Songs like Little Girl - Mono by John Mayall
Based on a tempo of (+/- 10%) and a similar genre
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John Mayall
Broken Wings
83 bpm • G# Maj • 04:12 • -15.18db
30% Popularity • 53% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 32% Positiveness
30% Popularity • 53% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 32% Positiveness
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Warren Haynes
Mean Mistreatin' Mama
83 bpm • A min • 05:58 • -5.76db
29% Popularity • 51% Danceability • 72% Energy • 82% Liveness
72% Instrumentalness • 44% Positiveness
29% Popularity • 51% Danceability • 72% Energy • 82% Liveness
72% Instrumentalness • 44% Positiveness
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John Mayall & The Bluesbreakers
Little Girl
83 bpm • C Maj • 02:37 • -8.79db
36% Popularity • 48% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 48% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Savoy Brown
Tolling Bells
83 bpm • A# min • 06:36 • -15.46db
8% Popularity • 49% Danceability • 27% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
8% Popularity • 49% Danceability • 27% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
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A.C. Reed
She's Fine
82 bpm • A Maj • 04:18 • -14db
40% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Jonny Lang
Still Wonder
82 bpm • E min • 03:45 • -9db
38% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Principato
Tango'd Up In Blues
84 bpm • A min • 06:41 • -5.74db
14% Popularity • 44% Danceability • 51% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
14% Popularity • 44% Danceability • 51% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
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Willie Dixon
I Can't Quit You Baby
82 bpm • G Maj • 06:39 • -17db
48% Popularity • 47% Danceability • 24% Energy • 22% Liveness
4% Instrumentalness • 42% Positiveness
48% Popularity • 47% Danceability • 24% Energy • 22% Liveness
4% Instrumentalness • 42% Positiveness
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John Mayall & The Bluesbreakers
A Hard Road
83 bpm • G min • 03:11 • -15db
37% Popularity • 73% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 73% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Dave Hole
North West Blues
82 bpm • E Maj • 07:56 • -9db
27% Popularity • 41% Danceability • 56% Energy • 50% Liveness
25% Instrumentalness • 31% Positiveness
27% Popularity • 41% Danceability • 56% Energy • 50% Liveness
25% Instrumentalness • 31% Positiveness
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John Hiatt
Over The Hill
82 bpm • C Maj • 04:21 • -6.41db
33% Popularity • 63% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 63% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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ZZ Top
Just Got Back from Baby's
85 bpm • C Maj • 04:10 • -11.39db
40% Popularity • 61% Danceability • 34% Energy • 38% Liveness
23% Instrumentalness • 73% Positiveness
40% Popularity • 61% Danceability • 34% Energy • 38% Liveness
23% Instrumentalness • 73% Positiveness
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John Campbell
Devil in My Closet
81 bpm • G# Maj • 06:00 • -12db
23% Popularity • 35% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
23% Popularity • 35% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Willie Dixon
I'm Your Hoochie Coochie Man
84 bpm • G Maj • 04:47 • -20db
17% Popularity • 59% Danceability • 25% Energy • 33% Liveness
8% Instrumentalness • 81% Positiveness
17% Popularity • 59% Danceability • 25% Energy • 33% Liveness
8% Instrumentalness • 81% Positiveness
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Peter Frampton Band
I Just Want To Make Love To You
85 bpm • E min • 04:06 • -6db
29% Popularity • 52% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
29% Popularity • 52% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
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John Mayall & The Bluesbreakers
Double Crossin' Time
82 bpm • G Maj • 03:04 • -9.88db
36% Popularity • 63% Danceability • 43% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
36% Popularity • 63% Danceability • 43% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
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Taste
If The Day Was Any Longer
85 bpm • G Maj • 02:08 • -16.2db
33% Popularity • 57% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 57% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Guitar Shorty
I've Been Working
85 bpm • C Maj • 04:33 • -4.54db
35% Popularity • 65% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 65% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ronnie Earl
Ronnie's Blues
85 bpm • F Maj • 05:42 • -18.94db
9% Popularity • 56% Danceability • 20% Energy • 26% Liveness
33% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 20% Energy • 26% Liveness
33% Instrumentalness • 36% Positiveness
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Willie Dixon
Little Red Rooster
82 bpm • E Maj • 03:35 • -18.57db
45% Popularity • 58% Danceability • 28% Energy • 26% Liveness
21% Instrumentalness • 75% Positiveness
45% Popularity • 58% Danceability • 28% Energy • 26% Liveness
21% Instrumentalness • 75% Positiveness
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T-Bone Walker
Shufflin' the Blues
81 bpm • F Maj • 03:21 • -4.96db
32% Popularity • 66% Danceability • 73% Energy • 18% Liveness
86% Instrumentalness • 88% Positiveness
32% Popularity • 66% Danceability • 73% Energy • 18% Liveness
86% Instrumentalness • 88% Positiveness
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Julian Sas
Blues for J
86 bpm • D min • 08:55 • -8.65db
39% Popularity • 29% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
39% Popularity • 29% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
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Ronnie Wood
Am I Grooving You
87 bpm • D Maj • 03:41 • -10.07db
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Roomful Of Blues
That's A Pretty Good Love
86 bpm • F min • 02:55 • -4db
31% Popularity • 49% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
31% Popularity • 49% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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Ronnie Baker Brooks
Times Have Changed
87 bpm • A Maj • 05:17 • -5.18db
39% Popularity • 68% Danceability • 78% Energy • 16% Liveness
6% Instrumentalness • 85% Positiveness
39% Popularity • 68% Danceability • 78% Energy • 16% Liveness
6% Instrumentalness • 85% Positiveness
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Berdon Kirksaether & the Twang Bar Kings
It's a Rough Ride We're On
79 bpm • B min • 03:30 • -13db
35% Popularity • 44% Danceability • 32% Energy • 4% Liveness
17% Instrumentalness • 16% Positiveness
35% Popularity • 44% Danceability • 32% Energy • 4% Liveness
17% Instrumentalness • 16% Positiveness
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Michael Burks
Got A Way With Women
87 bpm • C Maj • 04:26 • -5.24db
27% Popularity • 58% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 58% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Ry Cooder
Down in Mississippi - 2008 Remaster
79 bpm • C Maj • 04:25 • -16.22db
23% Popularity • 42% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 42% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Colin James
Three Hours Past Midnight
79 bpm • D Maj • 06:08 • -7.06db
37% Popularity • 52% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 52% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Fairweather Low
Gin House Blues
88 bpm • E Maj • 05:13 • -9.32db
28% Popularity • 52% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
28% Popularity • 52% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Coco Montoya
It's My Own Tears
78 bpm • A min • 06:01 • -3.63db
31% Popularity • 30% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 30% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Gregg Allman
Devil Got My Woman
78 bpm • A Maj • 04:52 • -10.79db
27% Popularity • 52% Danceability • 36% Energy • 16% Liveness
7% Instrumentalness • 10% Positiveness
27% Popularity • 52% Danceability • 36% Energy • 16% Liveness
7% Instrumentalness • 10% Positiveness
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Kim Simmonds
Ain't Got Nobody
78 bpm • B min • 05:28 • -10.33db
22% Popularity • 61% Danceability • 40% Energy • 16% Liveness
23% Instrumentalness • 27% Positiveness
22% Popularity • 61% Danceability • 40% Energy • 16% Liveness
23% Instrumentalness • 27% Positiveness
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John Mayall & The Bluesbreakers
Steppin' Out
89 bpm • C Maj • 02:30 • -8.42db
35% Popularity • 37% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 88% Positiveness
35% Popularity • 37% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 88% Positiveness
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Sue Foley
Fool's Gold
89 bpm • C min • 04:38 • -7db
25% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Mick Taylor
Slow Blues
78 bpm • B min • 03:23 • -16db
41% Popularity • 52% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
41% Popularity • 52% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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The Fabulous Thunderbirds
Strong Like That
89 bpm • D min • 03:55 • -7db
31% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
31% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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Mick Fleetwood and Friends
Love That Burns (Live from The London P...
78 bpm • G min • 05:54 • -13.89db
24% Popularity • 49% Danceability • 34% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 49% Danceability • 34% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
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Delaney & Bonnie
Comin' Home
89 bpm • D Maj • 03:13 • -10db
30% Popularity • 44% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
30% Popularity • 44% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
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T-Bone Walker
T-Bone Blues
77 bpm • C Maj • 03:48 • -14db
49% Popularity • 54% Danceability • 28% Energy • 7% Liveness
4% Instrumentalness • 56% Positiveness
49% Popularity • 54% Danceability • 28% Energy • 7% Liveness
4% Instrumentalness • 56% Positiveness
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Les Paul
Rock 'N Roll Hoochie Koo
90 bpm • G Maj • 05:05 • -8db
23% Popularity • 47% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 47% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Stills
Black Queen (LP) - Version
90 bpm • F Maj • 05:26 • -19.87db
25% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
25% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Tom Principato
Lies
90 bpm • D Maj • 04:27 • -7db
13% Popularity • 54% Danceability • 73% Energy • 7% Liveness
48% Instrumentalness • 80% Positiveness
13% Popularity • 54% Danceability • 73% Energy • 7% Liveness
48% Instrumentalness • 80% Positiveness
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John Mayall
That's What Love Will Make You Do
90 bpm • G# Maj • 03:54 • -5.47db
13% Popularity • 55% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 55% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Ronnie Earl
Blues For The Homeless
90 bpm • F# min • 08:32 • -5.95db
9% Popularity • 36% Danceability • 69% Energy • 78% Liveness
66% Instrumentalness • 44% Positiveness
9% Popularity • 36% Danceability • 69% Energy • 78% Liveness
66% Instrumentalness • 44% Positiveness
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Jimmie Vaughan
Like A King
92 bpm • C Maj • 03:56 • -5db
17% Popularity • 75% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 75% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Guitar Shorty
Too Late
92 bpm • C Maj • 04:15 • -4.19db
20% Popularity • 72% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
20% Popularity • 72% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
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Susan Tedeschi
Back To The River
92 bpm • B min • 03:55 • -6.88db
34% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Jonny Lang
There's Gotta Be A Change
93 bpm • A# Maj • 04:11 • -8db
37% Popularity • 72% Danceability • 61% Energy • 12% Liveness
41% Instrumentalness • 83% Positiveness
37% Popularity • 72% Danceability • 61% Energy • 12% Liveness
41% Instrumentalness • 83% Positiveness
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John Mayall
Down The Line
92 bpm • D Maj • 03:41 • -17.46db
14% Popularity • 38% Danceability • 11% Energy • 6% Liveness
46% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 6% Liveness
46% Instrumentalness • 44% Positiveness
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Blodwyn Pig
It's Only Love
73 bpm • D# Maj • 03:22 • -4db
27% Popularity • 34% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 34% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Duke Robillard
Do The Memphis Grind
94 bpm • D Maj • 04:54 • -6.73db
17% Popularity • 67% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 90% Positiveness
17% Popularity • 67% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 90% Positiveness
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Guitar Shorty
Old School
93 bpm • G Maj • 03:59 • -4db
40% Popularity • 48% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 48% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Traditional
Another Man - Mono
73 bpm • D Maj • 01:44 • -6.72db
29% Popularity • 64% Danceability • 70% Energy • 22% Liveness
8% Instrumentalness • 65% Positiveness
29% Popularity • 64% Danceability • 70% Energy • 22% Liveness
8% Instrumentalness • 65% Positiveness
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Kim Simmonds
Sad News
73 bpm • D Maj • 06:13 • -4.37db
16% Popularity • 34% Danceability • 79% Energy • 9% Liveness
8% Instrumentalness • 70% Positiveness
16% Popularity • 34% Danceability • 79% Energy • 9% Liveness
8% Instrumentalness • 70% Positiveness
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John Mayall
Prisons On The Road
91 bpm • A# Maj • 04:18 • -7.61db
13% Popularity • 44% Danceability • 71% Energy • 7% Liveness
7% Instrumentalness • 73% Positiveness
13% Popularity • 44% Danceability • 71% Energy • 7% Liveness
7% Instrumentalness • 73% Positiveness
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Walter Trout Band
Cold Cold Feeling
95 bpm • C min • 08:38 • -10.76db
8% Popularity • 27% Danceability • 45% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 27% Danceability • 45% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmie Vaughan
Roll, Roll, Roll
72 bpm • F min • 02:53 • -5db
41% Popularity • 55% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 55% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Smokin' Joe Kubek & Bnois King
RU4 Real?
96 bpm • A Maj • 06:08 • -3.7db
27% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Louis Walker
Going To Canada
96 bpm • B min • 03:54 • -14db
28% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Kim Simmonds
Just a Dream
96 bpm • C# Maj • 04:54 • -5.78db
13% Popularity • 62% Danceability • 67% Energy • 4% Liveness
16% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 67% Energy • 4% Liveness
16% Instrumentalness • 50% Positiveness
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John Mayall
Brand New Start
75 bpm • A# min • 03:23 • -9.61db
15% Popularity • 46% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 77% Positiveness
15% Popularity • 46% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 77% Positiveness
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Joanne Shaw Taylor
Time Has Come
96 bpm • G# Maj • 05:51 • -7db
27% Popularity • 57% Danceability • 56% Energy • 30% Liveness
1% Instrumentalness • 53% Positiveness
27% Popularity • 57% Danceability • 56% Energy • 30% Liveness
1% Instrumentalness • 53% Positiveness
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John Campbell
Wiseblood
96 bpm • A# min • 05:14 • -8.81db
12% Popularity • 59% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 59% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Melvin Taylor
Travelin' Man
97 bpm • F Maj • 06:25 • -16.86db
13% Popularity • 66% Danceability • 55% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
13% Popularity • 66% Danceability • 55% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
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Lonnie Mack
Riding The Blinds
97 bpm • G Maj • 04:22 • -10.1db
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
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Beth Hart, Joe Bonamassa
Well, Well
97 bpm • D Maj • 03:42 • -4.94db
30% Popularity • 60% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 60% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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John Mayall
The Devil Must Be Laughing
75 bpm • A min • 06:57 • -6db
28% Popularity • 62% Danceability • 59% Energy • 13% Liveness
9% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 59% Energy • 13% Liveness
9% Instrumentalness • 51% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Raful Neal
Luberta
97 bpm • F Maj • 02:56 • -9.66db
42% Popularity • 70% Danceability • 60% Energy • 6% Liveness
5% Instrumentalness • 87% Positiveness
42% Popularity • 70% Danceability • 60% Energy • 6% Liveness
5% Instrumentalness • 87% Positiveness
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Snowy White
Judgement Day
97 bpm • A Maj • 05:05 • -13.8db
11% Popularity • 82% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 82% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ronnie Earl
Southside Stomp
97 bpm • E min • 04:13 • -4.73db
25% Popularity • 40% Danceability • 77% Energy • 13% Liveness
58% Instrumentalness • 54% Positiveness
25% Popularity • 40% Danceability • 77% Energy • 13% Liveness
58% Instrumentalness • 54% Positiveness
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John Mayall
Dry Throat
92 bpm • C Maj • 06:39 • -15.45db
22% Popularity • 59% Danceability • 41% Energy • 68% Liveness
2% Instrumentalness • 52% Positiveness
22% Popularity • 59% Danceability • 41% Energy • 68% Liveness
2% Instrumentalness • 52% Positiveness
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Otis Grand
Holding You Up For Love
97 bpm • G Maj • 06:09 • -8db
21% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Frampton Band
Me And My Guitar
97 bpm • D Maj • 04:23 • -5.61db
26% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jeff Healey
How Blue Can You Get
98 bpm • F Maj • 08:55 • -12.96db
29% Popularity • 40% Danceability • 41% Energy • 74% Liveness
1% Instrumentalness • 61% Positiveness
29% Popularity • 40% Danceability • 41% Energy • 74% Liveness
1% Instrumentalness • 61% Positiveness
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Jimmy Johnson
Feel Like Breaking Up Someone's Home
98 bpm • D Maj • 04:47 • -11db
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Blues Company
Waiting for Springtime
98 bpm • A min • 06:52 • -6.79db
21% Popularity • 66% Danceability • 48% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
21% Popularity • 66% Danceability • 48% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
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John Mayall
Mother in law blues
96 bpm • A Maj • 03:12 • -6.45db
15% Popularity • 60% Danceability • 61% Energy • 44% Liveness
28% Instrumentalness • 86% Positiveness
15% Popularity • 60% Danceability • 61% Energy • 44% Liveness
28% Instrumentalness • 86% Positiveness
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Sonny Boy Williamson II
Nine Below Zero - 1961 Single Version
98 bpm • C Maj • 03:28 • -5db
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Bloomfield
Albert's Shuffle
98 bpm • C Maj • 06:53 • -7.86db
36% Popularity • 45% Danceability • 61% Energy • 56% Liveness
71% Instrumentalness • 66% Positiveness
36% Popularity • 45% Danceability • 61% Energy • 56% Liveness
71% Instrumentalness • 66% Positiveness
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The Fabulous Thunderbirds
Extra Jimmies
98 bpm • E Maj • 02:38 • -9.91db
29% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Walter Trout
Blues For Jimmy T.
98 bpm • D min • 03:57 • -7.68db
17% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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John Campbell
Wild Streak
98 bpm • D# min • 04:59 • -12.94db
17% Popularity • 72% Danceability • 37% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
17% Popularity • 72% Danceability • 37% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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John Mayall
The Laws Must Change
97 bpm • F Maj • 07:22 • -9db
24% Popularity • 56% Danceability • 82% Energy • 70% Liveness
7% Instrumentalness • 80% Positiveness
24% Popularity • 56% Danceability • 82% Energy • 70% Liveness
7% Instrumentalness • 80% Positiveness
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Guitar Shorty
A Little Less Conversation
99 bpm • B min • 04:04 • -5db
46% Popularity • 60% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 60% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Savoy Brown
Close to Midnight
99 bpm • A min • 04:08 • -6.23db
24% Popularity • 57% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
24% Popularity • 57% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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Ronnie EarlThe Broadcasters
Puddin' Pie
99 bpm • D# Maj • 04:07 • -5db
14% Popularity • 47% Danceability • 82% Energy • 14% Liveness
8% Instrumentalness • 63% Positiveness
14% Popularity • 47% Danceability • 82% Energy • 14% Liveness
8% Instrumentalness • 63% Positiveness
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Kim Simmonds
Looking In
100 bpm • C Maj • 05:17 • -12.46db
19% Popularity • 59% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 68% Positiveness
19% Popularity • 59% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 68% Positiveness
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Johnny Copeland
Rolling With The Punches
100 bpm • G# Maj • 06:34 • -8.25db
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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John Mayall
Took The Car
97 bpm • A# min • 04:08 • -10.26db
11% Popularity • 60% Danceability • 60% Energy • 14% Liveness
43% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 60% Energy • 14% Liveness
43% Instrumentalness • 90% Positiveness
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Albert Cummings
Hold On
100 bpm • C# Maj • 04:14 • -5db
23% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Curtis Salgado
Walk A Mile In My Blues
100 bpm • C Maj • 04:31 • -5db
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Tinsley Ellis
All In The Name Of Love
100 bpm • A min • 05:07 • -8db
27% Popularity • 82% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 82% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
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Taste
I'm Moving On
100 bpm • A Maj • 02:28 • -17.55db
32% Popularity • 64% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 64% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Son Seals
Cotton Picking Blues
100 bpm • C Maj • 04:41 • -13db
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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John Mayall
WORLD GONE CRAZY
99 bpm • A min • 04:15 • -8.5db
14% Popularity • 73% Danceability • 58% Energy • 16% Liveness
2% Instrumentalness • 76% Positiveness
14% Popularity • 73% Danceability • 58% Energy • 16% Liveness
2% Instrumentalness • 76% Positiveness
