Songs like Little Things by One Direction
Based on a tempo of (+/- 10%) and a similar genre
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Maroon 5
Payphone
110 bpm • E Maj • 03:51 • -4.81db
84% Popularity • 74% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
84% Popularity • 74% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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High School Musical Cast
Right Here, Right Now
110 bpm • D Maj • 03:55 • -5db
58% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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One Direction
Little Things
110 bpm • G Maj • 03:39 • -11.86db
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Maroon 5
Won't Go Home Without You
110 bpm • D# Maj • 03:51 • -3.76db
71% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lauren Spencer Smith
Fingers Crossed
110 bpm • F Maj • 02:55 • -7.17db
75% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
75% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Kelly Clarkson
Piece by Piece - Idol Version
110 bpm • C# Maj • 03:32 • -6.37db
58% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bruno Mars
Just the Way You Are
109 bpm • F Maj • 03:40 • -5.38db
85% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
85% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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ZAYN
A Whole New World (End Title)
111 bpm • D Maj • 04:02 • -8.16db
62% Popularity • 30% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
62% Popularity • 30% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Selena Gomez
Hands To Myself
111 bpm • F min • 03:20 • -7.16db
68% Popularity • 81% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 81% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Charlene Soraia
Wherever You Will Go
111 bpm • A Maj • 03:17 • -9.22db
57% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sleeping At Last
Chasing Cars
108 bpm • B Maj • 04:02 • -9.65db
59% Popularity • 47% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 47% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Meghan Trainor
Like I'm Gonna Lose You
108 bpm • C Maj • 03:45 • -7.26db
77% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
77% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Little Mix
Black Magic
112 bpm • E Maj • 03:31 • -5.54db
74% Popularity • 78% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
74% Popularity • 78% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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James Arthur
Can I Be Him
108 bpm • B Maj • 04:06 • -6.16db
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Troy
Breaking Free
108 bpm • C min • 03:27 • -6.44db
65% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lady A
Need You Now
108 bpm • E Maj • 03:56 • -4.43db
74% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Lewis Capaldi
Wish You The Best
108 bpm • D# Maj • 03:30 • -3.59db
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Andy Grammer
Don't Give Up On Me
113 bpm • C min • 03:16 • -5.45db
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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One Direction
Truly Madly Deeply
113 bpm • C Maj • 03:00 • -8.01db
57% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Jamie Miller
Here's Your Perfect
113 bpm • F# Maj • 02:38 • -5.34db
76% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
76% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Nick Jonas
Introducing Me
113 bpm • B Maj • 03:06 • -6.05db
63% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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James Arthur
Falling Like The Stars
114 bpm • F# Maj • 03:31 • -9.54db
71% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
71% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lana Del Rey
Young And Beautiful
114 bpm • B min • 03:56 • -8.92db
85% Popularity • 32% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
85% Popularity • 32% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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One Direction
I Want to Write You a Song
106 bpm • F Maj • 02:59 • -7.64db
59% Popularity • 71% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 71% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Little Mix
Love Me Like You
106 bpm • G Maj • 03:17 • -4.99db
70% Popularity • 78% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 78% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Julia Michaels
Issues
114 bpm • G# Maj • 02:56 • -6.85db
76% Popularity • 73% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
76% Popularity • 73% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
80% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
80% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sabrina Carpenter
Skin
106 bpm • G Maj • 02:57 • -5.37db
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Noah Kahan
Hurt Somebody
115 bpm • C# Maj • 02:47 • -6.49db
73% Popularity • 64% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 64% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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One Direction
Walking in the Wind
115 bpm • G# Maj • 03:22 • -6.59db
64% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
64% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Schulte
You Said You'd Grow Old With Me
114 bpm • C Maj • 03:44 • -7.04db
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremy Zucker
always, i'll care
105 bpm • F# Maj • 02:26 • -12.62db
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sam Smith
Fire On Fire
115 bpm • C# min • 04:06 • -7.36db
77% Popularity • 58% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 58% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Clean Bandit
I Miss You
105 bpm • C min • 03:25 • -7.48db
67% Popularity • 69% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 69% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sleeping At Last
Turning Page
115 bpm • D# Maj • 04:15 • -8.5db
70% Popularity • 31% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
70% Popularity • 31% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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One Direction
Strong
115 bpm • C Maj • 03:04 • -7.31db
74% Popularity • 74% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
74% Popularity • 74% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Billie Eilish
lovely
115 bpm • E min • 03:20 • -10.11db
88% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
88% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lewis Capaldi
Grace
104 bpm • E Maj • 03:05 • -5.85db
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Leona Lewis
Bleeding Love
104 bpm • F Maj • 04:22 • -5.89db
77% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
77% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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One Direction
Ready to Run
115 bpm • D Maj • 03:16 • -4.17db
63% Popularity • 52% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 52% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Plain White T's
Hey There Delilah
104 bpm • D Maj • 03:52 • -10.57db
79% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Labrinth
Jealous
117 bpm • C# Maj • 04:47 • -8.95db
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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One Direction
Happily
117 bpm • A Maj • 02:55 • -4.78db
63% Popularity • 62% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 62% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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James Arthur
Safe Inside
117 bpm • G# Maj • 03:42 • -6.55db
66% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
66% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Lewis Capaldi
when the party's over - Recorded at Spot...
117 bpm • A# Maj • 03:52 • -10.27db
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jonas Blue
Fast Car - Acoustic
103 bpm • A Maj • 03:37 • -9.92db
57% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Lauv
Feelings
103 bpm • A Maj • 03:09 • -8.91db
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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One Direction
Change My Mind
117 bpm • D Maj • 03:32 • -5.32db
57% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Chainsmokers
Something Just Like This
103 bpm • B min • 04:07 • -6.77db
87% Popularity • 62% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
87% Popularity • 62% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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PUBLIC
Make You Mine
103 bpm • A Maj • 03:52 • -4.45db
74% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
74% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Sleeping At Last
You Are Enough
118 bpm • C# Maj • 03:00 • -8.53db
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Phillip Phillips
Gone, Gone, Gone
118 bpm • F# Maj • 03:29 • -5.96db
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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One Direction
Olivia
118 bpm • F# Maj • 02:57 • -5.36db
68% Popularity • 64% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 64% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Harry Styles
Love Of My Life
118 bpm • G Maj • 03:11 • -8.23db
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Alicia Keys
If I Ain't Got You
118 bpm • G Maj • 03:48 • -9.13db
83% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
83% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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MKTO
Classic
102 bpm • C# Maj • 02:55 • -4.69db
83% Popularity • 72% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
83% Popularity • 72% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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One Direction
Best Song Ever
118 bpm • C# Maj • 03:20 • -2.99db
76% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
76% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Andra Day
Rise Up
119 bpm • C# Maj • 04:13 • -7.03db
72% Popularity • 40% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 40% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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DNCE
Truthfully
102 bpm • G# Maj • 03:02 • -6.86db
57% Popularity • 72% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 72% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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High School Musical Cast
Just Wanna Be With You
102 bpm • D min • 02:36 • -4.8db
59% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Maroon 5
She Will Be Loved - Radio Mix
102 bpm • C min • 04:19 • -5.57db
82% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
82% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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James Arthur
Naked
102 bpm • F# Maj • 03:53 • -6.79db
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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The Vamps
Wild Heart
119 bpm • C# Maj • 03:11 • -4.82db
53% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Louis Tomlinson
Defenceless
119 bpm • B Maj • 03:43 • -5.87db
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Stephen Sanchez
Until I Found You - Em Beihold Version
101 bpm • A# Maj • 02:56 • -5.34db
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Selena Gomez & The Scene
Who Says
101 bpm • E Maj • 03:15 • -2.92db
75% Popularity • 68% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
75% Popularity • 68% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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John Legend
All of Me
120 bpm • G# Maj • 04:29 • -7.06db
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Anne-Marie
Her
120 bpm • A# Maj • 02:57 • -5.57db
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Harry Styles
Sign of the Times
120 bpm • F Maj • 05:40 • -4.63db
84% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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One Direction
Night Changes
120 bpm • G# Maj • 03:46 • -7.75db
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
