Songs like Little Sister - From "We Aren't Kids Anymore" Studio Cast Recording by Drew Gasparini
Based on a tempo of (+/- 10%) and a similar genre
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Joey Contreras
Love Wildly
141 bpm • C Maj • 03:09 • -4.8db
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Victoria Clark
Great Adventure
141 bpm • A Maj • 03:02 • -8.56db
34% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Sydney Farley
Life In Hate Nation
141 bpm • C Maj • 05:12 • -6.09db
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Drew Gasparini
Little Sister
141 bpm • A Maj • 04:16 • -12.91db
10% Popularity • 39% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Ellie Fishman
Twenty
141 bpm • C Maj • 03:34 • -5.02db
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Original Broadway Cast of New York, New York
Along Comes Love
142 bpm • D Maj • 03:37 • -7.19db
7% Popularity • 59% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 59% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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George Salazar
Easy
140 bpm • D Maj • 03:41 • -6.24db
7% Popularity • 49% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 49% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Zak Resnick
Vietnam
140 bpm • F min • 05:03 • -15.53db
7% Popularity • 48% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 48% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ellie Fishman
We Aren't in the Army
140 bpm • F min • 03:54 • -7.13db
14% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Miller
Sunrise
139 bpm • G Maj • 02:16 • -7.99db
8% Popularity • 46% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 46% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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A.J. Holmes
There's a Bubble Around My Heart
139 bpm • D min • 04:04 • -10.9db
8% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Central Park Cast
Plant That Seed
143 bpm • A Maj • 02:38 • -8.46db
12% Popularity • 52% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 52% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Steven Pasquale
Steal with Style
143 bpm • D Maj • 03:10 • -6.15db
11% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Anna DeNoia
Stars
139 bpm • D Maj • 05:04 • -12db
11% Popularity • 37% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Liam Pearce
Building Momentum
144 bpm • G# Maj • 02:48 • -7.27db
27% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Working: A Musical (Original London Cast)
Cleanin' Women
144 bpm • C# Maj • 03:11 • -10.86db
13% Popularity • 70% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Thompson
Aurora - Reprise 1
138 bpm • F Maj • 00:56 • -7.21db
18% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Mykal Kilgore
Flying Home
144 bpm • B Maj • 05:21 • -6.64db
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Liam Pearce
Waves and Wires
144 bpm • F Maj • 04:00 • -8.36db
22% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Molly Gordon
Afternoon
138 bpm • A Maj • 03:49 • -13db
36% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
36% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Carmen Cusack
How?
144 bpm • C# Maj • 03:52 • -11.55db
8% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jonathan Reid Gealt
Let Me Try
145 bpm • C# Maj • 03:51 • -7.13db
14% Popularity • 27% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 27% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Will Reynolds
Moment to Moment
145 bpm • D Maj • 02:25 • -10.23db
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Carl Danielsen
I Never Really Listened to Me
137 bpm • A min • 02:16 • -9.19db
15% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
13% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Holden William Hagelberger
On With the Show
145 bpm • A# Maj • 04:57 • -6.81db
14% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Rebecca Naomi Jones
When I'm Your Wife
145 bpm • A# min • 03:06 • -9.7db
13% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Anna DeNoia
Open, Stay
145 bpm • G# Maj • 04:56 • -11.06db
8% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
52% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Foster
God Answered My Prayers
146 bpm • B Maj • 05:12 • -9.88db
7% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Chris Jared
When The Booth Goes Bright - Original Lo...
136 bpm • F Maj • 03:01 • -10db
25% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Haven Burton
Building Momentum (Reprise)
146 bpm • G Maj • 01:37 • -5.36db
20% Popularity • 38% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 38% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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The Dear Edwina Singers
Say No Thank You
136 bpm • F min • 03:17 • -6db
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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"Dreamland" Studio Cast
New Dawn
136 bpm • C Maj • 02:24 • -6db
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Randy Redd
Some Kind of Paradise
136 bpm • E Maj • 03:12 • -5.65db
8% Popularity • 44% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 44% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Doyle
We Kiss In A Shadow
136 bpm • G Maj • 03:36 • -7.18db
10% Popularity • 46% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 46% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Hunter Bell
More Life
136 bpm • G Maj • 02:58 • -6db
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Amber Iman
Stay - 2022 Sessions
136 bpm • C# Maj • 03:20 • -8.3db
32% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Bryce Pinkham
It's Not Like In The Movies
147 bpm • A Maj • 04:44 • -6.67db
18% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Miller
Lost
135 bpm • D Maj • 03:07 • -9db
13% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Platt
This Is Not Over Yet
135 bpm • A Maj • 02:52 • -6db
43% Popularity • 54% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 54% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Conte
Out of Your Head
135 bpm • F# Maj • 03:25 • -5db
26% Popularity • 46% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 46% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Drew Gasparini
I'll Stick Around
148 bpm • A Maj • 04:36 • -7.09db
4% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Charles Lewis
Dreamland
148 bpm • B min • 04:05 • -6.43db
13% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Celeste Rose
Before the Breakdown
148 bpm • C# Maj • 03:59 • -6.75db
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Andrew Kober
Count Malvolio
134 bpm • C Maj • 04:58 • -9db
18% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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George Salazar
Kaboom
149 bpm • F Maj • 04:39 • -12.19db
19% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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A.J. Holmes
Out of Here
149 bpm • G# Maj • 03:08 • -8.34db
9% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Siubhan Harrison
Millwork
149 bpm • D Maj • 04:01 • -14db
12% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Anthony Rapp
Another Day
133 bpm • B Maj • 02:12 • -8.9db
15% Popularity • 36% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 36% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Barth Feldman
Archie's All-American
133 bpm • B Maj • 03:54 • -5.4db
12% Popularity • 64% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 64% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
21% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Drew Gasparini
Danny & Andrew
150 bpm • F Maj • 03:29 • -12.72db
10% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Joey Contreras
First Sign of Forever
133 bpm • G Maj • 03:50 • -13.41db
20% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Hannah Whitney
Sun Song
132 bpm • G Maj • 03:16 • -11.67db
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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KIN
Anything, Everything
151 bpm • C Maj • 04:22 • -8.72db
15% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chickenshed NYC Artists
Love the Skin You're In
132 bpm • E Maj • 03:16 • -9.37db
3% Popularity • 63% Danceability • 78% Energy • 32% Liveness
85% Instrumentalness • 81% Positiveness
3% Popularity • 63% Danceability • 78% Energy • 32% Liveness
85% Instrumentalness • 81% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Shoshana Bean
Maybe It Starts With Me
131 bpm • G# Maj • 02:50 • -6db
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jennifer Damiano
It's Not Pretty To Be Crazy
151 bpm • C Maj • 04:16 • -13.22db
13% Popularity • 52% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Doyle
The Killing
152 bpm • C Maj • 04:03 • -4.64db
11% Popularity • 47% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
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Solea Pfeiffer
Morocco
131 bpm • B Maj • 03:28 • -9.16db
10% Popularity • 41% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Anna DeNoia
The Devil I Don't
152 bpm • G# Maj • 03:55 • -9.21db
11% Popularity • 37% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 37% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Kate Baldwin
Laundry for Two
130 bpm • A# Maj • 04:11 • -6db
8% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Will Reynolds
Great Interest (Reprise)
130 bpm • D Maj • 02:35 • -9.84db
12% Popularity • 56% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 56% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Miller
Shine
130 bpm • G# Maj • 04:52 • -7.92db
9% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Etai Benson
Papi Hears the Ocean
130 bpm • C Maj • 02:59 • -11db
23% Popularity • 90% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 90% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Eric Michael Krop
Michigan
130 bpm • C Maj • 03:04 • -7.42db
12% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kyle Mcarthur
Superman Is Dead
153 bpm • G# Maj • 03:38 • -5.23db
11% Popularity • 38% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 38% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Whitney Bashor
Another Life
130 bpm • D Maj • 05:17 • -10db
27% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jared Gertner
Beautiful
153 bpm • G Maj • 02:45 • -17.09db
21% Popularity • 62% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 62% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
