marcia Baïla
127 bpm • G Maj • 05:35 • -5.95db
58% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Gold
Calicoba (2017 - Remaster)
121 bpm • C Maj • 04:31 • -8.96db
29% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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David Koven
Charlie turquoise
121 bpm • E min • 03:37 • -10.66db
13% Popularity • 66% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 66% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Début De Soirée
La vie la nuit
121 bpm • F# min • 03:52 • -10db
38% Popularity • 71% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 71% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Dassin
L'été indien
121 bpm • G min • 04:28 • -7.73db
49% Popularity • 44% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 44% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Anthony
Le sirop typhon
121 bpm • E Maj • 03:29 • -9.48db
23% Popularity • 62% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 62% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Martin Circus
Shine Baby Shine
127 bpm • F# Maj • 03:20 • -12.25db
9% Popularity • 73% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 73% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Les Rita Mitsouko
Marcia Baïla - Remix by Tony Visconti &...
127 bpm • B min • 05:56 • -4.91db
15% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Chagrin D'amour
Bonjour (V'là les nouvelles)
128 bpm • F min • 03:02 • -5.83db
17% Popularity • 76% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Sacha Distel
Toute la pluie tombe sur moi
121 bpm • C# Maj • 03:00 • -9.12db
41% Popularity • 59% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 59% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Laurent Voulzy
Les nuits sans Kim Wilde
121 bpm • A min • 05:12 • -6.97db
28% Popularity • 65% Danceability • 81% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
28% Popularity • 65% Danceability • 81% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
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Sheila
King of the World
128 bpm • C Maj • 04:33 • -4.78db
8% Popularity • 74% Danceability • 93% Energy • 17% Liveness
53% Instrumentalness • 92% Positiveness
8% Popularity • 74% Danceability • 93% Energy • 17% Liveness
53% Instrumentalness • 92% Positiveness
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Michel Berger
Mademoiselle Chang - Remasterisé en 200...
120 bpm • G min • 04:49 • -8db
30% Popularity • 85% Danceability • 82% Energy • 33% Liveness
5% Instrumentalness • 97% Positiveness
30% Popularity • 85% Danceability • 82% Energy • 33% Liveness
5% Instrumentalness • 97% Positiveness
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Lio
Tétéou
128 bpm • A Maj • 04:13 • -4.06db
15% Popularity • 62% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 62% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Philippe Lavil
La Femme Qui Dit Jamais Je T'Aime
128 bpm • G min • 03:50 • -13.04db
17% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Alain Chamfort
Le temps qui court
120 bpm • C min • 04:09 • -15db
49% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
49% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
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Peter & Sloane
Besoin de rien, envie de toi
120 bpm • C min • 03:42 • -4.5db
51% Popularity • 62% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 62% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Sheila
L'heure de la sortie
120 bpm • C# Maj • 02:59 • -2.35db
15% Popularity • 66% Danceability • 91% Energy • 79% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 66% Danceability • 91% Energy • 79% Liveness
0% Instrumentalness • 84% Positiveness
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Sheila & B. Devotion
Love me Baby - Version maxi 45T
128 bpm • G Maj • 06:01 • -3.7db
13% Popularity • 72% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 72% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Sylvie Vartan
Disco Queen (Johnny Hallyday Please Come...
128 bpm • E min • 03:46 • -12.58db
8% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Images
Corps à corps
120 bpm • B min • 03:58 • -11.63db
41% Popularity • 69% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 69% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Étienne Daho
Duel au soleil - 2006 Remaster
120 bpm • B Maj • 04:21 • -5db
40% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
40% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
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Amanda Lear
Queen of Chinatown
128 bpm • C Maj • 04:16 • -8.91db
38% Popularity • 66% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
38% Popularity • 66% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
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Sheila
You Light My Fire
128 bpm • D Maj • 04:17 • -6.21db
3% Popularity • 67% Danceability • 97% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
3% Popularity • 67% Danceability • 97% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
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François Valéry
J'Aime L'Amour Avec Toi
120 bpm • D min • 03:40 • -9.57db
18% Popularity • 78% Danceability • 68% Energy • 4% Liveness
2% Instrumentalness • 68% Positiveness
18% Popularity • 78% Danceability • 68% Energy • 4% Liveness
2% Instrumentalness • 68% Positiveness
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Philippe Swan
Dans ma rue
120 bpm • F Maj • 03:19 • -11db
24% Popularity • 63% Danceability • 70% Energy • 7% Liveness
8% Instrumentalness • 84% Positiveness
24% Popularity • 63% Danceability • 70% Energy • 7% Liveness
8% Instrumentalness • 84% Positiveness
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Laurent Voulzy
Cocktail chez mademoiselle
128 bpm • G min • 06:34 • -18.9db
32% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Vladimir Cosma
Destinée
120 bpm • E min • 04:39 • -8db
46% Popularity • 57% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 57% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Marie Laforêt
La tendresse - Version stéréo
128 bpm • F# min • 02:18 • -13.29db
49% Popularity • 55% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 55% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Sheila
Pilote sur les ondes - Remasterisé en 2...
120 bpm • D Maj • 04:14 • -7.92db
4% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
