Songs like Little Girl Blue - Rudy Van Gelder Edition/2006 Digital Remaster by Thad Jones
Based on a tempo of (+/- 10%) and a similar genre
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Freddie Redd
Melanie - Digital Remaster/2007
74 bpm • D min • 05:03 • -8.82db
19% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
31% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
31% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Ray Brown Trio
Take The 'A' Train
74 bpm • E min • 06:17 • -26.77db
23% Popularity • 45% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
23% Popularity • 45% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Paul Gonsalves
I Cover The Waterfront
75 bpm • G min • 04:05 • -25.21db
39% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
39% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Thad Jones
Ballad Medley - Flamingo / If You Were M...
75 bpm • F Maj • 07:21 • -15.32db
0% Popularity • 36% Danceability • 5% Energy • 16% Liveness
78% Instrumentalness • 28% Positiveness
0% Popularity • 36% Danceability • 5% Energy • 16% Liveness
78% Instrumentalness • 28% Positiveness
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Sonny Criss
Summertime
75 bpm • C Maj • 04:01 • -8.06db
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
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Kai Winding
Black Coffee
73 bpm • C Maj • 04:07 • -16.99db
31% Popularity • 63% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 30% Positiveness
31% Popularity • 63% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 30% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Sonny Clark Trio
I'll Remember April - Remastered 2001/Ru...
72 bpm • G Maj • 04:55 • -16.05db
17% Popularity • 38% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 38% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Kenny Drew
Polka Dots And Moonbeams
76 bpm • F Maj • 04:19 • -21.08db
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Sam "The Man" Taylor
Long Island Railroad Blues
76 bpm • F min • 08:31 • -16.29db
0% Popularity • 67% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 63% Positiveness
0% Popularity • 67% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 63% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Frank Foster
Simone
76 bpm • D min • 09:56 • -10.6db
14% Popularity • 40% Danceability • 58% Energy • 65% Liveness
14% Instrumentalness • 37% Positiveness
14% Popularity • 40% Danceability • 58% Energy • 65% Liveness
14% Instrumentalness • 37% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Junko Mine
I Can't Give You Anything But Love
77 bpm • G# Maj • 03:00 • -17.03db
4% Popularity • 55% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 55% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Gonsalves
Dukes Place
77 bpm • C Maj • 05:28 • -10.22db
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Zoot Sims
It Had To Be You - Live At The Half Note...
77 bpm • A min • 10:14 • -19db
32% Popularity • 61% Danceability • 10% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 61% Danceability • 10% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
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Oscar Pettiford
Rhumblues
77 bpm • A# Maj • 04:27 • -17db
14% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
14% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Sonny Criss
Memories Of You
77 bpm • D# Maj • 03:47 • -8.48db
15% Popularity • 53% Danceability • 43% Energy • 33% Liveness
85% Instrumentalness • 46% Positiveness
15% Popularity • 53% Danceability • 43% Energy • 33% Liveness
85% Instrumentalness • 46% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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Junko Mine
After You've Gone
70 bpm • G# Maj • 03:44 • -19.69db
1% Popularity • 54% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
1% Popularity • 54% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Sonny Clark
Blue Minor - Rudy Van Gelder Edition/199...
78 bpm • F min • 10:19 • -7db
24% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
24% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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Miles Davis Quartet
Miles Ahead
78 bpm • G min • 04:29 • -14.85db
28% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
28% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
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Thad Jones
Ill Wind
70 bpm • C min • 07:02 • -11.14db
4% Popularity • 52% Danceability • 22% Energy • 14% Liveness
14% Instrumentalness • 34% Positiveness
4% Popularity • 52% Danceability • 22% Energy • 14% Liveness
14% Instrumentalness • 34% Positiveness
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Toots Thielemans
Stars Fell On Alabama
70 bpm • F min • 03:12 • -12.58db
34% Popularity • 55% Danceability • 31% Energy • 31% Liveness
72% Instrumentalness • 42% Positiveness
34% Popularity • 55% Danceability • 31% Energy • 31% Liveness
72% Instrumentalness • 42% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
32% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
32% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Fats Navarro
Nostalgia
79 bpm • G Maj • 02:45 • -10db
33% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Chick Corea
My One And Only Love
79 bpm • F min • 03:34 • -16.05db
49% Popularity • 41% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
49% Popularity • 41% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Eddie "Lockjaw" Davis
Body and Soul
79 bpm • C# Maj • 04:12 • -20db
10% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
10% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
36% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
36% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Tina Brooks
Everything Happens To Me
69 bpm • C min • 06:10 • -14.89db
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Sonny Clark
Blue Minor - Remastered
80 bpm • F min • 10:17 • -10db
25% Popularity • 65% Danceability • 42% Energy • 36% Liveness
2% Instrumentalness • 61% Positiveness
25% Popularity • 65% Danceability • 42% Energy • 36% Liveness
2% Instrumentalness • 61% Positiveness
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Thad Jones
Tiptoe - Remixed & Remastered 1994
80 bpm • G# Maj • 06:39 • -12.75db
21% Popularity • 72% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
21% Popularity • 72% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 5
68 bpm • C Maj • 04:06 • -20.14db
34% Popularity • 60% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 60% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Kenny Drew Trio
I Didn't Know What Time It Was
68 bpm • A min • 04:03 • -17.61db
21% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
21% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Woody Shaw
Speak Low
81 bpm • D min • 08:58 • -14.5db
12% Popularity • 52% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 53% Positiveness
12% Popularity • 52% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 53% Positiveness
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Miles Davis Quartet
Lazy Susan
81 bpm • E min • 04:02 • -14.54db
22% Popularity • 58% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 58% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Duke Pearson
Ready Rudy?
81 bpm • F Maj • 05:58 • -9.1db
30% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
44% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
44% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Thelonious Monk Septet
Crepuscule With Nellie - Breakdown
67 bpm • A# min • 01:01 • -27.09db
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny "Hammond" Smith
I Love You
81 bpm • D min • 05:47 • -17.31db
0% Popularity • 62% Danceability • 21% Energy • 15% Liveness
46% Instrumentalness • 51% Positiveness
0% Popularity • 62% Danceability • 21% Energy • 15% Liveness
46% Instrumentalness • 51% Positiveness
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Woody Shaw
Rosewood
81 bpm • A# min • 07:11 • -11db
7% Popularity • 49% Danceability • 46% Energy • 28% Liveness
52% Instrumentalness • 64% Positiveness
7% Popularity • 49% Danceability • 46% Energy • 28% Liveness
52% Instrumentalness • 64% Positiveness
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Thad Jones
Minor On Top - Remastered 1997
82 bpm • A# Maj • 08:43 • -13.29db
16% Popularity • 68% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
16% Popularity • 68% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Eddie "Lockjaw" Davis
You Stepped Out Of A Dream
82 bpm • G# Maj • 03:04 • -9.82db
27% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
27% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Sonny Clark
Somebody Loves Me
82 bpm • D min • 04:15 • -14db
32% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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The Ben Webster Quintet
Where Are You?
83 bpm • G# min • 04:43 • -21.06db
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Woody Shaw
Rahsan's Run
82 bpm • D Maj • 08:04 • -13.38db
19% Popularity • 43% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
19% Popularity • 43% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Sonny Clark
Melody For C
83 bpm • C Maj • 07:45 • -13db
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Warne Marsh
Dixie's Dilemma
83 bpm • G# Maj • 04:22 • -17.18db
15% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Cannonball Adderley Sextet
Easy To Love
84 bpm • G# Maj • 03:46 • -13.65db
28% Popularity • 50% Danceability • 58% Energy • 94% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 50% Danceability • 58% Energy • 94% Liveness
0% Instrumentalness • 77% Positiveness
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Fats Navarro
John's Delight
84 bpm • F Maj • 02:58 • -13.57db
35% Popularity • 55% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 57% Positiveness
35% Popularity • 55% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 57% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
26% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Randy Brecker
Morning Song
84 bpm • D Maj • 04:09 • -15.9db
40% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
40% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
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Barry Harris Trio
Sro
84 bpm • G min • 03:52 • -14.88db
31% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
31% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Howard McGhee
Boperation
86 bpm • G min • 03:10 • -7.71db
12% Popularity • 59% Danceability • 46% Energy • 18% Liveness
6% Instrumentalness • 73% Positiveness
12% Popularity • 59% Danceability • 46% Energy • 18% Liveness
6% Instrumentalness • 73% Positiveness
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Thad Jones
A Child Is Born - Live in Berlin 1978
64 bpm • A# Maj • 10:17 • -24.2db
1% Popularity • 24% Danceability • 12% Energy • 88% Liveness
86% Instrumentalness • 6% Positiveness
1% Popularity • 24% Danceability • 12% Energy • 88% Liveness
86% Instrumentalness • 6% Positiveness
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Jimmy Giuffre
Lazy Tones
64 bpm • G# Maj • 04:13 • -28.43db
27% Popularity • 47% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 34% Positiveness
27% Popularity • 47% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 34% Positiveness
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Stanley Turrentine & The Three Sounds
There Is No Greater Love - Remastered/20...
86 bpm • F min • 08:27 • -15.59db
15% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sonny Clark
My Conception
63 bpm • D# Maj • 04:44 • -18db
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
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Thelonious Monk Septet
Epistrophy - Fragment
87 bpm • G# Maj • 01:46 • -12.05db
37% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Ben Webster Quintet
Ill Wind
63 bpm • C# Maj • 03:34 • -18.5db
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Thad Jones
Thedia - 2007 Digital Remaster/Rudy Van ...
88 bpm • G Maj • 10:35 • -10db
15% Popularity • 55% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
15% Popularity • 55% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Hampton Hawes Trio
All The Things You Are
88 bpm • F min • 04:58 • -21db
27% Popularity • 53% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
27% Popularity • 53% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Clifford Jordan
Bo-Fill - Rudy Van Gelder 24Bit Masterin...
88 bpm • A# Maj • 05:56 • -11db
38% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Zoot Sims
My Old Flame
88 bpm • G Maj • 03:23 • -11.03db
33% Popularity • 54% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 40% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
27% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Pepper Adams
Inanout
89 bpm • G min • 05:53 • -14.45db
12% Popularity • 33% Danceability • 56% Energy • 37% Liveness
9% Instrumentalness • 62% Positiveness
12% Popularity • 33% Danceability • 56% Energy • 37% Liveness
9% Instrumentalness • 62% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Bobby Timmons Trio
Softly, As In A Morning Sunrise
88 bpm • C# Maj • 05:30 • -31.43db
28% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
28% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
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Kenny Drew
Lo Flame
89 bpm • F# Maj • 03:36 • -15.75db
34% Popularity • 62% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
35% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
35% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Louis Smith
South Side - Digitally Remastered
89 bpm • C Maj • 08:38 • -6.87db
15% Popularity • 46% Danceability • 62% Energy • 35% Liveness
8% Instrumentalness • 72% Positiveness
15% Popularity • 46% Danceability • 62% Energy • 35% Liveness
8% Instrumentalness • 72% Positiveness
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Tina Brooks
Star Eyes
89 bpm • F min • 08:15 • -11db
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Charlie Parker And His Orchestra
Why Do I Love You - Alternate Take 6
90 bpm • C min • 02:59 • -14db
30% Popularity • 54% Danceability • 36% Energy • 13% Liveness
71% Instrumentalness • 68% Positiveness
30% Popularity • 54% Danceability • 36% Energy • 13% Liveness
71% Instrumentalness • 68% Positiveness
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Oscar Pettiford
Bohemia After Dark
90 bpm • G min • 05:35 • -12db
21% Popularity • 58% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 58% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Woody Shaw
Solid
91 bpm • C min • 04:41 • -15db
13% Popularity • 56% Danceability • 38% Energy • 33% Liveness
16% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 38% Energy • 33% Liveness
16% Instrumentalness • 71% Positiveness
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Bud Powell Trio
A Night In Tunisia - Alternate Take/ / R...
91 bpm • G min • 03:52 • -11.07db
31% Popularity • 63% Danceability • 54% Energy • 24% Liveness
4% Instrumentalness • 54% Positiveness
31% Popularity • 63% Danceability • 54% Energy • 24% Liveness
4% Instrumentalness • 54% Positiveness
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Duke Ellington Orchestra
Purple Gazelle
92 bpm • F min • 02:42 • -13.72db
21% Popularity • 57% Danceability • 29% Energy • 11% Liveness
10% Instrumentalness • 78% Positiveness
21% Popularity • 57% Danceability • 29% Energy • 11% Liveness
10% Instrumentalness • 78% Positiveness
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Stanley Turrentine & The Three Sounds
Willow Weep For Me - Remastered/2000
92 bpm • D min • 09:55 • -16db
31% Popularity • 56% Danceability • 9% Energy • 27% Liveness
77% Instrumentalness • 26% Positiveness
31% Popularity • 56% Danceability • 9% Energy • 27% Liveness
77% Instrumentalness • 26% Positiveness
