Songs like Little Things by Marty Stuart
Based on a tempo of (+/- 10%) and a similar genre
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Moe Bandy
Here I Am, I'm Drunk Again
146 bpm • A Maj • 02:33 • -11.22db
29% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Dale Watson
Truckstop In La Grange
146 bpm • D Maj • 02:32 • -13db
29% Popularity • 68% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 95% Positiveness
29% Popularity • 68% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 95% Positiveness
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Eddy Raven
Sooner Or Later
146 bpm • G Maj • 03:55 • -9.52db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ellie Greenwich, Jeff Barry
The She Kissed Me
146 bpm • G# Maj • 02:40 • -5.99db
18% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Marty Stuart
Honky Tonk Crowd
146 bpm • G Maj • 03:16 • -5.13db
17% Popularity • 52% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 52% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny Lee
Cherokee Fiddle
145 bpm • D Maj • 04:12 • -11db
25% Popularity • 62% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 62% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Larry Gatlin & The Gatlin Brothers
The Lady Takes the Cowboy Everytime
147 bpm • D Maj • 02:50 • -11.13db
29% Popularity • 64% Danceability • 65% Energy • 2% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 64% Danceability • 65% Energy • 2% Liveness
0% Instrumentalness • 82% Positiveness
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Charlie Daniels
Tennessee Two Step
147 bpm • A Maj • 04:51 • -12.17db
8% Popularity • 59% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 59% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Gary Allan
Runaway
145 bpm • A Maj • 02:46 • -4.74db
40% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Sammy Kershaw
Your Tattoo
147 bpm • D# Maj • 02:22 • -6.86db
27% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Stuart
Little Things
146 bpm • G Maj • 03:10 • -9.19db
31% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Derailers
More Of Your Love
145 bpm • G Maj • 03:01 • -5.91db
27% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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The Tractors
I've Had Enough
145 bpm • D# Maj • 03:10 • -6.59db
19% Popularity • 77% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 77% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Southern Pacific
Thing About You
147 bpm • A Maj • 03:51 • -5.85db
25% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Hill
Too Much Month at the End of the Money
147 bpm • G Maj • 02:20 • -8db
14% Popularity • 48% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 48% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Highway 101
Baby, I'm Missing You
148 bpm • G Maj • 02:53 • -8.65db
25% Popularity • 68% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 68% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Marty Stuart
Half A Heart
145 bpm • F Maj • 02:34 • -9.77db
15% Popularity • 52% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 52% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Marty Stuart And His Fabulous Superlatives
Country Star
144 bpm • G Maj • 03:05 • -5.82db
24% Popularity • 52% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 52% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Danni Leigh
Longnecks, Cigarettes
148 bpm • G Maj • 02:37 • -5.23db
12% Popularity • 42% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 42% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Tractors
Linda Lou
148 bpm • F Maj • 03:31 • -7db
23% Popularity • 71% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Carter
The Right Place
148 bpm • E Maj • 03:12 • -5.5db
22% Popularity • 52% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 52% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Eddy Raven
Johnny's Got A Pistol
148 bpm • C Maj • 02:47 • -9.9db
27% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Marty Stuart
If I Ain't Got You
145 bpm • F min • 02:56 • -7.93db
11% Popularity • 67% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 67% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Wynonna
Girls With Guitars
144 bpm • A Maj • 03:17 • -6db
37% Popularity • 73% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 73% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Shenandoah
Darned If I Don't (Danged If I Do)
149 bpm • G# Maj • 02:29 • -7db
38% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Larry Gatlin & The Gatlin Brothers
Houston (Means I'm One Day Closer To You...
143 bpm • D Maj • 03:06 • -11.3db
17% Popularity • 60% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 60% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Rick Trevino
Honky Tonk Crowd
149 bpm • C# Maj • 02:45 • -10db
26% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Holly Dunn
There Goes My Heart Again
149 bpm • C# Maj • 02:37 • -9.43db
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Marty Stuart
Bridge Washed Out
148 bpm • C# Maj • 02:27 • -6.74db
15% Popularity • 68% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 68% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Neal McCoy
If You Can't Be Good, Be Good at It
149 bpm • F Maj • 03:26 • -5.88db
28% Popularity • 63% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 63% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Eddy Raven
COWBOYS DON'T CRY
149 bpm • C Maj • 03:12 • -8.7db
28% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Larry Gatlin & The Gatlin Brothers
I Just Wish You Were Someone I Love
149 bpm • G Maj • 03:17 • -11.41db
20% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Overstreet
Sowin' Love
143 bpm • E Maj • 03:48 • -13.73db
26% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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David Ball
Too Much Blood in My Alcohol Level
143 bpm • G Maj • 02:50 • -4db
34% Popularity • 65% Danceability • 88% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 65% Danceability • 88% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
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Marty Stuart
Too Much Month (At The End Of The Money)
148 bpm • F# Maj • 02:16 • -5.71db
18% Popularity • 53% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 53% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Little Texas
Peaceful Easy Feeling
143 bpm • E Maj • 04:18 • -8.68db
21% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Heather Myles
Nashville's Gone Hollywood
143 bpm • G# Maj • 02:57 • -5.69db
31% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Gatlin & The Gatlin Brothers
Houston (Means I'm One Day Closer To You...
149 bpm • B min • 02:54 • -14.09db
24% Popularity • 62% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 62% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Overstreet
Takes a Whole Lot of Liquor to Like Her
150 bpm • G Maj • 03:21 • -5.56db
27% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Vern Gosdin
Dim Lights, Thick Smoke (And Loud, Loud ...
142 bpm • E Maj • 03:30 • -13.01db
32% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Marty Stuart
Easy To Love (Hard To Hold)
149 bpm • A Maj • 02:53 • -15.2db
12% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Gene Watson
Should I Come Home (Or Should I Go Crazy...
142 bpm • G# Maj • 02:32 • -9.51db
40% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Diamond Rio
Mirror Mirror
150 bpm • C Maj • 03:11 • -12.14db
38% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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David Ball
Hot Water Pipe
151 bpm • D Maj • 03:15 • -5.75db
24% Popularity • 67% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 67% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Lee
Country Party
141 bpm • D Maj • 03:18 • -11.85db
23% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Deborah Allen
Rock Me (In the Cradle of Love)
151 bpm • B Maj • 04:06 • -7db
17% Popularity • 52% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 52% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Marty Stuart
Down Home
150 bpm • A Maj • 02:40 • -7.68db
13% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Overstreet
All The Fun
151 bpm • D Maj • 04:03 • -13.22db
18% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Highway 101
Honkey Tonk Heart
141 bpm • C Maj • 03:27 • -10db
25% Popularity • 61% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 61% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
44% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Gene Watson
Memories to Burn
152 bpm • A# Maj • 02:41 • -9.46db
29% Popularity • 59% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 59% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Marty Stuart
Hillbilly Rock
141 bpm • F min • 02:38 • -14.62db
46% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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George Jones
One Woman Man
140 bpm • G Maj • 02:50 • -9.66db
18% Popularity • 66% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Highway 101
Walkin', Talkin', Cryin', Barely Beatin'...
141 bpm • D# Maj • 02:35 • -12.25db
32% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Sammy Kershaw
Take a Letter Maria
152 bpm • C Maj • 03:26 • -9.36db
22% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Stuart And His Fabulous Superlatives
A Friend Of Mine
152 bpm • D Maj • 03:47 • -7.11db
21% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Mike Reid
I'll Stop Loving You
140 bpm • G Maj • 03:21 • -11.46db
18% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Stuart
Ghost Train Four-Oh-Ten
140 bpm • C# Maj • 03:20 • -7.61db
12% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Major
Someday I'm Gonna Ride In A Cadillac
153 bpm • G Maj • 03:40 • -7.92db
17% Popularity • 45% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 45% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Highway 101
(Do You Love Me) Just Say Yes
140 bpm • A# Maj • 03:40 • -12db
29% Popularity • 59% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 59% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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The Kendalls
Heaven's Just A Sin Away
153 bpm • F# Maj • 02:36 • -9.63db
28% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Desert Rose Band
She Don't Love Nobody
139 bpm • G Maj • 02:59 • -12.5db
26% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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George Ducas
Hello Cruel World
139 bpm • A Maj • 03:29 • -7.49db
18% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Marty Stuart
Sweet Love
140 bpm • A# Maj • 03:20 • -8.25db
10% Popularity • 56% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 56% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Pirates Of The Mississippi
Honky Tonk Blues
154 bpm • D Maj • 03:03 • -8.6db
41% Popularity • 62% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 62% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Highway 101
The Bed You Made for Me
138 bpm • G# Maj • 03:29 • -12.59db
40% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Southern Pacific
Midnight Highway
138 bpm • G Maj • 03:46 • -9.74db
12% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Hal Ketchum
I Miss My Mary
154 bpm • A Maj • 03:13 • -8db
29% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Kendalls
Heaven's Just A Sin Away
154 bpm • F# Maj • 02:25 • -6db
42% Popularity • 56% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 56% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Marty Stuart
Sundown In Nashville
140 bpm • G# Maj • 03:00 • -7db
18% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Sammy Kershaw
Cadillac Style
138 bpm • D Maj • 02:55 • -11db
52% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Mike Reid
Walk On Faith
154 bpm • E Maj • 03:10 • -13db
32% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Rabbitt
Plain as the Pain on My Face - 2008 Vers...
138 bpm • C# min • 02:23 • -8.86db
33% Popularity • 73% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 73% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Ricky Skaggs
I Wouldn't Change You If I Could
138 bpm • F Maj • 02:59 • -10.94db
41% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Marty Stuart
Don't Leave Her Lonely Too Long
139 bpm • F Maj • 03:22 • -14.87db
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Tracy Byrd
The First Step
155 bpm • E Maj • 02:23 • -8.28db
36% Popularity • 64% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 64% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Lee
'Til the Bars Burn Down
138 bpm • B Maj • 03:15 • -14.77db
11% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Texas Tornados
Is Anybody Goin' to San Antone
137 bpm • A Maj • 03:03 • -7.78db
34% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Steve Earle
Nowhere Road
155 bpm • C# Maj • 02:48 • -13db
40% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Doug Supernaw
Honky Tonkin' Fool
137 bpm • E Maj • 03:14 • -13.33db
23% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Marty Stuart
I'm Blue, I'm Lonesome
138 bpm • E min • 03:21 • -9.39db
18% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Gene Watson
You're Out Doing What I'm Here Doing Wit...
137 bpm • G# Maj • 02:28 • -5db
35% Popularity • 68% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 68% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Lee
Hey Bartender
156 bpm • D Maj • 02:43 • -13.11db
33% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Rodney Crowell
I Couldn't Leave You If I Tried
136 bpm • C Maj • 03:17 • -8.54db
29% Popularity • 64% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 64% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Earl Thomas Conley
Somewhere Between Right and Wrong
136 bpm • A Maj • 04:08 • -10.98db
32% Popularity • 66% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 66% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Hal Ketchum
Hearts Are Gonna Roll
136 bpm • A# Maj • 03:04 • -7.78db
29% Popularity • 61% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 61% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Marty Stuart
Truck Driver's Blues
155 bpm • D min • 03:45 • -6.83db
11% Popularity • 62% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 62% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Sweethearts of the Rodeo
Don't Look Down
157 bpm • D# Maj • 02:53 • -8.56db
19% Popularity • 67% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 67% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Gene Watson
Got No Reason Now For Goin' Home
157 bpm • G Maj • 02:44 • -12.94db
36% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Danni Leigh
If The Jukebox Took Teardrops
158 bpm • C Maj • 02:42 • -4.64db
22% Popularity • 53% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 53% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Major
The Other Side
158 bpm • A# Maj • 03:07 • -7.21db
34% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Marty Stuart
When The Sun Goes Down
137 bpm • B Maj • 02:42 • -15.15db
17% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Holly Dunn
Only When I Love
158 bpm • E Maj • 03:32 • -13.48db
15% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Lee
Pickin' up Strangers
135 bpm • D min • 02:23 • -15.39db
24% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Bruce
My First Taste of Texas
158 bpm • A Maj • 03:54 • -8.96db
46% Popularity • 59% Danceability • 49% Energy • 25% Liveness
2% Instrumentalness • 52% Positiveness
46% Popularity • 59% Danceability • 49% Energy • 25% Liveness
2% Instrumentalness • 52% Positiveness
